| Title |
Pages / Words |
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| Hmong Diaspora and Media |
2 / 301 |
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| Steven Spielburg |
3 / 814 |
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| Film analysis Guess Who and Guess who's coming to dinner |
4 / 1067 |
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| Vera Drake |
5 / 1222 |
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| brigate rosse red brigade |
3 / 895 |
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| A Beautiful Mind |
3 / 644 |
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| Importance of Bein Earnest |
4 / 1153 |
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| Casablanca |
2 / 486 |
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| Film Analysis |
8 / 2111 |
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| Wong Kar Wai and french new wave |
3 / 652 |
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| the life of david gale film review |
4 / 1011 |
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| Early Roman History |
3 / 861 |
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| Kite Runner Movie |
1 / 298 |
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| Tommy: the album vs. the movie |
5 / 1455 |
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| Mahatma Gandhi |
3 / 616 |
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| Culutral identity |
5 / 1297 |
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| Benito Mussolini |
3 / 607 |
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| Everest |
2 / 525 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Hitchcock, The Artist |
5 / 1223 |
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| 19th Century LIteratue |
2 / 338 |
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| Americans In Film- Race, Gender, And |
2 / 494 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| Saffy's Angel Book Report |
2 / 478 |
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| The Royal Tenenmbaums |
3 / 860 |
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| The Renaissance Essay |
3 / 617 |
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| Liberty Valance |
2 / 398 |
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| Concentration Of Hydrogen Peroxide |
2 / 548 |
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| Escape from Sobibor |
4 / 965 |
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| American Beauty |
4 / 1122 |
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| Life & Debt |
2 / 444 |
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| Crash - Analysis |
2 / 533 |
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| The Good Earth |
2 / 506 |
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| The Good Earth |
2 / 506 |
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| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
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| Rabbit Proof Fence |
4 / 1073 |
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| film crime |
5 / 1431 |
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| in Cold Blood Review |
3 / 670 |
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| Rashomon |
3 / 722 |
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| Amerigo Vespucci |
3 / 845 |
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| sterphen spielberg |
3 / 605 |
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| A Reaction: Mga Munting Tinig |
3 / 640 |
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| Miss |
4 / 1055 |
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| Norman Rockwell |
3 / 698 |
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| Hamlet |
2 / 453 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
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| Disney |
2 / 498 |
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| Planet of the Apes |
3 / 848 |
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| White Man's Muscles |
4 / 908 |
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| Effect Of Temperature On Activity Of Alcalase And Savinase |
6 / 1643 |
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| Saint Elizabeth Ann Bayley Seton: Compassion and Willingness to Love God |
11 / 3112 |
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| Review: Pulp Fiction |
3 / 776 |
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| Censorship |
4 / 945 |
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| Bridge over the River Kwai |
2 / 476 |
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| Patch Adams |
2 / 510 |
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| Far and Away |
3 / 827 |
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| Current Event |
2 / 311 |
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| John Cabot |
2 / 414 |
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| Firestarter |
3 / 769 |
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| photography |
8 / 2376 |
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| Interview with Mel Stuart |
4 / 977 |
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| 2001 A Space Odyssey Analysis |
4 / 915 |
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| ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
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| Film Openings |
3 / 784 |
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| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
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| Discuss How Mise-En-Scene And Camera Movement, Angle And Positioning Create Meaning For An Audience In The Final Gun Battle Sequence ‘scarface |
4 / 1108 |
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| Beloved |
4 / 963 |
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| Donnie Brasco |
2 / 315 |
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| Rome, Italy |
4 / 986 |
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| Rome, Italy |
4 / 986 |
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| uk recession possibility |
2 / 515 |
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| Domestic Politics and Foreign Policy |
4 / 1123 |
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| Macbeth Film Interpretation |
4 / 1032 |
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| The General |
3 / 741 |
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| Film Industry: then and now |
4 / 1111 |
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| Analysis of Vertov's Film |
2 / 574 |
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| Comparison Of The Film Beloved |
3 / 695 |
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| bejamin franklin |
2 / 431 |
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| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
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| The History of Italy |
7 / 1883 |
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| Discussion Of Frankenstein. |
5 / 1341 |
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| War In Cinema |
3 / 885 |
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| Thin |
3 / 676 |
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| Curious Incident of the dog in the nighttime |
2 / 515 |
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| Robert Browning |
3 / 656 |
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| ritchie rich |
2 / 433 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| hemingway |
2 / 426 |
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| film and animation graphics |
4 / 1077 |
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| Blue Velvet: Scene Analysis |
2 / 594 |
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| history of hollywood |
3 / 854 |
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| film history |
4 / 1047 |
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| Horror Show |
2 / 397 |
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| Annie Hall and Jesus |
3 / 750 |
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| kramer Vs kramer |
4 / 908 |
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| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
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| 007 |
23 / 6721 |
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| indian cinema |
3 / 713 |
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| Media |
3 / 700 |
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| Woody Allen |
3 / 658 |
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| The Treaty of Versailles : a success? |
6 / 1657 |
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| Billy Elliot |
2 / 342 |
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| Rhetorical Analysis for "Who Killed the Electric Car?" |
5 / 1208 |
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| The Most Convincing Propogandist |
