| Title |
Pages / Words |
Save |
| Legends of the fall |
3 / 887 |
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| Briar rose symbols |
2 / 358 |
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| Movie Review: Enemy At The Gates. |
1 / 277 |
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| Essay (Power Of One) |
2 / 572 |
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| Rainman |
4 / 937 |
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| Kodak |
2 / 590 |
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| brave |
1 / 262 |
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| Kenneth Baranagh's "Henry V" |
2 / 457 |
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| Analyzing Moulin Rouge |
4 / 1113 |
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| Grapes of Wrath |
2 / 587 |
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| North by Northwest |
3 / 671 |
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| A Beautiful Mind |
1 / 274 |
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| Review Of Oleanna |
3 / 623 |
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| Robert Pattinson |
1 / 264 |
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| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
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| penny for thoughts |
2 / 570 |
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| Othello: Shakespeare vs. Parker |
2 / 596 |
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| dead poet's society |
3 / 746 |
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| Scarface |
2 / 368 |
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| Amadeus |
3 / 875 |
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| Kodak Case Summary |
2 / 358 |
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| ife |
2 / 478 |
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| Dead |
2 / 455 |
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| Good Morning, Vietnam |
3 / 832 |
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| Symbolism in The Ancient Marinier |
2 / 380 |
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| An Inconvenient Truth |
2 / 355 |
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| “The Review Of Marcel LOZINSki’S Documentary Film: |
3 / 711 |
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| IMAX CINEMA- help sheet |
2 / 498 |
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| radiance |
2 / 522 |
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| The Quiet American- A comparison |
4 / 911 |
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| Stand By Me |
5 / 1343 |
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| Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
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| The Indo- Afghan Connection |
4 / 963 |
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| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
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| Spellbound ( fact more compelling than fiction) |
3 / 710 |
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| Vampire Lord |
2 / 579 |
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| Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
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| Fight Club |
3 / 750 |
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| Rabbit Proof Fence analysis |
2 / 358 |
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| Hyperreality In The Liminal |
4 / 1101 |
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| Racism in American History X |
3 / 793 |
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| Marilyn Monroe |
1 / 242 |
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| Movie Review |
3 / 616 |
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| The Sheltering Sky |
4 / 1084 |
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| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
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| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
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| We Were Soldiers Critque |
6 / 1631 |
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| My Left Foot: The Strength Of A Mother |
1 / 290 |
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| The Power of Dance |
2 / 387 |
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| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
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| Sleepy Hollow |
4 / 1073 |
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| Crash |
2 / 349 |
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| Pleasantville |
3 / 788 |
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| Culture Of Film |
6 / 1579 |
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| Friday night Lights |
3 / 759 |
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| Gattaca |
2 / 561 |
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| Marine Biology |
4 / 1014 |
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| Donnie Brasco |
3 / 630 |
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| Critique of SHawshank Redemption |
3 / 729 |
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| Roswell |
3 / 787 |
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| Saving Private Ryan |
3 / 686 |
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| Rainman |
3 / 753 |
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| The Harder They Come |
4 / 952 |
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| Spider Man |
3 / 751 |
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| Hot Fuzz - Movie Review |
2 / 599 |
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| The Notebook: Best Film I Have Seen |
2 / 585 |
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| Supervolcano |
2 / 496 |
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| Inner Power |
3 / 827 |
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| Birth Of Nation |
1 / 270 |
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| The World Is Not Enough |
4 / 1082 |
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| The Castle |
3 / 680 |
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| seils |
2 / 404 |
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| Movie Review |
3 / 713 |
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| Lolita's Boys |
2 / 415 |
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| Swarovski |
2 / 335 |
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| THE GRAPES OF WRATH-Movie Review |
3 / 623 |
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| Dark Water |
4 / 904 |
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| Movie Report: Extreme Measures |
2 / 325 |
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| Lolita |
2 / 523 |
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| Film and TV Narative: Manhunter |
3 / 702 |
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| Global Warming |
1 / 90 |
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| Fantasy In Cairo |
4 / 948 |
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| Analysis of Erin Brockovich |
2 / 373 |
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| The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
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| Will Sky Captaun Make History? |
3 / 817 |
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| Horror Movies |
2 / 552 |
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| Horror Movies |
2 / 552 |
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| Sleepy Hollow Film Review |
4 / 1152 |
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| The Shining |
4 / 939 |
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| Gattaca |
1 / 281 |
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| Gattaca |
1 / 281 |
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| GATTICA |
3 / 799 |
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| Mississippi Burning Paper |
3 / 888 |
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| A beholder's desire and dread |
6 / 1709 |
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| Assault on Precinct 13 |
2 / 442 |
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| Kevin Smith |
