| Title |
Pages / Words |
Save |
| T. S. Eliot's Poetic Devices |
4 / 1033 |
 |
| Macbeth |
14 / 4014 |
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| Explication of The Man He Killed |
2 / 541 |
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| Macbeth - Hero To Butcher |
12 / 3302 |
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| Witchcraft from Within: Hippy's, Murder and Shakespeare |
6 / 1752 |
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| Creative Writing: The Meadow |
2 / 516 |
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| lady macbeth |
20 / 5861 |
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| Macbeth: Act II Scene III |
5 / 1327 |
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| Alcholism |
2 / 371 |
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| Story of an Hour |
3 / 844 |
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| Queen Elizabeth |
4 / 927 |
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| Discuss"Home Burial" and "Death of the Hired Man" by Frost |
1 / 153 |
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| Social Issues in Judith Wright's work |
5 / 1310 |
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| Soliloquoy from Henry IV |
2 / 499 |
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| Essay on Sonnet 75 |
4 / 909 |
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| Analysis Of A Motivational Speech By Queen Elizabeth I |
4 / 927 |
|
| I Wandered Lonely as a Cloud |
2 / 574 |
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| Analysis Of A Motivational Speech By Queen Elizabeth I |
4 / 927 |
|
| The Shawl |
5 / 1304 |
|
| light in august and symbolism |
4 / 1158 |
|
| The significance of the title The Awakening |
2 / 414 |
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| English Essay |
2 / 463 |
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| Shakespeare’s Brilliant Use of Symbolism |
12 / 3320 |
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| I Have A Dream |
3 / 784 |
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| Compare And Contrast: "dead Man's Dump" By Rosenberg And "dulce Et Dec |
4 / 1125 |
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| Self- Help by Lorrie Moore |
2 / 399 |
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| Imagery: Focal Point For Steinbeck |
3 / 807 |
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| Sonnet 18 |
3 / 842 |
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| TAlk of the Town |
2 / 513 |
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| death of a toad |
2 / 414 |
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| conductor passage |
4 / 1073 |
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| ode on a grecian urn |
2 / 417 |
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| Great Gatsby |
2 / 592 |
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| The problem of macbeth |
11 / 3173 |
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| The Problem In Macbeth |
11 / 3174 |
|
| "A Doll's House" by Henrik Ibsen |
6 / 1512 |
|
| supernatural elements in shakespeare |
6 / 1608 |
|
| Roethke's Root Cellar |
3 / 706 |
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| Methods Of Intelligence |
3 / 609 |
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| Brother to Brother |
2 / 438 |
|
| Living Like Weasels Analysis |
2 / 422 |
|
| Using your knowledge of stylistics, explore verses XXX to XLII of The Eve of St Agnes. Consider also the extract and to what extent you think the critical opinion casts light on your understanding of the text. |
3 / 875 |
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| lovers and friends |
2 / 487 |
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| Misgiving By Robert Frost |
3 / 696 |
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| my last duchess |
3 / 669 |
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| Young Goodman Brown |
4 / 1115 |
