| Title |
Pages / Words |
Save |
| The Interesting Narrative-Slavery |
5 / 1399 |
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| The Themes of Childhoods In 'Jane Eyre' and 'To Kill A Mockingbird' |
5 / 1294 |
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| Equiano |
5 / 1385 |
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| Hiroshima |
4 / 944 |
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| King Philip |
6 / 1570 |
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| Douglass |
5 / 1249 |
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| Edgar Allen Poe |
2 / 507 |
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| Fredrick Douglas |
2 / 573 |
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| Isabel allende |
2 / 414 |
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| James Fenimore Cooper |
2 / 450 |
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| Lord of the flies |
2 / 380 |
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| Retorical |
5 / 1226 |
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| Richard Strauss |
2 / 421 |
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| "The Joys of Motherhood" Response |
2 / 544 |
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| A Stranger Is Watching |
2 / 511 |
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| An Analysis Of A Fable, Parable, And A Tale |
2 / 476 |
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| Bad Girl Creek |
2 / 455 |
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| Beowulf: A Courageous and Strong Hero |
2 / 560 |
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| Bluest Eye |
4 / 1161 |
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| Bridge On The River Kwai |
4 / 907 |
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| Conflict and The Secret River |
2 / 570 |
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| Crime and Punishment |
8 / 2239 |
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| Darl's Conviction |
3 / 601 |
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| Faulkner's Absalom, Absalom!: An Innovative Narrative Technique |
8 / 2146 |
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| Frankenstein Novel Evaluation |
8 / 2331 |
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| In Poems "the Man He Killed", "reconciliation", And "dreamers", The Au |
2 / 525 |
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| Ivanhoe |
3 / 793 |
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| John Holden Response to Quote |
2 / 583 |
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| Mark Twain: Literary Analysis |
4 / 1167 |
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| Misery |
3 / 780 |
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| Narrative techniques in Dan Brown’s The Da Vinci Code |
2 / 535 |
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| palestine |
2 / 425 |
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| Red Sorghum |
2 / 581 |
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| Salem Possessed: The Social Origins of Witchcraft |
2 / 458 |
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| Story Analysis- Two Kinds |
5 / 1420 |
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| Symbolism in The Ancient Marinier |
4 / 998 |
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| The Computer Nut |
5 / 1419 |
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| The Inheritance of Loss Book Review |
4 / 978 |
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| The Shawl |
3 / 844 |
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| The Souls of Black Folk |
6 / 1550 |
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| wakening |
7 / 1880 |
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| zeppelin |
2 / 547 |
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| Accounting Bodies Paper |
4 / 937 |
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| Aqualisa Quartz |
2 / 463 |
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| Arbind Mills |
3 / 741 |
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| I-Flex History And Times |
3 / 638 |
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| Marketing Research (Made Up) |
3 / 726 |
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| Morning Kryptonite |
13 / 3670 |
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| Tyco |
2 / 597 |
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| A Stranger Is Watching |
2 / 553 |
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| Adam's Curse |
4 / 944 |
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| Arrangement in Black and White |
2 / 483 |
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| Bowling For Columbine as a carnivelsque |
5 / 1382 |
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| Character Sketch of the Narrator in "Was it a Dream?" by Guy de Maupassant |
3 / 602 |
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| Chaucer: Its the Man's fault |
8 / 2167 |
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| Compare and Contrast "Genesis" and "Penetrating to the Heart of the Forest", |
5 / 1262 |
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| Connected text |
6 / 1540 |
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| Data Sheet : Huck Finn |
4 / 966 |
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| Edgar Allan Poe |
4 / 1037 |
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| Emily Grierson: A Woman Gone Mad for Love |
4 / 922 |
