| Title |
Pages / Words |
Save |
| If |
2 / 492 |
 |
| The Flea |
3 / 684 |
|
| Macbeth |
5 / 1467 |
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| Merchant of Venice: Shylock, victim or villain? |
3 / 684 |
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| Mr |
2 / 344 |
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| Vermeer |
3 / 648 |
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| 12 angry men |
1 / 283 |
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| A Summer Life |
1 / 288 |
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| Battle Royal |
4 / 1165 |
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| Dorian Gray quote analysis |
2 / 450 |
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| Fate in Romeo & Juliet |
3 / 616 |
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| Hamlet: Act V-scene 2 - The Climax |
4 / 1112 |
|
| Initiation |
3 / 754 |
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| King Lear's madness |
1 / 293 |
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| Macbeth |
3 / 837 |
|
| Streetcar Named Desire Essay |
2 / 591 |
|
| skipper, cantebury tales |
1 / 242 |
|
| The Great Gatsby Character Analysis |
3 / 814 |
|
| The Last of the Mohicans |
5 / 1395 |
|
| Thesis on a Tale of Two Cities |
2 / 449 |
|
| BI |
1 / 229 |
|
| FRAMING |
1 / 234 |
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| Foxy Originals |
5 / 1456 |
|
| Home Depot and Bob Nardelli |
3 / 629 |
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| My Marketing Project |
2 / 306 |
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| SWOT |
2 / 426 |
|
| sfsdfsdf |
7 / 1950 |
|
| The Lion, The Witch, And The Wardrobe: An Analysis |
2 / 372 |
|
| A Brief Look at Symbolism |
2 / 456 |
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| All the king's men |
7 / 1889 |
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| Analisis Of The Poem Dreamers |
3 / 604 |
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| Analysis of Robert Frost's "Nothing Gold Can Stay" |
2 / 576 |
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| Barn Burning |
2 / 544 |
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| Bowling for Columbine Analysis |
3 / 603 |
|
| Brecht's influence on the glass menagerie |
2 / 589 |
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| Broken Heart analysis |
2 / 526 |
|
| Casablanca |
6 / 1781 |
|
| Comedy or Mockery |
2 / 572 |
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| Critical Analysis Of A House Opposite |
2 / 443 |
|
| Dream Deffered |
1 / 231 |
|
| Easter Wings - George Herbert |
2 / 525 |
|
| Edgar Allan Poe's 'The Premature Burial' |
2 / 429 |
|
| Elvis Lyrics Annalysis |
2 / 463 |
|
| English Essay |
2 / 463 |
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| Film Violence |
2 / 412 |
|
| Hamlet |
2 / 548 |
|
| How Does Baz Luhrmann Engage a Moders Audience's Interest That |
2 / 512 |
|
| How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene? |
6 / 1584 |
|
| How far is Shylock a character for whom we can feel sympathy? |
6 / 1611 |
|
| Identifying the tone of Shakespeare's "Shall I Compare Thee to a Summer's Day?" |
3 / 689 |
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| Interpretation of the Poem \ |
3 / 622 |
|
| John Donne - The Indifferent |
4 / 1164 |
|
| Leda and the Swan |
2 / 486 |
|
| "The Red Convertible" by Louise Erdrich |
4 / 998 |
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| "There's The Sulphrous Pit": Female Sexuality In King Lear |
4 / 1061 |
|
| candide |
