| Title | Pages / Words | Save | 
                  
           | Dr Faustus | 7 / 1849 |  | 
                  
           | As you like it - Act 1 | 5 / 1277 |  | 
                  
           | Baz Luhrman?s Version of Romeo and Juliet | 3 / 721 |  | 
                  
           | Hamlet | 4 / 1002 |  | 
                  
           | King Lear | 3 / 728 |  | 
                  
           | King Lear | 4 / 1121 |  | 
                  
           | The Temptresses of Unconcious Enticements | 2 / 376 |  | 
                  
           | North and South | 4 / 1037 |  | 
                  
           | Ingrid Bergman | 5 / 1488 |  | 
                  
           | Romeo & Juliet | 2 / 510 |  | 
                  
           | Tiziano Vecelli's | 3 / 674 |  | 
                  
           | A Day In The Life Of Ivan Denisovich | 3 / 696 |  | 
                  
           | A Raisin In The Sun | 4 / 950 |  | 
                  
           | A Raisin in the Sun | 2 / 471 |  | 
                  
           | A Summons to Memphis | 3 / 787 |  | 
                  
           | Analysis on Rasin in the Sun | 2 / 488 |  | 
                  
           | Billy Elliot | 1 / 128 |  | 
                  
           | Dracula - Symbolism of Blood | 4 / 930 |  | 
                  
           | Fences | 2 / 485 |  | 
                  
           | Frankenstein Essay | 3 / 705 |  | 
                  
           | Generation View Of Reality | 5 / 1274 |  | 
                  
           | Hamlet Act 5 | 3 / 604 |  | 
                  
           | Huckelberry Finn | 3 / 650 |  | 
                  
           | hamlets relationships | 6 / 1609 |  | 
                  
           | Intensional Or Accidentall? Similarities Between Romeo And Juliet And | 3 / 836 |  | 
                  
           | Love and Hate "Shakespear" | 3 / 671 |  | 
                  
           | Macbeth vs. lady macbeth | 2 / 445 |  | 
                  
           | Macbeth | 5 / 1231 |  | 
                  
           | natty bumppo | 2 / 563 |  | 
                  
           | Of mice and Men | 4 / 903 |  | 
                  
           | Othello: Iago's Large Appetite For Revenge | 3 / 614 |  | 
                  
           | Romeo And Juliet: Night - Rejoice Or Rebel? | 3 / 843 |  | 
                  
           | Romeo and Juliet | 2 / 436 |  | 
                  
           | Romeo and Juliet | 4 / 1163 |  | 
                  
           | relationships in hamlet | 3 / 658 |  | 
                  
           | Shakespeare's "Othello" Women's Role | 3 / 713 |  | 
                  
           | The Modern Times | 2 / 589 |  | 
                  
           | The Night of The Iguana | 3 / 785 |  | 
                  
           | Xi | 3 / 848 |  | 
                  
           | A Route of Evanescence | 3 / 698 |  | 
                  
           | A View From The Bridge | 2 / 581 |  | 
                  
           | Act 1 scene 5 romeo and juliet | 2 / 389 |  | 
                  
           | Approaching the Mechanicals | 2 / 395 |  | 
                  
           | Apu and his dog | 6 / 1510 |  | 
                  
           | As You Like it function of Act 1 | 5 / 1297 |  | 
                  
           | Bend It Like Beckham: mise-en-scene | 5 / 1409 |  | 
                  
           | Blissing | 4 / 906 |  | 
                  
           | Blood imagery in macbeth | 3 / 848 |  | 
                  
           | Butler Yeats | 2 / 576 |  | 
                  
           | Conflicts Between Colors | 4 / 905 |  | 
                  
           | Crash | 4 / 964 |  | 
                  
           | Dark &Amp; Light Imagery In Shakespeare’S Macbeth | 3 / 825 |  | 
                  
           | Dead Man Walking [movie] | 2 / 377 |  | 
                  
           | Discuss the importance of Act Three, Scene 5. How does Shakespeare use dramatic devices in order to make it such an interesting and important scene? | 6 / 1634 |  | 
                  
           | Dulce et Decorum est | 4 / 1058 |  | 
                  
           | Emma Clueless | 3 / 626 |  | 
                  
           | English | 5 / 1226 |  | 
                  
           | Gilda Film Analysis | 5 / 1321 |  | 
                  
           | Hamlet And The Oedipus Complex | 2 / 535 |  | 
                  
           | Hamlet Essay | 4 / 1022 |  | 
                  
           | Hamlet again | 6 / 1596 |  | 
                  
           | Hamlet's Relationships | 6 / 1609 |  | 
                  
           | Hamlet | 2 / 380 |  | 
                  
           | Henry V | 2 / 418 |  | 
                  
           | How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene? | 6 / 1584 |  | 
                  
           | How does Shakespeare use dramatic devices is Act 3 scene 1 of "Romeo and Juliet" in order to make it an exciting scene and a turning point in the play | 6 / 1773 |  | 
                  
           | How funny do you find ?Waiting for Godot'? Explore the ways in which Beckett uses humour in the play and the likely impact that this would have on the audience. | 3 / 869 |  | 
                  