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| Explore the Evolution of Pip and Joe's Relationship ? How it Changes and Develops |
7 / 1963 |
|
| Explore the narrative techniques used by Atwood to portray the inner life of Offered in ?The Handmaid's Tale'. |
7 / 1938 |
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| Grow Up! |
3 / 613 |
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| Hamlet |
2 / 453 |
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| Historiographic metafiction in \ |
5 / 1366 |
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| analyse shane with specific reference to the films visual style and western themes |
6 / 1556 |
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| animal cruelty |
3 / 652 |
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| communications |
2 / 466 |
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| confess |
2 / 519 |
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| Midnight's Children |
4 / 998 |
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| Mrs Dalloway |
5 / 1377 |
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| Narrative Essay |
5 / 1356 |
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| Narrative Essay |
2 / 598 |
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| Nature Vs Nurture |
3 / 880 |
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| Neighbors |
3 / 625 |
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| Oedipus Rex Vs. Gilgamesh |
4 / 921 |
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| Oedipus Rex |
2 / 580 |
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| Olaudah Equiano |
4 / 1056 |
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| Reaction to the Narrative of the Life of Frederick Douglass an American Slave, Written by Himself |
2 / 560 |
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| Red Death |
2 / 513 |
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| Revision of Master Narratives within Jane Eyre and Wide Sargasso Sea |
8 / 2115 |
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| Ridley walker |
2 / 596 |
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| Robert Frost \ |
3 / 671 |
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| Robert Scholes on Video Text's - Comparison |
8 / 2171 |
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| Sarah Hawthorne (Narrative short story) |
2 / 505 |
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| Settling On The Land |
5 / 1497 |
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| Shakespeare's Life |
2 / 461 |
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| Shooting an elephant |
3 / 795 |
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| Summer Gone: A Canadian Paternal Masterpiece |
7 / 2068 |
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| Sundiata and The Odyssey of Homer |
4 / 906 |
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| Symbolism in Piggy's Specs |
2 / 546 |
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| T S Eliot |
2 / 512 |
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| Terra-Cotta Girl |
4 / 942 |
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| The Lagoon |
4 / 968 |
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| The Landlord vs. Miss Gee |
4 / 1194 |
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| The Misfit |
2 / 600 |
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| The Only Fish I Wanted To Catch |
3 / 900 |
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| The Quintessential Rebel |
4 / 943 |
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| The Runaway Pilgrim Point essay |
2 / 445 |
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| The Spire William Golding: How does Golding introduce the character of Jocelin in chapter 1? |
2 / 514 |
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| The Tell Tale Heart |
5 / 1446 |
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| Their Eyes Were Watching God (NOTES) |
2 / 496 |
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| Theories on Time: Einstein vs. Viriginia Woolf |
4 / 1082 |
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| What makes a successful romantic tragedy? |
7 / 1887 |
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| Writing |
2 / 547 |
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| miss |
7 / 1810 |
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| narrative |
3 / 654 |
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| socialization |
2 / 478 |
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| sound and the fury |
2 / 506 |
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| the devil and daniel webster |
5 / 1249 |
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| the necklace |
2 / 466 |
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| Annotated Bibliography |
2 / 458 |
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| Athenian Drama |
5 / 1256 |
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| Aztec Assignment |
4 / 997 |
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| anylsis of Crown |
6 / 1672 |
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| Effects of Slavery on the African American Family |
5 / 1424 |
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| Endictment |
3 / 708 |
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| eli whitny |
4 / 1125 |
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| escaping freedom to get freedom |
6 / 1631 |
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| Henry VIII |
3 / 865 |
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| Kidnapped |
3 / 675 |