5 / 1204 |
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| Romeo And Juliet 4 -2 |
3 / 722 |
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| James A. Michner's: TEXAS |
3 / 724 |
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| Of Mice and men |
5 / 1326 |
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| Vertigo |
4 / 1072 |
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| Psycho |
2 / 489 |
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| Wine |
2 / 380 |
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| Bye Bye Brazil |
3 / 715 |
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| mussolini |
6 / 1599 |
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| Western Europe Analysis |
6 / 1600 |
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| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
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| Augustus |
3 / 752 |
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| college essay |
4 / 1024 |
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| Romeo and Juliet Speech |
2 / 349 |
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| Vice Virtue |
3 / 831 |
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| Gattaca |
3 / 725 |
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| beautiful mind |
2 / 441 |
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| Causes Of World War Two Speach |
3 / 698 |
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| What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
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| Immigration And Discrimination In The 1920's |
2 / 519 |
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| Crash |
5 / 1307 |
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| Michael Black Dances with the Wolves |
2 / 460 |
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| Eye behind the Lens |
2 / 535 |
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| What Are The Strengths And Weaknesses Of Realist Criminologies? |
9 / 2699 |
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| Romeo And Juliet |
4 / 1065 |
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| The notebook |
2 / 595 |
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| It happened One Night Film |
3 / 616 |
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| Tarantino |
5 / 1293 |
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| Citizen Kane |
2 / 600 |
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| citizen kane |
2 / 600 |
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| Viewer Response - The Graduate |
2 / 387 |
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| Viewer Response - The Graduate |
2 / 387 |
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| Does science consist in the progressive development of objective truth? Contrast the views of Kuhn with one other writer on this topic. |
5 / 1406 |
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| Causes of WWI |
2 / 431 |
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| The Fall of Rome |
4 / 998 |
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| Different Types of Criticism and Literary Movements in Short Stories |
7 / 2059 |
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| Bombs Away: Different Reactions to the Vietnam War in Across the Universe |
2 / 570 |
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| the piano movie |
3 / 609 |
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| How has James Cameron presented and adapted the true story of the Titanic? |
5 / 1413 |
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| Cultural and political forces influence international marketing activity. |
2 / 380 |
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| Spinning Gasing |
4 / 1104 |
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| A Clockwork Orange Film Analysis |
2 / 536 |
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| Schindlers List |
4 / 1015 |
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| Space Jam |
2 / 467 |
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| Fahrenheit 9/11 |
7 / 1877 |
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| Mrs Dalloway - Analysis Of The |
2 / 427 |
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| Shine - David Helfgott |
2 / 512 |
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| capra cu trei iezi |
2 / 549 |
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| Giambattista Bodni |
2 / 389 |
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| A Beautiful Mind |
2 / 383 |
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| Review on "Chicago" |
3 / 644 |
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| benito mussolini |
3 / 770 |
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| parent and child relationships |
2 / 493 |
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| Harry Potter Differences |
4 / 1154 |
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| Need Research Paper On Non Monetary Rewards In The Workplace |
2 / 369 |
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| rome |
2 / 437 |
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| Why do we need the Rainforest? |
1 / 195 |
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| Federico Fellini: An Analysis |
7 / 1958 |
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| The Birth Of A Nation And Greed |
4 / 1185 |
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| Othello Movie Review |
2 / 418 |
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| History Of Philippine Literature |
2 / 332 |
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| Deceiving Images of Bowling for Columbine |
6 / 1638 |
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| I never sang for my father |
3 / 857 |
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| Horror movie time comparison |
3 / 818 |
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| Streetcar Named Desire Essay |
2 / 591 |
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| Film: Philadelphia, Aids/Gay |
7 / 1853 |
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| Alfred Hitchcock |
4 / 945 |
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| Alfred Hitchcock |
4 / 965 |
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| Looking on the Bright Side |
3 / 725 |
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| True Event in Colorful Film |
2 / 513 |
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| faherenheit 9/11 |
4 / 1171 |
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| Toulmin Analysis of "It's the ABC Oscars: anything but Crash" |
2 / 599 |
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| macchiavelli |
5 / 1257 |
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| Norma Rae |
3 / 752 |
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| lord of the rings |
4 / 1114 |
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| Mica and men review |
2 / 366 |
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| Gummo - Movie Critique |
2 / 411 |
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| Henry V - Film |
4 / 929 |
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| Eat Man Drink Woman |
2 / 359 |
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| Plato |
2 / 464 |
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| Does God Exist |
5 / 1447 |
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| Benito Mussolini |
5 / 1302 |
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| Benito Mussolini |
5 / 1302 |
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| Critique ( Choices) |
3 / 892 |
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| Rap as a Problem in America |
2 / 462 |
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| farewell my concubine |
4 / 1184 |
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| american pie |
2 / 390 |
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| film reviews and summaries |
2 / 366 |
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| Film Comparison- Shawshank Redemption VS Murder In The First |
3 / 652 |
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| Kiss Me Deadly and Film Noir |
2 / 530 |
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| 12 Angry Men |
3 / 750 |
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| film analysis |
3 / 802 |
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| gillipoli 2005 |
4 / 963 |
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| What to do in Europe? |
4 / 978 |
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| Made Of Honor: Made To Watch |
2 / 424 |
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| twelve angry men |
3 / 750 |
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| The Middle Age Artist Giotto |
3 / 623 |
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