3 / 806 |
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| malcolm x |
4 / 1148 |
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| History Of Kodak |
2 / 518 |
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| hollywood and product placement |
6 / 1519 |
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| Mise-en-Scene |
4 / 1039 |
|
| jaws media |
2 / 598 |
|
| An analysis of Bowling for Columbine |
3 / 696 |
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| The film (Bowling for Columbine) explores the connection between racism and fear. Discuss. |
2 / 577 |
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| The Quiet American: Alden Pyle |
2 / 585 |
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| American Beauty |
4 / 1045 |
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| Archetypes in Horror Films |
3 / 638 |
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| Crash |
3 / 853 |
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| Child Labor |
1 / 79 |
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| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
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| Indiana Jones |
5 / 1204 |
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| What eating gUlbert Grape |
3 / 713 |
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| The Piano: Point Taken |
3 / 816 |
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| Sin City |
3 / 826 |
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| media |
4 / 978 |
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| Tim Burton's Corpse Bride |
2 / 467 |
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| shihnigan |
3 / 614 |
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| erin |
2 / 314 |
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| The Day After Tomorrow Film Review |
1 / 275 |
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| Film Sound |
4 / 951 |
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| Texas Chainsaw Massacre |
2 / 556 |
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| Bamboozled |
3 / 829 |
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| Comparative Essay between Save The Last Dance and Centerstage |
2 / 347 |
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| (Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress |
5 / 1353 |
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| A |
4 / 961 |
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| ARTS |
3 / 635 |
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| oh what |
4 / 1126 |
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| Analytical Film Paper |
2 / 323 |
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| Lantana |
2 / 481 |
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| Gatsby Film |
1 / 297 |
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| Alfonso Cuaron's use of symbolism and film techniques in Great Expectations |
5 / 1202 |
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| The Contemporary Male ? The New masculinity in Film |
2 / 504 |
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| critical analysis |
3 / 731 |
|
| The Graduate Sequence Analysis |
3 / 726 |
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| Casablanca |
3 / 663 |
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| Uranium |
1 / 259 |
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| baderman island |
3 / 875 |
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| Citizen Kane |
3 / 655 |
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| Dumbo |
2 / 364 |
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| Hispanics In The Film Industry |
2 / 578 |
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| "the matrix" film review |
3 / 663 |
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| Cast Away |
3 / 836 |
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| Essay on Do the Right Thing |
3 / 779 |
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| Man With A Movie Camera |
3 / 695 |
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| Emma Clueless |
3 / 626 |
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| jaws |
3 / 850 |
|
| Writers are like photographers |
2 / 345 |
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| There Will Be Blood |
3 / 830 |
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| The Grapes of Wrath |
3 / 723 |
|
| Sense and Sensibility: Compare and contrast Elinor and Marianne Dashwood |
4 / 1130 |
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| La Traviata |
2 / 437 |
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| violence |
2 / 317 |
|
| Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
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| Horror Movies |
3 / 613 |
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| Sam Spade: Angel or Demon? |
2 / 479 |
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| Kubrick Lives |
4 / 1140 |
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| Digital Art in Film |
5 / 1340 |
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| The Importance of Being Earnest Play/Film Comparitive Essay |
5 / 1376 |
|
| Media Reaction Paper - Crash SOC 315 |
2 / 552 |
|
| Ijikjikj |
2 / 349 |
|
| Comparison of Rebecca and Foreign Correspondent |
3 / 853 |
|
| False Proclamations of Love and Other Betrayals in Talk to Her |
3 / 642 |
|
| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
| Dodge City And Unforgiven |
4 / 1017 |
|
| Talented Mr Ripley |
2 / 372 |
|
| Boy - Tales of Childhood |
2 / 473 |
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| Nanook of the North |
3 / 877 |
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| Butterfly Effect Movie Review |
4 / 943 |
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| Beginning Life of Walt Disney |
2 / 468 |
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| real window review |
2 / 337 |
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| Shadow of a Doubt review |
4 / 1125 |
|
| Sex with Brad Pitt |
3 / 826 |
|
| Movie |
5 / 1377 |
|
| Fear And Loathing In Las Vegas |
2 / 574 |
|
| kl;kkkk |
2 / 507 |
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| Critique on Open City |
4 / 1101 |
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| The Italian Job |
3 / 755 |
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| the kingdom of heaven |
6 / 1622 |
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| JFK Assassination |
3 / 689 |
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| Faith VS Belief |
3 / 878 |
|
| finding neverland movie review |
2 / 557 |
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| Review |
3 / 707 |
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| Fear And Loathing In Las Vegas An Essay |
2 / 574 |
|
| Great Depression Themes in 42nd Street |
3 / 711 |
|
| North Country, the Movie |
3 / 629 |
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| Radio |
3 / 624 |
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| Justifiable Means |
2 / 534 |
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| Converse |
2 / 375 |
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| How Women Are Viewd |
3 / 747 |
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| Students And Teachers |
5 / 1318 |
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| 1950's Movie Essay: "Rebel Without a Cause" |
4 / 1018 |
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| Kinsey Movie Review |
1 / 293 |
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| Red Rock West |
2 / 577 |
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| romeo and juliet |
4 / 1200 |
|
| APPLICATION OF VARIOUS MEDIA PHILOSOPHICAL THEORIES IN CONECTION WITH CULTURE. |
4 / 1088 |
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| The Dude's Edition |
4 / 925 |
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| the big one |
2 / 519 |
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| Impressive Nobodies |
3 / 649 |
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| King Lear vs Thousand Acres |
2 / 491 |
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| Follow Your Dreams |
5 / 1368 |
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| Vertov and Eisenstein |
3 / 750 |
|
