| Title |
Pages / Words |
Save |
| Hamlet |
4 / 1043 |
 |
| Honesty: Characters of Othello |
3 / 739 |
 |
| Julius Caesar |
2 / 425 |
 |
| Macbeth: A Tragic Hero? |
3 / 657 |
 |
| Tragedy or Not? |
2 / 410 |
 |
| jazz: america's classical |
2 / 525 |
 |
| king lear |
2 / 524 |
 |
| Football |
1 / 222 |
 |
| siddhartha |
1 / 76 |
 |
| The Life and Times of William Shakespeare |
5 / 1252 |
 |
| 1984 Vs. Brave New world |
2 / 396 |
 |
| 1984: Winston's dream |
4 / 945 |
 |
| Another Romeo and Juliet |
2 / 511 |
 |
| Camus' "the Stranger": Choice And Individual Freedom Are Integral Comp |
2 / 426 |
 |
| comparison essay Hamlet - Macbeth |
3 / 686 |
 |
| Hamlet and Macbeth as Tragedies |
3 / 774 |
 |
| Hamlet, The Prince Of Death |
6 / 1576 |
 |
| Hamlet |
4 / 1014 |
 |
| Hamlet: Inner Turmoil |
6 / 1554 |
 |
| Hamlet: "to Be Insane Or Not To Be Insane That Tis The Question" |
4 / 995 |
 |
| Iago Character Analysis |
4 / 977 |
 |
| King Lear |
4 / 1018 |
 |
| King Lear: Everything About The Play Hangs On First Two Scenes |
6 / 1580 |
 |
| Life Of William Shakespeare |
6 / 1632 |
 |
| Love and Hate "Shakespear" |
3 / 671 |
 |
| Ode to autumn not a poem? |
2 / 394 |
 |
| Othello |
4 / 1180 |
 |
| Romeo And Juliet |
3 / 670 |
 |
| Romeo and Juliet |
2 / 506 |
 |
| The Mad Hamlet |
3 / 613 |
 |
| The Ways We Lie |
1 / 218 |
 |
| Through language and soliloquy to see the contradiction |
4 / 922 |
 |
| use of "blood" in Macbeth |
2 / 594 |
 |
| Cross Cultural Mangement - Dancom Case Study |
1 / 214 |
 |
| Management |
3 / 697 |
 |
| Othello as a tragic play |
4 / 962 |
 |
| 10 things i hate bout u |
2 / 337 |
 |
| A Dark Jewel |
3 / 784 |
 |
| An Exploration Into The Ways That Shakespeare Present Human Relationships Between The Central Characters Within “The Tempest”? |
5 / 1399 |
 |
| Anagnorisis and Existence (Rosencrantz and Guildenstern) |
4 / 935 |
 |
| Avarice in Canterbury Tales |
3 / 738 |
 |
| Banquo |
2 / 368 |
 |
| Blindness in Oedipus |
2 / 431 |
 |
| Brutus And Caesar |
2 / 436 |
 |
| Brutus |
2 / 557 |
 |
| Characteristics Of A Comedy |
5 / 1201 |
 |
| Chndsln |
2 / 413 |
 |
| Death of a Salesman & Oedipus the King |
3 / 767 |
 |
| Deception in Othello |
3 / 612 |
 |
| Defining Nick Bottom In A Midsummer Night’s Dream |
3 / 715 |
 |
| Discuss the differences between Beatrice and Hero in the early scenes of the play |
4 / 1191 |
 |
| Dont Judge A Book By It's Cover:A Twelfth Night Comparrison Of Feste A |
3 / 627 |
 |
| Dramatic Significance |
4 / 930 |
 |
| Enlightenment Era |
3 / 663 |
 |
| Epic Traits of Beowulf |
2 / 543 |
 |
| Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts |
6 / 1665 |
 |
| Ghosts |
3 / 652 |
 |
| Gossip and Deceit in Much Ado About Nothing |
5 / 1434 |
 |
| Government Control On Political Ads |
2 / 497 |
 |
| Hamlet vs. Laertes |
4 / 902 |
 |
| Hamlet's Delay |
3 / 881 |
 |
| Hamlet |
3 / 707 |
 |
| Hamlet:character Analysis |
3 / 844 |
 |
| Henry V |
2 / 418 |
 |
| How does Shakespeare portray the nature |
5 / 1231 |
 |
| How does Shakespeare use dramatic devices is Act 3 scene 1 of "Romeo and Juliet" in order to make it an exciting scene and a turning point in the play |
