| Title |
Pages / Words |
Save |
| Subway Scene |
2 / 487 |
 |
| A Separate Peace |
3 / 667 |
|
| The Sentiment, Mood, and Philosophy of “The Best Slow Dancer” |
4 / 973 |
|
| Macbeth vs. Lady Macbeth |
12 / 3413 |
|
| American Dream |
6 / 1694 |
|
| Atlanta Rumble |
6 / 1512 |
|
| boston house museums |
5 / 1248 |
|
| Hello Kitty |
6 / 1517 |
|
| Mideval Castles |
2 / 500 |
|
| angston Hughes: Write, Fight, and Persevere |
5 / 1236 |
|
| gaudi in Barcelona |
4 / 995 |
|
| louisa as victim |
5 / 1337 |
|
| The Hiding Place- Corrie ten Boom |
4 / 926 |
|
| The Only Thing A Deaf Person Can't Do Is Hear |
1 / 132 |
|
| 1984 |
4 / 1093 |
|
| A Separate Peace |
5 / 1435 |
|
| A christmas story |
1 / 151 |
|
| City of Boston |
2 / 512 |
|
| Climbing Social Ladders, A Characterization of Pip |
6 / 1625 |
|
| Creative Story: Kid In Closet |
4 / 1142 |
|
| Creative Story: The Dark House |
5 / 1312 |
|
| Creative Writing: The Inferno |
2 / 523 |
|
| Eleanors revenge |
2 / 563 |
|
| Harry Potter |
3 / 709 |
|
| Hill House |
4 / 972 |
|
| Redwall Book Report |
5 / 1414 |
|
| Story Of An Hour |
2 / 586 |
|
| Travel |
4 / 1136 |
|
| the hiding place |
7 / 1996 |
|
| UP THE DOWN STAIRCASE |
3 / 710 |
|
| Zadie Smith |
2 / 588 |
|
| Contract Law |
2 / 419 |
|
| Finace Breakdown |
2 / 408 |
|
| Marketing Audit |
9 / 2470 |
|
| O Business |
6 / 1733 |
|
| Risk |
6 / 1504 |
|
| The demon lover |
5 / 1366 |
|
| A Deadly Realization |
6 / 1529 |
|
| A Legend |
7 / 2001 |
|
| A Place I Remember Well |
3 / 659 |
|
| A Taste of Independence |
3 / 828 |
|
| A christmas carol |
1 / 247 |
|
| An In-Depth Analysis of Fairy Tales |
4 / 1137 |
|
| Analysis Of The Interior Architecture Of Thornfield Hall In The Light Of Nightingale’S Analysis Of The Victorian Country House. |
4 / 1102 |
|
| Analysis of Edgar Allan Poe's Black Cat |
2 / 428 |
|
| Catcher in the Rye |
3 / 775 |
|
| Compare And Contrast |
3 / 733 |
|
| Convincing Through the Senses |
2 / 534 |
|
| Creative Writing Journeys |
2 / 550 |
|
| Destructors |
3 / 646 |
|
| Emma Clueless |
3 / 626 |
|
| Film Adaptation of Antigone |
2 / 550 |
|
| Frankenstein |
3 / 745 |
|
| Frankenstein |
1 / 208 |
|
| Gertude Stein and the Art of Cubism |
5 / 1298 |
|
| Globe theater |
2 / 553 |
|
| Going Blind |
14 / 4133 |
|
| Greek And Roman Architecture |
7 / 2070 |
|
| Hello |
4 / 915 |
|
| Holden Caulfield-The Thinking Man |
4 / 956 |
|
| Interpreation of Robert Frost's HOME BURIAL A++ |
4 / 1100 |
|
| a fork in davids road.a story about my father |
4 / 1077 |
|
| a rose |
3 / 644 |
|
| gattaca |
2 / 419 |
|
| “The Story Of An Hour” Analysis |
3 / 697 |
|
| Lyrics |
2 / 377 |
|
| Macbeth |
6 / 1663 |
|
| Mother To Son |
3 / 622 |
|
| Mr. Linden's Library Creative Short Story |