3 / 635 |
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| fern hill |
2 / 509 |
|
| human beings and computers |
2 / 450 |
|
| Living in Fight Club |
9 / 2670 |
|
| Macbeth's Transformation |
6 / 1751 |
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| Macbeth: Darkness, Evil And Tragedy |
5 / 1219 |
|
| Merchant of venice |
3 / 852 |
|
| Musee des Beaux Arts |
1 / 194 |
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| Ophelia |
2 / 515 |
|
| Opposition through similarities in Keats poetry |
5 / 1286 |
|
| Passage from The Merchant of Venice "Hath not...if you prick us" |
4 / 1200 |
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| Poem |
2 / 540 |
|
| Poetry Analysis of "The Mother" |
2 / 492 |
|
| Prescription of Madness |
3 / 684 |
|
| Robert Frost: A Lover's Quarrel With The World |
6 / 1745 |
|
| Romeo and juliet |
5 / 1393 |
|
| Sexuality and Advertising |
2 / 531 |
|
| Shakespear |
3 / 811 |
|
| Shakespeare's Sonnet 19 |
2 / 380 |
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| Shelly |
2 / 330 |
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| Sir Gawain and the Green Knight |
3 / 648 |
|
| Stopping By Woods |
1 / 229 |
|
| The Awakening |
3 / 753 |
|
| The Diversity of Characters, Attitudes, and Messages through Different Translations |
4 / 934 |
|
| The Inevitable |
3 / 777 |
|
| The Jaguar Poetry Analysis |
4 / 956 |
|
| The Unknown CItizen |
3 / 724 |
|
| Twelth Night- Shakespeare - What impressions of the characters do we get in Act 1? |
4 / 956 |
|
| Typee Identity |
6 / 1731 |
|
| WOMEN'S ROLE IN SHAKESPEAREAN TRAGEDY |
6 / 1667 |
|
| William Blake, "Love's Secret" |
4 / 1013 |
|
| William Faulkner vs Annie Dillard vs Frank McCourt |
2 / 472 |
|
| macbeth: are things as they seem? |
2 / 566 |
|
| oy Luck Club- mother-daughter relationships |
5 / 1357 |
|
| pensisisnns |
3 / 741 |
|
| red room passage analysis |
2 / 356 |
|
| rite of passage |
3 / 757 |
|
| shy girl |
4 / 946 |
|
| sonnet 79 analysis |
2 / 409 |
|
| sonny's blues |
2 / 307 |
|
| william blake |
3 / 769 |
|
| Chivalry |
2 / 528 |
|
| close reading for The Song of Roland |
8 / 2250 |
|
| Florence and the Renaissance Art Era |
2 / 437 |
|
| Four Step Critique Process |
2 / 426 |
|
| Gangs of New York |
2 / 547 |
|
| John Cabot |
2 / 414 |
|
| Lincoln |
4 / 1197 |
|
| The immigrant |
1 / 258 |
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| "Golfe Juan" by Raoul Dufy |
3 / 638 |
|
| A View From The Bridge - Carbone Family And Community In Scene 1 |
2 / 564 |
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| Achilles |
3 / 627 |
|
| Analysis Of The Use Of Lighting In The Godfather |
4 / 944 |
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| Attitudes Towards Animals In N |
3 / 826 |
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| Bill Plan 2008 |
2 / 409 |
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| Cattleya Orchid and Three Brazilian Hummingbirds |
2 / 399 |
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| Chivalry |
2 / 528 |
|
| Comparison Of Whitman And Dickenson Poems |
3 / 751 |
|
| Critical Analysis Of A House Opposite |
2 / 443 |
|
| Critique on Pollice Verso |
3 / 803 |
|
| Depreciation Methods |
2 / 400 |
|
| el salvador vs. usa |
1 / 297 |
|
| Formalistic Elements in Goodfellas |
3 / 604 |
|
| Gandhi Movie Summary |
2 / 423 |
|
| Gattaca |
2 / 392 |
|
| Hamlet Act I Scene Ii 1-179 - Ambiguous Characters |
6 / 1559 |
|
| How Does Shakespeare Create An Atmosphere Of Evil In Act 4, Sc. 1? |
4 / 948 |
|
| hitchcock |
2 / 418 |
|
| Iliad 2 - |
2 / 580 |
|