6 / 1773 |
 |
| How far is Shylock a character for whom we can feel sympathy? |
6 / 1611 |
 |
| Iago:The Evil In Othello |
4 / 958 |
 |
| Imagery in Macbeth |
4 / 1111 |
 |
| Julius Caesar |
3 / 629 |
 |
| Julius Caeser |
3 / 682 |
 |
| King Lear |
3 / 650 |
 |
| Laws of Life-love, honesty, & responsibility |
2 / 499 |
 |
| Lear's Maness |
1 / 118 |
 |
| "There's The Sulphrous Pit": Female Sexuality In King Lear |
4 / 1061 |
 |
| hamlet,a tragedy of failure |
4 / 987 |
 |
| hamlet |
5 / 1255 |
 |
| hamlet |
7 / 1994 |
 |
| how do shakespeare's sonnets feed off the world around him? |
3 / 867 |
 |
| iago's rethoric |
3 / 716 |
 |
| king lear |
2 / 478 |
 |
| Macbeth and his Fatal Thirst For Power |
3 / 663 |
 |
| Macbeth-Response to Aristotle's Tragic Hero |
2 / 537 |
 |
| Macbeth |
2 / 511 |
 |
| Macbeth |
4 / 992 |
 |
| Macbeth |
3 / 690 |
 |
| Macbeth: ACT I |
2 / 361 |
 |
| Man of La Mancha |
2 / 590 |
 |
| Miss |
2 / 428 |
 |
| Oedipus Rex |
2 / 580 |
 |
| Poetic Coherence |
3 / 693 |
 |
| Prince Hamlet, The Flawed Hero In Hamlet |
3 / 744 |
 |
| Race and Reading: The Problems of Interpretation |
6 / 1542 |
 |
| Renaissance Literature - Romeo and Juliet |
6 / 1791 |
 |
| Romeo And Juliet Film Review |
3 / 660 |
 |
| Romeo and Juliet |
3 / 727 |
 |
| Sanity: Boundaries of the Mind |
5 / 1492 |
 |
| Seeing Storms And Madness |
5 / 1209 |
 |
| Shakespeare And Anti-Semitism In The Merchant Of Venice |
5 / 1201 |
 |
| Shakespeare in Love |
7 / 1928 |
 |
| Shakespeare on film-Observations |
2 / 366 |
 |
| Shakespeare?s 10 things |
4 / 1187 |
 |
| Taming of the Shrew Katherine and Bianca retaining their independence as a female |
4 / 975 |
 |
| The Curse Of Macbeth |
3 / 647 |
 |
| The Doubt Of Juliet |
3 / 824 |
 |
| The First Globe Theater |
2 / 571 |
 |
| The Fool And Cordelia: Opposing Influences On King Lear |
3 / 632 |
 |
| The Important Contextual Influences On Shakespeare'S "King Lear" |
4 / 1090 |
 |
| The Odyssey |
2 / 494 |
 |
| The Tempest Is A Play About The Power And Dangers Of Creativity. Discu |
2 / 366 |
 |
| The ever unchanging Woman |
3 / 775 |
 |
| The tempest |
1 / 82 |
 |
| Theseus vs. Oberon |
2 / 339 |
 |
| To the lightbhouse |
3 / 775 |
 |
| Understanding Lady Macbeth |
2 / 393 |
 |
| What Makes Me Feel the Way I Feel About the Things that I Read |
2 / 388 |
 |
| Where does the order Lie |
5 / 1266 |
 |
| Whether Portia Is On Stage Or Not She Is Central To Every Important Action In The Play. How Far Do You Agree - Provide Detailed Reasons To Support Your Argument. |
4 / 924 |
 |
| William Shakespeare's Romeo and Juliet (1966) |
3 / 692 |
 |
| You |
2 / 326 |
 |
| macbeth journel |
2 / 567 |
 |
| macbeth |
3 / 710 |
 |
| masculinity on the line |
3 / 769 |
 |
| oTHELLO |
2 / 369 |
 |
| oedipus rex, hamlet, & willy loman comparison |
5 / 1477 |
 |
| taming of the shrew |
3 / 748 |
 |
| time of year |
4 / 1012 |
 |
| Globe Theater |
4 / 1031 |
 |
| How does Shakespeare shape your response to the lovers' first meeting in Act 1 Scene 5? |
6 / 1545 |
