| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
 |
| The Turn of A Screw |
2 / 543 |
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| book review on uncle tom's cabin |
3 / 794 |
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| Case Study |
2 / 361 |
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| Glory |
2 / 352 |
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| Agatha Christie Biography |
2 / 342 |
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| Me |
1 / 262 |
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| 3mistakes Of My Life |
2 / 396 |
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| A Mythological Reality |
5 / 1266 |
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| A Review: The Day Of The Jackal |
2 / 494 |
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| A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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| Age Of Innocence |
3 / 826 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Bridget Jones Diary |
4 / 1096 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| client vs snow in august |
2 / 532 |
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| crack |
1 / 297 |
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| Farewell to Manzanar Book Review |
2 / 538 |
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| flaner o'conner |
1 / 227 |
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| great gatsby - nick |
1 / 256 |
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| Hiroshima - John Hersey |
2 / 496 |
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| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
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| I'm Not Scared |
2 / 474 |
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| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
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| Kingsolver |
3 / 624 |
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| MAGGIE: A Girl Of the Streets |
2 / 497 |
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| November Blues |
2 / 442 |
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| Red Badge Of Courage |
2 / 389 |
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| Revelation |
3 / 771 |
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| strawberries |
1 / 270 |
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| THE STING |
2 / 553 |
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| The Age of Innocence |
3 / 817 |
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| The Celestine Prophecy |
2 / 429 |
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| The Great Gatsby: Realism |
3 / 635 |
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| The Odyssey |
2 / 564 |
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| The most dangerous game |
3 / 602 |
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| Waiting for Godot |
6 / 1669 |
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| Women Of Honor |
6 / 1684 |
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| How Can Wal-Mart Fail? |
10 / 2724 |
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| Not the best paper... |
2 / 367 |
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| Student |
2 / 429 |
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| Who Moved My Cheese |
5 / 1262 |
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| 12 angrey men |
3 / 825 |
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| A Good Cop |
1 / 262 |
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| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
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| Achilles |
4 / 905 |
|
| Advanced level |
3 / 723 |
|
| Aeschylus' Oresteia and Prometheus Bound: Hubris and the Chorus |
5 / 1418 |
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| An Analysis of Hamlet's Solilquy at The End of Act 2 |
4 / 1043 |
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| Antigone and Aristotle |
2 / 469 |
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| Atwood Is Okay |
7 / 2028 |
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| Bob Ewell: the antagonist |
2 / 435 |
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| Character Transformations In DH Lawrence's "The Blind Man" And "The Ho |
2 / 549 |
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| Characterization in Salinger's Nine Stories |
3 / 639 |
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| Characterization through deviation of plot: The evolution of the main characters in "Girl" and "Lust" |
3 / 672 |
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| Characterization |
4 / 1116 |
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| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
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| Comparison Between King Lear and A Thousand Acres |
2 / 497 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
|
| Comparison Of Two Irish Writers (no bibliography) |
5 / 1222 |
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| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Dangerous Traditions |
3 / 658 |
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| Death of a Salesman |
2 / 493 |
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| Deception Illustrated by Characters in Othello |
4 / 1001 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Discussion Of Local Color In Mark Twain |
3 / 891 |
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| English My Love And Life |
3 / 852 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Frankenstein |
2 / 500 |
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| Function of setting in man of la mancha |
4 / 1003 |
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| Greasy Lake |
2 / 509 |
