| Title |
Pages / Words |
Save |
| Baz Luhrman?s Version of Romeo and Juliet |
3 / 721 |
 |
| Benedick Transformed |
6 / 1600 |
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| Fools and Foolishness in King Lear |
6 / 1504 |
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| Shakespeare's Rosalind |
4 / 937 |
 |
| The Taming of the Shrew |
6 / 1760 |
 |
| How Lincoln Won the War with Metaphors |
4 / 933 |
 |
| Michelangelo Buonarroti |
4 / 1189 |
 |
| William Shakespeare |
5 / 1247 |
 |
| Dear Shakespeare: A Critique Of The Tempest |
3 / 809 |
 |
| Essay About Odysseus, Adonis, And Thor |
5 / 1484 |
 |
| Hamlet and King Lear |
2 / 520 |
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| Hamlet, Ophelia's decent to madness |
2 / 405 |
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| Hamlet |
4 / 1014 |
 |
| Hamlet: Act 2 Scene 2 - Compare Hamlet's Reaction To Arrival Of Rosenc |
2 / 585 |
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| Hamlet: Contrast Plays A Major Role |
3 / 683 |
 |
| Human Evil in Othello |
2 / 568 |
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| Imagery in "Romeo and Juliet" |
6 / 1528 |
 |
| Julius Caesar Tragic Hero (Brutus) |
3 / 664 |
 |
| King Lear |
4 / 1018 |
 |
| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
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| MacBeth |
2 / 470 |
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| Macbeth: Contrasts Of Nature |
4 / 1014 |
 |
| More than Romeo and Juliet |
4 / 1021 |
 |
| Old Man and the Sea |
1 / 239 |
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| Othello |
4 / 1180 |
 |
| passwords |
3 / 813 |
 |
| perfectly Imperfect: The Shakespeare Story |
9 / 2418 |
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| Richard Iii |
3 / 718 |
 |
| Shakespeare's "Othello" Women's Role |
3 / 713 |
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| Snows |
2 / 574 |
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| The Imagery Of Blood In Macbeth |
2 / 560 |
 |
| The Tragedy of Romeo and Juliet-Critical Lens Essay |
4 / 959 |
 |
| Business |
2 / 383 |
 |
| How effective is Act 1 scene 1 in establishing the main theme and characters in the plot. |
7 / 1856 |
 |
| Prabhakar'S Essay |
1 / 129 |
 |
| A man without feeling |
3 / 628 |
 |
| Anthony and Cleopatra |
7 / 1810 |
 |
| Antony and Cleopatra |
7 / 1848 |
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| BLood Imagery in Macbeth |
7 / 1933 |
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| Blood Motif |
2 / 599 |
 |
| Comparing Productions Of Hamlet |
5 / 1350 |
 |
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
 |
| Comparison of the Female Characters in Romeo and Juliet |
5 / 1236 |
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| Conflict as a Theme in Romeo & Juliet And Connection to "Shrek" |
4 / 994 |
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| Darkness Imagery In Macbeth |
3 / 899 |
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| English Criticism Speech |
2 / 554 |
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| EveryKing |
5 / 1466 |
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| Explicatory Essay \ |
2 / 436 |
 |
| Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts |
6 / 1665 |
 |
| Explore Shakespeare’S Presentation Of The Themes Of Forgiveness And Reconciliation In “The Tempest”. |
8 / 2275 |
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| Ezra Pound developing ideas |
4 / 1028 |
 |
| Fair is Foul and Foul is Fair in Macbeth |
2 / 527 |
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| Foils In Hamlet |
3 / 771 |
 |
| Fuzzy Pathetic Loving "Ass" |
4 / 1084 |
 |
| Hamlet Essay |
3 / 877 |
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| Hamlet'S Ghost |
8 / 2246 |
