| Title |
Pages / Words |
Save |
| The Tyger |
3 / 617 |
 |
| piegon woman |
2 / 527 |
|
| E.e. Cummings, Poem, Anyone Li |
4 / 948 |
|
| White Man's Burden |
3 / 707 |
|
| The Fish |
2 / 311 |
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| Anger by Linda Pastan |
3 / 606 |
|
| Mr |
3 / 792 |
|
| Poetic Terms in "Terence, this is stupid stuff" |
2 / 596 |
|
| Robert Creeley "Water Music" essay |
2 / 477 |
|
| hills like white elephants |
3 / 668 |
|
| The Soldier - Critical Response |
3 / 805 |
|
| The Last Duchess |
1 / 246 |
|
| Literary Elements |
2 / 466 |
|
| At Cooloola |
2 / 469 |
|
| anaylsis of Fire and Ice by Robert Frost |
2 / 388 |
|
| langston hughes |
2 / 327 |
|
| Poem Response Essay |
3 / 627 |
|
| Sexton and Cliftons abortion views |
2 / 303 |
|
| Elements In "The Road Not Taken" |
3 / 620 |
|
| Student |
2 / 549 |
|
| Beowulf: Link Between Traditions - Pagan And Christian |
2 / 416 |
|
| Robert Frost Ideas |
2 / 571 |
|
| Robert Frost - Ideas |
2 / 571 |
|
| Anlysis |
2 / 469 |
|
| A Road Less Traveled |
1 / 251 |
|
| Dulce et Decorum Est |
2 / 593 |
|
| The love song of J alfred Prufrock |
3 / 804 |
|
| London - Poetry Analysis |
2 / 303 |
|
| You Know |
2 / 403 |
|
| Truth |
2 / 503 |
|
| Elizbeth Bishop |
3 / 605 |
|
| Me |
2 / 439 |
|
| Comparative Essay between FirstLove and Sex Without Love |
4 / 941 |
|
| The Gift |
2 / 318 |
|
| Aunt Jennifer's Tigers |
1 / 275 |
|
| The Use Of Language And Structure From The Extract Of Silent Spring. |
2 / 400 |
|
| paper on langston hughes philosophy on his writing |
1 / 284 |
|
| Robert Frost's "two Tramps In Mud Time" |
2 / 481 |
|
| Meaning In "The Panther" By Rainier Maria Rilke |
2 / 448 |
|
| Differences In "ode On Grecian Urn" And "sailing To Byzantium" |
2 / 530 |
|
| ms |
2 / 360 |
|
| Crossing the Swamp |
2 / 530 |
|
| Analysis of Blake?s London |
2 / 403 |
|
| Analysis Of To His Coy Mistress |
3 / 742 |
|
| whatever |
2 / 518 |
|
| Analysis of Love |
2 / 459 |
|
| Do not go gentle Into the Night |
2 / 364 |
|
| Road Not Taken |
2 / 378 |
|
| The Sentiment, Mood, and Philosophy of “The Best Slow Dancer” |
4 / 973 |
|
| Crumbling Is Not An Instants Act |
2 / 470 |
|
| Social Issued of America |
2 / 583 |
|
| Robert Frost Imagery |
2 / 311 |
|
| Cry The Beloved Country |
2 / 470 |
|
| The Dashing Young Woman |
2 / 488 |
|
| During A Son S Dangerous Illne |
3 / 694 |
|
| Dust Over The City |
3 / 694 |
|
| Analysis of Langston Hughes' Harlem (Dream Deferred): |
2 / 395 |
|
| The Waste Land Analysis |
2 / 374 |
|
| Analysis Of Emily Dickensons C |
2 / 470 |
|
| The Solitary Reaper Analysis |
2 / 363 |
|
| My My |
3 / 651 |
|
| close ready on Anne Bradstreet ? To My Dear and Loving Husband |
2 / 420 |
|
| Meditation |
1 / 260 |
|
