| Title |
Pages / Words |
Save |
| Fantasy |
3 / 880 |
 |
| Of Mice And Men - Curley's Wife |
4 / 1130 |
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| Abortion |
2 / 336 |
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| Critique La Ventura |
3 / 813 |
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| An Analysis of "The Meanings of Seneca Falls, 1848-1998" |
2 / 525 |
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| american history |
2 / 388 |
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| Edith Hahn Beer |
5 / 1240 |
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| history in the making |
2 / 388 |
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| rosa parks |
3 / 728 |
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| Targets of satire |
3 / 841 |
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| A Tale Of Two Cities: Characters Are "recalled To Life" |
2 / 461 |
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| A Tale of Two Cities: Minor Characters |
3 / 646 |
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| book review: Convicted survivors the imprisonment of battered women who kill |
4 / 983 |
|
| David Copperfield: The Many Differences Between James Steerforth And T |
2 / 569 |
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| Extremes Collide in My name is Asher Lev By: Chaim Potok |
4 / 1065 |
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| Galapagos |
2 / 477 |
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| Gatsby |
5 / 1292 |
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| Grapes Of Wrath And Of Mice And Men: Character Study |
4 / 964 |
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| Hiroshima |
1 / 194 |
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| Little Women |
3 / 889 |
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| Love and Hate "Shakespear" |
3 / 671 |
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| Of Mice and Men |
4 / 908 |
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| Pride And Prejudice |
4 / 1082 |
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| pudd'nhead Wilson |
3 / 762 |
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| Romulus, My Father |
3 / 759 |
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| The Awakening: Chopin Glorifying Edna's Fatal Situation |
2 / 340 |
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| The Bluest Eye |
1 / 173 |
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| The Interrelationship of |
2 / 432 |
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| The Mechenemi |
4 / 1078 |
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| The Trip To Halawa Valley |
2 / 455 |
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| The beast |
2 / 487 |
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| the tragedies of romeo and juliet |
2 / 507 |
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| Watchmen |
2 / 580 |
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| Women'S Role In 1800s |
2 / 385 |
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| AE target market |
1 / 190 |
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| Bear Creek Case Study |
4 / 1030 |
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| Boeing vs. Airbus |
1 / 199 |
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| ethical organizations |
1 / 74 |
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| footwear industry overview |
2 / 366 |
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| Girl |
1 / 210 |
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| Madonna Case Study |
1 / 286 |
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| pierre trudeau |
2 / 378 |
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| Student |
3 / 774 |
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| smokers accommodations |
1 / 243 |
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| WNBA |
5 / 1337 |
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| 12 anrgy men |
4 / 910 |
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| A Comparison Of The Women Of Wharton And Deledda |
4 / 1090 |
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| A Stranger Is Watching |
2 / 553 |
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| A Tale Of Two Cites |
3 / 603 |
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| A beholder's desire and dread |
6 / 1709 |
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| Bliss |
2 / 494 |
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| Catcher in the Rye |
2 / 326 |
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| Chekhov And Oates "The Lady With The Pet Dog" Comparison |
3 / 669 |
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| Comparison between \ |
4 / 1008 |
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| Comparison of the Female Characters in Romeo and Juliet |
5 / 1236 |
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| Connecting Through a Common Motive |
3 / 630 |
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| Criticism on Sula |
2 / 530 |
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| Crucible Essay |
2 / 313 |
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| Devial And Daniel Webster |
1 / 279 |
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| Edna,Hester, and Huck |
2 / 398 |
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| Enemy-People v. Civil Action |
3 / 646 |
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| English |
4 / 925 |
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| Fate In Hardy's The Returne Of The Native |
4 / 927 |
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| Feminism in Othello |
3 / 681 |
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| Frankenstein, snow balling revenge |
3 / 603 |
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| Gatsby |
3 / 855 |
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| Geat Vs. Greek |
4 / 963 |
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| Gender gap in cyberspace |
1 / 298 |
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| John Steinbeck: Interview Transcript |
3 / 698 |
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| "The Lamp at Noon" setting |
2 / 439 |
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| fairytales |
1 / 232 |
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| frankenstein |
5 / 1324 |
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| hamlet revenge |
1 / 215 |
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| hardy mayor of casterbridge |
5 / 1216 |
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| importance of being earnest |
4 / 1048 |
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| jane eyre |
3 / 611 |
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| last don |
2 / 536 |
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| light in august and symbolism |
4 / 1158 |
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| “Schools Of Thought-Short Story Essay” |
3 / 838 |
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| “The Story Of An Hour” Analysis |
3 / 697 |
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| Macbeth |
2 / 509 |
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| Madonna-Whore Complex in The Catcher in the Rye |