           | Imagery In Macbeth | 3 / 617 |  | 
                  
           | Jaws | 1 / 145 |  | 
                  
           | Julius Caesar Flattery | 2 / 552 |  | 
                  
           | Lear's Maness | 1 / 118 |  | 
                  
           | "Miss Brill" by Katherine Mansfield | 2 / 513 |  | 
                  
           | act 1 | 1 / 122 |  | 
                  
           | coup de grace essay | 2 / 590 |  | 
                  
           | gertrude | 3 / 798 |  | 
                  
           | how does romeo and juliets love scene increase dra,atic irony in this scene | 2 / 443 |  | 
                  
           | Lorraine Glass | 2 / 430 |  | 
                  
           | Macbeth Greater Guilt | 3 / 679 |  | 
                  
           | Macbeth's Supernatural Scenes Explained | 2 / 461 |  | 
                  
           | Macbeth: Analysis On the Theme of Blood. | 3 / 840 |  | 
                  
           | Macbeth: What Is Being Said About Influence And Manipulation | 3 / 844 |  | 
                  
           | Men of respect V.S Macbeth | 3 / 702 |  | 
                  
           | Movie Evaluatioin of 300 | 4 / 1090 |  | 
                  
           | Mr. | 4 / 911 |  | 
                  
           | Obasan | 2 / 427 |  | 
                  
           | Oedipus Rex | 3 / 630 |  | 
                  
           | On the sidewalk bleeding~news article | 2 / 357 |  | 
                  
           | Othello and Jealousy | 4 / 990 |  | 
                  
           | Prose and Poetry, Audubon and Dillard AP | 2 / 504 |  | 
                  
           | Romeo and juliet | 5 / 1393 |  | 
                  
           | Romeo | 7 / 1866 |  | 
                  
           | Scarlet Letter | 3 / 652 |  | 
                  
           | Show the importance of the ‘Balcony Scene’ (Act 2 Scene 2). How does this scene help us to understand the characters of Romeo and Juliet? How the scene might be presented in performance | 7 / 2044 |  | 
                  
           | Sonny's Blues | 3 / 669 |  | 
                  
           | Strictly Ballroom | 2 / 521 |  | 
                  
           | Strong Females in the work of Miller, and Williams | 6 / 1511 |  | 
                  
           | Super Size Me | 3 / 624 |  | 
                  
           | Symbolism in A Streetcar Named Desire Blanche's Dubois mysterious life | 3 / 752 |  | 
                  
           | Tempest Essay | 4 / 1027 |  | 
                  
           | The Battle of Algiers | 1 / 126 |  | 
                  
           | The Comparison Between This And That | 3 / 655 |  | 
                  
           | The Crucible | 3 / 696 |  | 
                  
           | The Piano Lesson | 4 / 1115 |  | 
                  
           | The Relationship Between Macbeth And Lady Macbeth In Act I, Scene Vii | 3 / 671 |  | 
                  
           | The headless horseman | 3 / 724 |  | 
                  
           | Use Of Contrasts In Act I Of The Tempest | 3 / 675 |  | 
                  
           | What are the qualities of a successful thriller and how are they exploited? | 4 / 1122 |  | 
                  
           | Who is Responsible of the demise of the central characters in Macbeth? | 3 / 715 |  | 
                  
           | Willy is the antithesis of Charley in Death of a salesman | 3 / 851 |  | 
                  
           | looking for alibrandi | 3 / 861 |  | 
                  
           | no sugar | 3 / 648 |  | 
                  
           | oTHELLO | 2 / 369 |  | 
                  
           | othello | 2 / 440 |  | 
                  
           | reflective essay | 2 / 505 |  | 
                  
           | relationships in Hamlet | 3 / 658 |  | 
                  
           | scarlet letter | 2 / 557 |  | 
                  
           | Essay Exstra Credit | 3 / 665 |  | 
                  
           | Gladiator of Heaven | 5 / 1213 |  | 
                  
           | History of Ghazal Singing | 2 / 347 |  | 
                  
           | How does Shakespeare shape your response to the lovers' first meeting in Act 1 Scene 5? | 6 / 1545 |  | 
                  
