| Title |
Pages / Words |
Save |
| Invisible Man 12-04-04 |
2 / 379 |
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| Rikki-Tikki-Tavi The War Story |
5 / 1220 |
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| The Red Badge of Courage |
5 / 1492 |
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| Andrew Jackson |
2 / 395 |
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| assault in the senate |
1 / 196 |
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| Custer |
1 / 282 |
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| Douglas MacArthur |
2 / 345 |
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| Memoirs |
3 / 629 |
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| A Comparison Of Arthur Becomes King And David And Goliath |
2 / 480 |
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| JFK Assasination |
3 / 756 |
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| Jinnah: A Charisma Built for Disrupture |
2 / 592 |
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| Much Ado About Nothing |
2 / 558 |
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| Nikola Tesla |
1 / 287 |
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| Richard Marcinko |
2 / 418 |
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| Robert Frost: A Man Of Many Words |
2 / 478 |
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| Woodrow Wilson |
5 / 1277 |
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| An Enemy Of The People |
4 / 928 |
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| Analyzing Shakespeare's Othello |
4 / 1163 |
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| a lesson before dying- heroism |
3 / 808 |
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| alive |
1 / 296 |
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| antigone |
1 / 226 |
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| Beowulf to froto baggins |
4 / 959 |
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| Beowulf: The Ultimate Hero |
6 / 1739 |
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| comparison essay Hamlet - Macbeth |
3 / 686 |
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| Dr Jeykll And Mr Hyde |
4 / 914 |
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| Dramatic Irony in Oedipus Rex |
2 / 498 |
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| ETHAN FROME |
3 / 707 |
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| Faust |
3 / 873 |
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| Fear And Loathing |
3 / 645 |
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| Frankenstein: The Subjectivity Of The Character "safie" |
7 / 1939 |
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| History Of Pete Dalberg Family |
1 / 297 |
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| James and the Giant Peach |
3 / 744 |
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| Jimi Hendrix: Why He Desrves World Recognition |
3 / 645 |
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| Jude The Obscure |
7 / 1951 |
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| Much Ado About Nothing: An Overview |
4 / 1126 |
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| mcbeth |
2 / 536 |
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| Outside Forces |
3 / 647 |
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| romeo and juliet punishment |
2 / 576 |
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| The Actions and Consequences in “Romeo and Juliet” |
2 / 522 |
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| The Crucible |
2 / 559 |
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| The Flaws of Steinbeck’s Writing |
2 / 526 |
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| The Last Samurai |
2 / 570 |
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| Things Fall Apart |
4 / 904 |
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| Three People, Two Deaths, One Great Tragedy |
3 / 612 |
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| To Kill A Mocking Bird |
3 / 664 |
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| Tragic |
7 / 2048 |
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| where are you going? where have you been? |
3 / 789 |
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| Case Study |
1 / 275 |
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| Expectancy Theory |
2 / 308 |
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| Halina Case Analysis |
1 / 275 |
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| Othello as a tragic play |
4 / 962 |
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| A Classic Hero |
4 / 1068 |
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| A Rose For Emily: Theme Analysis |
1 / 212 |
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| A Summary Of The Play By Aristophanes |
1 / 181 |
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| A View From The Bridge.... |
8 / 2176 |
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| A hero for the freedom of Scotland |
4 / 922 |
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| Achilles: a hero no more |
4 / 1003 |
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| Artistic License in Soyinka?¦s Death and the Kings Horseman |
5 / 1434 |
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| Beowulf As An Epic |
2 / 568 |
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| Beowulf Essay |
4 / 973 |
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| Beowulf |
2 / 431 |
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| Beowulf |
9 / 2434 |
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| Christian Symbolism in Beowulf |
5 / 1376 |
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| Compare the Victorian era and jazz eras |
1 / 266 |
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| Desirees Baby Significance of a Letter |
4 / 1000 |
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| EDGAR ALLAN POE AND BREAST CANCER |
3 / 711 |
