| Title |
Pages / Words |
Save |
| Exploring the Use of Time as a Manipulative Variable |
4 / 1099 |
 |
| What is History? |
2 / 428 |
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| Romeo and Juliet: Act 1 Scene 5 |
3 / 733 |
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| "rock pile" analysis |
2 / 525 |
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| History and Demographics |
2 / 564 |
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| Mr. |
1 / 286 |
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| Biography And History: Harriet Jacob's The Life Of A Slave Girl |
4 / 998 |
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| How To Be Cool 32 |
1 / 296 |
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| Jerry Seinfield |
2 / 423 |
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| Me |
1 / 262 |
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| Night-Elie Wiesel |
4 / 940 |
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| St Thomas More |
2 / 474 |
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| 'Misery' by Stephen King |
3 / 898 |
|
| "Village In The Jungle" By Leonard Woolf |
3 / 710 |
|
| Adventures Of Huckleberry Finn |
2 / 499 |
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| Alcohol on the rise |
3 / 685 |
|
| Crime and Punishment as Polyphonic |
2 / 350 |
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| Hills Like White Elephants |
2 / 454 |
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| Irony In The Lottery |
3 / 681 |
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| not too dure |
2 / 367 |
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| Othello |
4 / 1049 |
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| saving PVT Ryan |
2 / 462 |
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| The Framing Narrative as a Guide to the Text |
3 / 606 |
|
| The Missing Dialogue In Antigone |
4 / 1027 |
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| The Old Man And The Sea: The Old Man |
2 / 533 |
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| The Sun Also Rises: Liberal Use Of Dialogue By Hemingway |
2 / 375 |
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| The truth is not always seen by the trained eye. |
3 / 602 |
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| Heyyy |
1 / 182 |
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| How To Over Come Conflict In Business |
3 / 677 |
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| hills like white elephants |
1 / 196 |
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| Ms. |
1 / 218 |
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| Organizational Change |
3 / 809 |
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| Procedure Paper |
3 / 659 |
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| Reward-Performance-Related Pay |
1 / 271 |
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| "The Birds" |
3 / 612 |
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| Bakhtin Nad T S Eliot |
5 / 1232 |
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| Ballad of Birmingham response |
3 / 678 |
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| Braveheart |
2 / 528 |
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| Cassandra as a Tragic Figure |
2 / 414 |
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| Chaucer |
2 / 313 |
|
| Compare the successes of Troy and Boldwood in courting Bathsheba |
2 / 470 |
|
| Dead Man Walking [movie] |
2 / 377 |
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| Defining Life's Purpose Through Hemingways's Eyes |
3 / 743 |
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| Dialogue in William Shakespeare's Macbeth |
2 / 447 |
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| Dialouge in Pride and Prejudice |
5 / 1397 |
|
| Diary Of A Smoker |
3 / 647 |
|
| Discuss"Home Burial" and "Death of the Hired Man" by Frost |
1 / 153 |
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| Godot: Modernity |
2 / 474 |
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| Hamlet: in Rosencrantz and Gildenstern are Dead |
2 / 308 |
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| Hills Like White Elephants |
3 / 835 |
|
| Hope or Hopelessness through age and light |
4 / 1016 |
|
| How Does Baz Luhrmann Engage a Moders Audience's Interest That |
2 / 512 |
|
| Huckleberry Finn |
1 / 185 |
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| Interpretation of The Love Song of J. Alfred |
2 / 434 |
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| Ironic Dialogue |
1 / 136 |
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| It's more than just Pants |
3 / 840 |
|
| Literary Analysis Essay |
5 / 1408 |
|
| "Death of a Hired Man" by Robert Frost Textual Analysis |
3 / 789 |
|
| "The 'Banking' Concept of Education" Response |
2 / 562 |
|
| audiolingual method |
4 / 911 |
|
| english - stolen |
3 / 858 |
|
| history of theatre |
2 / 468 |
|
| huck finn |
2 / 440 |
|
| “An Ambiguous Narrative about a Controversial Debate” |
2 / 527 |
|
| MY LAST DUCHESS |
3 / 654 |
|
| Mystery Plays |
