| Title |
Pages / Words |
Save |
| Dickens’ Sense of Theatre |
1 / 89 |
 |
| Logic of the Absurds |
5 / 1452 |
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| Farewell Mt concubine |
2 / 396 |
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| Globe Theatre |
1 / 290 |
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| Greek Theatre |
2 / 461 |
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| Harlem Renaissance |
2 / 518 |
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| History |
3 / 658 |
|
| lincoln |
3 / 898 |
|
| Madam CJ Walker |
4 / 1112 |
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| Mississippi Tourism |
1 / 221 |
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| Abraham Lincoln |
2 / 352 |
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| Biography of Paul Taylor |
2 / 425 |
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| Biography of William Shakespeare |
2 / 356 |
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| Emile Zola |
3 / 647 |
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| Helen Tamiris Biography |
3 / 615 |
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| Literary Analysis On Bertolt Brecht |
3 / 823 |
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| Pericles |
2 / 526 |
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| sarah bernhardt |
4 / 972 |
|
| Tennessee Williams |
2 / 351 |
|
| The life of William Shakespeare |
1 / 262 |
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| Theatre of the Opressed |
2 / 566 |
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| William Shakespear |
2 / 597 |
|
| William Shakespeare Bio |
2 / 530 |
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| William Shakespeare |
3 / 844 |
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| William Shakespeare |
2 / 347 |
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| Biography Of William Shakespeare |
2 / 414 |
|
| bill bryson |
4 / 1066 |
|
| In The Middle Of The Night: Review |
1 / 281 |
|
| Life Of William Shakespeare |
6 / 1632 |
|
| Mise En Scene |
1 / 297 |
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| Oedipus |
3 / 690 |
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| Scary Movies |
4 / 1039 |
|
| Shakespeare of London |
1 / 199 |
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| The Bridge of San Luis Rey |
2 / 542 |
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| the god of small things |
5 / 1202 |
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| Who Stole My Cheese? Self-Analysis |
3 / 893 |
|
| zoot suit riots |
3 / 803 |
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| Alka |
2 / 511 |
|
| IMAX theatre - Overview |
5 / 1412 |
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| subliminal advertising |
2 / 467 |
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| Uk Coffee Market Implications |
2 / 318 |
|
| Ventura Cinemas |
6 / 1742 |
|
| Alvin Ailey |
2 / 339 |
|
| Analysis of Paul’s Case |
3 / 666 |
|
| Did Shakespeare Truely Exists? |
2 / 556 |
|
| First Adventure to the Big Apple |
3 / 768 |
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| Globe theater |
2 / 553 |
|
| How John Godber plays have affected the image of the North |
3 / 843 |
|
| Influences of Queen Elizabeth I (1558-1603) |
3 / 727 |
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| John Dryden |
1 / 280 |
|
| aye. |
1 / 124 |
|
| epic theatre |
3 / 624 |
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| history of theatre |
2 / 468 |
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| Miss Brill |
1 / 263 |
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| Mystery Plays |
2 / 534 |
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| Othello |
1 / 166 |
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| Our Town |
2 / 537 |
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| Phantom of the opera |
4 / 1007 |
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| Research on Abdias do Nascimento and Augusto Boal |
6 / 1671 |
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| Saving Private Ryan |
4 / 995 |
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| Shakespeare |
3 / 644 |
|
| Shoe Horn Sonata |
2 / 394 |
|
| Social Security by Andrew Bergman |
3 / 866 |
|
| Tech Theatre College Essay |
2 / 391 |
|
| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
|
| The Globe Theatre |
2 / 535 |
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| The Important Contextual Influences On Shakespeare'S "King Lear" |
4 / 1090 |
|
| The Influence of Shakespeare |
3 / 675 |
|
| The Win |
2 / 387 |
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| Theatre Of The Absurd Humour Often Relies On A Sense Of Hopelessness And Violence. |
5 / 1474 |
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| Thief Lord |
2 / 569 |
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| Three Penny Opera |
3 / 879 |
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| Waiting for Godot - Summary |
2 / 534 |
|
| What is the federal theatre project |
4 / 1128 |
|
| Who really wrote shakespeare's work |
3 / 760 |
|
| William Shakespeare |
2 / 343 |
|
| renissance |
2 / 480 |
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| rise in elizabethan theatre system |
1 / 184 |
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| sibyl vane |
1 / 156 |
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| student |
1 / 180 |
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| william shakespear |
2 / 537 |
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| 19TH CENTURY THAETRE |
2 / 532 |
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| 19th Century Theatre |
3 / 755 |
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| Dalai L |
2 / 495 |
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| Elizabethan Economics |
5 / 1320 |
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| Elizabethan Theatre |
1 / 290 |
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| Greek Theater in 5th Century BCE |
4 / 969 |
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| Greek Theatre History |
2 / 406 |
