| Title | Pages / Words | Save | 
                  
           | 2001 A space odyssey | 2 / 566 |  | 
                  
           | An Army at Dawn | 4 / 940 |  | 
                  
           | Book Review | 2 / 473 |  | 
                  
           | Casablanca, A League of Their own, and The Greatest Generation | 5 / 1288 |  | 
                  
           | Grapes of Wrath | 2 / 587 |  | 
                  
           | Guidebook Essay 4 | 3 / 732 |  | 
                  
           | Mississippi Burning Paper | 3 / 888 |  | 
                  
           | movies | 3 / 619 |  | 
                  
           | Four freedoms | 2 / 412 |  | 
                  
           | Ingrid Bergman | 5 / 1488 |  | 
                  
           | Maya Angelou | 1 / 160 |  | 
                  
           | 1942 | 1 / 252 |  | 
                  
           | a walk in the moon | 6 / 1564 |  | 
                  
           | Casablanca | 2 / 479 |  | 
                  
           | Fight Club | 4 / 1134 |  | 
                  
           | Heart of Darkness vs. Apocalypse Now | 4 / 915 |  | 
                  
           | Like Water For Chocolate | 3 / 791 |  | 
                  
           | March Of the Penguins | 2 / 520 |  | 
                  
           | Notes for Casablanca | 11 / 3094 |  | 
                  
           | Summary and Analysis on Practices of Looking | 3 / 819 |  | 
                  
           | saving PVT Ryan | 2 / 462 |  | 
                  
           | The Matrix | 4 / 1011 |  | 
                  
           | Reading summary | 3 / 793 |  | 
                  
           | Team Working Capital Synopsis | 6 / 1779 |  | 
                  
           | Underground Metal Scene in Morocco | 3 / 693 |  | 
                  
           | Casablanca | 2 / 470 |  | 
                  
           | Casablanca | 6 / 1781 |  | 
                  
           | Cinematography In Macbeth | 2 / 423 |  | 
                  
           | Glory: A Review | 7 / 1968 |  | 
                  
           | Good Will Hunting | 4 / 983 |  | 
                  
           | Interview with the vampire | 4 / 1080 |  | 
                  
           | King Lear Speech | 3 / 775 |  | 
                  
           | a rose for emily | 2 / 417 |  | 
                  
           | Macbeth | 3 / 728 |  | 
                  
           | Mice And Men Comparison Film &Amp;Amp;Amp;Amp; Book | 6 / 1606 |  | 
                  
           | Mor than just a mere fire fighter | 3 / 782 |  | 
                  
           | Movie Evaluatioin of 300 | 4 / 1090 |  | 
                  
           | Nothing | 3 / 610 |  | 
                  
           | Outlaw heroes | 3 / 783 |  | 
                  
           | REBEL WITHOUT A CAUSE | 8 / 2103 |  | 
                  
           | Rabbit Proof Fence | 3 / 749 |  | 
                  
           | Requiem for a Dream | 2 / 328 |  | 
                  
           | Romeo And Juliet Film Review | 3 / 660 |  | 
                  
           | Star Wars And The Matrix - A Comparison | 3 / 779 |  | 
                  
           | Term Paper | 1 / 288 |  | 
                  
           | The Benefits of Green Tea | 2 / 394 |  | 
                  
           | The Shawshank Redemption | 2 / 386 |  | 
                  
           | What makes a successful romantic tragedy? | 7 / 1887 |  | 
                  
           | pleasantville | 3 / 835 |  | 
                  
           | the dead of a salesman | 3 / 773 |  | 
                  
           | year 12 physical journeys | 4 / 1104 |  | 
                  
           | Casablanca | 4 / 943 |  | 
                  
           | Helena (Leni) Bertha Amalie Riefenstahl | 8 / 2215 |  | 
                  
           | History | 2 / 517 |  | 
                  
           | Movie Review: Enemy At The Gates. | 1 / 277 |  | 
                  
           | North African Campaigns WWII | 7 / 1802 |  | 
                  
           | WW2 | 9 / 2622 |  | 
                  
           | WWII grand alliance was a myth | 3 / 724 |  | 
                  
           | Car Racing | 4 / 923 |  | 
                  
           | Casablanca Cinematography | 6 / 1661 |  | 
                  
           | Cider House Rules | 3 / 645 |  | 
                  
           | Cinematography In Macbeth | 2 / 423 |  | 
                  
           | Citizen Cane | 1 / 234 |  | 
                  
           | Citizen Kane By Orson Wells | 3 / 788 |  | 
                  
           | Citizen Kane By Orson Wells | 3 / 788 |  | 
                  
           | casablanca tid-bits | 11 / 3020 |  | 
                  
           | Elizabeth | 4 / 1190 |  | 
                  
           | Institute of Extra Terrestrial Creatures | 3 / 723 |  | 
                  
           | Love, Sex & Eating the Bones | 4 / 1124 |  | 
                  
