| Title |
Pages / Words |
Save |
| Ecline and Fall and Sun also Rises |
3 / 881 |
 |
| Masculinity in Hemingway |
4 / 1195 |
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| King Lear |
3 / 728 |
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| Conflict in the Twilight |
3 / 806 |
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| Boo |
3 / 889 |
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| founding brothers |
2 / 599 |
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| History |
1 / 294 |
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| New Negro |
3 / 859 |
|
| David Fincher |
2 / 468 |
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| Gabriela Mistral |
2 / 599 |
|
| hawthorne |
1 / 232 |
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| sMargaret Atwood's Thirty Years of Experience Help Her Value the Importance of Language, Not Only as a Writer, But also as a Human. |
4 / 962 |
|
| william butler yeats |
1 / 207 |
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| A Clockwork Orange Analysis |
3 / 633 |
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| A Midsummer Nights Dream |
3 / 764 |
|
| Anna Karenina: Characters And The Life Novel |
6 / 1685 |
|
| Catcher in the rye, Sibling relationships |
3 / 622 |
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| Deception Point |
4 / 1080 |
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| Dr. Jekyll and Mr Hyde analysis |
3 / 891 |
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| God's Will Vs. Human Will |
5 / 1229 |
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| Homoertic Ambiguity in The Immoralist |
3 / 759 |
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| Krik? Krak! |
3 / 749 |
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| Kurt Vonnegut's Cats Cradle use of satire |
5 / 1396 |
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| lullaby |
3 / 661 |
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| Macbeth (witches effect) |
4 / 1088 |
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| moby dick |
1 / 195 |
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| Native Son, book 3 analysis |
1 / 289 |
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| Odysseus, Pain for Recognition |
2 / 303 |
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| Oedipus |
2 / 331 |
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| Poe's Contradicting Style |
2 / 594 |
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| puddnhead wilson |
2 / 515 |
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| Review of Charlottes Web |
4 / 1156 |
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| rasin in the sun historical content |
1 / 261 |
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| Streetcar named Desire |
4 / 1045 |
|
| Symbolism in The Scarlet Letter |
4 / 1016 |
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| The American Dream, And All Its Splendor (Great Gatsby) |
3 / 810 |
|
| The Five People You Meet In Heaven |
6 / 1671 |
|
| The Italian |
6 / 1508 |
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| The Outsiders |
4 / 1105 |
|
| The Return |
3 / 770 |
|
| The Yearling |
2 / 352 |
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| thornton wilder |
3 / 626 |
|
| Universial Themes In "the Return Of The Native" And "great Expectation |
5 / 1238 |
|
| Veronica decides to die |
2 / 439 |
|
| Village By The Sea |
1 / 276 |
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| Cultural Reflections And The Role Of Advertising In The Socio-Economic And National Development Of Nigeria |
1 / 209 |
|
| consumer driven economy |
2 / 341 |
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| ecommerce |
1 / 258 |
|
| ikea |
5 / 1276 |
|
| Organizational frame bending: Principles for managing reorientation, |