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| Greek Theatre in 5th Century BCE |
4 / 969 |
|
| greek theater compared to modern |
3 / 872 |
|
| introduction to provencal |
3 / 787 |
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| Mimes |
3 / 698 |
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| Novum Organum and Bacon's Idols |
3 / 881 |
|
| Paul Poiret |
3 / 898 |
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| Realism and Non-realism in Theatre |
4 / 912 |
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| Shakespeare's Globe Theatre |
3 / 655 |
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| Shakespeare |
2 / 533 |
|
| Sophocles |
2 / 324 |
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| sebastiano serlio and the idea of central perspective |
6 / 1518 |
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| The Forbidden Phoenix Play Review |
2 / 596 |
|
| The structure of Greek Drama |
2 / 370 |
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| Theatre &Amp;Amp;Amp;Amp; Realism |
2 / 529 |
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| Theatre Of Absurd |
2 / 428 |
|
| Theatre as Philospohy |
6 / 1585 |
|
| traditional malay theatre |
5 / 1494 |
|
| An Intrepretation of Greek Theatre |
4 / 1128 |
|
| Avid |
3 / 717 |
|
| Black Theatre |
4 / 977 |
|
| Brecht theories |
5 / 1424 |
|
| Broadway |
3 / 697 |
|
| Contrast/comparison Of A Country Lifesytle Vs A City Lifestyle |
1 / 293 |
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| Conventions Of Drama |
7 / 1857 |
|
| Crisis Management Plan |
3 / 740 |
|
| charlie brown |
3 / 661 |
|
| Dario Fo's life + effect on modern teatre |
4 / 1013 |
|
| De La Guarda Villa Villa |
5 / 1250 |
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| Dorian Gray And The Lady Of Shallot: Stepping Out Of The Shadows |
4 / 987 |
|
| drama, theatre of brecht |
4 / 942 |
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| Epic Theatres |
4 / 1062 |
|
| Equality: Equal Treatment or Equal Opportunity? |
2 / 488 |
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| Existentialism |
2 / 544 |
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| Genre Of Clowning (Theatre, Drama, Arts) |
2 / 498 |
|
| Hedda Gabler |
3 / 682 |
|
| Identify Internal Control Principles |
2 / 472 |
|
| Kabuki Theatre |
4 / 1147 |
|
| King James's influence on Shakespeare |
3 / 783 |
|
| Literature Review: Atheism & Performance |
8 / 2180 |
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| Louis Armstrong |
1 / 219 |
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| Lysistrata |
4 / 918 |
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| My biggest gripe |
3 / 652 |
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| Naturalism in Russia and the Creation of the Moscow Art Theatre |
4 / 1044 |
|
| Neve Cambell |
3 / 650 |
|
| Neve Campbell |
3 / 650 |
|
| Off The Cuff (Improvisation) |
2 / 563 |
|
| Our Town By Thornton Wilder |
4 / 964 |
|
| Our Town |
4 / 964 |
|
| origin of epic theatre |
4 / 945 |
|
| Passion Play Evaluation |
2 / 507 |
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| Paul's Case |
2 / 492 |
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| Play Critique |
2 / 314 |
|
| Reaching For Dreams - A Ballet |
2 / 504 |
|
| Shakespeare 3 -- |
2 / 536 |
|
| Social Sciences In Theatre |
2 / 337 |
|
| speech |
3 / 617 |
|
| The Globe Theater |
3 / 873 |
|
| The Globe Theatre |
3 / 754 |
|
| The LehrstuCke Project |
2 / 393 |
|
| The Luxor |
2 / 365 |
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| The Power of Dance |
2 / 387 |
|
| The Technique Of Role Playing |
2 / 509 |
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| The Theatrical and Ritual Aesthetics of Signifying |
5 / 1430 |
|
| Theatre - Romans and Greeks |
2 / 443 |
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| Theatre In Changing Society |
2 / 311 |
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| Theatre Play |
3 / 884 |
|
| Two Men In Buckram Critque |
3 / 805 |
|
| the seattle theatre industry |
2 / 574 |
|
| What is "Theatre" that it can be experimented with? |
3 / 871 |
|
| Why Does Theatre Survive |
5 / 1291 |
|
| Woman In Theater |
2 / 330 |
|
| whO |
2 / 541 |
|
| Zelda Fichandler Interview |
6 / 1624 |
|
| A Brief History of Music |
2 / 490 |
|
| Arna's Children |
1 / 281 |
|
| Barnsley Venue Guide |
3 / 785 |
|
| Cinema Paradiso |
4 / 1044 |
|
| Concert Report |
2 / 590 |
|
| Dracula |
2 / 549 |
|
| Grotowskis influence on South African theatre |
3 / 882 |
|
| HAIRSPRAY |
1 / 267 |
|
| Jazz Showcase |
4 / 1021 |
|
| literally dancing |
2 / 555 |
|
| Method Acting and 1950's Popular Culture |
2 / 499 |
|
| Miss |
3 / 611 |
|
| Plays |
2 / 430 |
|
| Realism theatre |
4 / 1039 |
|
| Riders To The Sea Synopsis |
2 / 558 |
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| roundabout theatre company |
1 / 274 |
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| Sound on Disc |
2 / 512 |
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| Taking Sides |
2 / 398 |
|
| The Bald Soprano Review |
2 / 453 |
|
| The Blair Witch Project |
3 / 602 |
|
| Theatre’s Troublesome History |
4 / 1042 |
|
| best thing ever |
2 / 341 |
|
| Girl Problems |
2 / 351 |
|
| Is This Really Happening To Me? |
4 / 901 |
|
| Non-realism in theatre |
5 / 1284 |
|
| COLLUDING WITH CREATIVITY |
3 / 754 |
|
| hotdog |
2 / 554 |
|
| In All Truth (Study about religion) |
1 / 247 |
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| The Golden Ladder |
2 / 361 |
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| The Messiah |
2 / 527 |
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| You'll never abuse me, powers of the interwebs. |
4 / 930 |
|
| Globalization |
1 / 241 |
|
| LAX and Globalization |
4 / 1093 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| societys changes reflected in theatre |
1 / 227 |
|
| The Works of Susan Glaspell |
2 / 384 |
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| t |
2 / 452 |
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| Movie Piracy is Stealing |
5 / 1226 |
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| Technology Wave |
3 / 810 |
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