| Title |
Pages / Words |
Save |
| Rainman |
4 / 937 |
 |
| Saving Private Ryan |
4 / 1019 |
|
| The Magnificent Ambersons |
8 / 2302 |
|
| Cold war |
5 / 1397 |
|
| Flags of our fathers |
3 / 736 |
|
| Good Morning, Vietnam |
3 / 832 |
|
| Grapes of Wrath |
2 / 587 |
|
| JFK |
5 / 1392 |
|
| Mississippi Burning Paper |
3 / 888 |
|
| malcolm x |
4 / 1148 |
|
| Football |
1 / 222 |
|
| Jane Wyatt |
4 / 945 |
|
| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
|
| Marilyn Monroe |
1 / 242 |
|
| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
|
| Analysis of Erin Brockovich |
2 / 373 |
|
| a rose for emily |
4 / 1010 |
|
| Bluest Eye |
4 / 1161 |
|
| Edgar Allen Poe: Writing Style |
5 / 1241 |
|
| Infinite Jest |
3 / 764 |
|
| Lolita |
2 / 523 |
|
| Rashomon |
6 / 1575 |
|
| Review Of Oleanna |
3 / 623 |
|
| The Importance of History in 1984 |
3 / 610 |
|
| The Quiet American- A comparison |
4 / 911 |
|
| The Quiet American: Alden Pyle |
2 / 585 |
|
| History Of Kodak |
2 / 518 |
|
| Kodak Case Summary |
2 / 358 |
|
| Marine Biology |
4 / 1014 |
|
| Swarovski |
2 / 335 |
|
| Virtual Management At Accenture |
1 / 289 |
|
| Comfort Of Strangers Commentary |
4 / 1174 |
|
| Comparasion Essay |
4 / 1045 |
|
| Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
|
| Essay (Power Of One) |
2 / 572 |
|
| Gattaca |
1 / 281 |
|
| Gattaca |
2 / 561 |
|
| Literary Elements |
2 / 466 |
|
| dead poet's society |
3 / 746 |
|
| jaws media |
2 / 598 |
|
| johnny got his gun |
2 / 321 |
|
| Lucky Jim |
2 / 434 |
|
| Movie Review |
3 / 616 |
|
| Myth in Baseball |
5 / 1296 |
|
| Narrative |
3 / 706 |
|
| Othello: Shakespeare vs. Parker |
2 / 596 |
|
| Phil's reading list analysis |
4 / 1190 |
|
| Presidential Election |
3 / 720 |
|
| Reality of Paradise Lost |
2 / 422 |
|
| Salvation |
4 / 1032 |
|
| Sleepy Hollow Film Review |
4 / 1152 |
|
| Strictly Ballroom |
3 / 873 |
|
| Symbolism in The Ancient Marinier |
2 / 380 |
|
| The Beach |
2 / 561 |
|
| The Castle |
3 / 680 |
|
| The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
|
| The Importance of heritage in “Everyday Use” |
3 / 702 |
|
| Type of Genre |
3 / 612 |
|
| Understanding Characters in Objectively Narrated Stories |
7 / 2065 |
|
| Virtual reality |
2 / 484 |
|
| What are the qualities of a successful thriller and how are they exploited? |
4 / 1122 |
|
| Writing |
3 / 642 |
|
| media & teens |
2 / 455 |
|
| radiance |
2 / 522 |
|
| Dead |
2 / 455 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Nuclear Radiation |
2 / 545 |
|
| Old Art |
4 / 1100 |
|
| Robert Pattinson |
1 / 264 |
|
| rise of neo realist film in italy |
8 / 2395 |
|
| THE GRAPES OF WRATH-Movie Review |
3 / 623 |
|
| The Crucible |
2 / 578 |
|
| H.g. Wells Literature Paper |
4 / 1164 |
|
| 1984 10 |
3 / 729 |
|
| Bluest Eye |
4 / 1161 |
|
| Briar rose symbols |
2 / 358 |
|
| Cabaret |
3 / 868 |
|
| Catcher In The Rye And Red Badge Of Courage - The Maturation Of Holden |
4 / 1135 |
|
| Compare and contrast black representations in 'Gone with the wind' (1939) and 'Guess who's coming to dinner' (1967). |
3 / 748 |
|
| Crash |
2 / 349 |
|
| Death And The Maiden - Film Vs |
4 / 964 |
|
| Existentialism |
1 / 295 |
|
| Horror Movies |
2 / 552 |
|
| Inferno |
2 / 303 |
|
| Juan Gris |
2 / 375 |
|
| john humphry's t.v. critisim |
5 / 1372 |
|
| My Left Foot: The Strength Of A Mother |
1 / 290 |
|
| popular culture |
4 / 916 |
|
| Roswell |
3 / 787 |
|
| Sarah Plain and Tall |
1 / 174 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
| Synopsis |
4 / 1112 |
|
| sam spade |
4 / 1116 |
|
| The Hunting of the President |
5 / 1448 |
|
| The Illiad |
3 / 719 |
|
| The Power of Dance |
2 / 387 |
|
| The Sheltering Sky |
4 / 1084 |
|
| The Shining |
4 / 939 |
|
| The World Is Not Enough |
4 / 1082 |
|
| The film (Bowling for Columbine) explores the connection between racism and fear. Discuss. |
2 / 577 |
|
| To Listen Or Not To Listen: A Pop-music Question |
3 / 745 |
|
| To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? |
