| Title |
Pages / Words |
Save |
| Michelangelo Buonarroti, the artist. |
2 / 470 |
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| The Life and Art of Salvador Dali |
2 / 537 |
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| Romeo and Juliet: Act 1 Scene 5 |
3 / 733 |
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| Art Critique |
2 / 515 |
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| ferer |
3 / 624 |
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| Georgia O'keeffe |
3 / 674 |
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| Alex Baptise |
4 / 1091 |
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| Amedeo Modigliani |
3 / 690 |
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| Biography of Toulouse Lautrec |
2 / 375 |
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| Claude Monet Bio |
2 / 365 |
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| Daliism |
2 / 578 |
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| David Hockney |
2 / 383 |
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| Guernica |
2 / 446 |
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| Leonardo da vinci |
2 / 531 |
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| Loretta Lux |
2 / 379 |
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| Masterpiece |
2 / 348 |
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| Michelangelo Buonarroti, The Artist. |
2 / 470 |
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| Phenomenal |
1 / 259 |
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| Roald Dahl Brief Biography |
2 / 347 |
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| Robert Longo |
2 / 443 |
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| Salvador Dali |
2 / 430 |
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| The Genius of Leonardo da Vinci |
4 / 1081 |
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| Van Gogh biography |
1 / 271 |
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| Vermeer |
3 / 648 |
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| warhol trascending |
2 / 488 |
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| "vision of Hell" Salvador Dali |
4 / 1015 |
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| Girl with a Pearl Earring |
3 / 662 |
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| Romeo And Juliet: The Theme Of Death |
2 / 429 |
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| roseanne And The Kiss |
5 / 1277 |
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| Scarlet Letter |
3 / 623 |
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| Understanding And Evaluating Art |
4 / 1019 |
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| Words and the way we see art |
3 / 815 |
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| A drill sergeant at first |
2 / 410 |
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| Business |
3 / 671 |
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| cultural communication |
3 / 688 |
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| ms |
2 / 502 |
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| A poem by Langston Hughes "A Theme For Englisg B" and a poem by Linda Pastan "Ethics" which is more pessimistic or optimistic... |
4 / 1119 |
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| Are Bodies Really Where You Find Them? |
3 / 817 |
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| Art and Literature, A Comparison |
4 / 954 |
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| Balzac |
1 / 205 |
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| Boyfriend Sneaking |
3 / 680 |
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| Color Purple: Compare and Contrast Novel With Movie |
3 / 727 |
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| Contrasting Book One, Chapter One With Bokk Two, Chapter Two Of Georg |
1 / 118 |
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| D H Lawrence |
1 / 295 |
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| Descriptive Analysis |
2 / 331 |
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| Dream of Freedom |
3 / 724 |
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| EN 104 drama essay the shape of things |
4 / 1108 |
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| Eliot |
1 / 89 |
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| Fear and Edvard Munch painting |
2 / 501 |
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| Flipped By Wendelin Van Draanen |
2 / 501 |
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| How to paint |
3 / 767 |
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| In The Summer Of 95 |
5 / 1311 |
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| Keats and His Legacy |
2 / 490 |
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| hurrr |
1 / 290 |
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| landscape with the fall of icarus |
3 / 828 |
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| Love in Plato's Symposium |
2 / 476 |
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| Love |
3 / 729 |
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| Memorable Assignments |
4 / 959 |
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| Musee des Beaux Arts |
2 / 493 |
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| Narrative Essay |
2 / 579 |
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| Ode on a Grecian Urn Analysis |
3 / 759 |
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| Socrates |
2 / 382 |
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| The Concepts Of Crime And Punishment In Roald Dahl Fiction |
3 / 613 |
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| The Crucible. Marriage. |
3 / 623 |
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| The Hispanic culture and how it plays a part in the short story Fiesta 1980 |
3 / 872 |
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| VISUAl |
2 / 516 |
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| Vanitas |
3 / 662 |
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| Women in 19th Century British Poetry Response |
4 / 1015 |
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| my last dutchess |
2 / 355 |
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| new ending |
2 / 382 |
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| parable of the four poster |
3 / 867 |
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| speech |
1 / 259 |
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| the collector |
2 / 547 |
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| the kiss |
3 / 894 |
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| Aboriginals |
2 / 442 |
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| Abstraction As Representation |
4 / 1091 |
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| An Examination of the Evolution of Modernist Painting |
2 / 535 |
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| Art History |
2 / 529 |
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| Art History |
2 / 529 |
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| Art history |
2 / 370 |
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| Artemisia Gentileschi |
4 / 1004 |
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| art paper georgia O'Keefe |
1 / 258 |
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| Document Analysis |
2 / 427 |
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| dali's "toreador" |
6 / 1793 |
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| Florence and the Renaissance Art Era |
2 / 437 |
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| Genre And Landscape Painting |
4 / 1057 |
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| History of Oil Painting |
3 / 900 |
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| History of Oil Painting |
3 / 853 |
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| Humanism and the Renaissance |
1 / 275 |
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| Last Supper Comparisons |
2 / 381 |
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| Leonardo da Vinci |
4 / 1017 |
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| Merrymakers at Shrovetide vs Interrupted Sleep |
3 / 749 |
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| Nude Woman in a red Armchair |
2 / 513 |
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| Pieter de Hooch and Gerrit Dou: 17th century Dutch painters |
2 / 478 |
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| Post-Impressionist Movement |
2 / 529 |
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| picaso |
2 / 395 |
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| Renaissance and Modern Art |
5 / 1330 |
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| Romanticism Art |
3 / 611 |
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| Romanticism Arts |
3 / 864 |
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| Samual Bak |
2 / 590 |
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| The Abolition of Man |