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| One flew over the cuckoos nest part 2 |
2 / 470 |
|
| Robert Frost "Design" & "Neither Out Far nor In Deep" a terrifying poet |
4 / 1134 |
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| The Analysis Of Light And Dark |
3 / 869 |
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| one flew over the cuckoos nest |
2 / 479 |
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| What is literature |
3 / 835 |
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| Poetry Of Nature |
3 / 881 |
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| Poetry Of Nature |
3 / 881 |
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| Macbeth, the Gangsta |
6 / 1718 |
|
| Hemingway tone analysis |
3 / 656 |
|
| Sharpio's "auto Wreck": The Theme Of Death |
4 / 1085 |
|
| Digital Image Analysis Of Yell |
3 / 636 |
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| Funeral Blues |
3 / 682 |
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| King Lear Act 1 Scene |
5 / 1255 |
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| his coy mistress |
2 / 478 |
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| Duffy “Little Red Cap” poem |
7 / 1802 |
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| Balloons |
2 / 435 |
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| Shakespeare Sonnet 29 |
2 / 580 |
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| mersaille and stamps |
2 / 553 |
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| Metaphysical Poets |
4 / 1064 |
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| Analysis Of The Storm |
2 / 577 |
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| Episode Of Hands |
3 / 791 |
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| Episode Of Hands |
3 / 791 |
|
| The Wars, Fire Imagery |
4 / 1060 |
|
| Norman Catherine |
2 / 368 |
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| The Fall of the House of Usher Analysis |
6 / 1551 |
|
| Macbeth |
12 / 3336 |
|
| Ode To Psyche |
4 / 1038 |
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| A&P becoming and adult |
3 / 872 |
|
| Methods of Intelligence |
4 / 1146 |
|
| Poe |
1 / 156 |
|
| Edgar Allan Poe's 'The Premature Burial' |
2 / 429 |
|
| macbeth |
17 / 4905 |
|
| ulysses |
2 / 490 |
|
| Use Of Imagery, Structure, Voice, Meaning |
3 / 776 |
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| Dimmesdale And Puritan Society |
3 / 774 |
|
| Animal Farm |
3 / 821 |
|
| Why Should Students Study Shakespeare In School? |
2 / 535 |
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| Why Should Students Study Shakespeare In School? |
2 / 535 |
|
| The Life and Art of Salvador Dali |
2 / 537 |
|
| Ms |
4 / 916 |
|
| William Wordsworth's "I Wandered lonely as a Cloud" |
3 / 764 |
|
| Frankenstein English Lit Gcse |
3 / 846 |
|
| Poetry Explication Stopping By |
2 / 511 |
|
| Bird Imagery in *The Awakening* |
3 / 864 |
|
| Salvador Dali |
2 / 390 |
|
| Red Lanterns |
2 / 361 |
|
| Film Violence |
2 / 412 |
|
| Plato and Aristotle |
4 / 994 |
|
| Analysis Of Multidisciplinary Counter Intelligence |
3 / 869 |
|
| Advertising essay |
5 / 1225 |
|
| The Struggle of Art in Kubla Khan |
4 / 960 |
|
| Imagery in T. S. Eliot's "Preludes" |
2 / 426 |
|
| Gatsby's incarnation |
1 / 145 |
|
| To His Coy Mistresse |
3 / 887 |
|
| Othello Passage |
3 / 665 |
|
| Othello Passage |
3 / 665 |
|
| Andrew Marvell |
4 / 1157 |
|
| english future |
1 / 291 |
|
| Terra Cog Case Study |
5 / 1230 |
|
| The handmaids tale |
3 / 617 |
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| graduation by mya angelou |
2 / 449 |
|
| Emily Dickinson |
2 / 449 |
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| All quiet on the western front |
4 / 1041 |
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| John Donne |
3 / 658 |
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| An Outpost of Progress |
2 / 531 |
|
| a modest proposal by jonathan swift |
3 / 770 |
|