7 / 1823 |
|
| Visual Merchandising |
1 / 284 |
|
| 18th Century Literature |
3 / 643 |
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| A Streetcar themes |
1 / 236 |
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| A White heron |
2 / 318 |
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| Alice Walker |
3 / 833 |
|
| All Quiet On The Western Front Themes |
2 / 508 |
|
| American Theme-Individualism |
3 / 605 |
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| And Then there were none. |
5 / 1463 |
|
| Archetypes In Siddhartha |
3 / 859 |
|
| Cat on the Hot Tin Roof |
1 / 292 |
|
| Coming of Age through Investigation of Sexual Identity |
5 / 1244 |
|
| Compare and Contrast "Genesis" and "Penetrating to the Heart of the Forest", |
5 / 1262 |
|
| Compare and Contrast the movies Requiem for a Dream and Malena |
5 / 1373 |
|
| Eagles |
1 / 193 |
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| Edwin Arlington Robinsons The Mill |
3 / 700 |
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| Egar Allen Poe Biography |
2 / 530 |
|
| Envy, Beauty, and Snow White |
5 / 1202 |
|
| Ernest Hemmingway A clean well-lighted place |
3 / 696 |
|
| Feminism in Jane Austen |
4 / 1042 |
|
| Frankenstein Extensive Notes |
4 / 1027 |
|
| Heart Of Darkness/symbolizm |
3 / 649 |
|
| Holding the attention of the audience in Othello |
5 / 1248 |
|
| How is evil Portrayed in Macbeth? |
4 / 1143 |
|
| Jane Eyre |
3 / 877 |
|
| Jumping Mouse |
4 / 1145 |
|
| Les Miserables |
3 / 623 |
|
| analyse shane with specific reference to the films visual style and western themes |
6 / 1556 |
|
| class plan |
3 / 648 |
|
| gatsby-natural comparison |
3 / 840 |
|
| literary anylasis |
1 / 297 |
|
| “The Destructors” And “The Rocking Horse Winner” |
3 / 771 |
|
| Mansfield Park, the novel, or Mansfield Park the film? |
6 / 1742 |
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| Mr. |
3 / 727 |
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| Neighbor |
3 / 838 |
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| Oedipus the King |
3 / 671 |
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| Oedipus |
3 / 686 |
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| Shawshank Redemption |
3 / 779 |
|
| Shdow of a Doubt |
3 / 746 |
|
| Significance of chapter 5 to the novel as a whole-Frankenstein |
3 / 687 |
|
| Symbolisim and themes in the Lottery |
4 / 1006 |
|
| The Blessed Damozel |
3 / 607 |
|
| The French Lieutenant’s Woman |
3 / 899 |
|
| The Great Gatsby, Freud and Psychology in the 1920s |
4 / 968 |
|
| The Poetry Of A. E. Housman |
3 / 846 |
|
| The Tell-Tale Heart Analysis |
1 / 217 |
|
| The Truth Cannot Set you Free |
3 / 665 |
|
| The influence of religion in The Kite Runner: |
3 / 640 |
|
| Themes in Beowulf |
4 / 977 |
|
| Themes of Antigone |
7 / 1959 |
|
| Twilight Los Angeles; 1992 |
4 / 1089 |
|
| Typee Identity |
6 / 1731 |
|
| Using Endgame and Top Girls as your starting point, examine the ways in which departures from theatrical naturalism are used to develop the main themes of these plays. |
7 / 1817 |
|
| World Lit to Renaissance |
3 / 662 |
|
| one flew over the cuckoos nest |
4 / 1086 |
|
| percolating paranoia |
8 / 2146 |
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| the crucible |
4 / 979 |
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| ART |
1 / 294 |
|
| Bibliography Reference to Mathew and Mark |
1 / 262 |
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| common sense |
2 / 365 |
|
| Explication of Hiroshima |
2 / 533 |
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| Greek |
1 / 232 |
|
| Importance Of Team Work |
2 / 596 |
|
| Philippine ethnic architecture |
3 / 608 |
|
| The Northern Rennaisance |
2 / 489 |
|
| The Pre-Raphaelites |
4 / 911 |
|
| Von Daniken'S Evidence |
1 / 237 |
|
