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Vertov and Eisenstein 3 / 750
Man With The Movie Camera: Shot Change Constructs A New Perspective 3 / 862
Montage in films of Sergei Eisenstein 5 / 1433
I was a child of Holocaust survivors 7 / 1913
The Most Convincing Propogandist 5 / 1204
Man With A Movie Camera 3 / 695
Steps of Odessa 2 / 578
riordan 2 / 402
Man with a Movie Camera vs Run Lola Run 11 / 3083
russian revolution 2 / 313
Separation of Identity in "Don't Look Now" 4 / 987
Potemkin 2 / 401
Marxist Feminism 2 / 352
The Godfather 2 / 501
Analysis of Vertov's Film 2 / 574
Commentary One day in the life of Ivan Denisovich 3 / 742
Constructing a Revolution 7 / 1925
Bernhard Riemann 3 / 836
Behind The Gare Saint-Lazare 4 / 901
Narrative vs. Montage 3 / 877
George Washington 4 / 1035
Walter Benjamin and Siegfrizd Kracauer 5 / 1400
Michael Corleone's Transformation 13 / 3612
Culture Of Film 6 / 1579
A Feministic View On Jackson’S Short Stories ‘The Lottery’ And ‘The Tooth’ 10 / 2740
Upton Sinclair 5 / 1220
Upton Sinclair 5 / 1220
A Brief History of Film 4 / 1006
Film Analysis 6 / 1625
Scorsese 6 / 1677
Hong Kong Film 6 / 1503
revolution 15 / 4279
Originality and Repetition in Contemporary Cinema 7 / 1945
George Lucas 6 / 1657
The Language of New Media 9 / 2670
Hshj kjajah jha 32 / 9359
How did the Tsar survive the 1905 Revolution? 8 / 2113
Maya Deren 8 / 2392
benetton 11 / 3075
The Theology of the Icon and the Medium of Cinema 36 / 10672
ITALIAN REDEMPTION OF CINEMA: NEOREALISM FROM BAZIN TO GODARD, THE 25 / 7322
Hamlet and the motif of thought 14 / 4125
Film 15 / 4358
Godard 25 / 7463
The Meaning Of Book 29 / 8405
le nationalisme moteur de l'histoire europeenne 88 / 26369
Stalin 60 / 17704