| Title |
Pages / Words |
Save |
| Rainman |
4 / 937 |
 |
| Brokeback |
4 / 1014 |
|
| Changes Since The Sixties |
3 / 703 |
|
| Good Morning, Vietnam |
3 / 832 |
|
| Grapes of Wrath |
2 / 587 |
|
| Grave Of The Fireflies - Review |
3 / 867 |
|
| Nature |
2 / 410 |
|
| Brad Pitt |
1 / 265 |
|
| Control issues |
2 / 590 |
|
| David LaChapelle |
4 / 918 |
|
| James Dean papa |
4 / 1012 |
|
| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
|
| Marilyn Monroe |
1 / 242 |
|
| Stanley Kubrick |
6 / 1545 |
|
| The Life and Times of Edgar Allan Poe |
2 / 495 |
|
| born on the 4th of july |
5 / 1233 |
|
| March Of the Penguins |
2 / 520 |
|
| Review Of Oleanna |
3 / 623 |
|
| Starstruck |
3 / 630 |
|
| The Boy Next Door |
4 / 1116 |
|
| The Quiet American- A comparison |
4 / 911 |
|
| Arundel Case |
3 / 640 |
|
| Costumer / company branch analysis BULTHUIS |
2 / 364 |
|
| Creating a Training Plan for Your Business |
3 / 659 |
|
| geisha |
2 / 344 |
|
| High Involvement and Low Involvement in searching for product information |
6 / 1564 |
|
| Kodak Case Summary |
2 / 358 |
|
| Managerial Problems with the Performance Review Process |
4 / 991 |
|
| Marine Biology |
4 / 1014 |
|
| NET FLIX PEST ANALYSIS |
3 / 766 |
|
| Problems with Performance Reviews |
3 / 616 |
|
| ARTS |
3 / 716 |
|
| Beauty and the Beast Contrast |
3 / 805 |
|
| Beyond Borders |
2 / 481 |
|
| Citizen Kane's summary |
4 / 968 |
|
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
|
| Comparison of "Monsson Wedding" to "Heat and Dust" |
3 / 701 |
|
| Crash |
5 / 1307 |
|
| Crisis |
1 / 264 |
|
| Dead Poets Society Essay |
3 / 662 |
|
| Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
|
| Essay (Power Of One) |
2 / 572 |
|
| Gattaca |
2 / 561 |
|
| Hitler, Fact or Fiction; Effects of Labels |
3 / 789 |
|
| Interview with the vampire |
4 / 1080 |
|
| It's more than just Pants |
3 / 840 |
|
| Ken Kesey Life Behind the Cuckoo's Nest |
1 / 257 |
|
| King Leer |
5 / 1457 |
|
| dead poet's society |
3 / 746 |
|
| Look both ways |
4 / 1018 |
|
| Miss Julie |
2 / 500 |
|
| Modern Shakespeare |
3 / 859 |
|
| Othello: Shakespeare vs. Parker |
2 / 596 |
|
| Romeo & Juliet |
4 / 1055 |
|
| Selfish Ambition Ain`t Worth Destroying What God Has Provided |
2 / 318 |
|
| Shawshank Redemption |
3 / 779 |
|
| Star Wars(hero's Joyrney) |
1 / 271 |
|
| Symbolism in The Ancient Marinier |
2 / 380 |
|
| The Deep End Of The Ocean |
3 / 836 |
|
| The Fallen Movie Reveiw |
2 / 363 |
|
| The Graduate |
3 / 797 |
|
| The Harder They Come |
4 / 952 |
|
| The Sixth sense |
3 / 633 |
|
| The old man and the sea - comparison between the book and the film |
5 / 1350 |
|
| Vita e Bella |
3 / 882 |
|
| War Of The Worlds Film Techniqes |
3 / 878 |
|
| radiance |
2 / 522 |
|
| shadow of a doubt |
3 / 713 |
|
| ). How has television replaced the monumental statues of ancient Roman leaders? Which medium do you think is more powerful? Television/film or ancient art? |
3 / 605 |
|
| Dead |
2 / 455 |
|
| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
|
| Film Review of Luther |
2 / 532 |
|
| Historical Accuracy : Gangs Of New York |
2 / 330 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Orphan Trains |
3 / 685 |
|
| Robert Pattinson |
1 / 264 |
|
| The immigrant |
1 / 258 |
|
| Bats |
3 / 899 |
|
| Boys In The Hood The Beginning |
3 / 653 |
|
| Briar rose symbols |
2 / 358 |
|
| Cindy Sherman |
2 / 473 |
|
| Compare and contrast black representations in 'Gone with the wind' (1939) and 'Guess who's coming to dinner' (1967). |
3 / 748 |
|
| Crash |
2 / 349 |
|
| crash review |
3 / 687 |
|
| Directing: More than Fame and Fortune |
4 / 1040 |
|
| Eye of the beholder |
1 / 284 |
|
| Friday |
3 / 663 |
|
| Gender in Car advertising |
2 / 543 |
|
| Hollywood Vs. The World |
4 / 1134 |
|
| Hot Fuzz - Movie Review |
2 / 599 |
|
| Jaws Media Coursework Essay |
2 / 516 |
|
| Leadership and Management Challenges |
1 / 277 |
|
| Love, Sex & Eating the Bones |
4 / 1124 |
|
| My Left Foot: The Strength Of A Mother |
1 / 290 |
|
| Noam Chomsky |