| Investegation Of Megnetic Fields |
2 / 378 |
|
| Jesus In The Year 2000 |
3 / 858 |
|
| Juice |
3 / 618 |
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| Juliet: From Mouse To Woman |
3 / 632 |
|
| Lady Macbeth 2 |
3 / 605 |
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| Lady Macbeth |
3 / 605 |
|
| Langston Huges |
2 / 558 |
|
| London |
2 / 598 |
|
| MKT421 |
3 / 823 |
|
| Macbeth - Supernatural |
3 / 709 |
|
| Macbeth - Tragedy |
4 / 1121 |
|
| Macbeth 4 |
3 / 647 |
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| Macbeth As A Tragedy |
4 / 1121 |
|
| Macbeth Is A Butcher And Lady Macbeth Is A Fiend-like Queen |
5 / 1329 |
|
| Mr |
2 / 315 |
|
| magic in a teenage mind |
2 / 310 |
|
| mr. |
2 / 570 |
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| Off The Cuff (Improvisation) |
2 / 563 |
|
| Paris: The Iliad |
2 / 580 |
|
| Paris: The Iliad |
2 / 580 |
|
| Points Against And In Favour F |
3 / 762 |
|
| Program Evaluation And Review Technique (Pert) And Critical Path Analysis (Cpa) |
3 / 821 |
|
| romeo juleit act3 scene1 |
3 / 801 |
|
| Something Wicked This Way Come |
2 / 531 |
|
| Something Wicked This Way Comes |
2 / 531 |
|
| Sonnet 43 |
3 / 793 |
|
| Statement of Intent |
2 / 543 |
|
| Strategic Management |
2 / 417 |
|
| The Awakening |
3 / 753 |
|
| The Supernatural In Macbeth |
3 / 709 |
|
| Theories of Interpretation |
3 / 680 |
|
| Those Winter Sundays |
3 / 656 |
|
| True Beliefs |
5 / 1266 |
|
| Vermeer |
3 / 648 |
|
| What is LE? |
2 / 412 |
|
| (Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress |
5 / 1353 |
|
| 25th Hour |
4 / 1090 |
|
| Allegro from L’Autunno Op.8 No.3 by Vivaldi: Mintz vs. Kennedy |
5 / 1399 |
|
| Analyzing John Mayer |
1 / 255 |
|
| Are You, Guilty by Suspicion? (Movie Review) |
2 / 459 |
|
| Barr |
8 / 2297 |
|
| Casablanca |
2 / 486 |
|
| Charlotte's Web Play Review |
2 / 568 |
|
| Critique Of Romeo And Juliet The Movie |
2 / 474 |
|
| chinatown |
1 / 289 |
|
| citizen kane |
3 / 701 |
|
| Dracula |
2 / 549 |
|
| FIght Club |
3 / 753 |
|
| l.a confidential film noir |
4 / 952 |
|
| literally dancing |
2 / 555 |
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| Memento |
3 / 855 |
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| Mise En Scene |
3 / 696 |
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| New Macbeth |
2 / 554 |
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| north by northwest |
3 / 607 |
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| Stuck In The Middle |
5 / 1450 |
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| snatch |
4 / 920 |
|
| The Nutty Professor 500 word report |
3 / 752 |
|
| The Shawshank Redemption |
4 / 1122 |
|
| the conversation |
2 / 406 |
|
| When Harry Met Sally |
2 / 347 |
|
| Jesus In The Year 2000 |
3 / 858 |
|
| The historical critical method |
7 / 1939 |
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| Tithing |
3 / 728 |
|
| Christina Preston |
1 / 140 |
|
| Embraer |
2 / 423 |
|
| Ezrin silencing by small hairpin RNA reverses metastatic behaviors of human breast cancer cells. |
3 / 775 |
|
| GAI |
3 / 791 |
|
| Investegation Of Megnetic Fields |
2 / 378 |
|
| Marine Biology |
2 / 380 |
|
| The Importance of DNA Evidence |
6 / 1538 |
|
| thermal expansion |
2 / 569 |
|
| American Tongues |
3 / 866 |
|
| criminal justice investigation |
5 / 1286 |
|
| Internet portals |
1 / 88 |
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| Lubrication Analysis |
2 / 461 |
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| Virtual Private Network |
3 / 872 |
|
