| Title |
Pages / Words |
Save |
| Postimpressionism |
1 / 75 |
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| Bessie Smith |
4 / 905 |
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| My Life is like A Red Rose |
2 / 522 |
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| A Brief History of Rock and Roll and The Woodstock Music Festival of 1969 |
5 / 1396 |
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| African American Culture |
4 / 1183 |
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| American Slavery |
3 / 723 |
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| african jazz |
2 / 344 |
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| HR |
2 / 301 |
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| Jazz History in 1920 |
5 / 1433 |
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| Langston Hughes |
3 / 717 |
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| A Meeting at the Crossroads |
4 / 1032 |
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| B.B King |
2 / 336 |
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| Blues Boy King |
4 / 924 |
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| bb king |
2 / 599 |
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| bob marley |
3 / 628 |
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| Hendrix (revised) |
3 / 756 |
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| joe seburc |
3 / 843 |
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| LANGSTON HUGHES |
7 / 1983 |
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| Langston Hughes |
2 / 442 |
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| Lots And Lots |
2 / 403 |
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| ray charles |
4 / 996 |
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| Spirit Of St. Louis |
3 / 838 |
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| Steve Miller |
5 / 1285 |
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| William Christopher Handy |
2 / 426 |
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| whitney houston |
1 / 275 |
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| A Critical Analysis Of "the Parting" By Michael Drayton |
3 / 856 |
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| Influence of the Yardbirds |
2 / 411 |
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| La belle |
1 / 239 |
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| Lawrence Versus Hughes |
5 / 1326 |
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| November Blues |
2 / 442 |
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| Sonny's Blues by James Baldwin, A Narrative View |
3 / 743 |
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| Sonny's Blues |
5 / 1213 |
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| The Function Of Music In Reservation Blues |
2 / 590 |
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| the fampous |
2 / 304 |
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| Blues Inc Memo |
2 / 351 |
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| Decision making model |
2 / 474 |
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| Mat 211 |
2 / 391 |
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| A poem and a loaded gun |
4 / 1104 |
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| An Analysis Of The Use Of Form |
3 / 762 |
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| Behind the Music |
5 / 1399 |
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| Blake |
2 / 464 |
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| Blues and Marigolds Essay |
3 / 626 |
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| Can we know a person by his actions? |
1 / 296 |
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| Compare And Contrast The Passages Throughout “The Birds” Focusing On How Figures Of Speech, Phonology, Lexis, Syntax And Rhythm Convey Meaning. |
1 / 65 |
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| Critical Appreciation For Pied Beauty |
3 / 609 |
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| Explication Of Death And Co. By Sylvia Plath |
2 / 580 |
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| LADY SINGS THE BLUES |
5 / 1376 |
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| Langston Hughes |
5 / 1468 |
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| Langston Hughes |
4 / 938 |
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| Langston Hughes |
4 / 1151 |
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| houseman |
1 / 249 |
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| Ms |
3 / 729 |
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| O Captain! My Captain! |
1 / 274 |
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| On "anyone lived in a pretty how town" |
1 / 251 |
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| Poem |
1 / 291 |
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| Poem |
2 / 511 |
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| Poetry Of Sound |
2 / 507 |
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| Point of View in Sonny's Blues |
4 / 938 |
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| Review of Eagles of Death Metal |
3 / 705 |
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| Sonny'S Blues |
5 / 1303 |
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| Sonny's Blues |
3 / 836 |
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| Sonny's blues |
1 / 133 |
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| Sound In Poetry |
4 / 1067 |
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| Sound Patterns Of Hughes' "The Weary Blues" |
5 / 1418 |
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| The Discovery vs This Poem |
2 / 585 |
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| The Dual Spirit Of Consciousness In The Blues And O’Connor’S “A Good Man Is Hard To Find” |
4 / 1108 |
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| The Flea |
1 / 291 |
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| The Weary Blues and Lenox Avenue: Midnight |
1 / 293 |
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| The trees |
3 / 618 |
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| Theme for English B |
3 / 873 |
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| True Meaning of Rhythm and Blues |
3 / 767 |
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| Tupac Paper |
4 / 973 |
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| Tutorial about Free Verse Poetry |
2 / 369 |
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| Use of Prosody in the selected poems of Gwendolyn Brooks and Langston Hughes |
7 / 1805 |
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| War Poetry |
4 / 920 |
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| poetry and piano |
3 / 737 |
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| research paper |
1 / 214 |
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| sonny's blues |
2 / 307 |
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| sonnys blues |
1 / 175 |
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| sonnys blues |
1 / 284 |
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| the hard knock life for langston hughes |
3 / 849 |
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| Alvin Ailey's Influence on Modern Dance |
4 / 1114 |
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| Autumn Rhythm |
5 / 1367 |
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| Beowulf as an epic |
3 / 682 |
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| Convert Or Feels God'S Wrath |
2 / 539 |
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| Evaluation of Claude Monet’s ‘La Pointe de la Heve, Sainte-Adresse’ |
1 / 293 |
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| Langston Hughes |
7 / 2095 |
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| Music |
6 / 1698 |
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| music evolution |
3 / 609 |
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| the doors |
1 / 233 |
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| Rose For Emily |
2 / 374 |
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| A Bird Came Down The Walk |
1 / 255 |
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| Abstract Noun essay |
2 / 444 |
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| An Abstract Gift But A Rare One |
1 / 74 |
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| Applying Time Series Methodologies |
2 / 329 |
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| Bob Dylan |
3 / 670 |
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| Branzburg vs. Hayes |
1 / 261 |
