| Title | Pages / Words | Save | 
                  
           | Journey's End by R.C Sherriff | 3 / 705 |  | 
                  
           | Critique on Open City | 4 / 1101 |  | 
                  
           | Analysis of Othello and Iago in Act 1 | 3 / 612 |  | 
                  
           | Othello | 7 / 1853 |  | 
                  
           | Romeo and Juliet | 3 / 699 |  | 
                  
           | Affair | 2 / 586 |  | 
                  
           | DAN RATHER | 1 / 224 |  | 
                  
           | Giotto | 1 / 171 |  | 
                  
           | Trash | 3 / 748 |  | 
                  
           | A Futuristic Interview With Romeo | 5 / 1257 |  | 
                  
           | Antonio And The Duchess | 5 / 1282 |  | 
                  
           | Computers | 3 / 740 |  | 
                  
           | Demian | 3 / 737 |  | 
                  
           | Drama coursework: response portfolio Scaramouche Jones | 3 / 613 |  | 
                  
           | Hamlet's Crazy! | 3 / 666 |  | 
                  
           | Hamlet's Treatment Of Ophelia And Gertrude | 6 / 1523 |  | 
                  
           | How is dramatic tension created in the trial scene of 'The Merchant of Venice'? | 7 / 2004 |  | 
                  
           | hamlet's hamartia | 1 / 235 |  | 
                  
           | I never sang for my father essay | 1 / 246 |  | 
                  
           | In Cold Blood | 4 / 1012 |  | 
                  
           | Macbeth (witches effect) | 4 / 1088 |  | 
                  
           | Much Ado About Nothing: An Overview | 4 / 1126 |  | 
                  
           | movie Analysis | 5 / 1442 |  | 
                  
           | Othello: Iago - "o, Beware, My Lord, Of Jealousy" | 4 / 988 |  | 
                  
           | Persevering Literature | 3 / 841 |  | 
                  
           | Romeo And Juliet: Fate? | 1 / 214 |  | 
                  
           | Streetcar Named Desire Essay | 2 / 591 |  | 
                  
           | six characters in search of an author | 2 / 599 |  | 
                  
           | The Bone collector | 5 / 1262 |  | 
                  
           | The Fall of Usher Themes | 4 / 981 |  | 
                  
           | The conflicts of all Hearts | 5 / 1243 |  | 
                  
           | The great gatsby "Party scene" | 2 / 578 |  | 
                  
           | To Kill A Mocking Bird Book And Movie [Resource] | 5 / 1482 |  | 
                  
           | Triage | 1 / 175 |  | 
                  
           | v for vendetta | 5 / 1376 |  | 
                  
           | Ducati | 2 / 597 |  | 
                  
           | Fantasy Theme Analysis of Commercial | 5 / 1460 |  | 
                  
           | Girl | 1 / 210 |  | 
                  
           | Helloo | 5 / 1293 |  | 
                  
           | A Doll's Hous and Nora | 4 / 915 |  | 
                  
           | A Midsummer Nights Dream | 3 / 643 |  | 
                  
           | A Midsummersnight Dream: Bottoms Comedy | 5 / 1298 |  | 
                  
           | A Simple Story of Imagery and Irony | 3 / 830 |  | 
                  
           | Ana Castillo "Seduced by Natssja Kinski" Critique | 3 / 602 |  | 
                  
           | Analysis of a scene from great expectations | 6 / 1780 |  | 
                  
           | Black Boy | 3 / 782 |  | 
                  
           | Character Connection | 3 / 808 |  | 
                  
           | Describe Shaksepaers Theme Of Love In Twelth Night | 4 / 931 |  | 
                  
           | Descriptive Essay of Tower Room | 1 / 225 |  | 
                  
           | Discuss the role of the witches in Macbeth | 7 / 2088 |  | 
                  
           | English | 4 / 1078 |  | 
                  
           | English | 3 / 627 |  | 
                  
           | Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts | 6 / 1665 |  | 
                  
           | Fantasia | 3 / 838 |  | 
                  
           | Fear and Loathing in Las Vegas | 3 / 659 |  | 
                  
           | Feminist Criticism of Portia and Calpurnia. | 1 / 205 |  | 
                  
           | Frankenstein | 4 / 1104 |  | 
                  
           | Frankenstein | 1 / 208 |  | 
                  
           | Fried Green Tomatoes | 5 / 1467 |  | 
                  
           | Hamlen Brook | 1 / 234 |  | 
                  
           | Hamlet - Appearances vs. Reality | 6 / 1629 |  | 
                  
           | Hamlet, Laertes & Fortinbras: Avenging Their Fathers | 5 / 1220 |  | 
                  
           | Hamlet- Mad or Mad or Revenge? | 3 / 636 |  | 
                  
           | Hamlet | 7 / 2010 |  | 
                  
           | Hamlet | 4 / 1011 |  | 
                  
           | Hamlet | 3 / 610 |  | 
                  
           | Hamlet: Avenging their fathers | 5 / 1303 |  | 
                  
           | Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat | 4 / 999 |  | 
                  
           | How does Steven Spielberg make the opening scene of Jaws so dramatic? | 5 / 1370 |  | 
                  