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| Hamlet Analysis: Queen Gertrude |
2 / 513 |
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| Hamlet Vs. Macbeth |
2 / 512 |
|
| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
|
| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| Iago's Vengefulness |
2 / 522 |
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| Illiad |
2 / 465 |
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| Invisible Man Revision |
1 / 261 |
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| Jackie Robinson |
1 / 214 |
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| Jane Eyre |
6 / 1658 |
|
| King Lear |
3 / 622 |
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| "No Sugar" Essay |
3 / 655 |
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| a rose for emily |
2 / 323 |
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| about a boy |
3 / 712 |
|
| age of innocence |
2 / 305 |
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| importance of being ernest |
3 / 692 |
|
| MacBeth |
3 / 647 |
|
| Macbeth Essay |
2 / 416 |
|
| Macbeth Theatre Review |
4 / 978 |
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| Macbeth |
3 / 820 |
|
| Manipulation In Othello And Dr. Faustus |
13 / 3623 |
|
| Measure For Measure |
3 / 772 |
|
| Of Mice and Men |
3 / 613 |
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| Of Violence |
3 / 622 |
|
| Ollie Vs. The Dragon |
2 / 574 |
|
| Pit and Pendulum movie vs book |
2 / 301 |
|
| Stereotypes In Print Texts Legally Blonde |
3 / 607 |
|
| Success vs. Failure in Two Heroic Icons |
1 / 249 |
|
| The Crucible |
2 / 449 |
|
| The God In The Iliad |
5 / 1326 |
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| The Island |
5 / 1337 |
|
| The Pearl |
1 / 278 |
|
| The Struggle For Inner Truth And Reality |
3 / 694 |
|
| The Tragic End Of Romeo And Juliet Was The Result Human Action Not Fate As The Prologue Suggests. |
2 / 476 |
|
| Theme of Opposites Within King Lear |
2 / 591 |
|
| Theory Of Character And Characterization |
4 / 972 |
|
| Transition to wholeness |
2 / 549 |
|
| Trojan War |
2 / 488 |
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| Trojan Women |
2 / 560 |
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| White Oleander |
2 / 341 |
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| Woah Dude |
3 / 700 |
|
| miss |
7 / 1810 |
|
| rasin in the sun |
2 / 429 |
|
| the Role of the Intrusive narrator/ author |
2 / 444 |
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| the birds |
5 / 1298 |
|
| the club - character differences |
2 / 566 |
|
| tomorrow when the war began |
2 / 367 |
|
| ulysses |
2 / 490 |
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| Brave New World And 1984 |
2 / 345 |
|
| History |
2 / 517 |
|
| ODYESSUS |
30 / 8859 |
|
| WW1 |
5 / 1204 |
|
| Women of the Epics |
2 / 460 |
|
| A Dream |
3 / 881 |
|
| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
|
| Achilles |
4 / 905 |
|
| Age Of Innocence |
3 / 826 |
|
| animal farm reveiw |
1 / 260 |
|
| Barn Burning 2 |
2 / 401 |
|
| Barn Burning |
2 / 401 |
|
| Biography |
2 / 406 |
|
| Carvers Realism From Fires |
4 / 1153 |
|
| Case Studies |
3 / 721 |
|
| Character Transformations In Dh Lawrence's "the Blind Man" And "the Ho |
2 / 549 |
|
| Charater and Plot Master Harold and the boys. |
2 / 510 |
|
| Compare Of Naturalism In "The Jungle" And "Maggie" |
2 / 368 |
|
| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
|
| Cyrano The Bergerac - Love |
3 / 667 |
|
| David Garrick |
5 / 1208 |
|
| Death Of A Salesman - Minor Characters |
2 / 471 |
|
| Definition Of Modernism In Fiction |
3 / 611 |
|
| Definition Paper |
2 / 433 |
|
| Definition Paper |
2 / 433 |
|
| drama unit |
1 / 237 |
|
| E. M. Forster |
4 / 966 |
|
| Eleanor Rigby |
2 / 384 |
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| Greek Actors |
2 / 339 |
|
| Harry Potter And The Sorcerers Stone |
1 / 230 |
|
| Heinrich Schliemann |
16 / 4529 |
|
| Human Actions In Romeo And Juliet |
2 / 498 |
|
| Illiad |
2 / 465 |
|
| Jane Eyre |
6 / 1658 |
|
| Lost |
2 / 325 |
|
| Media |
3 / 700 |
|
| me3 coursework |
2 / 361 |
|
| Never The Sinner - Production Critique |
3 / 826 |
|
| Othello - Change Of Character |
3 / 878 |
|
| Othello 6 |
3 / 724 |
|
| Othello Vs Much Ado About North |
3 / 618 |
|
| Power of Advertising |
2 / 510 |
|
| prose analysis |
2 / 429 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
|
| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
|
| Romeo And Juliet - Chain Of Hu |
2 / 498 |
|
| Romeo And Juliet - Minor Characters Influences On Major Char |
2 / 476 |
|
| Romeo And Juliet, Human Action |
2 / 498 |
|
| Sitcoms analyzed |
4 / 936 |
|
| Talley's Folly |
3 / 679 |
|
| The Age Of Innocence |
3 / 817 |
|
| The Cherry Orchard |
2 / 504 |
|
| The Frog |
2 / 411 |
|
| The Longest Memory |
3 / 701 |
|
| The Odyssey - Comparing The Ro |
3 / 832 |
|
| The Sting |
2 / 553 |
|
| Tragic Differences |
4 / 1058 |
|
| Two Men In Buckram Critque |
3 / 805 |
|
| the ant and the grasshopper |
1 / 38 |
|
| Writing Style And The Reader - |
1 / 266 |
|
| crash characters |
1 / 258 |
|
| Eat Drink Man Woman |
2 / 551 |
|
| Requiem For A Dream |
2 / 436 |
|
| Seinfeld |
2 / 313 |
|
| Show Boat |
1 / 276 |
|
| Spartacus |
3 / 700 |
|
| Stranger On A Train |
2 / 423 |
|
| taxi driver |
1 / 275 |
|
| the shawshank redemption |
4 / 910 |
|
| Gods and Goddesses |
3 / 891 |
|
| No Exit |
1 / 274 |
|
| The Tao of Pooh |
2 / 519 |
|
| Late Adulthood |
2 / 538 |
|
| Secret to my success |
2 / 329 |
|
| Behold the Dreamer Cometh |
2 / 463 |
|
| Brain |
3 / 658 |
|
| The day after tomorrow |
2 / 471 |
|
| aRGUMENT pORNOGRAPHY |
14 / 4135 |
|
| Children, Television, and Violence |
2 / 584 |
|
| Crash |
1 / 275 |
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| Legalizing Drugs |
2 / 380 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
|