2 / 534 |
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| No Sugar |
1 / 192 |
|
| Plato's Hidden Intent |
3 / 809 |
|
| Pride And Predjudice Dialogue |
5 / 1413 |
|
| S-80 Advertisement analysis |
2 / 515 |
|
| Skipping |
1 / 272 |
|
| Snoogans |
2 / 570 |
|
| Stage Drama |
5 / 1213 |
|
| Style and Trademarks of Hemingway |
3 / 722 |
|
| Sweat |
1 / 262 |
|
| Techniques to Tragedies |
3 / 652 |
|
| The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
|
| The Bear |
3 / 799 |
|
| The December Boys |
2 / 506 |
|
| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
|
| The Importance of Being Earnest Play/Film Comparitive Essay |
5 / 1376 |
|
| The Scholarship Jacket--Setting, Characterization, Conflict |
1 / 220 |
|
| Tyuioooooo |
1 / 271 |
|
| Unemployement & Lack of money |
2 / 443 |
|
| oedipus rex |
4 / 968 |
|
| pride and prejudice |
3 / 883 |
|
| rabbit run |
2 / 424 |
|
| racism |
3 / 683 |
|
| the club - character differences |
2 / 566 |
|
| Elite and Popular Conceptions of Witchcraft |
4 / 1035 |
|
| History |
1 / 292 |
|
| Human Resource Management |
2 / 379 |
|
| Nathaniel Hawthorne |
2 / 490 |
|
| On Euripides and War: An Historical Analysis of Hecuba, Trojan Women, and Iphegenia at Aulis |
3 / 635 |
|
| Plato |
6 / 1575 |
|
| Plato |
2 / 364 |
|
| Sociology |
2 / 460 |
|
| The structure of Greek Drama |
2 / 370 |
|
| Walter Benjamin has altered the state of History |
2 / 396 |
|
| What is History? Book review of Edward Hallett Carr |
3 / 672 |
|
| Manners |
3 / 726 |
|
| Anything |
2 / 353 |
|
| BFG |
1 / 271 |
|
| Bird Flu |
1 / 207 |
|
| Conversational Narcissism In The Classroom |
4 / 940 |
|
| Defintition Of History |
1 / 294 |
|
| Dialogue |
2 / 338 |
|
| donna whitmore |
2 / 351 |
|
| Edward Hallett Carr |
1 / 198 |
|
| Eleven |
3 / 631 |
|
| Ellen Foster |
3 / 624 |
|
| Ernest Hemingway |
6 / 1647 |
|
| Film Sound |
4 / 951 |
|
| family history |
2 / 454 |
|
| Hemingways Hills Like White El |
3 / 884 |
|
| History |
1 / 293 |
|
| Hizballah: Model Of Terrorism |
3 / 702 |
|
| Incidents |
2 / 557 |
|
| Lion in Winter Play review |
1 / 247 |
|
| Moral Political City |
5 / 1358 |
|
| Mustang vs Camaro |
2 / 314 |
|
| My Last Duchess |
3 / 654 |
|
| Othello Passage |
3 / 665 |
|
| Othello Passage |
3 / 665 |
|
| PUTA MADRE |
5 / 1274 |
|
| Persuasion 2 |
1 / 97 |
|
| Plato |
2 / 471 |
|
| Pride And Prejudice |
2 / 436 |
|
| Psycho 2 |
3 / 830 |
|
| Psycho |
3 / 830 |
|
| pandoras' box |
2 / 399 |
|
| Romeo & Juliet Movie Comparison |
4 / 1091 |
|
| SAR |
2 / 486 |
|
| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
|
| Socrates' Refusal of Crito's Proposal |
3 / 742 |
|
| sappho |
1 / 93 |
|
| The History of Graphic Design and Its Audiences |
4 / 1069 |
|
| The Importance Of Being Earnes |
2 / 503 |
|
| The Music Lessons |
4 / 921 |
|
| The Technique Of Role Playing |
2 / 509 |
|
| The Voice Of Generation X |
2 / 539 |
|
| What Is Piety |
4 / 941 |
|
| 12 angry men |
2 / 406 |
|
| 2001 space odyssey |
2 / 433 |
|
| a Rose For Emily: A Review |
3 / 626 |
|
| Bringing Up Baby |
3 / 693 |
|
| beethoven's 4th symphony |
3 / 701 |
|
| Casablanca |
2 / 505 |
|
| Critique Of Romeo And Juliet The Movie |
2 / 474 |
|
| Critique on Titanic |
1 / 137 |
|
| casablanca: A New Perspective |
2 / 508 |
|
| Die Hard |
2 / 473 |
|
| Eleven Bad |
3 / 659 |
|
| Film Terms |
2 / 412 |
|
| Franco Zeffili's Film Version Of Romeo And Juliet |
1 / 211 |
|
| Gattaca Opening Scenes |
2 / 482 |
|
| L'Avventura |
3 / 851 |
|
| Music in Animation |
3 / 685 |
|
| mise en scene |
3 / 635 |
|
| north by northwest |
3 / 607 |
|
| preach it mother |
2 / 537 |
|
| Rabbit Proof Fence |
3 / 602 |
|
| Reading Summary: Amplification of Sound |
2 / 316 |
|
| Review of Hustle and Flow |
2 / 420 |
|
| Robert Altman's "Nashville" |
3 / 784 |
|
| Swordfish |
2 / 441 |
|
| Talley's Folley |
2 / 418 |
|
| The Pianst, Scene 15 (Technical, Thematic, and Personal) |
4 / 1181 |
|
| The Princess Bride Comparisson |
2 / 563 |
|
| A Socratic Dialogue: Love in a Romantic Relationship |
3 / 757 |
|
| Analysis Of Crito |
2 / 444 |
|
| Apology From Socrates |
2 / 533 |
|
| Charmides |
2 / 528 |
|
| crito five dialogues socrates aristotle |
3 / 711 |
|
| Euthyphro |
6 / 1532 |
|
| Euthyphro |
2 / 585 |
|
| euthyphro |
1 / 155 |
|
| Galileo's sentencing to prison |
4 / 963 |
|
| Knowledge |
2 / 512 |
|
| Koyaanisqatsi |
3 / 702 |
|
| outline of socrates |
2 / 459 |
|
| Plato's Ideas |
1 / 163 |
|
| Plato |
2 / 327 |
|
| platos euthyphro |
3 / 766 |
|
| Socrates/Euthyphro |
3 / 641 |
|
| Summary of the Dialogue of Theaetetus |
3 / 618 |
|
| socrates |
3 / 659 |
|
| socrates |
2 / 468 |
|
| The Socratic Method |
5 / 1321 |
|
| Myths about Sleeping and dreaming |
1 / 262 |
|
| Niksa |
3 / 759 |
|
| buddhism |
1 / 264 |
|
| Justin Martyr |
4 / 918 |
|
| Significant characters in jewish faith |
2 / 368 |
|
| The Problems, Challenges And Opportunities Offered By Inter-Faith Dialogue |
3 / 768 |
|
| Ceo Avoidance |
2 / 335 |
|
| Civilization |
2 / 462 |
|
| Grinnell College Diversity Issues |
2 / 444 |
|
| red and blue |
2 / 458 |
|
| Corpse Bride analysis |
3 / 721 |
|