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| Laura Secord |
3 / 744 |
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| THe Bell Witch |
3 / 746 |
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| 1776 |
4 / 962 |
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| A Catcher In The Rye |
3 / 636 |
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| A Psychological Profile Of Holden Caufield |
3 / 617 |
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| A Stranger Is Watching |
2 / 553 |
|
| American Indians 2 |
2 / 479 |
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| Apply Counselling Theories to "the orange coat" |
9 / 2511 |
|
| Black Cat |
2 / 571 |
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| Bluest Eye |
4 / 1161 |
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| By The Waters Of Babylon |
4 / 978 |
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| Cinema of Attraction |
5 / 1334 |
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| Dance |
2 / 487 |
|
| drama, theatre of brecht |
4 / 942 |
|
| Essay On Toni Morrison S Belov |
7 / 1858 |
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| exhibition design |
7 / 1916 |
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| Frederick Douglass |
6 / 1526 |
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| Gwen Harwood: Changing Of The Self |
4 / 1002 |
|
| How Do Parent/Chil Relationships Contribute To The Overall Structure Of The "Aeneid" |
7 / 1803 |
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| John Smith And Pocahontas: A Disney Romance |
4 / 941 |
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| Kubrick Lives |
4 / 1140 |
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| Lord Of The Flies: Chapter 9-12 Notes |
5 / 1276 |
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| love |
2 / 581 |
|
| Media Extended Essay Glen Hodd |
11 / 3170 |
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| Midnight's Children |
4 / 998 |
|
| Mothers & Daughters |
5 / 1364 |
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| Mothers & Daughters |
5 / 1364 |
|
| narrative paper |
2 / 530 |
|
| Oedipus Rex |
2 / 580 |
|
| Olaudah Equiano |
4 / 1056 |
|
| Personal Narrative |
3 / 732 |
|
| Pocahontas |
6 / 1530 |
|
| Pocahontas |
6 / 1530 |
|
| personal narrative |
3 / 694 |
|
| Reconstruction Of Us Army |
4 / 990 |
|
| Ridley Scott's Blade Runner - AnAnalysis |
9 / 2629 |
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| Rucci Self Review |
8 / 2137 |
|
| Stopping By Woods On A Snowy E |
4 / 1110 |
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| Stopping By Woods On A Snowy Evening |
4 / 1110 |
|
| The Battle Against the Patriarchal Order in Society |
5 / 1320 |
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| The Great Gatsby Movie Review |
3 / 601 |
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| The Inverted Pyramid And The E |
6 / 1782 |
|
| The Quarrel About Historical Explanation |
3 / 616 |
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| The Quintessential Rebel |
4 / 943 |
|
| Themes Of Unity In The Grapes |
5 / 1231 |
|
| Those Big Brown Eyes |
2 / 600 |
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| Vision Achieved By Jefferson |
3 / 873 |
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| When Going Forward Lies Stagnant |
4 / 1022 |
|
| writing |
2 / 547 |
|
| 5th Element |
7 / 1935 |
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| Eternal Sunshine |
5 / 1483 |
|
| Of Mice And Men: A Comprehensive Comparison Of Novel And Movie |
5 / 1298 |
|
| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
| Originality and Repetition in Contemporary Cinema |
7 / 1945 |
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| Seven Samuari |
5 / 1340 |
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| Sleepy Hollow |
4 / 1073 |
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| saw 1 vs. saw 2 |
4 / 909 |
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| The Last Samurai |
3 / 842 |
|
| Capitalist Desituationisms: Realism in the works of McLaren |
9 / 2450 |
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| old testament |
3 / 746 |
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| The People Around Us |
2 / 592 |
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| African American Psychology |
4 / 956 |
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| The Mind and Motivation of a Serial Killer |
3 / 769 |
|
| parable of the sower |
3 / 665 |
|
| Ramayana Review |
4 / 1003 |
|
| Religious Undertones In The Matrix |
7 / 2089 |
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| The Birth Narrative |
11 / 3260 |
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| The king |
2 / 584 |
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| Cobra Snakes |
7 / 2024 |
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| Animal Rights |
5 / 1441 |
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| Anthropology & Culture |
2 / 593 |
|
| Arab Feminism |
3 / 649 |
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| asian |
2 / 568 |
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| Man as competitor, woman as prize |
9 / 2544 |
|
| Satire and Stereotyping in The Birth of a Nation and Bamboozled |
9 / 2651 |
|
| Tomorrow When The War Began |
2 / 511 |
|
| Yhat Dreadful Day |
3 / 705 |
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| Analysis Of Spike Lee's "x" |
2 / 580 |
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| Tatal meu cel smecher |
9 / 2691 |
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