| Title |
Pages / Words |
Save |
| An Inspector Calls |
4 / 997 |
 |
| "Design" |
1 / 276 |
|
| King Lear - Childishness, Old Age, Sight, Blindness |
2 / 330 |
|
| american slavery |
1 / 211 |
|
| chesapeake bay |
2 / 590 |
|
| consumer culture |
2 / 576 |
|
| Hitler |
1 / 280 |
|
| Holocaust |
3 / 822 |
|
| LeRoi Jones a.k.a Amiri Baraka |
2 / 510 |
|
| Candide |
4 / 1026 |
|
| Careful paper |
1 / 234 |
|
| Coleridge's "the Rime Of The Ancient Mariner |
3 / 856 |
|
| everyman |
3 / 810 |
|
| Gulliver's Travels |
3 / 767 |
|
| guests of the nation |
3 / 714 |
|
| house on mango street |
2 / 324 |
|
| In Our Time |
2 / 370 |
|
| Lamb To Slaughter |
1 / 221 |
|
| Macbeth: Aristotelian Tragedy |
6 / 1794 |
|
| Mr. Flood's Party? |
6 / 1776 |
|
| macbeth |
3 / 692 |
|
| Naturalistic Elements of \ |
2 / 316 |
|
| Oedipus |
2 / 331 |
|
| Othello: Iago Makes Othello Believe His Wife Is Having An Affair |
4 / 1094 |
|
| Owen's Role in Translations |
3 / 656 |
|
| Pride And Prejudice |
2 / 384 |
|
| Pride and Prejudice Essay |
6 / 1724 |
|
| Stupid White Men |
3 / 813 |
|
| The Cask Of Amontillado |
5 / 1258 |
|
| The Giver |
2 / 303 |
|
| The Scarlet Letter |
4 / 908 |
|
| The Scarlet Letter |
4 / 993 |
|
| The Sniper |
3 / 753 |
|
| The Two Facets of Love: The Contrasting Nature of Love Explored in Beloved |
5 / 1229 |
|
| The Understanding On Sense And Sensibility |
3 / 715 |
|
| There Will Come Soft Rains essay |
1 / 290 |
|
| the necklace |
2 / 340 |
|
| Whose Life Is It Anyway? |
2 / 553 |
|
| The Role Of Unions In Improving And Disrupting An Organization’S Culture |
1 / 90 |
|
| A Good Man Is Hard To Find |
2 / 321 |
|
| Abolition Of Man |
3 / 725 |
|
| Analysis Of George Orwell'S 'Shooting An Elephant' |
4 / 1019 |
|
| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
|
| Boy's Life Analysis |
2 / 320 |
|
| Compare and Contrast Cyrano de Bergerac and the movie Roxanne |
3 / 668 |
|
| Copenhagen |
3 / 836 |
|
| Dehumanization In The Red Badge Of Courage |
8 / 2357 |
|
| Democracy in Lord of the Flies and Cuckoo's Nest |
1 / 274 |
|
| Design |
1 / 276 |
|
| Discuss the importance of Act Three, Scene 5. How does Shakespeare use dramatic devices in order to make it such an interesting and important scene? |
6 / 1634 |
|
| Ellison - King of the Bingo Game |
4 / 1073 |
|
| Emily's psychology problem |
1 / 272 |
|
| English Literature |
2 / 305 |
|
| Escape from civilization: an Analysis of the Adventures of Huckleberry Finn |
5 / 1435 |
|
| Eto Sabi |
2 / 339 |
|
| Feminsism |
7 / 1866 |
|
| Got Milk |
4 / 1125 |
|
| Harrison Bergeron |
2 / 455 |
|
| Horrible Happiness |
1 / 291 |
|
| How Does Fate Play A Part In Romeo and Juliet? |
5 / 1292 |
|
| How language is used in King Lear |
1 / 275 |
|
| Hulga in “Good Country People” |