4 / 1106 |
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| Man vs. Woman. |
2 / 445 |
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| Minor Characters In Ragged Dick |
6 / 1579 |
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| Of Mice And Men |
2 / 400 |
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| Of Mice and Men |
3 / 880 |
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| Puritans |
2 / 311 |
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| Sexual Stereotypes |
2 / 597 |
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| Signifigance Of Disease And Plauge In Hamlet |
2 / 513 |
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| Staging of a Tragic Drama |
2 / 563 |
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| Summer of The Seventeenth Doll - By Steph |
2 / 443 |
|
| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
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| The Glass Menagerie |
2 / 427 |
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| The Last Unicorn |
4 / 1078 |
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| The Morality of The Scarlet Letter |
2 / 523 |
|
| The Role of Women in the Iliad |
3 / 725 |
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| The Wife of Bath as neither a Feminist nor Antifeminist character |
4 / 959 |
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| The things They Carried |
2 / 436 |
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| Time Capsule |
3 / 642 |
|
| Tis Pity Shes A Whore: "Alas poor creature, he meant no man harm. That I am sure of!" Discuss Fords use of Bergetto in the play, in the light of this quotation. |
3 / 826 |
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| Traits of Marlow in the Big Sleep |
4 / 1154 |
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| Two Women Two Different Countries |
1 / 186 |
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| What Women Want |
3 / 761 |
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| realism in pride and prejudice |
5 / 1379 |
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| romeo and juliet |
2 / 513 |
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| sirens |
2 / 452 |
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| the story of an hour |
1 / 251 |
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| victory over limits |
4 / 933 |
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| “The Paradox of Nature” |
4 / 917 |
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| battle of vincennes |
1 / 223 |
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| changing role for women in Australia |
3 / 666 |
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| First Nation Women |
2 / 409 |
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| feminism |
4 / 1033 |
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| Non Traditional activity for Women |
2 / 378 |
|
| Status of Italian Reniassance Women Between 1350-1650 |
2 / 420 |
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| seriousness of lystrata |
3 / 847 |
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| The Cult of True Womanhood |
2 / 598 |
|
| Why did Director Scott Fictionalize? |
2 / 547 |
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| Women Of Deh Koh |
2 / 509 |
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| 12 Angry Men |
4 / 910 |
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| A Stranger Is Watching |
2 / 553 |
|
| A Woman's Identity |
2 / 597 |
|
| Abortion |
1 / 194 |
|
| Agatha Christie |
2 / 549 |
|
| Antigone: Gender Conflict |
4 / 982 |
|
| Antigone: Gender Conflict |
4 / 982 |
|
| Big Game |
2 / 466 |
|
| Black Hawk Down |
1 / 195 |
|
| Book review on a thousand spledid suns |
3 / 676 |
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| Brothers Karamazov |
2 / 327 |
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| Business Plan |
5 / 1394 |
|
| brief view of identity |
1 / 166 |
|
| Deeper Philosophical Meanings |
3 / 615 |
|
| Ellen Foster |
3 / 624 |
|
| Emma's character in volume 1 of the novel |
5 / 1460 |
|
| Ethics in College Admissions |
2 / 524 |
|
| Eudora Welty: Her Life And Her Works |
5 / 1216 |
|
| Eva Luna And A Doll's House: The Nature Of Power |
6 / 1509 |
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| Feminists |
2 / 566 |
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| Geat Vs. Greek |
4 / 963 |
|
| Government |
2 / 525 |
|
| Great Gatsby: Theme And Character Anlysis Of Tom And Daisy |
4 / 955 |
|
| John Huston "the Dead" |
2 / 387 |
|
| Lord Of The Flies Passage Anal |
2 / 481 |
|
| Lysistrata - |
4 / 1039 |
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| Male vs. Female Education |
2 / 309 |
|
| Medea Vs. Hedda Gabbler |
4 / 1039 |
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| Medea Vs. Hedda Gabbler |
4 / 1039 |
|
| Minor Characters Influences On Major Characters |
2 / 476 |
|
| nobody likes homework |
2 / 551 |
|
| Parataxis Of Homer |
2 / 585 |
|
| Pygmalion Discussion Paper |
2 / 473 |
|
| Pygmalion Discussion Paper |
2 / 473 |
|
| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
|
| Something Wicked This Way Come |
2 / 531 |
|
| Something Wicked This Way Comes |
2 / 531 |
|
| Tambrands |
1 / 230 |
|
| The Blue Hotel |
3 / 663 |
|
| The Sun Also Rises |
1 / 275 |
|
| Watership Down |
3 / 677 |
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| Who Killed Jfk? |
2 / 467 |
|
| whO |
2 / 541 |
|
| what women want in a man |
3 / 642 |
|
| women's Roles Now And What They Were In The Past In Uzbekistan |
3 / 672 |
|
| Billy Elliot |
2 / 461 |
|
| Iron Jawed Angels |
3 / 628 |
|
| John Huston "the Dead" |
2 / 387 |
|
| Neon Genesis Evangelion |
1 / 159 |
|
| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
| Pretty Woman Vs. Pillow Talk |
4 / 1061 |
|
| Scorsese and Raging Bull |
3 / 877 |
|
| The Urban Cowboy |
4 / 1152 |
|
| to kill a mocking bird |
1 / 235 |
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| Last hurrah-Character |
2 / 315 |
|
| Human Sexuality: How Do Men And Women Differ? |
3 / 685 |
|
| Men and Women Relationships |
2 / 597 |
|
| psych 101 |
3 / 897 |
|
| The Great Theft |
2 / 544 |
|
| Women's Roles Now And What They Were In The Past In Uzbekistan |
3 / 672 |
|
| anthrax vaccine |
3 / 805 |
|
| Gregor Mandel |
1 / 172 |
|
| A Woman's Work Never Ends |
2 / 442 |
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| Abortion Among Young Women |
2 / 434 |
|
| alcohism |
3 / 859 |
|
| Black Representation |
2 / 472 |
|
| Bonnie and Clyde - bad image given to audience |
2 / 334 |
|
| Centuries of Change |
4 / 983 |
|
| Cuture |
3 / 737 |
|
| G.I. Jane |
6 / 1691 |
|
| Global Women |
3 / 737 |
|
| How media defines femininity |
4 / 902 |
|
| las tres marias |
1 / 153 |
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| Paid Pleasuere |
2 / 307 |
|
| Post Reconstuction African American Struggle |
1 / 194 |
|
| political science article |
2 / 585 |
|
| Secret of Attracting Women |
3 / 690 |
|
| television gender roles |
3 / 636 |
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| White America |
4 / 1150 |
|
| Women Rights |
2 / 500 |
|
| The Effects of Cyberspace: Reflections and Transformations |
4 / 958 |
|