4 / 952 |
|
| Mrs. |
12 / 3413 |
|
| My Mournful Heart |
4 / 1056 |
|
| Panoramic Poe |
2 / 503 |
|
| Risk Factors For Anorexia |
5 / 1417 |
|
| Robert Frost - Home Burial |
4 / 1030 |
|
| Robert Frost - Home Burial |
1 / 273 |
|
| Rose For Emily |
3 / 644 |
|
| Short Story |
5 / 1316 |
|
| Story of An Hour |
2 / 386 |
|
| The Cask of Amontillado |
4 / 1090 |
|
| The Castle Of Otranto |
4 / 1018 |
|
| The Dark House |
5 / 1377 |
|
| The Gothic Theme In Frankenstein |
5 / 1259 |
|
| The House Of The Seven Gables- Hawthornes Personal Reflections |
3 / 889 |
|
| The Necklace |
2 / 535 |
|
| The Relationship between Macbeth and Lady Macbeth |
7 / 1813 |
|
| The Relationship between Macbeth and Lady Macbeth |
6 / 1773 |
|
| The Road Not Taken Vs. Mother To Son |
2 / 534 |
|
| The midgit, the leprechaun, and the Unicorn |
5 / 1366 |
|
| Too close for comfort |
3 / 882 |
|
| Up the Down Staircase |
3 / 663 |
|
| What Techniques Does The Author Use To Maintain The Reader’S Interest Throughout The Prescribed Text( The Glass Menagerie? |
10 / 2798 |
|
| Who are we to Question Love: A Look into love through the Eyes of Clarissa Dalloway and Peter Walsh |
5 / 1273 |
|
| the monkeys paw |
4 / 928 |
|
| the old library |
3 / 797 |
|
| An insight to Castle Howard |
4 / 1142 |
|
| Andrea Palladio Comes to America |
6 / 1517 |
|
| Culture |
4 / 963 |
|
| Deir El Medina Speech. |
3 / 695 |
|
| Dos Pilas |
5 / 1204 |
|
| Eileen Gray during the Modernism Movement |
4 / 1080 |
|
| GIGLAMESH |
4 / 1007 |
|
| Gilgamesh |
4 / 989 |
|
| King Tut |
7 / 2082 |
|
| Pascals Triangle |
2 / 408 |
|
| relationship between architecture and ancient beliefs |
4 / 953 |
|
| roman architecture |
3 / 752 |
|
| The Colosseum |
4 / 905 |
|
| The Most Convincing Propogandist |
5 / 1204 |
|
| The Sinking of the Titanic |
3 / 657 |
|
| Titanic |
7 / 1881 |
|
| A Deadly Realization |
6 / 1529 |
|
| A Midsummer's Night Dream |
12 / 3402 |
|
| A Rose For Emily |
3 / 696 |
|
| AVAM |
4 / 1000 |
|
| Art Therapy |
5 / 1493 |
|
| Breathe |
3 / 772 |
|
| CLassical vs. Hellenistic |
2 / 351 |
|
| Catcher In The Rye 7 |
3 / 816 |
|
| Catcher In The Rye Vs. Don Quixote |
3 / 884 |
|
| Commando On A Night In July |
3 / 769 |
|
| Creative Writing: Hephaestus And Aphrodite - The Dispute |
4 / 1163 |
|
| comparison of the Met and Guggenheim |
6 / 1515 |
|
| Derivaties And Integrals |
2 / 600 |
|
| Dream House |
4 / 935 |
|
| Galicia |
5 / 1433 |
|
| Great Expectations 3 |
6 / 1729 |
|
| Guilt, Duty, And Unrequited Love |
8 / 2207 |
|
| Hill House |
4 / 972 |
|
| Holden Caulfield-the Thinking Man |
4 / 956 |
|
| John Woo |
3 / 832 |
|
| Kif and Amy |
3 / 758 |
|
| Leading Edge Artists |
4 / 1037 |
|
| Macbeth - Supernatural |
3 / 709 |
|
| Marcel Duchamp |
