| Title |
Pages / Words |
Save |
| Benito Mussolini Vs. Adolf Hitler |
1 / 108 |
 |
| Creon: Accused and Accuser |
3 / 754 |
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| Red Badge of Courage |
2 / 576 |
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| The Effect of Opening Scenes on Plot Setting and Characters |
3 / 784 |
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| american studies |
3 / 651 |
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| Black Hawk Down Movie Review |
3 / 771 |
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| Black Tobe |
3 / 764 |
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| College |
3 / 693 |
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| Film Review Mona Lisa Smile |
4 / 1024 |
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| film |
2 / 388 |
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| HRM Checkpoint |
1 / 295 |
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| Loan Modification |
2 / 397 |
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| mr smith goes to wahington |
3 / 628 |
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| native american |
4 / 927 |
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| charlie chaplin |
2 / 481 |
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| erin brockavich |
4 / 1004 |
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| Helen Levitt |
2 / 447 |
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| Kevin smith |
3 / 856 |
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| Reson Of love |
2 / 574 |
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| Book Review |
1 / 45 |
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| EM Waves |
2 / 380 |
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| Hamlet: Essay On Act I |
4 / 1030 |
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| I am One of You Forever |
3 / 601 |
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| Kodak |
3 / 892 |
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| Movie Commentary: What’s Eating Gilbert Grape? |
4 / 1081 |
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| Persevering Literature |
3 / 841 |
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| Tell me i'm here |
2 / 508 |
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| The Giver Author, SEtting, Theme, Connection to Self, Connection ot another book read, Conflict, Protagonist, Antagonist, and Summary |
2 / 456 |
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| The Tempest |
3 / 757 |
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| The Village On The Sea |
6 / 1534 |
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| Walabout Paper |
4 / 1158 |
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| Wants |
2 / 597 |
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| "Wall Street" The business ethics in the movie |
4 / 918 |
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| Avon |
2 / 306 |
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| applied materials |
2 / 505 |
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| Benefits |
2 / 364 |
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| FMLA (Family Medical Leave Act) |
5 / 1258 |
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| Ford Case Summary |
2 / 333 |
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| Global Communications Problem Solution |
1 / 189 |
|
| Good to Great takeaways |
2 / 566 |
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| h.keeping |
2 / 397 |
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| Introduction To Decision Making |
3 / 695 |
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| leadership |
3 / 731 |
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| team dynamic |
1 / 297 |
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| A significant concern for humanity is its relationship with the natural world and nature’s influence on human behaviour and human interaction |
3 / 867 |
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| AI vs Frankenstein |
3 / 709 |
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| Across the Barricades |
2 / 543 |
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| Atonement Literary Elements |
5 / 1272 |
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| Beowulf |
2 / 439 |
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| Citizen Kane |
2 / 427 |
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| Comparison of Nathaniel Hawthrone’s |
5 / 1490 |
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| Crash |
4 / 964 |
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| Editing in The Shining |
4 / 1176 |
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| Eternal Sunshine |
5 / 1318 |
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| Film Review of Just Married |
3 / 693 |
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| Gladiator |
3 / 879 |
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| Hr |
1 / 231 |
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| Judge Pyncheon |
2 / 435 |
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| bad times |
3 / 685 |
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| breakfast club |
2 / 457 |
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| deconstruction of 4 australian poems |
2 / 491 |
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| Psycho |
2 / 466 |
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| Romeo |
3 / 740 |
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| Shakespeare Romeo Juliet |
2 / 436 |
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| Strictly Ballroom |
2 / 521 |
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| The Devil's Backbone |
2 / 423 |
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| The Truman Show |
3 / 823 |
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| To Kill or not to kill a mockingbird |
5 / 1349 |
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| To kill a mockingbird |
3 / 827 |
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| Under Construcition |
3 / 783 |
|
| What makes a successful romantic tragedy? |
7 / 1887 |
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| looking for alibrandi |
5 / 1455 |
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| saving private ryan |
3 / 695 |
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| weight of water |
2 / 350 |
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| apocalipto |
2 / 582 |
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| Could Genocide have been prevented |
3 / 725 |
|
| Franco-Prussian war |
2 / 399 |
|
| Industrial Revolution: How did the film maker of Modern Times view Industrialization? |
2 / 352 |
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| Last of the mohicans |