           | Is He Good Or Is He Bad? | 6 / 1719 |  | 
                  
           | KIng lear | 5 / 1243 |  | 
                  
           | King Lear interpersonal relationships between characters illustrated in two different productions | 3 / 812 |  | 
                  
           | Lex Luther And Human Nature | 3 / 884 |  | 
                  
           | "There's The Sulphrous Pit": Female Sexuality In King Lear | 4 / 1061 |  | 
                  
           | about macbeth | 2 / 464 |  | 
                  
           | adversity | 4 / 939 |  | 
                  
           | glass menagerie | 5 / 1235 |  | 
                  
           | hamlet | 5 / 1408 |  | 
                  
           | jaws media | 2 / 598 |  | 
                  
           | Love/Hate in Much Ado About Nothing | 3 / 629 |  | 
                  
           | Macbeth is a villain in whom there is little to admire". Do you think this is a satisfactory comment on Macbeth? "using textual evidence" | 5 / 1494 |  | 
                  
           | Macbeth | 6 / 1663 |  | 
                  
           | Macbeth | 4 / 960 |  | 
                  
           | Macbeth | 2 / 519 |  | 
                  
           | Macbeth | 2 / 488 |  | 
                  
           | Macbeth: Symbolism | 2 / 496 |  | 
                  
           | Machbeth | 3 / 614 |  | 
                  
           | Marta | 4 / 1123 |  | 
                  
           | Merchant of venice | 3 / 852 |  | 
                  
           | Moliere's Tartuffe | 3 / 889 |  | 
                  
           | Mr. | 3 / 694 |  | 
                  
           | Much Ado About Nothing: Pride and Prejudice | 5 / 1266 |  | 
                  
           | Muthos | 6 / 1613 |  | 
                  
           | My Analysis on Phyllis Wheatley | 1 / 206 |  | 
                  
           | One who Flew over cuckoos nest COMPARED to movie | 5 / 1313 |  | 
                  
           | Ophelia In Hamlet | 10 / 2781 |  | 
                  
           | Parkers representation of Othello | 3 / 766 |  | 
                  
           | Psycho Motifs | 3 / 644 |  | 
                  
           | Relationship between Macbeth and Lady Macbeth | 3 / 777 |  | 
                  
           | Revenge In Hamlet | 6 / 1530 |  | 
                  
           | Robert Frost - Home Burial | 1 / 273 |  | 
                  
           | Romeo Juliet Film Comparison to text | 5 / 1459 |  | 
                  
           | Romeo and Juliet..was it destined by fate? | 3 / 896 |  | 
                  
           | Setting to create mood | 5 / 1401 |  | 
                  
           | Sexism In "Othello" | 2 / 474 |  | 
                  
           | Shakespeare's A Midsummer Night's Dream | 2 / 537 |  | 
                  
           | Shine | 4 / 984 |  | 
                  
           | Stopping by the Woods | 2 / 548 |  | 
                  
           | Street Car Named Desire | 4 / 1085 |  | 
                  
           | The Lives of Others | 3 / 624 |  | 
                  
           | The Unprincipled Family | 4 / 936 |  | 
                  
           | The point of citizen Kane | 5 / 1244 |  | 
                  
           | To Kill or not to kill a mockingbird | 5 / 1349 |  | 
                  
           | Toy Story Annalysis | 6 / 1701 |  | 
                  
           | Violence in Othello | 5 / 1264 |  | 
                  
           | War and Memory in Irene Zabytko's "Home Soil", Bruce Weigl's "Song of Napalm", and Wilfred Owen's "Dulce et Decorum Est" | 3 / 693 |  | 
                  