5 / 1429 |
|
| Marco Island Travel Getaway |
4 / 1139 |
|
| Mattimeo |
2 / 453 |
|
| Mattimeo |
2 / 495 |
|
| Mother To Son |
3 / 622 |
|
| Psycho By Alfred Hitcock |
7 / 1959 |
|
| Pycho By Alfred Hitcock |
7 / 1959 |
|
| Rocky Horror Show |
2 / 372 |
|
| Rose For Emily |
3 / 644 |
|
| Safari |
5 / 1301 |
|
| Scared to Death, Literally |
3 / 791 |
|
| Supernatural Forces In Macbeth |
3 / 646 |
|
| Surreal Detective Story |
3 / 804 |
|
| security |
6 / 1510 |
|
| snozzing goddess |
3 / 658 |
|
| The Adventure of a Lifetime |
3 / 662 |
|
| The Circus Maximus |
4 / 1076 |
|
| The Gothic Theme In Frankenstein |
5 / 1259 |
|
| The House Of The Seven Gables- Hawthornes Personal Reflections |
3 / 889 |
|
| The Interference Of The Supernatural In Macbeth |
2 / 439 |
|
| The Last Night Of Ballyhoo - Production Critique |
4 / 1175 |
|
| The Louvre: A History of the Museum |
5 / 1458 |
|
| The Palace of knossos |
6 / 1624 |
|
| The Recovery Rate Of The Male Is Significantly Faster Than The Female |
3 / 606 |
|
| The Supernatural In Macbeth |
3 / 709 |
|
| The Use Of The Supernatural In |
2 / 576 |
|
| Titanic: Death Of A Titan |
6 / 1704 |
|
| the forgotten day |
4 / 1081 |
|
| Up The Down Staircase |
3 / 710 |
|
| Victor Horta |
7 / 1856 |
|
| Yayaya |
2 / 464 |
|
| Zefferelli Vs. Luhrmann |
1 / 210 |
|
| Analysis Of The Final Scenes Of Alfred Hitchcock's Notorious |
5 / 1267 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Fritz Lang M: Analysis |
3 / 856 |
|
| Genetics Engineering |
3 / 654 |
|
| Harry Potter Differences |
4 / 1154 |
|
| high tension |
3 / 826 |
|
| Live Flesh by Pedro Almodovar: Scene Analysis |
5 / 1419 |
|
| Movie Review: A Time To Kill |
2 / 545 |
|
| Orpheus |
5 / 1350 |
|
| Psycho By Alfred Hitcock |
7 / 1959 |
|
| Semiotic Analysis |
3 / 733 |
|
| Sunset Boulevard |
6 / 1621 |
|
| scarface |
2 / 380 |
|
| The Graduate |
4 / 1120 |
|
| Themes in "Blue Velvet" |
11 / 3003 |
|
| Titanic |
8 / 2314 |
|
| To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period? |
3 / 634 |
|
| When a Woman Ascends the Stairs |
6 / 1506 |
|
| Woody Allen's "Annie Hall" |
2 / 496 |
|
| Artifacts? |
4 / 1033 |
|
| Creativity |
2 / 526 |
|
| Freud vs Erikson |
10 / 2858 |
|
| Hello friend |
2 / 500 |
|
| Islam: A Brief History |
2 / 545 |
|
| Jacob |
5 / 1227 |
|
| Three Men |
2 / 313 |
|
| Denaturation of Proteins |
2 / 581 |
|
| iwanttojoin |
14 / 3979 |
|
| Living with Feng Shui |
6 / 1530 |
|
| The Recovery Rate Of The Male Is Significantly Faster Than The Female |
3 / 606 |
|
| Columbine |
3 / 694 |
|
| froget my face |
4 / 1094 |
|
| Summary of The Cask of Amontillado |
3 / 617 |
|
| what not to do at an interview |
4 / 995 |
|
| team dynamics and conflict resolution |
6 / 1754 |
|
