| Title |
Pages / Words |
Save |
| Gladiator |
5 / 1269 |
 |
| Not Paper |
5 / 1418 |
|
| Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
|
| aa meeting |
2 / 598 |
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| Space exploration |
4 / 1048 |
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| Things Fall Apart: Okonkwo |
5 / 1489 |
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| Red River |
3 / 795 |
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| reaction paper: an inconvenient truth |
1 / 254 |
|
| knife in the water |
3 / 796 |
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| Strictly Ballroom |
3 / 873 |
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| Sunset Blvd. |
8 / 2127 |
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| taxi driver |
1 / 167 |
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| Jazz |
2 / 444 |
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| Spacecraft constructions |
4 / 1049 |
|
| How is the film "One Flew Over The Cuckoo's Nest" different from the book and how does a man loose his life while struggling to change the system in his own way? |
4 / 931 |
|
| French New Wave Cinema: Breathless 1959 |
5 / 1251 |
|
| PAris Hilton |
2 / 436 |
|
| Fahrenheit 9/11 |
5 / 1347 |
|
| Critique Of The Cabinet Of Dr. Caligari |
2 / 481 |
|
| Amarcord |
4 / 1092 |
|
| In Film Advertisingaims And Objective |
6 / 1602 |
|
| Myth in Baseball |
5 / 1296 |
|
| Montage in films of Sergei Eisenstein |
5 / 1433 |
|
| Film Review: \ |
3 / 610 |
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| Career Assignment |
6 / 1670 |
|
| Grace Kelly |
3 / 742 |
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| Grace Kelly |
3 / 742 |
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| American Tongues |
3 / 866 |
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| Process of ElectricRecordings |
2 / 502 |
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| The Birds |
2 / 366 |
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| The Secret Life of Walter Mitty |
3 / 692 |
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| Leone's Spaghetti |
3 / 768 |
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| The Crucible - Burn The Witch |
3 / 774 |
|
| native american |
4 / 927 |
|
| conflict diamonds |
5 / 1238 |
|
| Carandiru - Movie Overview |
3 / 735 |
|
| Aliens and Feminism |
1 / 125 |
|
| The Opium War |
3 / 641 |
|
| Global Warming: The Signs And The Science |
4 / 1115 |
|
| Merce Cunningham |
2 / 600 |
|
| Romeo & Juliet |
2 / 306 |
|
| Alternate History Of Amityville Horror |
4 / 978 |
|
| Finding Leadership in the Movie Seabiscuit |
5 / 1381 |
|
| John Wayne |
3 / 629 |
|
| Lavender |
3 / 631 |
|
| Movie Review: Yentl |
4 / 1008 |
|
| I Love and I Hate. Who Can Tell me Why? |
3 / 846 |
|
| 9/11 |
2 / 371 |
|
| jkhkjgh |
9 / 2453 |
|
| Red Sorghum |
6 / 1631 |
|
| Heart Of Darkness vs. Apocalypse Now |
3 / 784 |
