| Title |
Pages / Words |
Save |
| Macbeth in Relation to Greek Tragedy |
3 / 621 |
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| To Build A Fire |
2 / 579 |
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| Slips Of Fate -the Lottery |
2 / 526 |
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| Self Against Fate |
3 / 725 |
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| Transformations |
4 / 926 |
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| Just War |
1 / 244 |
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| The Pearl |
2 / 417 |
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| Romeo And Juliet - Fate, Traits, And Choices |
4 / 1097 |
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| Fate, Traits, And Choices Of Romeo And Juliet |
4 / 1097 |
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| Absolute Power Corrupts Absolutely |
7 / 1801 |
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| The Key, Underlying Elements Portrayed in The Iliad |
3 / 860 |
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| midaq alley |
2 / 413 |
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| Theatre as Philospohy |
6 / 1585 |
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| Strategic Opacity |
3 / 759 |
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| Athens and its Rise |
4 / 1200 |
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| macbeth - fate or free choice |
3 / 691 |
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| Macbeth - Fate or Choice? |
5 / 1391 |
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| Beowulf |
3 / 815 |
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| Aristotle On Tragedy |
4 / 1046 |
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| Minor Characters Influences On Major Characters |
2 / 476 |
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| Romeo And Juliet - Minor Characters Influences On Major Char |
2 / 476 |
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| T. S. Eliot's Poetic Devices |
4 / 1033 |
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| Genre |
4 / 964 |
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| Antigone: Changing Views Of The Chorus |
3 / 803 |
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| beowulf as an epic hero |
2 / 492 |
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| oedipus |
3 / 733 |
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| The Cursed Prophetess: Cassandra |
6 / 1569 |
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| Saga of the Volsungs Breakdown |
5 / 1407 |
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| Sunrise On The Veldt: Order |
3 / 750 |
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| Supernatural Forces In Macbeth |
3 / 646 |
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| The Open Boat |
3 / 755 |
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| Homeward Bound |
1 / 202 |
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| coool |
5 / 1251 |
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| Macbeth: Macbeth A Tragic Hero - His Strengths, His Weaknesses, His Tr |
3 / 681 |
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| Thoroughly Modern Oedipus |
13 / 3803 |
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| The Invisible Man |
4 / 908 |
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| The Invisible Man |
4 / 908 |
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| Holocaust |
1 / 234 |
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| How To Read Literature Like A Professor |
5 / 1376 |
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| Romeo & Juliet |
3 / 688 |
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| Human Destiny - Pygmalion |
2 / 450 |
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| Of Mice And Men |
2 / 464 |
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| sophocles movie |
10 / 2754 |
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| Connie and Arnold Friend |
4 / 1057 |
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| Raskolnikov: A Dual or Split Personality |
2 / 505 |
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| Valenzuela's "The Censors" |
2 / 325 |
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| character flaws and tragedy |
8 / 2265 |
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| Fate In Romeo And Juliet |
7 / 1867 |
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| Romeo And Juliet - Fate |
7 / 1867 |
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| Beowulf |
5 / 1290 |
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| Toy Story |
1 / 55 |
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| the supernatural effect in Macbeth |
2 / 503 |
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| Antigone |
5 / 1254 |
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| I, Rigoberta Menchu - Chapter XVI - Issues |
2 / 570 |
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| Aeneas |
3 / 799 |
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| Letter To Odysseus |
2 / 335 |
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| Huckleberry Finn: A Freudian Perspective |
4 / 1000 |
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| The purpose of Rosencrantz and Guildenstearn in Hamlet |
1 / 261 |
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| To Build A Fire |
2 / 482 |
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| The Interference Of The Supernatural In Macbeth |
2 / 439 |
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| Vengeance of the Gods |
3 / 773 |
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| Macbeth |
3 / 727 |
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| all quiet on the western front assignment #3 focus on chapter 4 |
1 / 291 |
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| Analysing Benjamin Percy's "Refresh, Refresh" |
6 / 1566 |
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| How Does Shakespeare Use Dramatic Devices To Make Act 3 Scene 1 Such An Interesting Exciting Scene? |
2 / 377 |
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| do You Believe In Fate Neo |
4 / 1008 |