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| Hamlet |
2 / 550 |
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| Hamlet |
2 / 453 |
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| Hamlets Insanity |
1 / 200 |
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| Heart of Darkness |
1 / 150 |
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| His Own Worst Enemy |
5 / 1253 |
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| How Does Fate Play A Part In Romeo and Juliet? |
5 / 1292 |
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| KIng lear |
5 / 1243 |
 |
| King Lear Act V |
5 / 1392 |
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| King Lear |
4 / 1040 |
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| King Lear: family relationships, human nature and its failings |
4 / 908 |
 |
| Lady Macbeth In Scotland, Pa |
6 / 1749 |
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| Lady Macbeth |
5 / 1272 |
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| Lady Macbeth |
2 / 549 |
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| Leda and the Swan |
16 / 4605 |
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| Life is not what it seems |
4 / 1059 |
 |
| biblical themes in shakespeare's the tempest |
6 / 1697 |
 |
| freedom of man |
7 / 1857 |
 |
| hamlet and macbeth |
4 / 1130 |
 |
| hamlet research paper |
5 / 1500 |
 |
| iago's rethoric |
3 / 716 |
 |
| jane eyre, a passage to india , and the tempest |
2 / 584 |
 |
| julis caesar essay |
4 / 992 |
 |
| kot e kot |
2 / 485 |
 |
| “King Lear Is A Play Whose Full Meaning Cannot Be Comprehended Because Different Directors Bring Such Different Perspectives To The Text” |
6 / 1620 |
 |
| Love |
10 / 2731 |
 |
| Macbeth Essay |
2 / 576 |
 |
| Macbeth |
3 / 728 |
 |
| Maccbeth The Role Of The Witches In Act 1 |
3 / 745 |
 |
| More Than Anything Else, Imaginative Journeys Are About The Process Of Speculation. |
7 / 1872 |
 |
| Much Ado About Nothing |
4 / 1163 |
 |
| OWEN: IMAGERY |
20 / 5714 |
 |
| Othello Character Analysis |
4 / 1099 |
 |
| Othello as tragic hero |
3 / 650 |
 |
| Othello: The Tragedy of a Black Man in a White World |
5 / 1316 |
 |
| Paradox |
2 / 364 |
 |
| Petuchio: In the Eyes of Society |
4 / 1195 |
 |
| Producing a Play in the Globe Theatre |
3 / 800 |
 |
| Race and Racism in Othello |
6 / 1741 |
 |
| Romeo And Juliet: From Play To Big Screen |
7 / 1839 |
 |
| Romeo And Julliet |
1 / 178 |
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| Romeo and Juliet |
8 / 2271 |
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| Romeo and Juliet |
4 / 914 |
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| Romeo and Juliet |
3 / 727 |
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| Romeo and juliet |
5 / 1393 |
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| Romeo and juliet: Violence and conflict |
2 / 517 |
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| Shakespeare Elitist |
10 / 2810 |
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| Shakespeare: Close Reading Brutus`S Speech |
4 / 1075 |
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| Stoicism In Julius Caesar |
4 / 965 |
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| Strategic Opacity |
3 / 759 |
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| Symbolism Of Clothing |
2 / 412 |
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| The Last Lecture |
2 / 323 |
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| The Life and Times of Claude McKay |
10 / 2787 |
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| The Love and Devotion of Lady Macbeth |
3 / 615 |
 |
| The Role Of Enobarbus In The Play \ |
4 / 913 |
 |
| The Symbol Of Blood In Macbeth |
4 / 1118 |
 |
| The Taming Of The Shrew: Katherine |
3 / 760 |
 |
| The Tyger |
2 / 425 |
 |
