| Title |
Pages / Words |
Save |
| A Journey to a New Land |
2 / 492 |
 |
| A Separate Peace - Gene's Journey |
3 / 753 |
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| Dante's Inferno |
1 / 263 |
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| A Worn Path |
3 / 892 |
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| george washington |
1 / 143 |
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| Music Of Vietnam |
5 / 1257 |
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| changed my life |
3 / 630 |
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| Football |
1 / 222 |
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| hemingway |
1 / 206 |
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| hiu |
3 / 602 |
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| MY MOTIVATIONAL JOURNEY |
3 / 694 |
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| Nathaniel Hawthorne |
3 / 800 |
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| Robert Frost |
3 / 787 |
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| Socrates |
2 / 590 |
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| The Diary of My Life in 1756, by Olaudah Equiano |
4 / 949 |
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| A Separate Peace - Gene's Journey |
3 / 753 |
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| Analysis of Shoeless Joe |
6 / 1642 |
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| a tale of two cities |
1 / 137 |
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| Call Of The Wild |
2 / 500 |
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| Deadly Unna? |
3 / 804 |
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| Francisco Pizarro |
4 / 929 |
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| Grapes of Wrath |
2 / 518 |
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| Huck's Identity |
3 / 780 |
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| Jim The Boy |
3 / 622 |
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| kumalos journey |
1 / 191 |
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| looking for alibrandi |
6 / 1542 |
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| Old Man |
5 / 1383 |
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| oddysey |
2 / 578 |
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| Red Dwarf |
4 / 1195 |
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| Shakespeare' As You Like It: Effective Use Of Sound In Jacques' Speech |
3 / 778 |
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| Siddhartha Plot Analysis |
3 / 796 |
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| siddhartha |
2 / 542 |
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| Telemakhos's personal odyssey |
3 / 743 |
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| The Call of the Wild |
2 / 512 |
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| The Hobbit |
2 / 553 |
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| The Letter |
3 / 672 |
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| The odessy |
1 / 223 |
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| They Poured Fire on us from the Skies |
2 / 527 |
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| Walk Across America Response Paper |
4 / 935 |
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| Young Goodman Brown |
7 / 1862 |
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| Business |
1 / 217 |
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| General Electric and Jack Welch |
4 / 1168 |
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| leading with soul: book report |
3 / 804 |
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| Ok |
9 / 2490 |
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| A Leader For A New Generation |
2 / 473 |
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| A worn path |
3 / 795 |
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| Albert the frog |
2 / 590 |
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| Analysis Of "The Grapes Of Wrath" |
4 / 929 |
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| Brecht |
8 / 2109 |
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| Canterbury Tales:The Pardoner |
3 / 614 |
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| Catcher and the Rye and Siddhartha |
3 / 893 |
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| Dantes Inferno |
2 / 432 |
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| Deceptive simplicity in Frost's poems |
3 / 675 |
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| Discuss representations of one of the following social identities in the work of Austen; sisters. |
8 / 2118 |
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| Emily Dickinson "Because I Could Not Stop For Death" |
3 / 620 |
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| Emily Dickinson |
3 / 648 |
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| Emily Dickinson |
4 / 1056 |
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| Eudora Welty:Worn Path, visit of charity |
2 / 537 |
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| Evelina |
15 / 4444 |
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| Evelina |
16 / 4739 |
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| Finding Huck |
4 / 967 |
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| Frankenstein |
2 / 553 |
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| Frost - "The Road Not Taken" |
3 / 787 |
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| Great Gatsby |
5 / 1406 |
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| Heart Of Darkness Response Paper |
5 / 1224 |
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| Hero |
3 / 754 |
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| Hero |
4 / 1150 |
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| Hit |
3 / 623 |
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| Huck Finns Ending |
5 / 1276 |
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| Jane Eyre |
4 / 1123 |
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| Journeys |
5 / 1327 |
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| La Belle Dame Sans Merci |
7 / 1831 |
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| "A Separate Peace" (Gene's Journey) |
3 / 753 |
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| ann bradstreet |
3 / 701 |
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| discovering individuality |
8 / 2117 |
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| everyman |
1 / 164 |
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| imaginative Journeys essay |
3 / 863 |
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| More Than Anything Else, Imaginative Journeys Are About The Process Of Speculation. |
7 / 1872 |
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| My Analysis on Phyllis Wheatley |
1 / 206 |
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| My Antonia: A Landscape Of Emotions |
2 / 524 |
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| O brother where art thou |
4 / 975 |
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| Odalah Equiano |
1 / 211 |
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| Odysses |
1 / 198 |
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| Odysseus & Aeneas |
4 / 1051 |
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| Old Man and the Sea |
2 / 594 |
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| Pride In Poetry |
3 / 611 |
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| Rape |
2 / 588 |
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| Robert Frost \ |
3 / 671 |
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| Sailing To Byzantium |
3 / 725 |
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| Significance of the Title |
8 / 2202 |
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| Skryznecki Essay |
6 / 1666 |
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| Symbolism In Heart Of Darkness |
4 / 1078 |
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| THe Odyssey and Ulysses |
1 / 203 |
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| The Castle By Franz Kafka |
2 / 560 |
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| The Heroic Journey In Film |
7 / 1842 |
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| The Horrors Of War |
3 / 836 |
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| The Importance of Book XI to The Odyssey |
4 / 1118 |
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| The Maturation Of Huckleberry Finn |
3 / 792 |
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| The Message of Love in Gilgamesh |
3 / 815 |