|
| The Pianst, Scene 15 (Technical, Thematic, and Personal) |
4 / 1181 |
|
| One Flew Over The Cukoo's Nest |
8 / 2150 |
|
| One Flew Over The Cukoo's Nest |
8 / 2150 |
|
| WALT DISNEY |
2 / 472 |
|
| film auterism |
5 / 1361 |
|
| Blah |
2 / 563 |
|
| Systemology |
2 / 366 |
|
| Educating Rita Compare and contrast |
5 / 1259 |
|
| Miss |
5 / 1207 |
|
| Apocalypse Now / Heart of Darkness |
3 / 781 |
|
| Birth of a Nation |
2 / 566 |
|
| Fahrenheit 9/11 |
7 / 1877 |
|
| My Beautiful Laundrette |
3 / 747 |
|
| Zinc oxide |
2 / 361 |
|
| Bowling for columbine |
6 / 1515 |
|
| Invasion of the Body Snatchers |
2 / 566 |
|
| saving PVT Ryan |
2 / 462 |
|
| AIDS and The Representation of social Reality |
3 / 714 |
|
| looking for alibrandi |
5 / 1455 |
|
| Jerry Mcguire |
2 / 563 |
|
| Vita e Bella |
3 / 882 |
|
| Analysis of Film "Twelve Angry Men" |
5 / 1441 |
|
| John Rambo and Jack Ryan: Men America Can Count On? |
4 / 984 |
|
| Kinship and Residence |
3 / 827 |
|
| U-571: Historically Accurate? |
6 / 1610 |
|
| Advertsing industry |
2 / 479 |
|
| Crash |
5 / 1453 |
|
| kodak (underwork) |
3 / 684 |
|
| star wars |
2 / 553 |
|
| 60 second sequence analyse of I-Robot |
5 / 1464 |
|
| Surfing Has Been Around For Ma |
3 / 892 |
|
| christopher reeve |
3 / 636 |
|
| Jean Luc Godard's Weekend as Didactic Self-Reflexive Cinema |
7 / 1884 |
|
| boys in the hood |
1 / 202 |
|
| all the pretty horses versus the searchers |
4 / 925 |
|
| Gilda Film Analysis |
5 / 1321 |
|
| Antony and Cleopatra- powerplay |
4 / 1092 |
|
| Ins And Outs Of Surfing |
3 / 892 |
|
| Science of Sleep |
3 / 726 |
|
| Chicken little analysis |
3 / 825 |
|
| Dark They Were And Golden-Eyed |
3 / 633 |
|
| Timothy Findley |
2 / 372 |
|
| Regarding Henry |
2 / 541 |
|
| Lorenzo's Oil |
4 / 1001 |
|
| value chain analysis |
2 / 313 |
|
| stereotypes: mammy |
4 / 920 |
|
| Taming of the shrew appropriation 10 things |
6 / 1557 |
|
| BMW Z3 Roadster |
2 / 503 |
|
| 12 angry man |
4 / 1101 |
|
| Water |
2 / 447 |
|
| tupac |
4 / 1128 |
|
| Batman Begins |
2 / 306 |
|
| Formal-operational Stage |
3 / 603 |
|
| Animation |
2 / 476 |
|
| Media Arts |
3 / 814 |
|
| whitlam |
3 / 821 |
|
| Gattaca |
3 / 633 |
|
| Review |
2 / 494 |
|
| Defining Marketing |
3 / 641 |
|
| Blood Diamond |
5 / 1278 |
|
| The Pygmalion Myth |
3 / 641 |
|
| John Berger and History |
5 / 1295 |
|
| Super Size Me |
1 / 290 |
|
| Cinema/Film |
6 / 1722 |
|
| Cinema/film |
6 / 1722 |
|
| Citizen Kane |
3 / 689 |
|
| Casablanca |
4 / 943 |
|
| Oral Prensentation On Prom Night |
3 / 861 |
|
| Psycho by Alfred Hitchock- media coursework |
5 / 1467 |
|
| Gillian Armstrong |
6 / 1556 |
|
| Racism in The Reviers: The Novel and Film Version |
4 / 1005 |
|
| Wag The Dog |
3 / 869 |
|
| The Last Samaurai Speech/Essay |
5 / 1299 |
|
| Sex and Madness |
5 / 1438 |
|
| American Psycho: Analysis Of Novel And Movie Production |
6 / 1574 |
|
| Little Miss Sunshine |
5 / 1365 |
|