| To Spare Or Not To Spare: |
3 / 789 |
|
| 3 Lessons Learned Bird Sings |
2 / 342 |
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| A Farewell To Arms |
2 / 390 |
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| Absolute Power Corrupts Absolu |
1 / 243 |
|
| Absolute Power Corrupts Absolu |
1 / 243 |
|
| All Quiet On The Western Front Themes |
2 / 508 |
|
| Boesman And Lena - A Uniquely South African Play |
1 / 226 |
|
| Can Hot tea really cool you down |
2 / 315 |
|
| Cloudstreet, Tim Winton |
4 / 1163 |
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| Cloudstreet |
4 / 1163 |
|
| Dance 2 |
3 / 681 |
|
| Emily Dickenson |
1 / 267 |
|
| Emo VS Indie |
4 / 974 |
|
| Ethan From - Chapter Summary |
1 / 292 |
|
| Farewell To Arms |
1 / 289 |
|
| Great Expectations |
4 / 1001 |
|
| Hollywood Vs. The World |
4 / 1134 |
|
| Huck Finn |
3 / 819 |
|
| Immorality In Television |
4 / 1153 |
|
| Italian Renaissance Vs. |
3 / 729 |
|
| Jungle Night |
2 / 537 |
|
| LEARNING STYLE INVENTORY |
2 / 334 |
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| Lord Of The Flies 8 |
4 / 956 |
|
| Lord Of The Flies |
4 / 956 |
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| Mrs. Warren's Profession |
4 / 1114 |
|
| Mythology |
2 / 517 |
|
| macbeth |
1 / 263 |
|
| Sweeny Todd |
1 / 264 |
|
| The Bluest Eye 2 |
4 / 1192 |
|
| The Bluest Eye |
4 / 1192 |
|
| The Fall Of The House Of Usher: Imagery And Parallelism |
6 / 1618 |
|
| The Influences Of Tolkien In T |
2 / 484 |
|
| The Italian |
6 / 1508 |
|
| The Longest Memory |
3 / 701 |
|
| The Merchant Of Venice As A Romantic Comedy - Critical Analysis |
6 / 1588 |
|
| The Old Gringo, By Carlos Fuen |
9 / 2603 |
|
| The Old Man And The Sea |
3 / 783 |
|
| The Time Is Night By Luidmila |
3 / 693 |
|
| The Women Of Jane Austen |
15 / 4344 |
|
| Themes In Chicago Hope - Tribu |
5 / 1416 |
|
| Themes Of Bob Dylan's Music |
4 / 1123 |
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| Themes Of Frankenstein |
4 / 1143 |
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| To Kill A Mockingbird 7 |
2 / 581 |
|
| Ts Eliot Mood And Theme |
5 / 1230 |
|
| Why Should Students Study Shakespeare In School? |
2 / 535 |
|
| Why Should Students Study Shakespeare In School? |
2 / 535 |
|
| A Few Things That Went Wrong In The Patriot |
2 / 518 |
|
| A flavour of contemporary India monsoons on screen |
3 / 728 |
|
| Bob Dylan |
3 / 629 |
|
| Chopin |
7 / 2037 |
|
| Cider House Rules |
4 / 1161 |
|
| Citizen Kane |
1 / 291 |
|
| Dangdut |
1 / 217 |
|
| Dark Water |
4 / 904 |
|
| Erin Brockovich |
3 / 704 |
|
| Examining the Pathetique Sonata |
5 / 1256 |
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| History Is Made At Night |
2 / 535 |
|
| Mise En Scene |
3 / 696 |
|
| Psycho Essay |
5 / 1343 |
|
| Review on Brahms's Third Symphony |
3 / 605 |
|
| rabbit proof fence |
3 / 624 |
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| Sonata Allegro Form |
4 / 1035 |
|
| What Movies Bring Us |
3 / 818 |
|
| What makes a great movie |
1 / 257 |
|
| Eat Drink Man Woman |
3 / 867 |
|
| Hinduism vs Buddhism |
1 / 273 |
|
| reflective |
2 / 493 |
|
| The Illiad Book XVIII Lines 548-720 |
3 / 709 |
|
| Building Empowerment in Traumatized Children |
4 / 921 |
|
| Ethnic Identity and African Americans |
3 / 874 |
|
| Sleeping and Dreaming |
3 / 753 |
|
| Muhammed |
3 / 676 |
|
| evolution |
1 / 278 |
|
| Global Warming |
1 / 257 |
|
| Cultural Differences |
4 / 939 |
|
| How many nukes does the world need |
4 / 1028 |
|
| Image In Commercials |
2 / 302 |
|
| Immorality of Pornography |
8 / 2290 |
|
| Management |
1 / 269 |
|
| Picturing Culture in Political Spots - Michael Griffin and Simon Kagan |
6 / 1501 |
|
| personal |
2 / 547 |
|
| The Sociological Imagination |
4 / 1063 |
|
| Tomorrow When The War Began |
2 / 511 |
|
| Hotmail |
1 / 251 |
|
