| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
 |
| The Turn of A Screw |
2 / 543 |
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| book review on uncle tom's cabin |
3 / 794 |
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| Glory |
2 / 352 |
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| Lizzars |
3 / 772 |
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| Agatha Christie Biography |
2 / 342 |
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| Me |
1 / 262 |
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| Sherwood Anderson |
3 / 630 |
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| 3mistakes Of My Life |
2 / 396 |
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| A Review: The Day Of The Jackal |
2 / 494 |
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| A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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| A Worn Path |
2 / 474 |
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| A clean well-lighted place |
5 / 1444 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| brief explination of characters and themes of catcher in the rye |
4 / 1195 |
|
| Cien Anos de Soledad |
2 / 411 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| client vs snow in august |
2 / 532 |
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| Elemetns Of Dark Humor |
7 / 1921 |
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| Farewell to Manzanar Book Review |
2 / 538 |
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| Fate And Feminism |
2 / 476 |
|
| Finding Humor in Grendel |
2 / 589 |
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| great gatsby - nick |
1 / 256 |
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| Harr y Potter and the Chamber of secrets |
2 / 499 |
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| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
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| How money widens the gap of loneliness in the great gatsby |
6 / 1684 |
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| I'm Not Scared |
2 / 474 |
|
| James Patterson: A Great American Writer |
2 / 325 |
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| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
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| Kingsolver |
3 / 624 |
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| MAGGIE: A Girl Of the Streets |
2 / 497 |
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| November Blues |
2 / 442 |
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| Red Badge Of Courage |
2 / 389 |
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| Revelation |
3 / 771 |
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| Soul Flayer |
2 / 391 |
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| THE STING |
2 / 553 |
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| The Age of Innocence |
3 / 817 |
|
| The Celestine Prophecy |
2 / 429 |
|
| The Giver |
3 / 801 |
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| The Grim Grotto: Elements of Fiction |
5 / 1444 |
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| The Notebook |
2 / 406 |
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| The Odyssey |
2 / 564 |
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| The Scarlet Letter: A Symbolic Narrative |
4 / 1125 |
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| The most dangerous game |
3 / 602 |
|
| Waiting for Godot |
6 / 1669 |
|
| Essay |
2 / 369 |
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| financial statements |
2 / 448 |
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| Role of theU.S. Financial System |
3 / 852 |
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| SWAT analysis of verizon |
2 / 399 |
|
| Student |
2 / 429 |
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| Who Moved My Cheese |
5 / 1262 |
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| 12 angrey men |
3 / 825 |
|
| A Good Cop |
1 / 262 |
|
| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
|
| Advanced level |
3 / 723 |
|
| Antigone and Aristotle |
2 / 469 |
|
| Aspects of Postmodernism in "Happy Endings" and "Videotape" |
5 / 1489 |
|
| Cathedral Persuasive |
4 / 1014 |
|
| Character Transformations In DH Lawrence's "The Blind Man" And "The Ho |
2 / 549 |
|
| Characterization in Salinger's Nine Stories |
3 / 639 |
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| Characterization |
4 / 1116 |
|
| Close Reading of Narrative of the life of Frederick Douglass1 |
1 / 300 |
|
| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
|
| Comparison Between King Lear and A Thousand Acres |
2 / 497 |
|
| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
|
| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Death of a Salesman |
2 / 493 |
|
| Definition Of Modernism In Fiction |
3 / 611 |
|
| Emilia's Contemporary Stand |
3 / 829 |
|
| Film Task ? A Knights Tale |
2 / 400 |
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| Focalization in Richard Wrights |
5 / 1496 |
|
| Function of setting in man of la mancha |
4 / 1003 |
|
| Hamlet Vs. Macbeth |
2 / 512 |
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| Hamlet |
9 / 2628 |