| The Tragedies Of Shakespeare |
7 / 1807 |
|
| Perspective In As For Me And M |
5 / 1387 |
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| Role Models |
1 / 215 |
|
| Analysis of Act I Scene III from Hamlet |
2 / 533 |
|
| Men, Love And The Monkey Boy Review |
4 / 925 |
|
| Entirely By Louis Macneice, A Commentary |
2 / 585 |
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| Oedipus the King |
3 / 671 |
|
| Macbeth: A Mature Man Of Established Character |
7 / 1820 |
|
| Macbeth: A Man Of Established Character |
7 / 1822 |
|
| Contemporary Literature |
3 / 667 |
|
| The Shawl |
3 / 844 |
|
| those winter sundays |
6 / 1550 |
|
| Hamlet; How Far Do You Believe He Is Mad |
5 / 1320 |
|
| I taste a liquor never brewed |
4 / 1053 |
|
| one flew over the cuckoos nest |
4 / 1086 |
|
| Shakespeare's Richard III |
3 / 647 |
|
| Horatio's Role In Hamlet |
2 / 499 |
|
| Intervention |
4 / 985 |
|
| Easter Wings |
6 / 1727 |
|
| All Quiet On The Western Front: Themes |
4 / 1005 |
|
| Ambiguity of the concept of death: A comparison of ?Do Not Go Gentle Into That Good Night?and ?Because I Could Not Stop For Death |
4 / 1004 |
|
| Literary Analysis of “Survivor Type” by Stephen King |
3 / 776 |
|
| Romeo and Juliet ;techniques used to show change |
4 / 1049 |
|
| Martin Luther King And Patrick Henry: Cry For Freedom |
2 / 534 |
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| Book Report "The Corona Project" by Curtis Peebles |
4 / 1174 |
|
| Stopping by the Woods |
2 / 548 |
|
| Shakespear's Take On Life |
2 / 470 |
|
| Angela's Ashes Analysis |
2 / 555 |
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| The Love Song of J. Alfred Prufrock |
3 / 828 |
|
| Literature |
4 / 1016 |
|
| Zora Neale Hurston |
2 / 474 |
|
| Mother Courage and her Children |
5 / 1410 |
|
| MACBETH |
7 / 1812 |
|
| Yet Another MacBeth |
7 / 1813 |
|
| Essay On Flowers And Shadows |
1 / 297 |
|
| The character of Hamlet |
4 / 975 |
|
| Winter On The Mind |
2 / 537 |
|
| Winter On The Mind |
2 / 537 |
|
| Mending Wall |
2 / 538 |
|
| Art |
2 / 523 |
|
| The Pearl Of Great Price |
1 / 264 |
|
| DUCLE ET DECORUM EST |
3 / 811 |
|
| prose analysis |
2 / 429 |
|
| Daddy |
4 / 1089 |
|
| Daddy |
4 / 1089 |
|
| What Makes Literature Classic? |
2 / 469 |
|
| the darkling thrush poem |
4 / 968 |
|
| Hamlet - Text Vs Picture |
2 / 432 |
|
| Analysis Paper |
4 / 1115 |
|
| Timeless Work: An Analysis Of Marvin Gaye |
4 / 1017 |
|
| Conventions Of Drama |
7 / 1857 |
|
| Satire Essay from The Onion |
2 / 448 |
|
| Oedipus |
4 / 995 |
|
| Exploitation of Human Weakness by Shakespearean Villains |
11 / 3208 |
|
| Billy The Bum |
3 / 817 |
|
| The Wind in the Willows |
3 / 702 |
|
| A Simple Story of Imagery and Irony |
3 / 830 |
|
| siddhartha |
2 / 542 |
|
| men and women |
3 / 676 |
|
| "Final Love Note" Explication |
3 / 622 |
|
| She Walks in Beauty |
3 / 838 |
|
| Macbeth |
1 / 282 |
|
| The Lasting Love |
4 / 952 |
|
| Shakespeare |
4 / 1060 |
|
| iblical Allusions and Imagery in Steinbeck's The Grapes of Wrath |
5 / 1317 |
|
| Khe Sahn |
3 / 687 |
|
| Poetry Explanation on Wordsworth's poem "I Wandered As Lonely As A Clo |
3 / 797 |
|
| Macbeth |
6 / 1727 |
|
| Macbeth |
6 / 1727 |
|
| Extract from Regeneration by Pat Barker |
3 / 854 |
|
| Emily Dickinson |
4 / 1056 |
|
| A Reading of Owen's "Dulce et Decorum Est" |
2 / 483 |
|
| Imagery in Singapore |
3 / 870 |
|
| Trifles By Susan Glaspel |
2 / 382 |
|
| Terra-Cotta Girl |
4 / 942 |
|
| Rehab Revisited |
5 / 1328 |
|
| Analyzing Shakespears Sonnet 5 |
1 / 223 |
|
| GUIDED IMAGERY |
7 / 1883 |
|
| Shakespear's "sonnet 55" And Fletcher's "licia" |
1 / 223 |
|
| Shakespear's "sonnet 55" And Fletcher's "Licia" |
1 / 223 |
|
| Walt Whitman |
3 / 803 |
|
| Venus, Cupid, Folly, and Time |
2 / 566 |
|
| Critical Analysis of Golding’s Use of Tone in Lord Of The Flies |
4 / 1164 |
|
| Role Model |
2 / 321 |
|
| Dover Beach |
4 / 923 |
|
| Dover Beach |
4 / 923 |
|
| Middle Passage |
3 / 805 |
|
| A Pair Of Silk Stockings |
4 / 984 |
|