           | Morocco | 4 / 981 |  | 
                  
           | One in a thousand | 1 / 293 |  | 
                  
           | Patriot vs. Braveheart | 7 / 1820 |  | 
                  
           | Requiem for a Dream | 6 / 1568 |  | 
                  
           | Struggle for the soul of Japan | 3 / 651 |  | 
                  
           | The Dawn Of Understanding: Three Years Later | 4 / 903 |  | 
                  
           | The Grudge | 2 / 490 |  | 
                  
           | West Side Story | 2 / 591 |  | 
                  
           | 43 great coctails | 5 / 1266 |  | 
                  
           | A flavour of contemporary India monsoons on screen | 3 / 728 |  | 
                  
           | A history of Violence | 3 / 631 |  | 
                  
           | An Analysis Of Moulin Rouge | 9 / 2450 |  | 
                  
           | Analysis of The Graduate | 4 / 936 |  | 
                  
           | Annie Hall and Jesus | 3 / 750 |  | 
                  
           | Art and Business of Film Making | 6 / 1577 |  | 
                  
           | ann hopkins | 4 / 1027 |  | 
                  
           | Ballad Of A Soldier | 4 / 1124 |  | 
                  
           | Buster Keaton's The Cameraman | 4 / 1174 |  | 
                  
           | belly vs. traning day | 3 / 747 |  | 
                  
           | CInema Paradiso | 2 / 549 |  | 
                  
           | Casablanca - a feminist perspective | 2 / 587 |  | 
                  
           | Casablanca Critique | 1 / 261 |  | 
                  
           | Casablanca Movie and WWII | 3 / 714 |  | 
                  
           | Casablanca The Movie | 2 / 458 |  | 
                  
           | Casablanca critique | 3 / 655 |  | 
                  
           | Casablanca | 3 / 663 |  | 
                  
           | Casablanca | 5 / 1386 |  | 
                  
           | Casablanca | 3 / 871 |  | 
                  
           | Casablanca | 2 / 505 |  | 
                  
           | Casablanca | 3 / 676 |  | 
                  
           | Casablanca | 2 / 373 |  | 
                  
           | Casablanca | 2 / 436 |  | 
                  
           | Casablanca | 4 / 937 |  | 
                  
           | Casablanca | 2 / 486 |  | 
                  
           | Casablanca | 6 / 1697 |  | 
                  
           | Casablanca | 4 / 916 |  | 
                  
           | Casablance | 3 / 649 |  | 
                  
           | Chinatown: Movie Analysis | 2 / 432 |  | 
                  
           | Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? | 4 / 1141 |  | 
                  
           | Cider House Rules | 3 / 645 |  | 
                  
           | Cinematography | 4 / 1048 |  | 
                  
           | Cinematography | 2 / 415 |  | 
                  
           | Cinematography: Everything You Need To Know | 3 / 859 |  | 
                  
           | Citizen Kane | 3 / 655 |  | 
                  
           | Classical Hollywood narrative | 2 / 342 |  | 
                  
           | Comparison of High Noon and Open Range | 5 / 1242 |  | 
                  
           | Contact | 2 / 562 |  | 
                  
           | Critique on Titanic | 1 / 137 |  | 
                  
           | casablanca | 3 / 872 |  | 
                  
           | casablanca | 4 / 1065 |  | 
                  
           | casablanca: A New Perspective | 2 / 508 |  | 
                  
           | citizen kane | 3 / 606 |  | 
                  
           | departed | 2 / 352 |  | 
                  
           | Eat Drink Man Woman Summary | 3 / 621 |  | 
                  
           | FIght Club | 3 / 753 |  | 
                  
           | Fahrenheit 9/11 | 6 / 1590 |  | 
                  
           | Fight Club Movie Review | 5 / 1249 |  | 
                  
           | Film Analysis | 6 / 1625 |  | 
                  
           | Film Noir | 3 / 634 |  | 
                  
           | Film Review: Close Encounters Of The Third Kind | 2 / 593 |  | 
                  
           | Film Reviews on The African Queen, Pride and Prejudice and The Grand Illusion | 11 / 3027 |  | 
                  
           | Film Study - different types of editing and cut shots | 3 / 623 |  | 
                  
           | Film Terms | 2 / 412 |  | 
                  
           | Film and TV Narative: Manhunter | 3 / 702 |  | 
                  
           | Film and video production | 6 / 1613 |  | 
                  
           | Gallipoli | 2 / 574 |  | 
                  
           | Gandhi | 4 / 960 |  | 
                  
           | How does the film's (Citizen Kane) cinematography and soundtrack affect emotional reactions to characters and the situations they face, using specific scenes from the film. | 2 / 386 |  | 
                  
