| Title |
Pages / Words |
Save |
| Glory |
1 / 283 |
 |
| Book Review |
2 / 473 |
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| Miss |
1 / 251 |
|
| Me |
1 / 262 |
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| Abc |
2 / 347 |
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| Big Two-Hearted River: Part II |
4 / 1169 |
|
| Book Film Comparison About When One Flies Over The Cuckoos Nest |
4 / 923 |
|
| Commentary of “The Curious Incident of the Dog at Nighttime” |
2 / 350 |
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| Dark They Were And Golden-Eyed |
3 / 633 |
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| Horror Show |
2 / 397 |
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| March Of the Penguins |
2 / 520 |
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| Nightmare on Elm Street |
1 / 248 |
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| She Wasnt Soft Essay |
2 / 522 |
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| summer reading |
2 / 519 |
|
| The Matrix |
4 / 1011 |
|
| ecommerce |
1 / 258 |
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| Globalization |
2 / 329 |
|
| health |
2 / 374 |
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| land rover north american, Inc |
3 / 704 |
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| Nescafe |
2 / 475 |
|
| Reading summary |
3 / 793 |
|
| "Sweat" Hurston |
2 / 444 |
|
| 2001 A Space Odyssey Analysis |
4 / 915 |
|
| A Bronx Tale |
1 / 159 |
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| A Streetcar themes |
1 / 236 |
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| Analysis in narration of the The Tell-Tale Heart |
5 / 1284 |
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| Chicken Run |
2 / 363 |
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| Christopher Boone Seems Utterly Unsuited To Narrating But Becomes A Rather Wonderful Narrator. |
2 / 429 |
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| Crash Overview |
2 / 380 |
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| Cultural Studies |
2 / 405 |
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| Dubliners |
3 / 609 |
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| Essay Writing Tips |
1 / 235 |
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| Genre |
4 / 964 |
|
| Harry Potter and the Camber of Secrets |
2 / 557 |
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| James Bond |
1 / 295 |
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| Jaws |
1 / 145 |
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| classification of movies |
2 / 425 |
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| epic theatre |
3 / 624 |
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| Macbeth |
2 / 511 |
|
| Monty Python and the Holy Grail |
2 / 395 |
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| Mummy |
2 / 368 |
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| One Flew Over The Cuckoo'S Nest |
3 / 744 |
|
| Reality TV |
2 / 594 |
|
| Requiem for a Dream |
2 / 328 |
|
| Review: Pulp Fiction |
3 / 776 |
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| Sahara Review |
2 / 458 |
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| Story To Film |
2 / 421 |
|
| Term Paper |
1 / 141 |
|
| The Airport Novel |
2 / 502 |
|
| The Barred Owl |
2 / 586 |
|
| The Great Gatsby |
5 / 1203 |
|
| The Harder They Come |
4 / 952 |
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| The Right Stuff might be the Wrong stuff after all |
3 / 611 |
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| The Styles of Curt Vonnegut |
3 / 772 |
|
| The beast |
2 / 394 |
|
| The relationship between reader and writer |
2 / 406 |
|
| What makes a successful romantic tragedy? |
7 / 1887 |
|
| Writers are like photographers |
2 / 345 |
|
| Yellow Wallpaper |
2 / 436 |
|
| ms |
4 / 1072 |
|
| romeo and juliet |
3 / 652 |
|
| sound and the fury |
2 / 350 |
|
| weight of water |
2 / 350 |
|
| Ca Twiste a Popenguine |
1 / 123 |
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| Caligula - motivations of the directors |
2 / 392 |
|
| frankenstein |
2 / 471 |
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| Mr. Sears’ Catalogue |
2 / 598 |
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| Narration In A Telephone Call And Miss Brill |
3 / 603 |
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| Old Movies And America |
2 / 462 |
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| The U.S. vs. John Lennon |
2 / 305 |
|
| A Nightmare On Elm Street |
8 / 2284 |
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| A film I have seen |
2 / 523 |
|
| Anderson And Hemingway's Use Of The First Person |
4 / 1162 |
|
| american splendor |
4 / 922 |
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| animal farm reveiw |
1 / 260 |
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| Babam Ve Oglum |
4 / 1139 |
