| Title |
Pages / Words |
Save |
| BEETHOVEN |
3 / 758 |
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| Fryderyk Chopin |
3 / 761 |
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| Richard Strauss |
2 / 421 |
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| Blending Good and Evil in The Master And Margarita |
3 / 617 |
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| Romanticism |
7 / 1849 |
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| Romantic Period |
3 / 690 |
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| Romanticism in Germany |
5 / 1221 |
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| Romantism |
12 / 3483 |
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| Frank Liszt |
2 / 577 |
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| Mr. |
2 / 402 |
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| Peter Tchaikovsky |
9 / 2574 |
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| The Ideals Of Instrumental Music |
3 / 836 |
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| The Ideals Of Instrumental Music |
3 / 836 |
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| The Shining Analysis |
11 / 3300 |
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| Theory Of Evolution By Natural And Sexual Selection |
3 / 836 |
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| A modern symphony : S & M |
4 / 1092 |
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| berlioz |
1 / 250 |
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| Chopin- Man and Music |
8 / 2257 |
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| Chopin |
7 / 1905 |
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| Difference Of Ideals Between 19th And 20th Centuries |
4 / 1038 |
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| Discuss the musical construction of at least one character from Wagner's Salome. Describe how the composer(s) use(s) musical techniques to contribute to the construction of your chosen character(s). You should also consider the cultural, historica... |
8 / 2395 |
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| Fantasiestucke Op. 73 |
3 / 839 |
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| Frederic Francois Chopin |
1 / 285 |
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| George Bizek |
5 / 1423 |
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| Hector Berlioz |
4 / 926 |
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| Johannes Brahms- Violin Concerto in D |
6 / 1671 |
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| London Philharmonic |
7 / 1920 |
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| Musica En Puerto Rico |
17 / 5065 |
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| music apre |
2 / 398 |
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| Peter Tchaikovsky |
3 / 624 |
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| Romantic Music: The Ideals Of Instrumental Music |
3 / 851 |
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| THE USE OF DRAMATIC ELEMENTS IN THE DIES IRAE SEQUENCE OF THE REQUIEMS OF BERLIOZ AND VERDI |
4 / 1128 |
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| The Ideals Of Instrumental Music |
3 / 850 |
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| Ubiquitous Man |
5 / 1330 |
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