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| The Pathetic Lover: ballad of the sad cafe |
6 / 1638 |
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| The Road Not Taken - An Analysis |
3 / 773 |
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| The Road Not Taken -- An Interpretaion Of Robert Frost's Poem |
3 / 751 |
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| The "Young Goodman Brown" Story, An Act of Faith |
4 / 915 |
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| Themes of A midSummer Nights dream |
3 / 708 |
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| Tom Jones - Structure |
6 / 1591 |
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| Uncertain Quest |
4 / 1122 |
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| Young Goodman Brown |
2 / 544 |
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| Young Goodman Brown |
5 / 1271 |
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| morality vs. reality |
3 / 699 |
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| north |
3 / 669 |
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| the grapes of wrath |
3 / 646 |
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| the life of Galileo |
2 / 473 |
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| the real monster |
1 / 193 |
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| theseus |
3 / 620 |
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| which road you choose |
3 / 744 |
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| conference of the birds |
3 / 719 |
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| Lewis |
1 / 196 |
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| Pony Express |
2 / 474 |
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| rabbit poof fence |
2 / 547 |
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| The Commercial Revolution |
2 / 473 |
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| Canterbury Tales:the Pardoner |
3 / 614 |
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| Gods Grandeur |
3 / 614 |
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| A Worn Path |
4 / 1098 |
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| Analysis Of "the Grapes Of Wrath" |
4 / 929 |
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| Assignment Problem |
3 / 792 |
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| By The Waters Of Babylon |
4 / 978 |
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| College Degree |
2 / 591 |
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| Critical Analysis II |
3 / 707 |
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| Darkness |
2 / 565 |
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| Everyman Script - Our Interpretation |
6 / 1513 |
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| Family A Tough Bond To Break |
3 / 760 |
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| Famous Explorers Of Africa |
4 / 972 |
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| Feminism |
9 / 2671 |
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| Finding Huck |
4 / 967 |
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| Friendship of Huck Finn and Jim |
3 / 711 |
|
| freedom |
1 / 275 |
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| Graduation Speech |
1 / 280 |
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| Hamlet's Tragic Flaw |
1 / 207 |
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| Harlem Renaissance |
3 / 610 |
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| Hit |
3 / 623 |
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| Illusion And Disillusion In He |
7 / 1827 |
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| Lost Horizon |
3 / 711 |
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| My Best Moment |
2 / 584 |
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| my inferno |
5 / 1489 |
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| Oedipus Rex |
3 / 728 |
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| Old Man And The Sea |
7 / 1827 |
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| Paradiso |
3 / 710 |
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| Parataxis Of Homer |
2 / 585 |
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| Pony Express |
2 / 474 |
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| Pride In Poetry |
3 / 611 |
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| pow 9 imp 1 |
1 / 253 |
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| Red Dwarf |
4 / 1195 |
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| River Journey In Brazil |
5 / 1369 |
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| Rock And Roll |
5 / 1424 |
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| Sir Gawain and the Green Knight: Christianity |
3 / 739 |
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| Spellbound ( fact more compelling than fiction) |
3 / 710 |
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| Symbolism In Young Goodman Bro |
5 / 1269 |
|
| short story |
1 / 252 |
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| The History Of Plymouth Plantation: God |
2 / 600 |
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| The Odyssey /Book Critique |
5 / 1227 |
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| The Road Contemplated |
3 / 773 |
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| The Road Not Taken - An Analyis |
3 / 768 |
|
| The Road Not Taken - An Analysis |
3 / 773 |
|
| The Road Not Taken |
3 / 782 |
|
| The Secret Sharer By Joseph Co |
3 / 671 |
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| The Women Of Jane Austen |
15 / 4344 |
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| To Build A Fire |
3 / 694 |
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| To Listen Or Not To Listen: A Pop-music Question |
3 / 745 |
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| Worn Path |
3 / 861 |
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| Young Goodman Brown - Symbolism |
5 / 1269 |
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| Young Goodman Brown |
5 / 1271 |
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| Young Goodman Brown |
6 / 1540 |
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| About Schmidt |
2 / 544 |
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| Citizen Kane |
2 / 600 |
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| citizen kane |
2 / 600 |
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| Frodo Baggins:A small person, a huge hero |
4 / 1021 |
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| Jazz Reviews Toronto 2006 |
7 / 1886 |
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| Spirited Away |
2 / 501 |
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| stand by me; aces bulling, friendship and not taking the body back |
3 / 860 |
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| The Lion King: A Hero's Journey |
3 / 808 |
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| To Listen Or Not To Listen: A Pop-Music Question |
3 / 745 |
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| where the heart is |
5 / 1397 |
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| with honors |
2 / 539 |
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| Egyptian Love Poetry |
3 / 745 |
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| Emperor'S Club |
5 / 1492 |
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| History Of Philosophy |
2 / 576 |
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| Phaedo |
2 / 590 |
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| The Scales |
2 / 542 |
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| Metamorphic Insight Into Dreams |
1 / 96 |
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| mr |
1 / 166 |
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| The Sperm and the Egg |
3 / 605 |
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| ancestor worship |
3 / 850 |
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| Beyond The Physical Realm |
4 / 908 |
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| Galahad as a Christ Figure |
3 / 655 |
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| Noah'S Ark Yall |
4 / 1048 |
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| Outline of Old Testement |
2 / 473 |
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| Gallipoli |
2 / 546 |
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| Presentation and important of location in two of the short stories by Katherine Mansfield |
2 / 512 |
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| acceptance |
1 / 207 |
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| media free running |
1 / 145 |
|
