| Title |
Pages / Words |
Save |
| hamlet |
3 / 857 |
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| Black Elk Speaks |
4 / 928 |
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| heart of darkness vs. apocalypse now |
3 / 739 |
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| Joan: Ethics |
8 / 2246 |
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| Prince Hamlet, The Flawed Hero In Hamlet |
3 / 744 |
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| The Axis Of Evil As Myth |
2 / 579 |
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| Demian |
4 / 1005 |
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| No Sugar |
3 / 663 |
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| Last Days Of Socrates |
8 / 2247 |
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| Writing the Server Side of a Socket |
7 / 2066 |
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| LMVH |
3 / 679 |
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| Iago Is Evil |
3 / 820 |
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| This Way To The Gas |
3 / 806 |
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| Use of Characters in No Sugar |
3 / 663 |
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| Book Report on "The Taming of the Shrew" |
4 / 929 |
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| Political Canidates Speaking Styles |
3 / 738 |
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| The Chicano Identity |
3 / 751 |
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| A Challenge to Male-Dominated Culture |
7 / 2050 |
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| classroom diversity |
3 / 816 |
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| The Nyphs Reply Poetry Interpretation |
3 / 769 |
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| The Nyphs Reply Poetry Interpretation |
3 / 769 |
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| My Hero |
4 / 938 |
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| Red Badge Of Courage Paper |
3 / 758 |
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| Death of a Salesman & Oedipus the King |
3 / 767 |
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| Jihad Vs McWorld, The Ultimate Showdown |
3 / 674 |
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| Canterbury Tales |
4 / 925 |
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| Heart of Darkness |
3 / 630 |
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| Getting Rid Of George |
3 / 821 |
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| Night |
3 / 821 |
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| Effective Communication Strategy |
3 / 705 |
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| Should Colleges Lower Their Admission Standards for Athletes? |
3 / 799 |
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| The Knight in the Wood English Commentary |
3 / 740 |
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| Is Ebonics a Language? |
4 / 911 |
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| An Indian Woman In Guatemala: Without A Trace Of Bitterness In Her Voi |
6 / 1550 |
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| Discuss ideas, values and assumptions within the three pieces of texts (Darkling Thrush, The Road Not Taken' and 'O What Is That Sound?') |
3 / 784 |
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| Clarissa and Septimus in Mrs. Dalloway |
3 / 734 |
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| Othello As Comedy |
3 / 853 |
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| Odyssey literary analysis |
9 / 2620 |
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| Blessings of the Brave |
6 / 1647 |
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| Space travel |
3 / 698 |
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| Hamlet's Delay |
3 / 881 |
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| American History X |
3 / 789 |
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| Antigone Conflicts |
3 / 851 |
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| Murder |
3 / 806 |
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| Personal Response To Getting R |
3 / 821 |
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| The Scarlet Letter 9 |
4 / 934 |
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| The Alchemist |
3 / 801 |
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| Mercutio and Romeo’s Differing Views of Love |
3 / 875 |
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| green chiles analysis |
3 / 691 |
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| A Simple Story of Imagery and Irony |
3 / 830 |
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| Humorous Themes In Othello |
3 / 853 |
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| beat |
5 / 1494 |
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| The Unknown Citizen |
3 / 812 |
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| The Unknown Citizen |
3 / 812 |
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| French Riots |
3 / 660 |
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| Medea: Looking For Revenge |
4 / 958 |
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| The Gospels of John and Luke |
3 / 772 |
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| Understanding Financial Statements |
3 / 815 |
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| Wife of Bath |
7 / 1956 |
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| The Reader |
3 / 808 |
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| Atticus: A Character Sketch |
3 / 725 |
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| "Black Cat" Short Story Analysis |
4 / 995 |
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| Robert Altman's "Nashville" |
3 / 784 |
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| Genesis Summary |
3 / 658 |
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| Life of Pi |
3 / 779 |
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| Breaking down of a poem |
3 / 757 |
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| The Lasting Love |
4 / 952 |