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| Julius Caesar (Superstisions Analysis) |
2 / 595 |
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| Techniques to Tragedies |
3 / 652 |
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| shakespeare coriolanus quote summary |
2 / 326 |
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| The Renaissance |
2 / 397 |
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| Gender Issues In Antigone |
3 / 741 |
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| antigona |
2 / 303 |
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| Romeo And Juliet |
3 / 765 |
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| Dr. Jekyll and Mr. Hyde |
3 / 709 |
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| Macbeth, Act 4 Scene 2 Importance |
2 / 331 |
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| Antigone: Gender Issues |
3 / 756 |
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| Divine Right of kings in Oedipus and modern society |
5 / 1410 |
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| Chronicle Of A Death Fortold |
2 / 352 |
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| The Use Of The Supernatural In |
2 / 576 |
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| ANCIENT GREEK THEATER |
3 / 642 |
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| The Odyssey |
4 / 970 |
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| Masochist |
1 / 100 |
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| The Great Gatsby: Forces Of Corruption |
2 / 498 |
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| Oedipus |
1 / 253 |
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| Intellectual Heritage |
4 / 1013 |
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| Romeo and Juliet - Friar Laurence |
4 / 918 |
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| A Comparison of Two Tragedies |
2 / 497 |
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| Fate and Counter Fate in the Aeneid |
5 / 1406 |
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| Freud and psychosexual developement |
5 / 1260 |
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| Elian Gonzalez |
2 / 386 |
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| romeo and juliet |
3 / 648 |
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| Chronicle Of A Death Fortold B |
2 / 371 |
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| Julius Caesar - Tragic Hero |
3 / 649 |
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| Julius Caesar As A Tragic Hero |
3 / 649 |
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| Choices for a day, consequences for a lifetime |
4 / 967 |
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| The Consolation of Philosophy |
4 / 925 |
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| The Pearl |
2 / 306 |
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| Romeo and Juliet - Blame ?? |
2 / 320 |
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| eh? |
4 / 917 |
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| The Dream |
4 / 1128 |
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| Macbeth - Fatal Flaws |
4 / 917 |
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| A Comparison Of The Characters |
2 / 484 |
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| To Build a fire |
2 / 569 |
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| Of Mice And Men |
2 / 400 |
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| the pearl |
2 / 413 |
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| erevaerfea |
3 / 618 |
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| The Themes of Antigone |
3 / 705 |
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| Fate: Would Homer And Virgil Be The Same Without It? |
4 / 1065 |
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| Death Of A Salesman v.s. The Crucible |
2 / 364 |
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| Romeo And Juliet: Act Iii, Scene V |
3 / 854 |
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| Sociology |
1 / 128 |
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| Athenian Drama |
5 / 1256 |
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| The Fate of "Design" - Robert Frost |
2 / 303 |
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| Horatio's Role In Hamlet |
2 / 499 |
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| greek heroes |
2 / 449 |
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| Central Ideas in "The Seafarer" |
2 / 306 |
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| The Quiet American: Alden Pyle |
2 / 585 |
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| Hamlet's \ |
4 / 1073 |
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| Macbeth: Not a Play of Fate |
3 / 755 |
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| Hamlet 4 |
2 / 572 |
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| Contrasting Apollo & Dionysus |
2 / 551 |
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| The Crucible |
2 / 360 |
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| Cassandra as a Tragic Figure |
2 / 414 |
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| Ms |
7 / 1959 |
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| Heart Of Darkness - Colonization |
1 / 58 |
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| Difference Between Plutarch's And Shakespeare's Caesar |
2 / 356 |
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| Role Of Greek Gods In The Illiad |
4 / 981 |
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| How Is Beowulf Important To British Literature |
2 / 456 |
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| Scarlet Colored Savior |
1 / 95 |
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| Warfare in the Illiad |
2 / 377 |
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| Ropes course |
1 / 138 |
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| Origin of Greek Play |
1 / 282 |
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| Anglo-Saxons |
1 / 275 |
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| Beowulf paper |
2 / 541 |