| Dulce Et Decorum Est |
2 / 554 |
|
| Lady Of Shallot |
2 / 409 |
|
| Brother to Brother |
2 / 438 |
|
| Wind and Window Flower |
1 / 281 |
|
| A Poem |
1 / 84 |
|
| Did we go to the moon? |
2 / 527 |
|
| Bushed |
2 / 548 |
|
| Miss |
3 / 850 |
|
| Theme Of The Poem “Stopping By The Woods On A Snowy Evening” |
2 / 333 |
|
| Eagles |
1 / 193 |
|
| Two Poem Comparisons: The Wild Swans at Coole vs. Sailing to Byzantium |
2 / 435 |
|
| comparison of "death be not proud" and "on my first son" |
3 / 677 |
|
| About \ |
4 / 938 |
|
| anthem |
2 / 550 |
|
| Maya Angelou |
2 / 445 |
|
| The road not taken |
3 / 818 |
|
| Chaos in Fourteen Lines |
4 / 904 |
|
| The Poetry Of William Cullen Bryant And Emily Dickinson: The Theme Of |
2 / 446 |
|
| Ogichidag |
2 / 527 |
|
| Poem Analysis The Chimmney Swe |
2 / 422 |
|
| William Blake's Chimney Sweeper Essay |
3 / 738 |
|
| Analysis of Petrach's Poetry |
3 / 682 |
|
| The Road Not Taken |
2 / 549 |
|
| ozymandias |
3 / 609 |
|
| Explication |
2 / 346 |
|
| Time and an "Ode to a Grecian Urn" |
2 / 403 |
|
| Daddy, Vampires, Black Hearts |
3 / 621 |
|
| Pilgrims progress |
3 / 856 |
|
| Modern Love |
3 / 774 |
|
| Explication Of Ezra Pound S In |
2 / 328 |
|
| When I Heard the Learnd Astronomer |
4 / 1038 |
|
| Philip Larkin |
2 / 443 |
|
| hard rock |
2 / 480 |
|
| Essay On America |
3 / 704 |
|
| Coleridge's "the Rime Of The Ancient Mariner |
3 / 856 |
|
| A Critical Examination Of 'My Lover In White' |
3 / 662 |
|
| she walks in beauty |
2 / 420 |
|
| Metlife |
2 / 352 |
|
| Me |
3 / 630 |
|
| Blue Velvet: Scene Analysis |
2 / 594 |
|
| journals |
2 / 435 |
|
| the road not taken |
3 / 661 |
|
| love song |
3 / 784 |
|
| Christian and Pagan Aspects in Beowulf |
1 / 286 |
|
| Love song and preludes comparative |
2 / 319 |
|
| An unfolding of the symbolism in William Wordsworth’s |
2 / 430 |
|
| Conrad |
3 / 630 |
|
| Interpretation of ``Ozymandias`` |
3 / 619 |
|
| Interpretation Of ``ozymandias`` |
3 / 619 |
|
| Identifying the tone of Shakespeare's "Shall I Compare Thee to a Summer's Day?" |
3 / 689 |
|
| Essay On Love |
4 / 942 |
|
| Rape by Adrienne Rich |
2 / 305 |
|
| Credo |
3 / 780 |
|
| A Working Party |
2 / 462 |
|
| Compare ‘Hitcher’ With One Duffy Poem And Two Pre-1914 Poems That Consider Death Or The Threat Of Death. |
2 / 454 |
|
| The Inevitable |
3 / 777 |
|
| Compare and Contrast (The discovery and pied beauty) |
3 / 604 |
|
| Anne Bradstreet |
4 / 1129 |
|
| Reflection |
2 / 352 |
|
| The Flea |
1 / 291 |
|
| sonnet 116 |
3 / 643 |
|
| Ethics |
3 / 687 |
|
| Prufrock'S Love Song |
2 / 516 |
|
| No coward soul is mine-emily bronte |
2 / 483 |
|
| Dulce Et Deorum Est |
3 / 617 |
|
| Perfect Storm vs. the wreck of the hesperus |
3 / 688 |
|
| Anthem For Doomed Youth |