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| Men and Motherhood in Sylvia Plath's "Sow" |
3 / 677 |
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| The Abolition of Man: Paradoxical Power |
3 / 878 |
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| Alienation in Death of a Salesman |
4 / 987 |
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| The Trafficking of Women |
6 / 1511 |
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| Two Types of Satan |
4 / 911 |
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| Julius Caesar By Shakespeare |
3 / 704 |
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| Elie Wiesel's Night |
3 / 857 |
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| Freud on Dreams |
3 / 704 |
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| The Scarlet Letter: Symbolic Characters |
3 / 843 |
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| LOYALTY IN ODYSSEY |
3 / 800 |
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| Analysis Of The Use Of Lighting In The Godfather |
4 / 944 |
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| The Conquistador |
4 / 1127 |
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| Lincoln as represented in the arts |
7 / 2033 |
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| Animal rights |
3 / 866 |
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| Dark &Amp; Light Imagery In Shakespeare’S Macbeth |
3 / 825 |
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| The Relationship Between Macbeth And Lady Macbeth In Act I, Scene Vii |
3 / 671 |
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| The Robber Bride |
3 / 875 |
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| 1984 |
6 / 1778 |
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| Reflections On The Things They |
3 / 842 |
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| Merchant of Venice Rhetorical Analysis |
4 / 906 |
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| The Piano: Point Taken |
3 / 816 |
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| comparison essay |
4 / 957 |
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| personal hell |
3 / 832 |
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| Analysis On The Impact Of Frankenstein Family And Background In His Pr |
3 / 894 |
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| Light and Dark Imagery In Rome and Juliet |
3 / 734 |
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| Aztec Empire |
3 / 678 |
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| hesitant hamlet |
3 / 788 |
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| Boo |
6 / 1751 |
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| Boo |
6 / 1751 |
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| Miss |
3 / 723 |
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| Barriers to Effective Communication |
6 / 1600 |
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| Global Warming |
6 / 1513 |
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| Women in the Gospels of Luke and Letter of Paul |
4 / 922 |
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| Shaping Identity |
3 / 824 |
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| Blind And Invisible |
4 / 1107 |
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| Paglia |
4 / 976 |
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| Divine Right of kings in Oedipus and modern society |
5 / 1410 |
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| Campion's 'The Piano' and Oppression |
3 / 768 |
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| Macbeth Essay |
3 / 817 |
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| The Sanity Of Hamlet |
6 / 1721 |
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| Rhetoric In The Media |
4 / 1054 |
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| othello review |
3 / 680 |
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| Hamlet - Method In The Madness |
6 / 1720 |
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| Hamlet: Method In The Madness |
6 / 1720 |
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| A Child Called IT |
8 / 2156 |
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| Les Miserables, Theme (forgiveness, Self Sacrifice, And Courage) |
4 / 931 |
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| Judith and Jael |
4 / 938 |
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| Romeo & Juliet |
3 / 891 |
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| Uncle Tom's Cabin |
3 / 748 |
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| Whose Should Be Our Next President?: A Discussion of Obama vs. McCain |
4 / 1054 |
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| sense and senibility |
3 / 831 |
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| Mark My Words |
3 / 874 |
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| Marketing Warfare Book Report |
3 / 789 |
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| Explore the attitude of each of the four young men (Benvolio, Mercutio, Tybalt and Romeo) involved in Act 3 Scene 1 |
7 / 1999 |
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| The True Tragic Hero In Sophocles' Antigone |
4 / 909 |
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| THE NEED FOR CULTURAL AWARENESS, RESPECT AND COMPETENCY |
7 / 2035 |
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| Macbeth: The consequences of Evil |
6 / 1707 |
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| King Arthur |
4 / 1010 |
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| Point of View in Sonny's Blues |
4 / 938 |
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| Emily Dickinson |
3 / 832 |
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| Organizational Behavior |
3 / 784 |
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| Looking closely at Act 5 sc 3 and Act 3 sc 3 how does Shakespeare make Coriolanus into a tragic character? |
6 / 1784 |
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| The Tragedy Of Julius Caesar |
6 / 1762 |
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| NRP Report |
3 / 627 |
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| Zephaniah |