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| Dallas Museum of Art Project |
1 / 252 |
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| Describing the Color Blue to a Blind Person |
2 / 343 |
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| Escape: A Comparison Between Huck And The Narrator Of "sonny's Blues" |
3 / 723 |
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| Funeral Blues |
3 / 682 |
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| Good Design |
1 / 279 |
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| History Of Birth Control |
2 / 463 |
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| How Music Effected Civil Rights |
5 / 1356 |
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| jibberish |
2 / 392 |
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| Literary Analysis of The Tragedy of Julius Caesar |
3 / 760 |
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| Muddy Waters |
3 / 842 |
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| Multiculturalism In Music |
5 / 1254 |
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| Music Critique |
2 / 514 |
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| meaning of life |
1 / 274 |
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| Old School Love |
2 / 393 |
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| Poetry Of Sound |
2 / 507 |
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| Postmodern Art |
2 / 323 |
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| Riley King |
3 / 746 |
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| Robert Johnson |
1 / 105 |
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| Rock N Roll |
1 / 268 |
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| Sonny's Blues |
1 / 210 |
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| Sonny’s Blues |
1 / 175 |
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| Sound In Poetry |
4 / 1067 |
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| Stanislavski's Techniques |
2 / 433 |
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| Vincent Van Gogh |
2 / 567 |
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| 50th Anniversary of Rock 'n' Roll. |
2 / 325 |
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| A Music Revolution |
5 / 1458 |
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| Analysis - Unsquare Dance and Strawberry Fields Forever |
6 / 1666 |
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| Bach - Air |
2 / 555 |
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| Bessie Smith and St. Louie Blues |
2 / 411 |
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| Bessie Smith |
2 / 338 |
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| Biloxi Blues |
3 / 730 |
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| Bossa Nova, The Misunderstood |
7 / 2005 |
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| British Rock |
1 / 203 |
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| black music |
2 / 337 |
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| blues |
3 / 785 |
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| blueswomen |
2 / 379 |
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| Chuck Berry |
3 / 766 |
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| Come As You Are |
2 / 580 |
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| Convert view |
1 / 281 |
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| Discuss the relationship between music and noise |
3 / 856 |
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| Early Swing Jazz |
2 / 413 |
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| Eric Clapton |
3 / 649 |
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| Faith Evans |
4 / 1102 |
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| Future of music |
2 / 495 |
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| Genius Loves Company: Ray Charles |
4 / 972 |
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| george gershwin |
1 / 249 |
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| HISTORY OF JAZZ |
2 / 367 |
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| History Of Rap |
3 / 733 |
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| History Of Rap |
3 / 769 |
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| History of Rock |
3 / 725 |
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| History of rock and roll music outline |
2 / 558 |
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| How The Beatles Changed Rock Music |
3 / 623 |
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| how we listen |
2 / 567 |
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| James Devine's Rhythmic Dance |
3 / 710 |
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| Jazz |
1 / 278 |
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| Jazz |
4 / 1037 |
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| Jazz |
2 / 364 |
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| Jazz |
2 / 301 |
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| Jazz: Still Got the Blues? |
3 / 731 |
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| Khe Sahn |
3 / 687 |
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| Led Zeppelin |
4 / 906 |
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| Miss |
7 / 2079 |
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| Music Appreciation |
4 / 936 |
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| Music Review Paper |
4 / 948 |
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| Music |
5 / 1302 |
|
| mandatory fm |
2 / 539 |
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| metal and blues |
5 / 1500 |
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| New Orleans Jazz Band: Dag |
4 / 1157 |
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| No Blues-Miles Davis |
1 / 274 |
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| Pete Rugolo: Hipster or Lounge Act? |
3 / 737 |
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| Progression Of Music From The 1940's To The Present |
4 / 1038 |
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| Ragtime |
2 / 424 |
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| Rhythm and Blues |
2 / 407 |
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| Rhythm |
2 / 304 |
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| Robert Johnson |
3 / 754 |
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| Robert johnson |
4 / 1026 |
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| Rock 'n' Roll & 20th Century Culture |
5 / 1457 |
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| Rock And Roll |
5 / 1222 |
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| Rock |
1 / 266 |
|
| ray charles |
1 / 291 |
|
| reggae music |
4 / 1037 |
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| riya |
2 / 404 |
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| Scott Joplin |
3 / 725 |
|
| Shubert -String quartet analysis |
2 / 316 |
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| Sopranos |
4 / 1026 |
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| The Birth Of Soul |
2 / 358 |
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| The Blues |
3 / 841 |
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| The Guitar |
2 / 353 |
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| The Power of Music |
5 / 1308 |
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| The Rite Of Spring |
2 / 488 |
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| The Roots Of Blues Music |
2 / 430 |
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| The State of Music Appreciation |
1 / 254 |
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| The social and political context of the 1950's is crucial to any understanding of the birth of rock n roll |
3 / 811 |
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| the art of jazz |
2 / 435 |
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| What is Rock? |
2 / 357 |
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| What is the difference between beat and meter? |
1 / 224 |
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| Platos Republic |
2 / 568 |
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| mom's who kil |
2 / 365 |
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| Defining My Culture |
2 / 347 |
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| Depression |
2 / 553 |
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| Race and Rock and Roll |
4 / 1046 |
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| The Black Experience |
2 / 416 |
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| The Real King |
3 / 668 |
|