2 / 409 |
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| Seven Samurai |
5 / 1364 |
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| Twelve Years a Slave Summary |
2 / 404 |
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| Charlie Chaplin 2 |
4 / 1144 |
|
| Charlie Chaplin |
4 / 1144 |
|
| Cheatin Because I don't have a paper |
5 / 1362 |
|
| city of god |
2 / 386 |
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| crash review |
3 / 687 |
|
| Dead Man |
2 / 413 |
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| Death And The Maiden - Film Vs. Text Comparison |
4 / 1023 |
|
| Death And The Maiden - Film Vs |
4 / 964 |
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| Disneyland |
2 / 533 |
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| developement of the Kinetoscope |
7 / 1879 |
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| Filmmaking |
4 / 1027 |
|
| Freddie Prinze Jr. |
5 / 1277 |
|
| film on iam sam |
3 / 754 |
|
| George Lucas: One of the greatest filmmakers |
5 / 1454 |
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| Ginott |
4 / 1017 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
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| History of Cameras |
5 / 1252 |
|
| Kanthal |
2 / 312 |
|
| No Title |
3 / 780 |
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| Oedipus: Fate Is Unavoidable |
2 / 482 |
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| Paintballing |
2 / 384 |
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| Photographer |
3 / 673 |
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| performance reviews |
3 / 864 |
|
| Raise The Red Lantern |
1 / 149 |
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| roman law |
2 / 467 |
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| Sister Souljah |
2 / 571 |
|
| Slavery - A Cruel Institution |
1 / 86 |
|
| Summer 2 |
3 / 615 |
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| spider man |
3 / 888 |
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| Television shows |
2 / 547 |
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| The Little Prince ? A Closer Look |
6 / 1656 |
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| The World According To Garp Movie Report |
3 / 819 |
|
| The World According To Garp Movie Report |
3 / 819 |
|
| the big musky |
2 / 503 |
|
| What does the film suggest about the journalists', and the newspapers' values ? the sorts of principles and ethics by which they work? What are the actual goals of the journalists as presented in the film i.e. what drives them to continue working... |
3 / 794 |
|
| A Clockwork Orange: Good Riddance To Bad Rubbish |
4 / 958 |
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| A LAiterary Review Of The Dead Poet's Society |
2 / 495 |
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| A River Runs Through It |
3 / 667 |
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| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
|
| Art Direction Exercise |
2 / 531 |
|
| a dstopian society Film Project |
2 / 469 |
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| Baz Luhrmann |
4 / 1019 |
|
| Blade Runner |
3 / 857 |
|
| Bye Bye Brazil |
2 / 487 |
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| Contact |
2 / 562 |
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| crash |
2 / 564 |
|
| Discuss whether Alfred Hitchcock can be considered an auteur |
5 / 1210 |
|
| Divided We Fall |
4 / 1112 |
|
| donnie drako |
3 / 894 |
|
| easy rider: a pursuit of American identity |
5 / 1312 |
|
| Film Study - different types of editing and cut shots |
3 / 623 |
|
| Film and video production |
6 / 1613 |
|
| Film must first be recognized as an industry before it is considered as a cultural object. Critically examine the meaning and implication of this statement with particular reference to Wales |
8 / 2305 |
|
| Forrest Gump |
4 / 1058 |
|
| Freddie Prinze Jr. |
5 / 1277 |
|
| Gladiator (Movie) |
5 / 1373 |
|
| Gladiator's |
4 / 925 |
|
| Gladiator |
5 / 1483 |
|
| high tension |
3 / 826 |
|
| Invasion of the body Snatchers |
3 / 852 |
|
| Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
|
| Lantana |
2 / 545 |
|
| Maltese Falcon |
5 / 1477 |
|
| Manipulation of Truth in Oliver Stone's JFK |
5 / 1267 |
|
| Master Filmaker Akira Kurosawa |
4 / 1198 |
|
| Mise-en-scene in The Wizard of Oz |
4 / 1033 |
|
| Monsoon Wedding |
4 / 976 |
|
| Movie: Delta Force - Suicide In Chinatown |
2 / 580 |
|
| martin scorsese |
3 / 870 |
|
| Paralells In My Brilliant Career |
3 / 852 |
|
| Racism in Pocahontas |
6 / 1537 |
|
| Robot in love |
3 / 862 |
|
| Serialism |
4 / 926 |
|
| Sleepy Hollow Reveiw |
3 / 629 |
|
| Study of Cinema Verite |
3 / 834 |
|
| Style in pulp fiction |
3 / 709 |
|
| scream |
2 / 407 |
|
| semiotics |
4 / 908 |
|
| sex lie and videotape |
4 / 959 |
|
| Tarkovsky's "Stalker" as a political allegory |
4 / 928 |
|
| Taxi Driver: A modern version of the Western Film |
3 / 721 |
|
| The Crucible |
2 / 440 |
|
| The Great Gatsby |
4 / 943 |
|
| The Longest Day - Book Vs. Movie |
5 / 1391 |
|
| The Nutty Professor 500 word report |
3 / 752 |
|
| The Program |
5 / 1248 |
|
| The Two-Tiered System of Allusions |
5 / 1497 |
|
| The Usual Suspects |
2 / 475 |
|
| The World According to Garp Movie Report |
3 / 819 |
|
| Wiseman To Moore |
3 / 658 |
|
| Yukon Gold |
2 / 394 |
|
| Film Review: Mindwalk |
5 / 1216 |
|
| 8 Simple Ways To Control Stress |
2 / 392 |
|
| Choices |
5 / 1270 |
|
| defense mechanisms |
2 / 498 |
|
| recall and recognition |
1 / 99 |
|
| Christian Vocation - Section A (i) |
2 / 493 |
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| Christian Vocation - Section A (i) |
2 / 491 |
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| ethics in movies |
3 / 676 |
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| Green Mile |
4 / 960 |
|
| Oral Traditions of Islam |
3 / 888 |
|
| The Crucible |
2 / 490 |
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| Beam Me Up Scotty: Teleportation |
2 / 418 |
|
| Biology Coursework: The effect of Trypsin on Gelatine. |
3 / 724 |
|
| How To Pass A Drug Test. |
1 / 141 |
|
| The Shawshank Redemption Analysis |
3 / 767 |
|
| Crash |
3 / 747 |
|
| Crashing into Reality |
6 / 1698 |
|
| Current Advertising Theory |
3 / 852 |
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| Glamis Dunes |
2 / 415 |
|
| inconvenient truth |
3 / 744 |
|
| Road to Recovery |
6 / 1556 |
|
| The Art of Advertising: Selling Products through Film |
2 / 337 |
|
| The Effect Of Viewing Television Violence On Childhood Aggression |
7 / 2097 |
|
| The First Wives Club Analysis |
4 / 1140 |
|
| Women and Careers |
3 / 820 |
|
| Health & Safety |
4 / 911 |
|
| Jabberwocky |
3 / 852 |
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| Subtitling |
4 / 916 |
|