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| History Boys: Consider the significance of the characterisation of either Posner, Lintott or Dakin. |
2 / 592 |
|
| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| Iago's Vengefulness |
2 / 522 |
|
| Invisible Man Revision |
1 / 261 |
|
| Jackie Robinson |
1 / 214 |
|
| King Lear |
3 / 622 |
|
| "No Sugar" Essay |
3 / 655 |
|
| "Ode on a Grecian Urn" Analysis |
2 / 328 |
|
| age of innocence |
2 / 305 |
|
| cathedral |
5 / 1388 |
|
| importance of being ernest |
3 / 692 |
|
| MacBeth |
3 / 647 |
|
| Macbeth Essay |
2 / 416 |
|
| Macbeth |
3 / 820 |
|
| Measure For Measure |
3 / 772 |
|
| Mr. |
2 / 399 |
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| Mr. |
3 / 890 |
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| Mr. |
4 / 929 |
|
| Night |
3 / 751 |
|
| Of Mice and Men |
2 / 529 |
|
| Of Mice and Men |
3 / 613 |
|
| Of Violence |
3 / 622 |
|
| Ollie Vs. The Dragon |
2 / 574 |
|
| Pit and Pendulum movie vs book |
2 / 301 |
|
| Review Of "A Lion In Winter" |
2 / 551 |
|
| Robert Browning |
2 / 522 |
|
| Satire Essay from The Onion |
2 / 448 |
|
| Stereotypes In Print Texts Legally Blonde |
3 / 607 |
|
| Success vs. Failure in Two Heroic Icons |
1 / 249 |
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| Test |
2 / 354 |
|
| The Fish |
3 / 621 |
|
| The Pearl |
1 / 278 |
|
| The Struggle For Inner Truth And Reality |
3 / 694 |
|
| Theme of Opposites Within King Lear |
2 / 591 |
|
| Theory Of Character And Characterization |
4 / 972 |
|
| White Oleander |
2 / 341 |
|
| Woah Dude |
3 / 700 |
|
| Women's Identities in the Color Purple and Behind A Mask |
6 / 1540 |
|
| rasin in the sun |
2 / 429 |
|
| the Role of the Intrusive narrator/ author |
2 / 444 |
|
| tomorrow when the war began |
2 / 367 |
|
| true love |
3 / 639 |
|
| china |
2 / 541 |
|
| History |
2 / 517 |
|
| The Wife Of Baths |
6 / 1681 |
|
| A Nightmare On Elm Street |
8 / 2284 |
|
| A Tale Of Two Cities 3 |
2 / 539 |
|
| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
|
| A Tale Of Two Cities |
2 / 539 |
|
| A Tale Of Two Cities |
2 / 539 |
|
| animal farm reveiw |
1 / 260 |
|
| Barn Burning 2 |
2 / 401 |
|
| Barn Burning |
2 / 401 |
|
| Character Transformations In Dh Lawrence's "the Blind Man" And "the Ho |
2 / 549 |
|
| Charater and Plot Master Harold and the boys. |
2 / 510 |
|
| Classic Tales Of Tom Sawyer |
2 / 586 |
|
| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
|
| Critique - Charles Baudelaire |
2 / 600 |
|
| Cyrano The Bergerac - Love |
3 / 667 |
|
| Death Of A Salesman - Minor Characters |
2 / 471 |
|
| Definition Of Modernism In Fiction |
3 / 611 |
|
| Don Juan As Byron Introspective |
4 / 1053 |
|
| Don Juan As Byron Introspective |
4 / 1053 |
|
| drama unit |
1 / 237 |
|
| E. M. Forster |
4 / 966 |
|
| Farewell To Arms 6 |
2 / 381 |
|
| Frankenstein |
3 / 639 |
|
| George And Lennie - A Friendship |
5 / 1489 |
|
| Great Gatsby: Movie vs Book |
6 / 1629 |
|
| Greek Actors |
2 / 339 |
|
| Harry Potter And The Sorcerers Stone |
1 / 230 |
|
| Human Actions In Romeo And Juliet |
2 / 498 |
|
| Lost |
2 / 325 |
|
| Marketing Mix |
3 / 755 |
|
| Media |
3 / 700 |
|
| Never The Sinner - Production Critique |
3 / 826 |
|
| Night |
3 / 751 |
|
| Othello - Change Of Character |
3 / 878 |
|
| Othello Vs Much Ado About North |
3 / 618 |
|
| People skills esay |
3 / 681 |
|
| Power of Advertising |
2 / 510 |
|
| Review Of "a Lion In Winter" |
2 / 551 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
|
| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
|
| Romeo And Juliet - Chain Of Hu |
2 / 498 |
|
| Romeo And Juliet - Minor Characters Influences On Major Char |
2 / 476 |
|
| Romeo And Juliet, Human Action |
2 / 498 |
|
| Talley's Folly |
3 / 679 |
|
| The Age Of Innocence |
3 / 817 |
|
| The Canterbury Tales: Wife Of Bath |
3 / 828 |
|
| The Cherry Orchard |
2 / 504 |
|
| The Five Elements Of A Short Story |
4 / 1171 |
|
| The Little Prince ? A Closer Look |
6 / 1656 |
|
| The Longest Memory |
3 / 701 |
|
| The Odyssey - Comparing The Ro |
3 / 832 |
|
| The Sting |
2 / 553 |
|
| The Tempest - Bringing It All Together |
2 / 497 |
|
| The Tempest - Bringing It All Together |
2 / 497 |
|
| Two Men In Buckram Critque |
3 / 805 |
|
| the ant and the grasshopper |
1 / 38 |
|
| the road not taken |
3 / 661 |
|
| Writing Style And The Reader - |
1 / 266 |
|
| A Nightmare On Elm Street |
8 / 2284 |
|
| As good as it gets |
3 / 644 |
|
| Eat Drink Man Woman |
2 / 551 |
|
| fiddler on the roof, Broadway |
4 / 1089 |
|
| How Franz Liszt’s Transcriptions Shaped the Path of Classical Music |
2 / 320 |
|
| Seinfeld |
2 / 313 |
|
| Show Boat |
1 / 276 |
|
| Spartacus |
3 / 700 |
|
| Stranger On A Train |
2 / 423 |
|
| The 40 Year Old Virgin |
2 / 431 |
|
| philosophy notes |
2 / 525 |
|
| The Tao of Pooh |
2 / 519 |
|
| Id, Ego, and Superego |
4 / 1001 |
|
| motivation in the workplace |
3 / 842 |
|
| Behold the Dreamer Cometh |
2 / 463 |
|
| Brain |
3 / 658 |
|
| Cystic Fibrosis |
1 / 270 |
|
| Children, Television, and Violence |
2 / 584 |
|
| Crash |
1 / 275 |
|
| Girl Interrupted |
3 / 817 |
|
| language analysis |
4 / 1025 |
|
| Metaphorical And Symbloic Ambiguities |
1 / 253 |
|
| Paid Pleasuere |
2 / 307 |
|
| E-Business |
2 / 306 |
|
