| Title |
Pages / Words |
Save |
| Henri Cartier-Bresson |
2 / 476 |
 |
| Lord of the Flies |
2 / 515 |
|
| Critique La Ventura |
3 / 813 |
|
| Beatles' Movie Success |
5 / 1250 |
|
| Film Critique on The Deer Hunter |
5 / 1209 |
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| Film Industry: then and now |
4 / 1111 |
|
| history of hollywood |
3 / 854 |
|
| JFK Assassination |
3 / 689 |
|
| Anthony Burgess |
2 / 418 |
|
| Maryilyn Monroe |
3 / 881 |
|
| Michael Black Dances with the Wolves |
2 / 460 |
|
| Norman Rockwell |
3 / 698 |
|
| Steven Spielburg |
3 / 814 |
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| Woody Allen |
3 / 658 |
|
| Apollo |
2 / 596 |
|
| Donnie Brasco |
2 / 315 |
|
| Dr Jeykll And Mr Hyde |
4 / 914 |
|
| Gatsby |
3 / 856 |
|
| lack of justice |
3 / 683 |
|
| movie Analysis |
5 / 1442 |
|
| Of Mice and men |
5 / 1326 |
|
| The Lost Truth |
2 / 375 |
|
| The notebook |
2 / 595 |
|
| the sun dog |
4 / 1155 |
|
| Arundel Case Study |
7 / 2100 |
|
| Arundel Partners: The Sequel Project |
4 / 1007 |
|
| Business |
1 / 267 |
|
| Converse |
2 / 375 |
|
| Mainline Vs. Kim Basinger |
3 / 781 |
|
| Mba 540 Risk Analysis |
3 / 623 |
|
| Radio |
3 / 624 |
|
| 007 |
23 / 6721 |
|
| 2001 A Space Odyssey Analysis |
4 / 915 |
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| American Beauty |
4 / 1122 |
|
| Analysis Of The Fog Of War: Eleven Lessons By Robert S. Mcnamara |
4 / 1024 |
|
| Beloved |
4 / 963 |
|
| Bowling For Columbine as a carnivelsque |
5 / 1382 |
|
| Color Purple |
5 / 1306 |
|
| Comparative Analysis Of The Ghost In Two Hamlet Movies |
4 / 937 |
|
| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
|
| Far and Away |
3 / 827 |
|
| Film Openings |
3 / 784 |
|
| Finding Nemo |
4 / 1074 |
|
| Gattaca |
3 / 725 |
|
| Hamlet |
2 / 453 |
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| Heart of Darkness |
2 / 498 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| Importance of Bein Earnest |
4 / 1153 |
|
| It happened One Night Film |
3 / 616 |
|
| King Lear vs Thousand Acres |
2 / 491 |
|
| ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
|
| Miss |
4 / 1055 |
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| Monsoon Wedding |
3 / 619 |
|
| Mr Smith Goes to Washington |
1 / 273 |
|
| One Flew Over the Cuckoo's Nest- Book and movie comparison |
7 / 1885 |
|
| Rabbit Proof Fence |
4 / 1073 |
|
| Rashomon |
3 / 722 |
|
| Review: Pulp Fiction |
3 / 776 |
|
| Romeo And Juliet Film Review |
3 / 660 |
|
| Romeo and Juliet Speech |
2 / 349 |
|
| Students And Teachers |
5 / 1318 |
|
| The Aeneid |
2 / 519 |
|
| The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
|
| The Crucible Movie Review |
2 / 525 |
|
| The Wind That Shakes The Barley |
5 / 1205 |
|
| Two Great Works |
4 / 1122 |
|
| Virgin Suicides |
4 / 910 |
|
| What Is The Right Thing To Do? |
5 / 1261 |
|
| What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
|
| White Man's Muscles |
4 / 908 |
|
| the breakfast club |
4 / 913 |
|
| Art Hist |
3 / 786 |
|
| Fads in the 1940s |
1 / 279 |
|
| film history |
4 / 1047 |
|
| Helena (Leni) Bertha Amalie Riefenstahl |
8 / 2215 |
|
| Hmong Diaspora and Media |
2 / 301 |
|
| the kingdom of heaven |
6 / 1622 |
|
| What Is Good |
1 / 247 |
|
| Anaylsis Of The Film: Fight Club |
4 / 1092 |
|
| Bridge over the River Kwai |
2 / 476 |
|
| beautiful mind |
2 / 441 |
|
| Censorship |
4 / 945 |
|
| Color Purple |
5 / 1306 |
|
| Comparison Of The Film Beloved |
3 / 695 |
|
| Curious Incident of the dog in the nighttime |
2 / 515 |
|
| drunken fool |
3 / 808 |
|
| Elements Of Art |
2 / 441 |
|
| George Eastman |
2 / 514 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| Liberty Valance |
2 / 398 |
|
| Lockie Leonard And Lex And Rory |
5 / 1322 |
|
| Mahatma Gandhi |
3 / 616 |
|
| Mean Girls- film analysis |
5 / 1383 |
|
| Media |
3 / 700 |
|
| North Country, the Movie |
3 / 629 |
|
| One Flew Over the Cuckoos Nest |
3 / 821 |
|
| Requiem for a Dream |
6 / 1568 |
|
| The Maltese Falcon |
6 / 1564 |
|
| Tragically Real |
5 / 1371 |
|
| Tucker: The man and his dream |
1 / 259 |
|
| Yeast Information |
2 / 318 |
|
| A flavour of contemporary India monsoons on screen |
3 / 728 |
|
| APPLICATION OF VARIOUS MEDIA PHILOSOPHICAL THEORIES IN CONECTION WITH CULTURE. |
