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He removed collage from the role as a medium that presses commonplace materials to serve illusion into something very different: a process that undermines both illusion & the idea that a work of art has unitary meaning. (Kotz, 1990) These combines are arranged as syncopated grids with materials from everyday life.
In the early 1950’s American Art was dominated by Abstract Expressionists, which led Rauschenberg to find new means of expression. His signature style came by presenting everyday life materials as art but also demonstrating knowledge and care for formal composition.
“An artist manufactures his material out of his own existence – his own ignorance, familiarity or confidence...
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