           | I am Sam's Review | 3 / 649 |  | 
                  
           | into the wild two viewpoints | 4 / 1045 |  | 
                  
           | Jane Campion's Piano | 3 / 773 |  | 
                  
           | Jane Campion's, 'The Piano' | 8 / 2193 |  | 
                  
           | Kill Bill: A Technical and Aesthetic Analysis of the Film | 6 / 1516 |  | 
                  
           | Kustom Kar Kommandos | 2 / 579 |  | 
                  
           | L'Avventura | 3 / 851 |  | 
                  
           | Living in the Moment | 3 / 791 |  | 
                  
           | Matrix Reloaded Movie Review | 5 / 1432 |  | 
                  
           | Media Arts | 3 / 814 |  | 
                  
           | Metropolis Film Review | 3 / 612 |  | 
                  
           | Micro Analysis Of | 5 / 1399 |  | 
                  
           | Mississippi Burning | 2 / 342 |  | 
                  
           | Monsoon Wedding Analysis | 5 / 1306 |  | 
                  
           | Movie Review | 3 / 713 |  | 
                  
           | Movie: The Fan | 1 / 197 |  | 
                  
           | mise-en-scene in Casablanca | 8 / 2247 |  | 
                  
           | movie analyze of "Heat" | 1 / 282 |  | 
                  
           | Narrative vs. Montage | 3 / 877 |  | 
                  
           | OSCARS | 3 / 775 |  | 
                  
           | Opinion on a negative and positive critique of Amistad | 2 / 592 |  | 
                  
           | pleasantville | 2 / 383 |  | 
                  
           | Rabbit Proof Fence analysis | 2 / 358 |  | 
                  
           | Requiem For A Dream | 2 / 436 |  | 
                  
           | Requiem For Dream Analysis | 2 / 467 |  | 
                  
           | Reservoir Dogs | 4 / 911 |  | 
                  
           | Review Of Three Movies: Trainspotting, Ferris Bueller's Day Off And Ju | 3 / 886 |  | 
                  
           | Review on Water | 2 / 394 |  | 
                  
           | Rick Blaine, nations front figure | 3 / 856 |  | 
                  
           | Saving Private Ryan Critique | 3 / 828 |  | 
                  
           | Shaun of the Dead- Movie Critic | 3 / 705 |  | 
                  
           | Singing in the Rain | 7 / 1877 |  | 
                  
           | Spartacus | 3 / 700 |  | 
                  
           | Style in pulp fiction | 3 / 709 |  | 
                  
           | snowboards, beer, and casablanca | 3 / 750 |  | 
                  
           | THE LAST SAMUARI | 3 / 684 |  | 
                  
           | The Auteur Theory: Stanley Kubrick | 4 / 1134 |  | 
                  
           | The Black Dalhia Worst Film Essay | 3 / 758 |  | 
                  
           | The General | 3 / 741 |  | 
                  
           | The Greatest Game Ever Played | 4 / 1160 |  | 
                  
           | The Matrix | 7 / 2043 |  | 
                  
           | The Mission | 2 / 376 |  | 
                  
           | The Pianst, Scene 15 (Technical, Thematic, and Personal) | 4 / 1181 |  | 
                  
           | The Shining | 3 / 726 |  | 
                  
           | The Spectacle of Violence in a Post-cHc Film | 7 / 1962 |  | 
                  
           | The Truth About White Supremacy: American History X | 7 / 2021 |  | 
                  
           | Transpotting Mise-En-Scene, Cinematography And Sound | 1 / 217 |  | 
                  
           | truman review | 3 / 861 |  | 
                  
           | Vertov and Eisenstein | 3 / 750 |  | 
                  
           | War In Cinema | 3 / 885 |  | 
                  
           | West Side Story | 2 / 591 |  | 
                  
           | Woman in the Dunes - movie Review | 2 / 512 |  | 
                  
           | Wong Kar Wai and french new wave | 3 / 652 |  | 
                  
           | what makes an excellent film | 2 / 491 |  | 
                  
           | Y tu mama tambien | 4 / 1034 |  | 
                  
           | Interesting Facts | 2 / 505 |  | 
                  
           | Medical benefits, fasting & Diabetes Mellitus | 3 / 812 |  | 
                  
           | A Brief Definition Of Pornography | 4 / 957 |  | 
                  
           | Aneroxia Nervosa | 4 / 951 |  | 
                  
           | Campion's 'The Piano' and Oppression | 3 / 768 |  | 
                  
           | A Review On The Pirates Of Silicon Valley | 2 / 328 |  | 
                  
           | Digital Cinematography | 4 / 985 |  | 
                  
           | Special Effects | 5 / 1230 |  |