3 / 752 |
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| Blackadder |
6 / 1782 |
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| Tuesday's With Morrie |
4 / 948 |
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| Callaway Marketing Strategy |
3 / 707 |
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| mrs |
3 / 828 |
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| The Road Not Taken |
3 / 757 |
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| Traffic in Fayetteville |
3 / 726 |
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| Analyzing Financial Statements |
3 / 727 |
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| Reflections on "The Clouds" by Aristophanes |
6 / 1665 |
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| Her Guardian |
3 / 817 |
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| Abraham Lincoln and Calamity Jane |
3 / 770 |
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| Shiloh |
4 / 990 |
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| The Lottery Analysis |
3 / 760 |
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| Martin Luther King jr. |
10 / 2706 |
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| Children Needd A Good Nutrion |
4 / 944 |
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| The Role Of Enobarbus In Acts I And II Of "Antony And Cleopatra" |
3 / 853 |
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| Macbeth: Serpentine Imagery |
3 / 712 |
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| Langston Hughes |
3 / 612 |
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| Cognitive Artifacts & Windows 95 |
3 / 852 |
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| StreetCar |
3 / 673 |
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| Rigoberta Menchu |
5 / 1458 |
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| Nilda |
3 / 691 |
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| The downfall of Macbeth |
4 / 915 |
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| hip hop |
3 / 868 |
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| jefferson vs. madison |
3 / 796 |
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| Barn Burning |
3 / 765 |
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| My Girl |
7 / 1816 |
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| Ideo |
6 / 1775 |
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| Critical Analysis "I too" |
4 / 1021 |
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| Critique La Ventura |
3 / 813 |
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| Highschool life |
4 / 1011 |
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| The Vagina Myth |
7 / 1964 |
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| apology |
4 / 927 |
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| the dead of a salesman |
3 / 773 |
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| Chater Schools Are Not What They Are Cracked Up To Be |
4 / 924 |
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| macbeth |
3 / 789 |
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| Essay - 9 Advertising |
2 / 598 |
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| Dante S Inferno 2 |
3 / 835 |
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| The Boeing Crew Meeting |
4 / 931 |
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| all my sons |
4 / 999 |
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| Plato's Apology |
4 / 927 |
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| Carl Sagan And Swift's "A Modest Proposal" |
3 / 758 |
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| Frankestein |
3 / 848 |
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| Globalizaton Responsibilities |
3 / 767 |
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| Edgar Allen Poe |
3 / 778 |
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| Global Pecuniary Emulation: A Case Against Americanization |
6 / 1687 |
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| Oliver Twist |
4 / 1034 |
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| Oliver Twist |
4 / 1034 |
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| The Chosen |
3 / 866 |
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| Shakespeare |
3 / 856 |
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| Arian Nation |
3 / 867 |
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| Change |
11 / 3006 |
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| With detailed reference to chapter 7 discuss Bronte's presentation of Mr. Brocklehurst |
6 / 1651 |
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| Story of an Hour |
4 / 908 |
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| Narrative voice of Frederick Douglass |
4 / 908 |
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| A walk by moonligh |
3 / 865 |
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| A Walk by Moonlight |
3 / 865 |
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| How Much Land Does A Man Need? By Leo Tolstoy |
4 / 972 |
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| how Much Land Does A Man Need? By Leo Tolstoy |
4 / 972 |
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| A Walk By Moonlight By H.L.V.Derozio |
3 / 865 |
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| Protection or Privacy |
3 / 709 |
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| The Death Penalty: To Be Or Not To Be... |
7 / 1801 |
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| Poem Commentary: In Mrs. Tilcher's Class |
3 / 724 |
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| Les Liaisons Dangereuses |
3 / 692 |
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| Les Liaisons Dangereuses |
3 / 692 |
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| Troilus and Cressida |
4 / 941 |
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| Comparing Anthem To Fountainhead |
4 / 1000 |
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| The Downfall of Creon |
4 / 959 |
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| salinger |
3 / 841 |
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