|
| Big Two-hearted River: Part Ii |
4 / 1169 |
|
| Black Hawk Down |
1 / 195 |
|
| Deceiving Images of Bowling for Columbine |
6 / 1638 |
|
| Discussing Literary Genre |
3 / 805 |
|
| Father Of The Bride |
2 / 539 |
|
| Fight Club |
2 / 496 |
|
| Formalistic Elements in Goodfellas |
3 / 604 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
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| Heavy Metal |
3 / 616 |
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| Homesick |
2 / 397 |
|
| Imagination 2 |
3 / 809 |
|
| Imagination |
3 / 809 |
|
| Lolita's Boys |
2 / 415 |
|
| Media |
3 / 700 |
|
| Nightmare On Elm Street |
8 / 2123 |
|
| narrative structures |
3 / 616 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
|
| Photography |
2 / 533 |
|
| Process Of Processing |
2 / 430 |
|
| Roger And Me |
2 / 410 |
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| Scarface |
2 / 368 |
|
| sci-fi tv |
4 / 1088 |
|
| The Great Gatsby |
5 / 1203 |
|
| The Life Aquatic |
1 / 226 |
|
| The Maltese Falcon |
6 / 1564 |
|
| The Things They Carried 2 |
2 / 522 |
|
| Who moved my cheese |
3 / 852 |
|
| 12 Monkeys |
2 / 513 |
|
| 2004 Stepford Wives |
1 / 300 |
|
| "Chinatown" as film noir |
3 / 849 |
|
| A Nightmare On Elm Street |
8 / 2284 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| Accenting Temperament |
5 / 1471 |
|
| Amelie |
2 / 330 |
|
| Analysis of "Vantage Point" trailer |
4 / 1076 |
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| Apocalypse Now vs. Heart of Darkness |
2 / 303 |
|
| Batman begins and sleepy hollow |
2 / 502 |
|
| Baz R+J |
1 / 126 |
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| Body Of Lies |
2 / 378 |
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| big sleep |
4 / 923 |
|
| Chinatown |
2 / 377 |
|
| Classical Hollywood narrative |
2 / 342 |
|
| count of monte cristo |
1 / 242 |
|
| Day For night |
1 / 242 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| Dodge City And Unforgiven |
4 / 1017 |
|
| discuss how genre is communicated in halloween |
2 / 505 |
|
| Fantasy In Cairo |
4 / 948 |
|
| Fight Club |
1 / 253 |
|
| Film Methodologies - Point Break (1991) |
4 / 1084 |
|
| Film genre, narration, reality tv |
6 / 1677 |
|
| Film genres |
2 / 479 |
|
| Flim Review on Jaguar by Jean Rouch |
2 / 566 |
|
| Follow Your Dreams |
5 / 1368 |
|
| film noir |
3 / 693 |
|
| Gatsby Film |
1 / 297 |
|
| Genre Criticism of Stanley Kubrick's The Shining |
6 / 1626 |
|
| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
|
| Gummo: A Review |
2 / 413 |
|
| godfrey reggio |
4 / 979 |
|
| Halloween |
1 / 295 |
|
| Hong Kong Cinema |
3 / 709 |
|
| heavenly creatures |
1 / 223 |
|
| Interpretations Of Kite Runner |
2 / 314 |
|
| ife |
2 / 478 |
|
| King |
2 / 301 |
|
| L.A. Confidential review |
3 / 738 |
|
| LA confidential |
2 / 305 |
|
| Life is Beautiful, a fable? |
2 / 386 |
|
| Lisa Lewis Paper |
2 / 573 |
|
| l.a confidential film noir |
4 / 952 |
|
| Maltese Falcon |
5 / 1477 |
|
| Media Arts |
3 / 814 |
|
| Mississippi Burning |
2 / 342 |
|
| Moulin Rouge |
3 / 649 |
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| Moulin Rouge |
1 / 266 |
|
| Movie |
2 / 564 |
|
| media |
4 / 978 |
|
| Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
|
| Odyssean Epic Film |
3 / 656 |
|
| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
| of mice and men movie review |
1 / 267 |
|
| Psycho |
1 / 223 |
|
| Reading Summary: Amplification of Sound |
2 / 316 |
|
| Reality Telivision |
2 / 332 |
|
| Robert Altman's The Long Goodbye As A Genre Revisionist Film |
6 / 1570 |
|
| Samurai in Film |
2 / 421 |
|
| Saving Private Ryan |
2 / 354 |
|
| Shane Reaction Notes |
2 / 456 |
|
| Sound in 'PI' |
2 / 323 |
|
| Stagecoach movie critique |
2 / 382 |
|
| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
| semiotics |
4 / 908 |
|
| snatch |
4 / 920 |
|
| Talented Mr Ripley |
2 / 372 |
|
| The Bicycle Thief |
2 / 427 |
|
| The Bronze Screen |
2 / 317 |
|
| The Genre of Horror |
2 / 597 |
|
| The Island |
2 / 574 |
|
| The Lost Boys Horror Genre |
3 / 619 |
|
| The Wild Bunch |
2 / 375 |
|
| The hope of life |
2 / 329 |
|
| taxi driver |
1 / 167 |
|
| the man who ate his lover |
5 / 1414 |
|
| Wag the Dog |
2 / 472 |
|
| What makes a film great |
3 / 630 |
|
| Wizard Of Oz |
1 / 185 |
|
| what makes an excellent film |
2 / 491 |
|
| Jaws the movie |
2 / 332 |
|
| Kill Bill |
2 / 367 |
|
| girl interrupted review |
2 / 473 |
|
| rock |
1 / 202 |
|
| Process Of Processing |
2 / 430 |
|
| american history x |
2 / 365 |
|
| battle of karkov |
4 / 1011 |
|
| Morality and Computer Games, Where do you draw the line? |
2 / 430 |
|
| Rabbit Proof Fence |
2 / 479 |
|
| Reality Shows - Should It Be Banned? |
2 / 574 |
|
| Reality Television |
2 / 432 |
|
| reality or not |
3 / 818 |
|
| grouping |
2 / 308 |
|
| PHOTOSHOP LAB REPORT |
2 / 391 |
|
| Reality Telivision |
3 / 641 |
|
| What the Bleep Do I know? |
2 / 571 |
|