           | Into Shoppertainment | 2 / 389 |  | 
                  
           | Last of the mohicans | 2 / 409 |  | 
                  
           | Budweiser Advertisement Analysis | 4 / 1164 |  | 
                  
           | Character Study Of Claudius Fr | 2 / 599 |  | 
                  
           | Cinematic Techniques | 3 / 735 |  | 
                  
           | Educating Rita Compare and contrast | 5 / 1259 |  | 
                  
           | Emo VS Indie | 4 / 974 |  | 
                  
           | Ethan From - Contrast Between Film And Novel | 4 / 923 |  | 
                  
           | Ethan From --- Contrast Betwe | 4 / 923 |  | 
                  
           | Extreme Roles | 4 / 968 |  | 
                  
           | Generation View Of Reality | 5 / 1274 |  | 
                  
           | Hamlets Problem | 3 / 628 |  | 
                  
           | Henry V - Film | 4 / 929 |  | 
                  
           | La Confidential And Film Noir | 11 / 3249 |  | 
                  
           | Lorraine Glass | 2 / 430 |  | 
                  
           | Macbeth - Blood Imagery In Macbeth | 3 / 840 |  | 
                  
           | Macbeth - Foreshadowing Using Animals | 4 / 1195 |  | 
                  
           | Macbeth: Serpentine Imagery | 3 / 712 |  | 
                  
           | Merchant Of Venice | 3 / 759 |  | 
                  
           | Much Ado About Nothing - Summary | 5 / 1426 |  | 
                  
           | On The Waterfront | 2 / 499 |  | 
                  
           | One Life to Live (soap opera) | 2 / 597 |  | 
                  
           | Our Town Analysis 2 | 2 / 435 |  | 
                  
           | our town | 2 / 429 |  | 
                  
           | Richard Ii - Silence Is The Plot | 1 / 92 |  | 
                  
           | Richard Ii | 4 / 940 |  | 
                  
           | Richard Ii | 4 / 940 |  | 
                  
           | Romeo And Juliet - The Role Of Love | 4 / 1134 |  | 
                  
           | romeo and juliet | 3 / 668 |  | 
                  
           | Scarlet Letter | 3 / 652 |  | 
                  
           | Sex with Brad Pitt | 3 / 826 |  | 
                  
           | The Bicycle Thief | 3 / 618 |  | 
                  
           | The Role Of Love In Romeo And Juliet | 4 / 1165 |  | 
                  
           | The Scarlet Letter 2 | 2 / 430 |  | 
                  
           | The Taming Of The Shrew - Humo | 3 / 731 |  | 
                  
           | The Use Of Animals To Portray Foreshadowing In Macbeth | 4 / 1195 |  | 
                  
           | Three Scaffold Scenes - Progression Of Dimmesdale | 3 / 663 |  | 
                  
           | Viva La Revolution | 2 / 457 |  | 
                  
           | Young Goodman Brown, The Maypole Of Merrymount, And The Birth-mark | 2 / 557 |  | 
                  
           | Young Goodman Brown | 2 / 557 |  | 
                  
           | (Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress | 5 / 1353 |  | 
                  
           | Amadeus | 2 / 435 |  | 
                  
           | black music | 2 / 337 |  | 
                  
           | Cinematic Techniques | 3 / 735 |  | 
                  
           | Dead Poets Society | 4 / 1130 |  | 
                  
           | editing | 3 / 654 |  | 
                  
           | Festival of Ten | 4 / 1036 |  | 
                  
           | Fight Club (Fincher, 1999) | 3 / 799 |  | 
                  
           | Film Reviews on The African Queen, Pride and Prejudice and The Grand Illusion | 11 / 3027 |  | 
                  
           | Film Score Music | 11 / 3193 |  | 
                  
           | Hays Production Code's Impact on Vertigo | 5 / 1207 |  | 
                  
           | How effectively does the opening sequence of "Saving Private Ryan" convey the sadness and horror of war? | 6 / 1774 |  | 
                  
           | how do image and sound create meaning and what other functions does so | 8 / 2331 |  | 
                  
           | Kung Fu Hustle: A Spoof of Eastern and Western Cultures | 4 / 932 |  | 
                  
           | knife in the water | 3 / 796 |  | 
                  
           | Lacombe Lucien is a fictive re-enactment of the banality of evil | 4 / 1161 |  | 
                  
           | Media Studies Thriller Project | 8 / 2176 |  | 
                  
           | Meet Me in St. Louis & Raging Bull | 5 / 1286 |  | 
                  
           | Metropolis Film Review | 3 / 612 |  | 
                  
           | Michael Corleone's Transformation | 13 / 3612 |  | 
                  
           | Monty Python and the Holy Grail | 4 / 987 |  | 
                  
           | Moulin Rouge! Review | 4 / 1167 |  | 
                  
           | On The Waterfront | 2 / 499 |  | 
                  
           | Saving Private Ryan | 2 / 354 |  | 
                  
           | Shawshank Redemption Analysis | 3 / 828 |  | 
                  
           | Sleepy Hollow Reveiw | 3 / 629 |  | 
                  
           | scream | 2 / 407 |  | 
                  
           | The Bondock Saints | 5 / 1416 |  | 
                  
           | The Breakfast Club (Intercommunications) | 4 / 1080 |  | 
                  
           | Themes of 'The Sixth Sense' | 3 / 617 |  | 
                  
           | Wild Straberries Theme | 2 / 561 |  | 
                  
           | Romero | 4 / 1064 |  | 
                  
           | Court Testimony | 3 / 651 |  | 
                  
           | Forensic Science | 3 / 731 |  | 
                  
           | Medical benefits, fasting & Diabetes Mellitus | 3 / 812 |  | 
                  
           | 16 Blocks: Jacks Ethical Dilemma | 2 / 364 |  | 
                  
           | Criminals And Crimes: Fact Vs. Fiction | 4 / 1103 |  | 
                  
           | thelma and louise film review | 2 / 433 |  | 
                  
           | Viva La Revolution | 2 / 457 |  | 
                  
           | Wizard of Oz Analysis | 4 / 1025 |  |