8 / 2206 |
|
| Vampire Lord |
2 / 579 |
|
| Violence in US |
5 / 1459 |
|
| "American Beauty" and its Music |
5 / 1247 |
|
| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
|
| A Beautiful Mind |
1 / 274 |
|
| An Analysis Of Moulin Rouge |
9 / 2450 |
|
| Analyzing Moulin Rouge |
4 / 1113 |
|
| Archetypes in Horror Films |
3 / 638 |
|
| Assault on Precinct 13 |
2 / 442 |
|
| a beautiful mind |
4 / 907 |
|
| Babel |
3 / 817 |
|
| Baz Luhrmann |
4 / 1019 |
|
| Birth Of Nation |
1 / 270 |
|
| Blowup could never be staged as a theatrical play.’ What are the elements that make Blowup so filmic? |
8 / 2166 |
|
| Corruption |
4 / 1060 |
|
| Crash |
3 / 853 |
|
| Critique of SHawshank Redemption |
3 / 729 |
|
| crash the movie |
6 / 1792 |
|
| Dark Water |
4 / 904 |
|
| David Selznick And Since You Went Away |
8 / 2370 |
|
| Donnie Brasco |
3 / 630 |
|
| Essay of Series 'TAKEN' |
6 / 1771 |
|
| Eternal Sunshine of the Spotless Mind-A Fantastical Journey to Empathy |
7 / 1981 |
|
| Etre et Avoir - a documentary |
9 / 2553 |
|
| Exploring Popular music |
5 / 1248 |
|
| Fight Club |
3 / 750 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Film and TV Narative: Manhunter |
3 / 702 |
|
| Friday night Lights |
3 / 759 |
|
| Gattaca |
1 / 281 |
|
| Gladiator (Movie) |
5 / 1373 |
|
| gattaca |
3 / 742 |
|
| Hello, My Name Is Orson Welles |
6 / 1575 |
|
| Horror Movies |
2 / 552 |
|
| hollywood and product placement |
6 / 1519 |
|
| Indiana Jones |
5 / 1204 |
|
| Jean Luc Godard's Weekend as Didactic Self-Reflexive Cinema |
7 / 1884 |
|
| Kenneth Baranagh's "Henry V" |
2 / 457 |
|
| Kevin Smith |
3 / 806 |
|
| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
| LA STORY AND SHAKESPEARE |
5 / 1450 |
|
| Legends of the fall |
3 / 887 |
|
| Matrix Review |
4 / 902 |
|
| Media Studies Thriller Project |
8 / 2176 |
|
| Movie Report: Extreme Measures |
2 / 325 |
|
| Movie Review |
3 / 713 |
|
| Movie: Last Of The Mohicans |
4 / 1128 |
|
| Natural Born Killers essay |
5 / 1329 |
|
| North by Northwest |
3 / 671 |
|
| Pleasantville |
3 / 788 |
|
| quentin tarentino |
11 / 3043 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
| Racism in American History X |
3 / 793 |
|
| robert deniro |
6 / 1613 |
|
| Saving Private Ryan |
3 / 686 |
|
| Sleepy Hollow |
4 / 1073 |
|
| Supervolcano |
2 / 496 |
|
| Terrence Malick's "The Thin Red Line" and Hollywood's Traditional Depictions of War |
20 / 5727 |
|
| The Indo- Afghan Connection |
4 / 963 |
|
| The Lord of the Rings - Music as an emotional guide |
3 / 857 |
|
| The Matris |
2 / 520 |
|
| The Piano: Point Taken |
3 / 816 |
|
| The Truman Show |
3 / 820 |
|
| To Listen Or Not To Listen: A Pop-Music Question |
3 / 745 |
|
| Torrance Vs. Torrance |
4 / 923 |
|
| True Lies |
5 / 1358 |
|
| Will Sky Captaun Make History? |
3 / 817 |
|
| Alice studies in Politics |
2 / 301 |
|
| Allegory of the Cave |
1 / 243 |
|
| Circular Ruins |
1 / 274 |
|
| fdsf |
2 / 380 |
|
| Herclitus' view of Reality |
2 / 413 |
|
| Inner Power |
3 / 827 |
|
| OUR SENSES: A DANGEROUS GIFT |
1 / 263 |
|
| Overview Of Goodwill |
1 / 286 |
|
| Reflection on “Adler’s Philosophical Dictionary” |
2 / 412 |
|
| seils |
2 / 404 |
|
| ALLEGORY OF THE CAVE |
2 / 538 |
|
| American Beauty |
4 / 1045 |
|
| Rainman |
3 / 753 |
|
| What eating gUlbert Grape |
3 / 713 |
|
| Buddhism and the Matrix |
4 / 992 |
|
| An Inconvenient Truth |
2 / 355 |
|
| penny for thoughts |
2 / 570 |
|
| Virtual Reality |
5 / 1286 |
|
| Child Labor |
1 / 79 |
|
| Crash |
1 / 213 |
|
| GATTICA |
3 / 799 |
|
| Global Warming |
1 / 90 |
|
| kit kat preoject |
7 / 1899 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| Pop Culture |
3 / 689 |
|
| Spider Man |
3 / 751 |
|
| Spike Lee's Bamboozled |
2 / 522 |
|
| The Fatal Flaw Of Society: Expressionism, Nihilism And Sartreist Absurdity |
3 / 720 |
|
| the effect of the writers strike on the economy |
8 / 2221 |
|
| IMAX CINEMA- help sheet |
2 / 498 |
|
| Kodak |
2 / 590 |
|