4 / 1088 |
|
| Adaptation |
5 / 1236 |
|
| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
|
| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
|
| Analysis Of The Final Scenes Of Alfred Hitchcock's Notorious |
5 / 1267 |
|
| Anaylsis Of The Film: Fight Club |
4 / 1092 |
|
| Animation |
8 / 2274 |
|
| Annie Hall and Jesus |
3 / 750 |
|
| Billy Elliot |
2 / 342 |
|
| Blue Velvet: Scene Analysis |
2 / 594 |
|
| Bye Bye Brazil |
3 / 715 |
|
| belly vs. traning day |
3 / 747 |
|
| Casablanca |
2 / 486 |
|
| Casablanca |
4 / 916 |
|
| Citizen Kane |
2 / 600 |
|
| Construnction Of Film |
5 / 1237 |
|
| Crash - Analysis |
2 / 533 |
|
| chocolat |
1 / 253 |
|
| citizen kane |
5 / 1339 |
|
| David Selznick And Since You Went Away |
8 / 2370 |
|
| Doctor Zhivago Film Review |
5 / 1237 |
|
| david |
2 / 385 |
|
| Enemy of the State |
5 / 1275 |
|
| Ethical And Moral Issues |
3 / 717 |
|
| Fear And Loathing In Las Vegas An Essay |
2 / 574 |
|
| Film Review Of American History X" |
4 / 1015 |
|
| Film Review: \ |
3 / 610 |
|
| Film analysis Guess Who and Guess who's coming to dinner |
4 / 1067 |
|
| Film and video production |
6 / 1613 |
|
| Film must first be recognized as an industry before it is considered as a cultural object. Critically examine the meaning and implication of this statement with particular reference to Wales |
8 / 2305 |
|
| Firestarter |
3 / 769 |
|
| Franco Zeffirelli And Baz Luhrmann's Romeo And Juliet |
4 / 979 |
|
| finding neverland movie review |
2 / 557 |
|
| Gillian Armstrong |
6 / 1556 |
|
| Gladiator: A Classic is Born |
5 / 1351 |
|
| Hays Production Code's Impact on Vertigo |
5 / 1207 |
|
| How Does The Film The Truman Show Tell The Audience About The Influence Of The Media? |
4 / 1067 |
|
| Impressive Nobodies |
3 / 649 |
|
| In the Heat of the Night: A Classic Murder Melodrama |
5 / 1315 |
|
| Indonesian Cinema by Christine Hakim |
5 / 1323 |
|
| Interview with Mel Stuart |
4 / 977 |
|
| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
|
| in Cold Blood Review |
3 / 670 |
|
| indian cinema |
3 / 713 |
|
| Jane Campion's Piano |
3 / 773 |
|
| Kite Runner Movie |
1 / 298 |
|
| Lion King Analysis |
3 / 811 |
|
| Manhattan |
4 / 1171 |
|
| Media Arts |
3 / 814 |
|
| Meet me in St, Louis and the Aspect of Sound |
4 / 1002 |
|
| Moral Issues Within Gattaca |
3 / 728 |
|
| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
|
| Patch Adams |
2 / 510 |
|
| Planet of the Apes |
3 / 848 |
|
| Psycho |
2 / 489 |
|
| picasso movie |
2 / 334 |
|
| Red Rock West |
2 / 577 |
|
| Representations of Gothic Power in Karl Freund's Mad Love |
4 / 1191 |
|
| Rick Blaine, nations front figure |
3 / 856 |
|
| ritchie rich |
2 / 433 |
|
| Seabiscuit |
1 / 126 |
|
| Storytelling |
4 / 1060 |
|
| sterphen spielberg |
3 / 605 |
|
| Tarantino |
5 / 1293 |
|
| The Chamber: A Look Into The Novel And Film |
6 / 1599 |
|
| The Dude's Edition |
4 / 925 |
|
| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
|
| The Truman Show |
4 / 1032 |
|
| The characters in Donnie Darko are isolated, confused and many are unable to cope with reality. Richard Kelly has presented a disturbing portrait of human existence and interpersonal relationships. Discuss. |
3 / 645 |
|
| Vertigo |
4 / 1072 |
|
| Vertov and Eisenstein |
3 / 750 |
|
| Waking Life |
4 / 1102 |
|
| War of the Worlds Analysis |
4 / 1132 |
|
| Women in Spike Lee's Bamboozled |
3 / 790 |
|
| Wong Kar Wai and french new wave |
3 / 652 |
|
| Harrison Bergeron and the Republic |
3 / 865 |
|
| Life |
2 / 575 |
|
| Modernism vs. Postmodernism |
4 / 1094 |
|
| A Beautiful Mind |
3 / 644 |
|
| Freaky Friday |
3 / 740 |
|
| high fidelity |
4 / 1086 |
|
| I am Sam psychology movie review |
2 / 433 |
|
| Faith VS Belief |
3 / 878 |
|
| Jacob's Ladder |
8 / 2277 |
|
| the big one |
2 / 519 |
|
| Vice Virtue |
3 / 831 |
|
| GATACA |
1 / 281 |
|
| Americans In Film- Race, Gender, And |
2 / 494 |
|
| Anti-capitalist vs. Pro-capitalist |
3 / 748 |
|
| Current Event |
2 / 311 |
|
| difference between hackers and crackers |
2 / 486 |
|
| Fahrenheit 9/11 |
7 / 1877 |
|
| How Women Are Viewd |
3 / 747 |
|
| Justifiable Means |
2 / 534 |
|
| Life & Debt |
2 / 444 |
|
| Animation |
2 / 476 |
|
| BMW SWOT ANALYSIS |
2 / 340 |
|
| gattaca |
2 / 358 |
|