| Barries are an illusion |
3 / 895 |
|
| Singing in the Rain |
7 / 1877 |
|
| Medicine |
2 / 487 |
|
| The Apprenticeship Of Duddy Kravitz--the Tragic Fall Of Duddy |
4 / 1166 |
|
| The Apprenticeship Of Duddy Kravitz--The Tragic Fall Of Duddy |
4 / 1166 |
|
| Television Broadcast |
3 / 625 |
|
| teenage brain |
1 / 275 |
|
| Duddy Kravitz |
4 / 1179 |
|
| The Packaging of Ritz Chips |
5 / 1268 |
|
| Imagination 2 |
3 / 809 |
|
| Imagination |
3 / 809 |
|
| essay |
2 / 532 |
|
| The Apprenticeship of Duddy Kravitz |
4 / 1180 |
|
| Arundel Partners |
6 / 1779 |
|
| Steven Speilberg |
3 / 856 |
|
| Symptoms of Schizophrenia seen in "A Beautiful Mind" |
3 / 821 |
|
| Film Critique on The Deer Hunter |
5 / 1209 |
|
| Glory |
5 / 1369 |
|
| Dead Poets society |
4 / 1003 |
|
| The Rainmake - Film Review |
6 / 1541 |
|
| Patriot vs. Braveheart |
7 / 1820 |
|
| Heart of Darkness |
2 / 498 |
|
| Half Nelson |
6 / 1650 |
|
| analysis of germinal |
2 / 552 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| THE LION KING SUMMARY |
4 / 917 |
|
| Alfred Hitchcock |
6 / 1510 |
|
| Regarding Henry |
2 / 439 |
|
| Crashing into Reality |
6 / 1698 |
|
| Freud, Darwin, Marx: How are they located in current cultural artifacts? |
7 / 2026 |
|
| Fantastic Four |
2 / 482 |
|
| crash the movie |
6 / 1792 |
|
| Market Overview Paper |
2 / 382 |
|
| Ethan From - Contrast Between Film And Novel |
4 / 923 |
|
| citizen kane |
3 / 742 |
|
| GlenGarry Glen Ross |
2 / 380 |
|
| snowboards, beer, and casablanca |
3 / 750 |
|
| Infinite Jest |
3 / 764 |
|
| OCD in As Good as it Gets |
5 / 1465 |
|
| George Washington |
4 / 1035 |
|
| Hays Production Code's Impact on Vertigo |
5 / 1207 |
|
| Essay on One Hundred Years of solitude |
3 / 807 |
|
| Ice Fili |
6 / 1632 |
|
| Patriotism in Spiderman Movies |
3 / 757 |
|
| SANGER METHOD |
2 / 508 |
|
| Chicago |
6 / 1658 |
|
| heart of darkness compared to apocalypse now |
2 / 498 |
|
| Mr. |
5 / 1416 |
|
| A Look at Special Effects throughout History |
5 / 1350 |
|
| English |
5 / 1226 |
|
| Comparison Of Two Films: |
5 / 1238 |
|
| Tell-Tale Heart |
4 / 1085 |
|
| A beautiful mind |
4 / 972 |
|
| Escape from Sobibor |
4 / 965 |
|
| Devil Wears Prada Gender Analysis |
4 / 1060 |
|
| Individual Ethics |
2 / 532 |
|
| Walt Disney |
3 / 689 |
|
| psycho original and remake |
4 / 1134 |
|
| art paper |
2 / 393 |
|
| The Truman Show |
1 / 200 |
|
| The Matrix |
8 / 2270 |
|
| Crime Films |
7 / 2043 |
|
| Boy's Don't Cry |
3 / 869 |
|
| Realism |
4 / 1150 |
|
| Gallipoli - Australian Film Review |
3 / 853 |
|
| Gallipoli - Australian Film Review |
3 / 853 |
|
| Alfred Hitchcock (Rough) |
5 / 1214 |
|
| film and animation graphics |
4 / 1077 |
|
| Eyewitness Testimony |
3 / 850 |
|
| close encounters of third kind |
3 / 753 |
|
| Structuring Brilliance |
7 / 2012 |
|
| Film Reviews on The African Queen, Pride and Prejudice and The Grand Illusion |
11 / 3027 |
|
| Description |
2 / 443 |
|