           | Wheturing Heights | 1 / 235 |  | 
                  
           | macbeth journel | 2 / 567 |  | 
                  
           | of mice and men analyses of their literary techniques | 1 / 211 |  | 
                  
           | richard 2, importance on thomas of woodstock | 3 / 720 |  | 
                  
           | thelma and louise | 3 / 890 |  | 
                  
           | truman show | 4 / 934 |  | 
                  
           | analysis of king lear | 5 / 1254 |  | 
                  
           | Not Without My Daughter | 1 / 204 |  | 
                  
           | The Crucible | 2 / 462 |  | 
                  
           | A True Understanding Of St. Joan | 6 / 1564 |  | 
                  
           | Analysis Of A Streetcar Named | 3 / 649 |  | 
                  
           | amazon | 11 / 3022 |  | 
                  
           | Brennaghs Hamlet | 7 / 1899 |  | 
                  
           | Business Research Application Paper | 4 / 1148 |  | 
                  
           | David Belasco | 2 / 413 |  | 
                  
           | Essay on decency | 2 / 597 |  | 
                  
           | Everyman - Play Analysis | 6 / 1602 |  | 
                  
           | Fire on the Mountain | 3 / 773 |  | 
                  
           | Glory | 2 / 477 |  | 
                  
           | Gossip Girl | 4 / 1074 |  | 
                  
           | Greek Theater 2 | 3 / 623 |  | 
                  
           | Hamlet - Plot Summary | 9 / 2441 |  | 
                  
           | Hamlet - The Death Of Young Hamlet | 1 / 213 |  | 
                  
           | Hamlet Act I Scene Ii 1-179 - Ambiguous Characters | 6 / 1559 |  | 
                  
           | Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat | 4 / 999 |  | 
                  
           | Huck Finn - Life On The River | 3 / 801 |  | 
                  
           | Huckleberry Finn - Life On The River | 3 / 801 |  | 
                  
           | Inherit the Wind | 3 / 702 |  | 
                  
           | Julius Caesae | 1 / 234 |  | 
                  
           | john oneil | 5 / 1238 |  | 
                  
           | Lolita | 1 / 233 |  | 
                  
           | Macbeth - The Importance Of Night | 2 / 541 |  | 
                  
           | Macbeth | 4 / 1056 |  | 
                  
           | Minor Characters | 3 / 638 |  | 
                  
           | Moliere's Tartuffe | 3 / 889 |  | 
                  
           | mamma mia | 3 / 625 |  | 
                  
           | Oedipus Rex | 4 / 1012 |  | 
                  
           | Resrvoir Dogs: Music | 5 / 1391 |  | 
                  
           | Richard and Iago: Rational, Sensitive, or Vegetative? | 2 / 595 |  | 
                  
           | Sample Police Report | 2 / 511 |  | 
                  
           | Street Car Named Desire | 4 / 1085 |  | 
                  
           | strictly ballroom | 3 / 696 |  | 
                  
           | The Crucible John Proctors Cha | 3 / 708 |  | 
                  
           | The Death Of Young Hamlet | 5 / 1248 |  | 
                  
           | The Great Gatsby Movie Review | 3 / 601 |  | 
                  
           | The Importance Of Night In "macbeth" | 2 / 541 |  | 
                  
           | The Sixth Sense | 1 / 195 |  | 
                  
           | The Sun Also Rises | 1 / 275 |  | 
                  
           | "Orange Juice" (The Godfather) | 3 / 891 |  | 
                  
           | A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). | 5 / 1471 |  | 
                  
           | Analysis of Singin in the Rain | 4 / 953 |  | 
                  
           | Analytical Critique of The Godfather | 4 / 923 |  | 
                  
           | Big Night | 1 / 195 |  | 
                  
           | Crash | 3 / 853 |  | 
                  
           | Crash | 3 / 771 |  | 
                  
           | Critique of "The Art of National Identity" by John Orr | 7 / 1877 |  | 
                  
           | History Is Made At Night | 2 / 535 |  | 
                  
           | How Music Effects Mood and Perception in Motion Pictures | 6 / 1605 |  | 
                  
           | kill bill 2 | 6 / 1552 |  | 
                  
           | Movie: The Mission | 2 / 535 |  | 
                  
           | Music and Mood | 6 / 1504 |  | 
                  
           | Musical Theatre | 4 / 1169 |  | 
                  
           | Pulp Fiction Narrative | 4 / 955 |  | 
                  
           | Report on We Were Soldiers | 4 / 1093 |  | 
                  
           | Similarities Of Two Famous Tales Of Love | 3 / 687 |  | 
                  
           | Summary and Overview on the movie crash | 4 / 971 |  | 
                  
           | The Auteur Theory: Stanley Kubrick | 4 / 1134 |  | 
                  
           | The Jazz Age | 2 / 526 |  | 
                  
           | The Sound of Blue Velvet | 2 / 411 |  | 
                  
           | Thelma and Louise Character Analysis | 2 / 581 |  | 
                  
           | To Be Shakespeare, Or Not To Be Shakespeare, That Is The Question | 7 / 1906 |  | 
                  
           | Tosca | 4 / 945 |  | 
                  
           | Whalrider | 2 / 501 |  | 
                  
           | What Is Eatting Gilberts Grape | 2 / 515 |  | 
                  
           | When a Woman Ascends the Stairs | 6 / 1506 |  | 
                  
           | Aristotle's Mean Applied to Acting Technique | 4 / 1135 |  | 
                  
           | Color Perception After Viewing Emotional Media | 2 / 532 |  | 
                  
           | Darley and latane | 2 / 546 |  | 
                  
           | Psychology | 1 / 203 |  | 
                  
           | I Love and I Hate. Who Can Tell me Why? | 3 / 846 |  | 
                  
           | Dna: The Thread Of Life | 3 / 696 |  | 
                  
           | The Importance of DNA Evidence | 6 / 1538 |  | 
                  
           | Ecstasy Mdma | 1 / 198 |  | 
                  
           | Piracy | 1 / 172 |  |