2 / 313 |
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| The European Renaissance |
2 / 326 |
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| Thomas Hart Benton's June Morning. |
2 / 429 |
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| the painting of the sistine chapel |
4 / 999 |
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| Van Gogh's Self Protrate |
4 / 1056 |
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| "Golfe Juan" by Raoul Dufy |
3 / 638 |
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| A Critique of Starry Night and Vincent's Chair |
2 / 540 |
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| A Room With A View By E.d. For |
3 / 604 |
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| A Slice of Lemon |
2 / 600 |
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| ART CRITICISM PAPER |
4 / 1076 |
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| Abstraction |
3 / 664 |
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| Alo |
3 / 705 |
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| An Analysis of Andy Warhol's Gold Marilyn Monroe (1962) |
3 / 807 |
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| Art Museum Visit |
3 / 662 |
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| Art Paper Essay |
4 / 1172 |
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| Art and Culture Today |
2 / 305 |
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| Art of GIOTTO DI BONDONE |
3 / 615 |
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| Art |
2 / 436 |
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| Artist Comparison |
2 / 327 |
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| Asher Lev |
1 / 277 |
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| art |
1 / 240 |
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| Botticelli |
4 / 1095 |
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| Claude Joseph Vernet's Shipwreck |
3 / 802 |
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| Color Field Painting |
4 / 958 |
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| Compare and Contrast 2 works from the MFA in Boston |
2 / 571 |
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| Comparison Of Kafka's "metamorphosis" And Dali's "the Metamorphosis Of |
4 / 1093 |
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| Comparison Of Perugino And Caravaggio |
4 / 965 |
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| Creation of Adam V The Crucificition |
2 / 521 |
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| Critique on Pollice Verso |
3 / 803 |
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| Cubism Art |
3 / 767 |
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| dreaming |
2 / 434 |
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| Escher |
2 / 516 |
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| Futurism |
4 / 929 |
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| Gay |
2 / 564 |
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| Girl In A Chemise |
1 / 252 |
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| Hamlet - Text Vs Picture |
2 / 432 |
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| How To Do A Clown Face Paint |
2 / 325 |
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| I Love You |
1 / 159 |
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| Iconographical Analysis: Di Nardo, 'adoration Of The Magi' |
5 / 1211 |
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| In The Summer Of 95 |
5 / 1311 |
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| Infatuation |
1 / 143 |
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| Informed |
1 / 158 |
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| i want to do everything with you |
2 / 515 |
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| Jackson Pollock's "Convergence |
1 / 217 |
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| Kirchner Vs. Renoir |
3 / 847 |
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| Leonardo Da Vinci |
2 / 350 |
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| Leorardo Da Vinci |
1 / 200 |
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| Marcel Duchamp |
2 / 453 |
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| Monet's Grand Canal |
5 / 1294 |
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| Oriental Art |
2 / 501 |
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| Other |
2 / 461 |
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| Peter Max |
2 / 473 |
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| piano lesson |
1 / 258 |
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| quotes |
5 / 1287 |
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| Rain Of Auvers (art Analysis) |
2 / 476 |
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| Raymond George Neher |
2 / 533 |
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| Relationship to our World and Deity |
2 / 334 |
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| Review of Dale Terbush's "The Glory of the Light Within" |
2 / 579 |
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| Salvador Dali's Hallucinogenic Torreador |
4 / 1198 |
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| Sheldon |
1 / 295 |
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| The Death Of The Virgin |
3 / 656 |
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| The Duke And His Duchess |
2 / 512 |
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| The European Renaissance |
2 / 326 |
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| The European Renaissance |
2 / 368 |
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| The Gross Clinic |
2 / 483 |
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| The Marvelous Sauce |
3 / 743 |
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| The Painter |
5 / 1425 |
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| The Renaissance (1400-1520 Ad) |
2 / 576 |
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| The Scarlet Letter - Pearl Bel |
3 / 623 |
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| The Scarlet Letter The Struggl |
2 / 358 |
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| The Son |
4 / 965 |
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| The Vegetable or the Arteries? |
2 / 461 |
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| The White Lilacs |
2 / 438 |
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| The old guitarist |
2 / 552 |
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| Thomas EakinsThomas Eakins was born in Philadelphia in the year 1844. Eakins was a photographer, painter, sculptor, and fine arts educator. Thomas Eakins had an interest in art since his childhood. Eakins attended Pennsylvania Academy of the Fine ... |
3 / 792 |
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| the persistence of memory |
4 / 1049 |
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| Vacation |
2 / 549 |
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| Vermeer |
3 / 648 |
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| Vincent van Gogh's The Olive Trees and Gustav Klimt's The Park |
3 / 674 |
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| White Clouds over Xiao and Xiang |
1 / 262 |
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| Why Van Gogh's Starry Night is Expressionist |
3 / 882 |
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| asian art |
2 / 517 |
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| Best of Louis Armstrong |
4 / 1196 |
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| Damien rice analysis |
4 / 917 |
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| Kiss Me, Kate |
3 / 806 |
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| opm |
3 / 631 |
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| Leonardo da Vinci |
3 / 700 |
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| Nietzsche - Dionysian and Apollonian |
4 / 906 |
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| Philosophy of Art Van Gogh painting |
6 / 1747 |
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| words |
3 / 770 |
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| Art In The Bible |
3 / 657 |
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| Atheists |
2 / 517 |
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| Comparing The Last Supper |
5 / 1235 |
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| English |
2 / 335 |
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| The Son |
4 / 965 |
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| the babtism of christ |
2 / 428 |
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| Reductionims |
3 / 752 |
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| venus |
4 / 964 |
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| George Gittoes |
3 / 665 |
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| How To Steal A Girlfriend |
3 / 883 |
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