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| Enders Game |
2 / 346 |
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| Frankenstein |
11 / 3053 |
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| Geat Vs. Greek |
4 / 963 |
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| Gilgamesh And Oddysey |
4 / 1137 |
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| Hamlet |
2 / 550 |
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| Hamlet |
2 / 563 |
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| Heart of Darkness Info |
3 / 810 |
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| Hero Project |
4 / 980 |
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| Heroes in Anglo-Saxon culture |
4 / 1166 |
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| Invisible Man |
2 / 379 |
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| Is Duddy Karvitz and Anti-Hero? |
2 / 474 |
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| Is Poetry Dead |
3 / 770 |
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| bio |
1 / 247 |
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| critical essay on for whom the bell tolls |
4 / 1069 |
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| haindi |
2 / 495 |
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| inate evil to kill a mocking bird and lord of the flies |
3 / 844 |
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| Macbeth as a Tragic Hero |
6 / 1754 |
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| Macbeths Transformation From Soldier To Tyrant |
4 / 1096 |
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| Muchadoaboutsomting |
2 / 536 |
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| Mutability in Tennyson's Ulysses |
4 / 932 |
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| Obesity |
4 / 973 |
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| Odysseus Vs. Gilgamesh |
5 / 1319 |
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| Odysseus' Journey as an Epic Hero |
5 / 1266 |
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| Oedipus; Free will and fate |
4 / 999 |
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| Oedipus |
1 / 180 |
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| Othello - Honest Iago |
2 / 577 |
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| Othello - critical study |
10 / 2715 |
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| Othello' Profile |
3 / 666 |
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| Peace Like a River |
2 / 504 |
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| Personal conflict- Othello, I was only 19, Absolutely Fabulous |
4 / 917 |
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| Phantom of the opera |
4 / 1007 |
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| Reflection on "Battle of the Ants," Henry David Thoreau |
2 / 315 |
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| Review of Diamond Dogs |
1 / 211 |
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| Sad, Bad, Or Mad? Do You Consider Macbeth To Be A Tragic Hero, Evil, Or Bewitched? |
16 / 4566 |
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| Sir Gawain and the Green Knight |
3 / 648 |
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| The Iliad |
5 / 1428 |
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| The Love and the Nightgale |
2 / 566 |
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| The Red Badge of Courage |
5 / 1455 |
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| Victor Hugo- styles and themes |
7 / 1885 |
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| Who Am I? Essay |
3 / 833 |
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| macbeth |
4 / 1048 |
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| metamorphosis |
3 / 878 |
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| oedipus |
3 / 635 |
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| shakespeare |
4 / 1093 |
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| About Jodhpur |
2 / 469 |
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| Analysis and Comparison of Two Epic Characters Gilgamesh and Enkidu |
2 / 484 |
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| Ben Franklin |
3 / 645 |
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| EDSA |
1 / 229 |
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| French And German Soldiers In WWI |
3 / 803 |
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| French And German Soldiers Of WWI |
3 / 792 |
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| John Simpson Kirkpatrick |
6 / 1739 |
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| Justice After War |
4 / 1198 |
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| Justinian |
1 / 261 |
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| Reinstitution of Olympics |
3 / 808 |
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| Russia's unjust occupation of Chechnya |
2 / 412 |
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| Russian Revolution |
3 / 699 |
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| WWI - Comparison Of German And French Soldiers Experiences |
3 / 790 |
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| who started WWII |
5 / 1493 |
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| A Classic Hero |
4 / 1068 |
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| A Memorable Experience In Photography |
3 / 639 |
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| Being A Hero |
5 / 1495 |
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| Beowulf As An Epic |
2 / 568 |
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| Beowulf Vs. Gilgamesh |
4 / 1181 |
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| Beowulf: Heroism |
4 / 928 |
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| Beowulf: Heroism |
4 / 928 |
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| Black Hawk Down |
1 / 195 |