4 / 1117 |
|
| I Like The Look Of Agony |
6 / 1589 |
|
| I Sell My Dreams |
2 / 428 |
|
| I am someone |
2 / 366 |
|
| Invisible Man Irony |
10 / 2860 |
|
| Irony in Oedipus the King |
8 / 2268 |
|
| Irony, Arrogance, And Oedipus |
6 / 1571 |
|
| Irony |
3 / 889 |
|
| Is The Ending Of The Wall By Jean Paul Sartre Ironic? |
4 / 1002 |
|
| "No Sugar" Essay |
3 / 655 |
|
| a modest proposal by jonathan swift |
3 / 770 |
|
| death of a salesman |
4 / 1062 |
|
| frontline |
3 / 841 |
|
| hamlet,a tragedy of failure |
4 / 987 |
|
| hamlet |
6 / 1689 |
|
| ironic story |
2 / 308 |
|
| “Salvation” By Langston Hughes |
2 / 315 |
|
| “The Mere Fact That Someone Cruelly Destroys A Potentially Happy Marriage Is Sad, Not Necessarily Tragic.” What, Then, Makes Othello A Tragedy? |
5 / 1320 |
|
| 'Tis pity She's A Whore: Remind yourself of act 4 scene 3. What is the importance of this scene in the context of the whole play? |
3 / 888 |
|
| MacBeth Critical Lens |
5 / 1211 |
|
| Oedipus Rex |
9 / 2532 |
|
| Oedipus Rex |
4 / 1148 |
|
| Oedipus the King |
7 / 2047 |
|
| Oedipus the king |
3 / 750 |
|
| Othello Essay |
3 / 710 |
|
| Othello |
3 / 841 |
|
| Ovid Essay |
4 / 1009 |
|
| Ozymandias |
1 / 249 |
|
| Paranoid Android vs. Oedipus Rex |
3 / 688 |
|
| Pathos, Ethos, and Logos in Beowulf's Appeal |
2 / 308 |
|
| Pauls Case |
3 / 774 |
|
| Phantoms |
2 / 320 |
|
| Pilgrims progress |
3 / 856 |
|
| Power of Words |
1 / 290 |
|
| Pride and prejudice |
2 / 566 |
|
| Racism in Heart of Darkness |
1 / 265 |
|
| Reading Between the Lines |
3 / 811 |
|
| Realization of freedom |
4 / 979 |
|
| Robert Frost Bio |
1 / 264 |
|
| Saki's "The Interlopers" Vs. Callaghan's "All The |
3 / 671 |
|
| Sight and Blindness in Oedipus Rex |
4 / 1154 |
|
| Silas Marner |
6 / 1620 |
|
| Symbolisim and themes in the Lottery |
4 / 1006 |
|
| The Alchemist |
2 / 332 |
|
| The Gospel according to mark |
2 / 457 |
|
| The Great Gatsby The Color White: Symbol of Tarnish? |
4 / 1064 |
|
| The Heartbeat |
1 / 257 |
|
| The Ironic Storm |
2 / 318 |
|
| The Lottery Response Paper |
3 / 881 |
|
| The Lover: A Journey From 1897 to 1987 |
4 / 1080 |
|
| The Necklace |
2 / 568 |
|
| The Necklace |
4 / 963 |
|
| The Necklace" in the Champs-Elysees |
3 / 606 |
|
| The Oedipus Cycle |
4 / 966 |
|
| The Scarlet Letter |
4 / 1059 |
|
| The Storm |
2 / 318 |
|
| The Styles of Curt Vonnegut |
3 / 772 |
|
| The cask amontillado |
5 / 1297 |
|
| To Marry, or Not to Marry |
4 / 1098 |
|
| Tomorrow,Tomorrow,Tomorrow |
1 / 289 |
|
| William Blake |
6 / 1625 |
|
| Young Goodman Brown |
5 / 1238 |
|
| Young Goodman Brown |
3 / 704 |
|
| Young Goodman Brown |
3 / 703 |
|
| my last duchess |
3 / 858 |
|
| o' connor and hawthorn |
3 / 724 |
|
| oedius |
3 / 795 |
|
| poe |
2 / 329 |
|