3 / 723 |
|
| Orphan Trains |
3 / 685 |
|
| Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
|
| Requiem for a Dream |
6 / 1568 |
|
| Roswell |
3 / 787 |
|
| Scarface |
2 / 368 |
|
| Schindlers list reaction paper |
2 / 307 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
| The Deep End Of The Ocean |
3 / 836 |
|
| The Power of Dance |
2 / 387 |
|
| The Sheltering Sky |
4 / 1084 |
|
| Vampire Lord |
2 / 579 |
|
| Zefferelli Vs. Luhrmann |
1 / 210 |
|
| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
|
| 25th Hour |
4 / 1090 |
|
| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
|
| “The Review Of Marcel LOZINSki’S Documentary Film: |
3 / 711 |
|
| A Beautiful Mind |
1 / 274 |
|
| A Hard Day's Night |
3 / 643 |
|
| Amadeus |
3 / 875 |
|
| Analysis of "Vantage Point" trailer |
4 / 1076 |
|
| Analyzing Moulin Rouge |
4 / 1113 |
|
| Ballad Of A Soldier |
4 / 1124 |
|
| Black Hawk Down |
4 / 1045 |
|
| Blair witch Genius |
4 / 925 |
|
| brave |
1 / 262 |
|
| Casablanca |
4 / 937 |
|
| Cinematography: Everything You Need To Know |
3 / 859 |
|
| Citizen Kane |
3 / 882 |
|
| Citizen Kane |
1 / 291 |
|
| Close Encounters of the Third Kind |
9 / 2509 |
|
| Critique of SHawshank Redemption |
3 / 729 |
|
| cast away |
2 / 576 |
|
| Dead Poet's Society |
2 / 546 |
|
| Dead Poets Society |
2 / 570 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| Do The Right Thing |
2 / 467 |
|
| Donnie Brasco |
3 / 630 |
|
| FIght Club |
3 / 753 |
|
| Femme Fatale: Evil or not |
6 / 1509 |
|
| Fight Club |
3 / 750 |
|
| Fight Club |
1 / 229 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Film Noir |
3 / 634 |
|
| Friday night Lights |
3 / 759 |
|
| Gattaca Opening Scenes |
2 / 482 |
|
| Hong Kong Cinema |
3 / 709 |
|
| Hoosierssssssss |
1 / 251 |
|
| I am Sam's Review |
3 / 649 |
|
| Ideas for Movies - The How and What... |
5 / 1254 |
|
| ife |
2 / 478 |
|
| Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
|
| Kenneth Baranagh's "Henry V" |
2 / 457 |
|
| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
| L'Avventura |
3 / 851 |
|
| Legends of the fall |
3 / 887 |
|
| Lisa Lewis Paper |
2 / 573 |
|
| M |
2 / 565 |
|
| Narrative vs. Montage |
3 / 877 |
|
| North by Northwest |
3 / 671 |
|
| One Flew Over the Cuckoos Nest |
4 / 1093 |
|
| Pleasantville |
3 / 788 |
|
| Post-Renaissance Films |
1 / 253 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
| Racism in American History X |
3 / 793 |
|
| Reaction to film "Brainwashing 101" |
3 / 730 |
|
| Reservoir Dogs |
4 / 911 |
|
| report on the movie the patriot |
3 / 650 |
|
| Saving Private Ryan |
3 / 686 |
|
| Sicko-Film Review |
2 / 422 |
|
| Sleepy Hollow |
4 / 1073 |
|
| Stand By Me |
5 / 1343 |
|
| Supervolcano |
2 / 496 |
|
| snatch |
4 / 920 |
|
| The Indo- Afghan Connection |
4 / 963 |
|
| The Joy Luck Club Movie Review |
3 / 777 |
|
| The Notebook: Best Film I Have Seen |
2 / 585 |
|
| The Verdict- Film Analysis |
1 / 73 |
|
| The movie O |
3 / 609 |
|
| Using the comparison of these two texts as your starting point, explore the media issues and debates these texts raise. |
3 / 853 |
|
| Wala Ln |
1 / 220 |
|
| We Were Soldiers Critque |
6 / 1631 |
|
| Western And The Man Who Shot Liberty Valance |
3 / 613 |
|
| "The Matrix" and Religion |
5 / 1448 |
|
| Psychometrics Advantages |
4 / 944 |
|
| Rainman |
3 / 753 |
|
| Hinduism |
1 / 82 |
|
| An Inconvenient Truth |
2 / 355 |
|
| Lab Report |
4 / 1159 |
|
| Life and death response |
2 / 526 |
|
| penny for thoughts |
2 / 570 |
|
| Chicano |
2 / 553 |
|
| Culture Of Film |
6 / 1579 |
|
| Defining Identity |
1 / 222 |
|
| FILM ANALYSIS: Not Without My Daughter |
2 / 424 |
|
| Gay USA |
2 / 510 |
|
| Generations Repeated |
2 / 464 |
|
| Hyperreality In The Liminal |
4 / 1101 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| Personal Learning Stlyes |
3 / 730 |
|
| Persuasion |
3 / 648 |
|
| Spider Man |
3 / 751 |
|
| Digital Cinematography |
4 / 985 |
|
| IMAX CINEMA- help sheet |
2 / 498 |
|
| Kodak |
2 / 590 |
|
| My Form |
7 / 1830 |
|