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| Communication Styles |
3 / 700 |
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| Bernice Bobs her hair |
5 / 1393 |
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| The House Of The Spirits |
4 / 956 |
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| The Open Boat |
2 / 575 |
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| Fate = Underworld |
3 / 662 |
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| Anagnorisis and Existence (Rosencrantz and Guildenstern) |
4 / 935 |
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| D|inquent |
1 / 129 |
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| A Midsummer Night's Dream: Role Of Puck |
2 / 469 |
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| Macbeth: Pre-determined Destiny |
2 / 593 |
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| Macbeth: Pre-determined Destiny |
2 / 593 |
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| Johari Window |
2 / 499 |
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| the destiny of frankenstein |
3 / 684 |
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| Socrates' Refusal of Crito's Proposal |
3 / 742 |
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| 'Romeo And Juliet' - Values And The Human Condition (Also A Bit On Donne'S 'The Sunne Rising') |
4 / 1011 |
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| Beowulf as a epic hero |
4 / 952 |
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| The Myth Of Sysiphus |
4 / 1004 |
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| Billy Budd: Was Captain Vere Right? |
3 / 613 |
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| critical analysis of great gatsby |
2 / 402 |
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| Psychoanalytic Criticism |
2 / 307 |
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| Henry James' Beast In The Jungle |
5 / 1247 |
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| troilus and criseyde and the book of the duchess |
4 / 998 |
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| coco chanel |
2 / 345 |
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| A Leader For A New Generation |
2 / 473 |
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| Greeks |
4 / 981 |
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| theatre of the absurd in r+G |
4 / 1142 |
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| Romeo and Juliet: The Play |
4 / 1194 |
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| Greek Gods |
4 / 981 |
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| Romeo and Juliet |
3 / 643 |
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| Achilles' Doom |
5 / 1393 |
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| shakespeare |
2 / 436 |
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| Macbeth |
3 / 747 |
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| Faith and Belief |
2 / 482 |
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| Role Models |
1 / 215 |
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| Edgar Allan Poe |
6 / 1566 |
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| Illiad |
5 / 1371 |
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| John Dryden |
1 / 280 |
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| Macbeth - What was beyond his control? |
4 / 1174 |
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| Holes Themes |
2 / 553 |
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| Civil And Divine Law-antigone |
4 / 994 |
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| Civil And Divine Law-antigone |
4 / 994 |
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| Destined Fate Or False Design |
3 / 621 |
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| Escape of Socrates |
4 / 906 |
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| Women in the Odyssey by Homer |
2 / 573 |
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| Analyse the dramatic uses of the Chorus in Greek tragedy; in what ways do traces of the choric function occur in twentieth-century drama? |
11 / 3197 |
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| Macbeth - The Importance Of The Witches |
4 / 994 |
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| to his coy mistress |
1 / 174 |
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| Macbeth: The Importance Of The Witches - Act 4, Scene 1 |
4 / 994 |
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| Definition Of The Oedipus Complex |
8 / 2162 |
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| Beowulf |
2 / 534 |
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| king of the bingo game |
4 / 993 |
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| whose life is it anyway |
1 / 124 |
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| The Supernatural In Macbeth |
3 / 709 |
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| Macbeth - Supernatural |
3 / 709 |
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| Formal Commentary On One Hundred Years Of Solitude |
2 / 334 |
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| Fate: Predestined or Instigated? |
2 / 513 |
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| romeo and juliet |
2 / 589 |
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| Night's Foreshadowing |
2 / 452 |
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| Gattacca |
3 / 660 |
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| Analysis Of Act 3 Scene 1 |
2 / 518 |
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| Death Not Be Strange |
2 / 433 |
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| Profile of the Self |
2 / 555 |
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| Romeo And Juliet- Emotions |
5 / 1271 |
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| Taking The First Step To Stand |
1 / 178 |
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| Death Be Not Proud |
3 / 810 |
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| Theme of Beowulf |
3 / 649 |
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| Antigone |
6 / 1750 |
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