| Title |
Pages / Words |
Save |
| The Magnificent Ambersons |
8 / 2302 |
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| The Matrix |
29 / 8428 |
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| Jim Morisson |
23 / 6621 |
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| American Culture |
18 / 5373 |
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| Cold war |
5 / 1397 |
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| Gangs Of New york |
12 / 3349 |
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| Glory |
7 / 1879 |
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| History |
20 / 5704 |
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| How the west was won |
6 / 1613 |
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| Malcom x |
16 / 4669 |
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| Man Down |
7 / 1838 |
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| Alfred Hitchcock and The Director |
9 / 2423 |
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| Alfred Hitchcock |
8 / 2267 |
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| Audie Murphy |
4 / 1155 |
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| Dhirajlal H Ambani |
13 / 3857 |
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| disney |
5 / 1383 |
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| Franklin Delano Roosevelt |
36 / 10549 |
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| great expectations |
8 / 2126 |
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| John Wayne |
6 / 1681 |
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| Movies Of 2001 |
4 / 914 |
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| Mr. Johnny cash |
5 / 1470 |
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| thomas edison |
7 / 1945 |
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| Death of a Salesman |
5 / 1269 |
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| Narnia |
44 / 12948 |
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| thomas crown affair |
5 / 1412 |
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| Coca-Cola Background |
19 / 5541 |
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| Food Industry |
9 / 2600 |
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| George Lucas |
6 / 1657 |
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| Global Business Plan |
12 / 3422 |
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| Jiji |
29 / 8575 |
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| Marketing Implications for a Water Purification System for the Country of Morocco |
14 / 4051 |
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| Motor Insurance |
66 / 19649 |
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| Mr. |
18 / 5300 |
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| Report on Pakistan's Telecom Sector |
25 / 7259 |
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| Walmart |
25 / 7249 |
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| Wines From Chile |
8 / 2117 |
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| Atonement Literary Elements |
5 / 1272 |
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| Black White |
6 / 1575 |
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| Chinatown: Above the Film Noir Genre |
5 / 1405 |
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| Citizen Kane |
11 / 3152 |
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| Dames, Coppers, and Crooks: A L:ook At Film Noir |
10 / 2877 |
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| ESSAY SAMPLE ON "CRITICAL ANALYSIS OF THE FILM THE SHAWSHANK REDEMPTION" The Shawshank Redemption |
4 / 1124 |
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| Entertainment: Motion Pictures 1900-1940 |
6 / 1519 |
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| Essay topic |
9 / 2514 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Hshj kjajah jha |
32 / 9359 |
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| Importance of Bein Earnest |
4 / 1153 |
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| World War II Identities Honored |
7 / 1958 |
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| Zeitgeist in contemporaneous literature |
6 / 1564 |
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| product placement |
11 / 3259 |
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| 1965 |
7 / 1906 |
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| A Complete Overview of WWII |
35 / 10421 |
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| Blitzkrieg |
9 / 2564 |
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| Burbery |
5 / 1272 |
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| british in north africa |
10 / 2796 |
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| D-Day |
9 / 2557 |
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| Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
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| Gulf Air |
6 / 1742 |
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| Holocaust |
10 / 2795 |
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| Morocco |
10 / 2859 |
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| Quizzes |
5 / 1328 |
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| Reviews |
20 / 5845 |
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| US Generals Of WWII |
10 / 2802 |
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| WWII |
37 / 10903 |
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| Winston Churchill |
5 / 1390 |
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| Video Games And Violence: Both Sides Of The Argument |
12 / 3465 |
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| Anime |
12 / 3436 |
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| Becoming An Entrepreneur |
19 / 5517 |
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| Bladerunner - Humanity And Nature |
6 / 1787 |
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| Citizen Kane - Textual Analysis Of The 'picnic Scene' |
7 / 2094 |
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| D-Day |
8 / 2393 |
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| D-day |
9 / 2557 |
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| developement of the Kinetoscope |
7 / 1879 |
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| Film Report - A Time To Kill, Sleepers, An Eye For An Eye |
9 / 2599 |
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| George S. Patton |
7 / 2034 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Japanese Animation |
14 / 4071 |
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| Morocco |
10 / 2859 |
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| Morocco: An Assessment of Opportunities and Risks for Foreign Direct Investment |
12 / 3503 |
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| Natural Born Killers |
5 / 1296 |
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| Phenomenon |
4 / 934 |
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| Red Sorghum |
14 / 3949 |
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| Slingblade |
6 / 1504 |
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| Strategic Bombing During World War 2 |
15 / 4465 |
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| The Dead |
4 / 1149 |
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| The Mirror Of Time And Memory |
6 / 1561 |
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| The Rainmake - Film Review |
6 / 1541 |
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| Us Generals Of Wwii |
10 / 2802 |
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| unknown |
16 / 4517 |
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| 12 angry men |
37 / 10959 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| Alfred Hitchcock: 50 Years Of Movie Magic |
9 / 2497 |