 |
| Immanuel Kant |
3 / 602 |
 |
| Shakespeare: One of the Greatest Writers in the \ |
4 / 1097 |
 |
| Literature And Human Behaviour |
5 / 1207 |
 |
| Brave New World 4 |
8 / 2232 |
 |
| Character Study Of Claudius Fr |
2 / 599 |
 |
| Concept of Culture |
1 / 213 |
 |
| Contrast In Language |
2 / 372 |
 |
| east side story |
1 / 268 |
 |
| Falstaff |
3 / 674 |
 |
| Falstaff |
3 / 693 |
 |
| Familial Themes With Shakespea |
6 / 1530 |
 |
| Hamlet: Character Analysis |
3 / 851 |
 |
| Health Care |
2 / 459 |
 |
| King Lear - Parrellelism In King Lear |
4 / 1040 |
 |
| King Lear And The Fatal Flaw |
2 / 424 |
 |
| Literary Devices Used In Macbe |
4 / 904 |
 |
| Macbeth As A Tragic Hero |
3 / 706 |
 |
| Macbeth's Porter |
4 / 1088 |
 |
| Merchant Of Venice - Antonio And Shylock |
3 / 658 |
 |
| Mystic in the Theater Eleonora Duse |
2 / 579 |
 |
| methods of persuasion |
3 / 871 |
 |
| Newscasters |
1 / 292 |
 |
| Oedipus Rex |
2 / 580 |
 |
| Oedipus The King: Images Of Blindness |
2 / 372 |
 |
| Othello - The Greatest Tragedy |
4 / 962 |
 |
| Parallel Lear |
4 / 1039 |
 |
| Parrellelism In King Lear |
4 / 1040 |
 |
| Practical Cognition |
3 / 767 |
 |
| Provoking Revenge In Hamlet |
2 / 380 |
 |
| Romeo And Juliet - Contrast In Language |
2 / 372 |
 |
| romeo and juliet |
4 / 1200 |
 |
| Shakespeare - Tragic Heroes |
2 / 507 |
 |
| Shakespeare And Kingship |
6 / 1538 |
 |
| Shakespeare And Kingship |
6 / 1538 |
 |
| Shall I Compare Thee To A Summer's Day By William Shakespeare |
6 / 1544 |
 |
| Thank God For Believers |
1 / 96 |
 |
| The Blood Theme In Macbeth |
2 / 402 |
 |
| The Theme Of Masks, Tweflth Ni |
3 / 829 |
 |
| William Shakespeare's Sonnet, |
4 / 1020 |
 |
| Women And Sexism |
3 / 702 |
 |
| Invasion of the Body Snatchers |
2 / 566 |
 |
| LA STORY AND SHAKESPEARE |
5 / 1450 |
 |
| The movie O |
3 / 609 |
 |
| Wag the Dog |
2 / 472 |
 |
| Absurdity: An Essay On The Stranger |
3 / 660 |
 |
| An Enquiry Concerning The Principles Of Morals |
6 / 1512 |
 |
| Ethical Relativism |
2 / 506 |
 |
| Freedom: the expression of faith and reason |
2 / 532 |
 |
| How A Knowledge Claim Can Be Tested For Justification? |
2 / 398 |
 |
| Kant's Formalism Theory |
3 / 709 |
 |
| Kant |
6 / 1580 |
 |
| Plato And Innate Knowledge |
2 / 465 |
 |
| Plato |
5 / 1428 |
 |
| Reflection on “Adler’s Philosophical Dictionary” |
2 / 412 |
 |
| Relativism: The Tangible Theory |
7 / 1911 |
 |
| Ruth Benedict and Fluehr-Lobban |
2 / 597 |
 |
| The truth is out there - anywhere. Alas, we cannot see it clearly. |
5 / 1258 |
 |
| Truth |
3 / 706 |
 |
| Unexamined life |
1 / 299 |
 |
| Mahayana and Theravada Buddhism |
3 / 853 |
 |
| Structural Levels Of The Iliad |
4 / 1056 |
 |
| The Church in Ephesians |
3 / 648 |
 |
| The Sermon At Benares |
1 / 232 |
 |
| the flood |
3 / 848 |
 |
| Epistemology |
2 / 464 |
 |
| Universal Healthcaredream In The U.S |
2 / 421 |
 |
| Americas Health Care |
4 / 1075 |
 |
| americans deceived? |
2 / 379 |
 |
| red and blue |
2 / 458 |
 |
| Socail Studies |
4 / 961 |
 |
| Tattoos and the U.S. Market: an Introduction |
1 / 276 |
 |