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| Comedies and Tragedies a contrast in protagonists |
3 / 710 |
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| Creon: A Monarch Within His Rights |
4 / 1055 |
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| Cyrano De Bergerac |
2 / 501 |
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| Danforth's Witch Hunt, Is It J |
2 / 497 |
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| David by Gianlorenzo Bernini |
3 / 712 |
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| Death Be Not Proud |
1 / 155 |
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| Different Cultures, Different |
3 / 827 |
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| dc vs marvel |
3 / 682 |
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| debate |
4 / 970 |
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| Ethan From |
3 / 707 |
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| Feeling Trapped |
1 / 230 |
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| Geat Vs. Greek |
4 / 963 |
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| Gilgamesh, Achilles, Aeneas, And Roland |
6 / 1606 |
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| Heroes And Villains |
2 / 558 |
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| Huck As Hero |
4 / 1150 |
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| Iliad 2 - |
2 / 580 |
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| Johnny Depp |
2 / 398 |
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| kill bill |
2 / 518 |
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| Macbeth And Lord Jim |
6 / 1526 |
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| Macbeth As A Tragic Hero |
3 / 706 |
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| Macbeth: From Hero To Villain |
5 / 1235 |
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| Modular Arithmetics |
2 / 322 |
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| My Hero |
3 / 820 |
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| Napolean |
1 / 122 |
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| Oedipus As An Epic Poem By Ari |
2 / 598 |
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| Oedipus The King |
4 / 1001 |
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| Oedipus The King: Free Will Vs Fate |
4 / 999 |
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| Orestes An Innocent Hero |
4 / 1151 |
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| Oskar Schindler: A Hero Study |
4 / 1059 |
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| Othello: Not Wisely But Too Well |
4 / 1031 |
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| Othello: Not Wisely, But Too Well |
4 / 1031 |
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| Paris: The Iliad |
2 / 580 |
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| Paris: The Iliad |
2 / 580 |
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| popular culture |
4 / 916 |
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| Renaissance Art |
1 / 185 |
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| Roberto Clemente |
2 / 444 |
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| Romeo And Juliet - Vendetta In Verona |
2 / 568 |
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| studenty |
3 / 622 |
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| The Birth Of A Nation And Greed |
4 / 1185 |
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| The Crucible |
3 / 683 |
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| The Great Gatsby and the American Dream |
5 / 1289 |
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| The Iliad |
5 / 1428 |
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| The Old Man And The Sea |
1 / 234 |
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| The Success Of Lillian Vernon |
3 / 867 |
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| The Success of Lillian Vernon |
3 / 867 |
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| The Underdog Can Win! |
5 / 1478 |
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| Theseus Athens Great Hero |
2 / 556 |
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| This Is Crap |
2 / 351 |
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| Today's Youth, Tomorrow's Frankenstein |
8 / 2207 |
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| Un Viaje A Itaca |
2 / 325 |
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| Almodovar melodrama, talk to her, Live Flesh |
7 / 1986 |
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| Aristotle/ Children Of Men Paper |
5 / 1325 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| Dead Poet's Society |
2 / 546 |
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| Robert Preston |
4 / 1095 |
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| Songs Of This Year |
9 / 2483 |
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| The History of Country Music |
1 / 278 |
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| A Hero in a Loincloth… and His Methods |
3 / 815 |
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| Virtue Theory |
4 / 1062 |
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| stevenson |
7 / 1966 |
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| The Project Mkultra |
1 / 230 |
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| Human Genome |
5 / 1483 |
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| The Writing Style of Hemingway |
7 / 2050 |
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| Homosexuality in Film |
4 / 914 |
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| Split Image |
3 / 627 |
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| The Romantic Present |
2 / 582 |
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| To Drill or Not to Drill |
8 / 2191 |
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| Dota: Manta Style strategy on Tinker |
5 / 1437 |
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