2 / 548 |
|
| war essay |
2 / 454 |
|
| analysis of \ |
2 / 455 |
|
| Metaphor |
1 / 164 |
|
| sex without love |
3 / 701 |
|
| Ulysses |
2 / 478 |
|
| “Theme for English B” Explication |
2 / 461 |
|
| The Lamb And The Tiger |
4 / 972 |
|
| Old New England |
1 / 293 |
|
| Langston Hughes, Dream Deferred |
2 / 586 |
|
| Poetry |
2 / 536 |
|
| Overhead In County Slogi And Woman Work - Comparison |
3 / 741 |
|
| great american poets |
3 / 627 |
|
| Paper on "Oranges" by Gary Soto |
3 / 650 |
|
| My Life is like A Red Rose |
2 / 522 |
|
| Imagery In Sally Croft'S "Home Baked Bread" |
2 / 536 |
|
| blah |
2 / 336 |
|
| Great |
2 / 407 |
|
| A Birthday |
2 / 426 |
|
| Poetry Analysis; "To the Virgins to Make Much of Time" |
2 / 307 |
|
| jane kenyon |
2 / 365 |
|
| La Belle Dame Sans Merci |
3 / 614 |
|
| Robert Frost \ |
3 / 671 |
|
| Analysis of War Poems |
4 / 982 |
|
| Analysis of The Raven by Edgar Allan Poe |
2 / 455 |
|
| Fern Hill |
2 / 339 |
|
| to a mouse by robert burns |
2 / 327 |
|
| Do Not Go Gentle Into That Good Night |
3 / 601 |
|
| Dulce et Decorum Es |
3 / 646 |
|
| Poetry Explication Stopping By |
2 / 511 |
|
| Analysis Of Do Not Go Gentle I |
3 / 601 |
|
| An Analysis of "Annabel Lee" |
2 / 509 |
|
| Ethics explication |
2 / 423 |
|
| Dulce et Decorum est by Wilfred Owen |
2 / 526 |
|
| Sacrifices of Love |
3 / 622 |
|
| Notes On "Road Not Taken" |
4 / 983 |
|
| A World of True Imagination |
3 / 657 |
|
| Trace the development of feeling in the poem "One Art" |
2 / 566 |
|
| Langston Huges |
2 / 558 |
|
| Stopping by the Woods |
2 / 548 |
|
| A Route of Evanescence |
3 / 698 |
|
| spring all all |
2 / 367 |
|
| "Order for Masks" by Virginia R. Moreno |
3 / 630 |
|
| Response to Schoolsville |
2 / 431 |
|
| The Comparaison Of 2 Poems |
2 / 331 |
|
| Dr. |
2 / 565 |
|
| We Wear the Mask |
2 / 575 |
|
| Road Not Taken |
4 / 1160 |
|
| To His Coy Mistress |
3 / 630 |
|
| Comparison: Ginsberg, Frost, Eastwood |
2 / 431 |
|
| My Papas Waltz |
1 / 267 |
|
| Analysis of In Just |
2 / 530 |
|
| Daddy |
3 / 673 |
|
| Modern hero Vs. Anglo Saxon hero |
3 / 698 |
|
| The Frying Pan |
2 / 361 |
|
| The Frying Pan |
2 / 361 |
|
| Shakespeare-The English Renaissance |
2 / 530 |
|
| The James Wright Festival |
3 / 836 |
|
| protest poetry |
5 / 1437 |
|
| Road Not Taken |
2 / 585 |
|
| Emily Dickinson |
4 / 933 |
|
| Eulogies |
2 / 598 |
|
| hmm |
2 / 532 |
|
| Edgar allan poe |
2 / 431 |
|
| Horror of War in Dulce et Decorum Est |
2 / 326 |
|
| Poetry Analysis |
2 / 423 |
|
| And Then There Were None |
3 / 652 |
|
| Daddy, Vampires, Black Hearts |
3 / 667 |
|
| Judith Wright's Poetry |
2 / 527 |
|
| The Road Not Taken -- An Interpretaion Of Robert Frost's Poem |
3 / 751 |
|
| A Growing Anger |
2 / 367 |
|