| realism in pride and prejudice |
5 / 1379 |
|
| the curse |
5 / 1265 |
|
| the purpose of narrative form in orwell and angelou's essyas |
3 / 611 |
|
| the story of an hour |
3 / 764 |
|
| the story of an hour |
4 / 968 |
|
| trifles |
4 / 1171 |
|
| twelfth night |
7 / 1846 |
|
| A Commentary on "Death So Noble" |
4 / 1001 |
|
| MArc Anthony Speech Analysis |
3 / 676 |
|
| Oedipus |
6 / 1628 |
|
| Passion for Equality |
3 / 729 |
|
| student |
2 / 449 |
|
| The Importance Of Being Earnest |
3 / 753 |
|
| War in the Modern World |
4 / 1126 |
|
| A Farewell to Arms |
3 / 803 |
|
| Alive Book Report |
4 / 963 |
|
| An Analysis Of The Cask Of Ama |
5 / 1267 |
|
| An Analysis Of The Cask Of Ama |
5 / 1267 |
|
| Analyzing Poems |
1 / 276 |
|
| Aristotle On Tragedy |
4 / 1046 |
|
| Behavioral Behavior |
2 / 315 |
|
| Casking |
2 / 489 |
|
| Expression Through Literary De |
4 / 1068 |
|
| Global Tales - Stories From Many Cultures |
6 / 1514 |
|
| Global Tales - Stories From Many Cultures |
6 / 1514 |
|
| I Sell My Dreams |
2 / 428 |
|
| In Jonathan Swift's Essay, "a |
4 / 1011 |
|
| In Our Time |
1 / 300 |
|
| Interview With The Vampire |
1 / 295 |
|
| Little Irish Kids, Another Whi |
4 / 1011 |
|
| Lolita's Boys |
2 / 415 |
|
| Medieval Morality Plays |
5 / 1476 |
|
| Much Ado about Nothing |
3 / 783 |
|
| orientalism and the last emperor |
2 / 406 |
|
| Psalms 107:23-31 |
3 / 738 |
|
| Saboteur |
4 / 1057 |
|
| Saki's "the Interlopers" Vs. Callaghan's "all The |
3 / 671 |
|
| Silas Marner |
6 / 1620 |
|
| Slips Of Fate -the Lottery |
2 / 526 |
|
| Socrates 2 |
1 / 253 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
| Story of an hour |
2 / 321 |
|
| Sybolism In White Fang |
3 / 849 |
|
| social roles |
2 / 440 |
|
| Tell Tale Heart |
4 / 1182 |
|
| The Cask Of Amatillado |
5 / 1267 |
|
| The Cask Of Amontillado |
5 / 1258 |
|
| The Importance Of Being Earnes |
2 / 503 |
|
| The Tell-Tale Heart |
4 / 1009 |
|
| The Tell-tale Heart - Critical Analysis |
4 / 1184 |
|
| The Virgin And The Gypsy |
7 / 1938 |
|
| The Yellow Paper |
4 / 1111 |
|
| Waiting for Godot |
2 / 356 |
|
| White Fang |
3 / 849 |
|
| Winter Moon |
2 / 579 |
|
| Young Goodman Brown |
3 / 704 |
|
| Romeoo and Juliet |
3 / 676 |
|
| Shaun of the Dead- Movie Critic |
3 / 705 |
|
| Show Boat |
1 / 276 |
|
| sofia coppola |
2 / 386 |
|
| An explication of Protagoras' views on Punishment |
3 / 820 |
|
| Descartes |
3 / 786 |
|
| Functionalist View of Causal Theory of Mind |
1 / 296 |
|
| Role Model |
2 / 321 |
|
| The Down Fall Of Odysseus |
3 / 792 |
|
| the general will |
6 / 1778 |
|
| The lottery |
3 / 709 |
|
| There Will Be Blood |
3 / 830 |
|
| Ronald Dworkin's Liberal Morality |
3 / 773 |
|
| Sweat By Zora Neale Hurston |
2 / 326 |
|
| tr |
1 / 247 |
|