| Themes in Othello |
4 / 934 |
 |
| To Kill A Mocking Bird |
23 / 6608 |
 |
| Tom Stoppard |
5 / 1370 |
 |
| Twelfth Night Comedy in Other Writings |
7 / 1972 |
 |
| Twelfth Night |
7 / 2005 |
 |
| What is Love, a comparison of love in othello and king lear |
5 / 1281 |
 |
| Witchcraft from Within: Hippy's, Murder and Shakespeare |
6 / 1752 |
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| macbeth |
2 / 581 |
 |
| macbeth |
3 / 752 |
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| macbeth |
4 / 1056 |
 |
| macbeth |
4 / 912 |
 |
| othello as a tragedy of character |
6 / 1593 |
 |
| richard 2, importance on thomas of woodstock |
3 / 720 |
 |
| semantics |
3 / 694 |
 |
| shakespeare |
4 / 1093 |
 |
| social and political society of shakepeare's time |
5 / 1244 |
 |
| 17th centry teater |
5 / 1424 |
 |
| Analysis Of Time Effects Over Literature |
8 / 2186 |
 |
| analysis of king lear |
5 / 1254 |
 |
| Henry IV |
2 / 585 |
 |
| Romanticism |
3 / 638 |
 |
| Comparison Of Essays By Sartre And Blanchot |
3 / 860 |
 |
| Elizabethan Theate |
5 / 1310 |
 |
| The Tempest: Review |
3 / 899 |
 |
| A Marxist Reading Of Romeo And Juliet |
4 / 1074 |
 |
| AP LANG- MOMADAY |
1 / 247 |
 |
| Analysis of Act I Scene III from Hamlet |
2 / 533 |
 |
| Aristotle On Ridicule |
3 / 814 |
 |
| Blood Imagery In Macbeth |
4 / 950 |
 |
| Compare And Contrast: Oedipus And Othello |
4 / 1009 |
 |
| Disruption Of Order In King Lear And The Causes |
5 / 1295 |
 |
| Familial Themes With Shakespea |
6 / 1530 |
 |
| Hamlet - What People Are Made Of |
4 / 1053 |
 |
| Hamlet |
3 / 831 |
 |
| Herman Melville |
3 / 621 |
 |
| How Does Shakespeare Create An Atmosphere Of Evil In Act 4, Sc. 1? |
4 / 948 |
 |
| Julius Caesar |
2 / 557 |
 |
| Julius Caesar |
2 / 557 |
 |
| King James I |
5 / 1237 |
 |
| King Lear - Parrellelism In King Lear |
4 / 1040 |
 |
| Langston Hughes |
4 / 1176 |
 |
| Love |
1 / 217 |
 |
| Macbeth - Foreshadowing Using Animals |
4 / 1195 |
 |
| Macbeth - Imagery |
6 / 1729 |
 |
| Macbeth: The Breakdown Of Character |
4 / 1093 |
 |
| Merchant Of Venice - Modern Humanitarianism |
5 / 1207 |
 |
| Mr. |
3 / 861 |
 |
| Much Ado About Nothing - The Importance Of Noting |
4 / 1146 |
 |
| Much Ado About Nothing Play Review |
3 / 780 |
 |
| Much Ado About Nothing |
3 / 851 |
 |
| Othello 2 |
3 / 802 |
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| Othello |
3 / 802 |
 |
| Othello |
1 / 169 |
 |
| Othello |
3 / 802 |
 |
| Parallel Lear |
4 / 1039 |
 |
| Parrellelism In King Lear |
4 / 1040 |
 |
| Photography in the classroom |
2 / 502 |
 |
| Profanity Essay |
7 / 1884 |
 |
| Romeo And Juliet |
12 / 3504 |
 |
| Shakespearean Tragic Heroes |
2 / 507 |
 |
| Sucks and Blows |
2 / 475 |
 |
| Symbolism Of Clothing |
2 / 412 |
 |
| slopes |
1 / 86 |
 |
| speech |
3 / 617 |
 |
| The Evil Rooted In Women |
7 / 1815 |
 |
| The Gift |
2 / 318 |
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| The Globe Theater |
3 / 873 |
 |
| The Merchant Of Venice 2 |
4 / 1024 |
 |
| The Merchant Of Venice As A Romantic Comedy - Critical Analysis |
6 / 1588 |
 |
| The Role Of Imagery In Macbeth |
6 / 1729 |
 |
| The Use Of Animals To Portray Foreshadowing In Macbeth |
4 / 1195 |
 |
| The Witches In Macbeth |
6 / 1716 |
 |
| thanksgiving |
1 / 273 |
 |
| underoath |
3 / 689 |
 |
| how we listen |
2 / 567 |
 |
| shakespere love |
4 / 1131 |
 |
| Citizen Kane |
3 / 721 |
 |
| Freedom: the expression of faith and reason |
2 / 532 |
 |
| Julius Caesar |
1 / 198 |
 |
| Ms. |
3 / 892 |
 |
| nietzsche |
1 / 141 |
 |
| romeo and juliet |
3 / 690 |
 |
| Words are more treacherous and powerful than we think |
5 / 1297 |
 |
| Earth-mother-goddess |
2 / 328 |
 |
| Polonium |
2 / 445 |
 |
| Communication Theory |
1 / 293 |
 |
| Profanity Essay |
7 / 1974 |
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