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| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
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| Animation |
8 / 2274 |
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| american beauty and virgin suicides comparison |
9 / 2545 |
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| analysis of Madonna Borderline video |
37 / 10952 |
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| Ballet Mecanique |
5 / 1481 |
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| Blackrobe Movie Review |
4 / 1051 |
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| Citizen Kane |
8 / 2202 |
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| Classical and Post-Classical Hollywood Cinema |
9 / 2512 |
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| Close Encounters of the Third Kind |
9 / 2509 |
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| Conspiracy is a docudrama but a special kind of docudrama |
8 / 2159 |
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| Critique of "The Art of National Identity" by John Orr |
7 / 1877 |
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| citizen kane |
5 / 1339 |
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| Delhi 6 |
10 / 2899 |
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| Depth Analysis of a Movie ? "CHICAGO" |
12 / 3339 |
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| Discuss How Mise-En-Scene And Camera Movement, Angle And Positioning Create Meaning For An Audience In The Final Gun Battle Sequence ‘scarface |
4 / 1108 |
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| Easy rider and the phenomenon of the 1960's counterculture teenpic |
10 / 2991 |
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| Eternal Sunshine |
5 / 1483 |
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| Film Adaptation of Shakespearean Comedy: Twelfth Night and Much Ado About Nothin |
8 / 2216 |
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| Film Auteurs |
5 / 1306 |
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| Film Score Music |
11 / 3193 |
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| Film genre, narration, reality tv |
6 / 1677 |
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| film auterism |
5 / 1361 |
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| Garden State |
6 / 1573 |
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| Gladiator (Movie) |
5 / 1373 |
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| guns and monsters |
5 / 1484 |
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| History Of Trends |
19 / 5494 |
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| Hollywood recovery |
9 / 2535 |
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| hitchcock |
5 / 1327 |
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| hush |
4 / 1112 |
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| judah's Triumph |
9 / 2656 |
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| Kingdom Of Heaven (Movie) |
13 / 3739 |
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| LA STORY AND SHAKESPEARE |
5 / 1450 |
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| lockstock |
5 / 1370 |
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| Menace II Society and Colonization |
11 / 3097 |
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| Musicals |
7 / 1885 |
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| movie marketing in india |
17 / 5035 |
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| One Flew Over the Cuckoo's Nest |
9 / 2514 |
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| ocean's eleven |
6 / 1682 |
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| Review of "Fight Club" |
6 / 1530 |
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| Richard Linklater: An Overview |
6 / 1625 |
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| red violin |
4 / 997 |
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| Sasdf |
13 / 3618 |
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| Shadow Of A Doubt |
11 / 3272 |
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| Sleepy Hollow |
4 / 1073 |
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| Soth Park: Pushing the Limits of Cartoon Decency |
8 / 2347 |
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| Structuring Brilliance |
7 / 2012 |
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| Taxi Driver |
6 / 1671 |
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| The Graduate |
8 / 2259 |
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| The Lacanian Mirror: Reflections On Oldboy |
11 / 3181 |
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| The Language of New Media |
9 / 2670 |
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| The Mirror Of Time And Memory |
6 / 1561 |
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| The Place of an Auteur Director in The Nigerian Video Film Industry |
13 / 3661 |
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| The Shawshank Redemption |
4 / 1122 |
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| The Theology of the Icon and the Medium of Cinema |
36 / 10672 |
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| The matrix |
4 / 1036 |
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| Time is Luck: An Analysis of Miami Vice |
5 / 1382 |
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| Visual Images in JFK |
4 / 942 |
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| Walk the Line |
4 / 1063 |
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| washington square 1997 review |
4 / 1183 |
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| g greenlay |
7 / 1996 |
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| Women, who are left behind the war: Regret to Inform |
11 / 3077 |
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| kristendom |
7 / 2065 |
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| Accounting |
6 / 1743 |
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| Biomechanics of Running |
5 / 1346 |
|
| A Broader Look at the Long-Lasting Conflicts Between Arabs and Jews and the Status of the Refugees |
17 / 4949 |
|
| balkans integration |
189 / 56690 |
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| Cultural Iperialism |
22 / 6353 |
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| Globalization Movie Production |
12 / 3373 |
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| Has Political Islam Failed In Algeria? |
12 / 3581 |
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| Issues in U.S during 20th century |
8 / 2360 |
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| i |
26 / 7662 |
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| immigration |
14 / 3997 |
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| Raising Children in Morocco |
7 / 2053 |
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| South Park’s Influence On Television |
10 / 2800 |
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| tanzania and morocco: does debt relief really work? |
15 / 4383 |
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| WWII |
8 / 2224 |
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| • How Camera Lenses Affect What The Viewer Sees |
12 / 3417 |
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| A Changing Industry: Motion Picture Special Effects |
6 / 1785 |
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| Emotional Triggers |
10 / 2937 |
|
| Has Technologies’ Birth To Film And Photography Played A Vital Role In The Destruction Of Art In Its Traditional Sense, Or Has Art Naturally Adapted Into Other Criteria As A Liberal Movement? |
10 / 2751 |
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| Japanese Animation |
14 / 4071 |
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| manger |
4 / 1200 |
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