| Title |
Pages / Words |
Save |
| Rainman |
4 / 937 |
 |
| Animation in the 1920's |
4 / 1016 |
|
| Brokeback |
4 / 1014 |
|
| captive narrative |
1 / 240 |
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| Grapes of Wrath |
2 / 587 |
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| Grave Of The Fireflies - Review |
3 / 867 |
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| Nature |
2 / 410 |
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| Andy Warhol |
4 / 966 |
|
| Anelina Jolei |
1 / 196 |
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| Brad Pitt |
1 / 265 |
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| Control issues |
2 / 590 |
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| Edgar Allan Poe |
3 / 607 |
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| A Woman's Awakening |
2 / 301 |
|
| born on the 4th of july |
5 / 1233 |
|
| Everything That Rises Must Converge |
2 / 347 |
|
| ek khiladi |
2 / 550 |
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| Flowers for Algernon |
2 / 346 |
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| fmc |
2 / 332 |
|
| Literacy in Literature and in Life |
3 / 702 |
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| Lord of the Flies |
2 / 569 |
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| March Of the Penguins |
2 / 520 |
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| Review Of Oleanna |
3 / 623 |
|
| Rumble Fish |
4 / 1097 |
|
| Starstruck |
3 / 630 |
|
| The Boy Next Door |
4 / 1116 |
|
| Arundel Case |
3 / 640 |
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| 12 anrgy men |
4 / 910 |
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| A & P |
2 / 339 |
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| ARTS |
3 / 716 |
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| Beauty and the Beast Contrast |
3 / 805 |
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| Beyond Borders |
2 / 481 |
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| Braveheart |
2 / 528 |
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| Cinderella |
5 / 1279 |
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| Citizen Kane's summary |
4 / 968 |
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| College Writing Movie Genres |
3 / 736 |
|
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
|
| Comparison of "Monsson Wedding" to "Heat and Dust" |
3 / 701 |
|
| Crisis |
1 / 264 |
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| Dead Poets Society Essay |
3 / 662 |
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| Documentary Style: 4 Little Girls vs. Bowling for Columbine |
4 / 1133 |
|
| Edgar Allan Poe |
3 / 861 |
|
| Essay (Power Of One) |
2 / 572 |
|
| Fight Club |
4 / 956 |
|
| Hitler, Fact or Fiction; Effects of Labels |
3 / 789 |
|
| Interview with the vampire |
4 / 1080 |
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| Ken Kesey Life Behind the Cuckoo's Nest |
1 / 257 |
|
| best dancer inst. bernadette |
2 / 388 |
|
| blacks in the film |
6 / 1641 |
|
| dead poet's society |
3 / 746 |
|
| Look both ways |
4 / 1018 |
|
| Miss Julie |
2 / 500 |
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| Modern Shakespeare |
3 / 859 |
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| Othello: Shakespeare vs. Parker |
2 / 596 |
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| Paper Outline |
2 / 465 |
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| Phil's reading list analysis |
4 / 1190 |
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| Romeo & Juliet |
4 / 1055 |
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| Romeo and Juliet |
3 / 687 |
|
| Selfish Ambition Ain`t Worth Destroying What God Has Provided |
2 / 318 |
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| Shawshank Redemption |
3 / 779 |
|
| Star Wars(hero's Joyrney) |
1 / 271 |
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| Stranger in the Village |
5 / 1271 |
|
| The Deep End Of The Ocean |
3 / 836 |
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| The Fallen Movie Reveiw |
2 / 363 |
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| The Graduate |
3 / 797 |
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| The Sixth sense |
3 / 633 |
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| The old man and the sea - comparison between the book and the film |
5 / 1350 |
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| War Of The Worlds Film Techniqes |
3 / 878 |
|
| shadow of a doubt |
3 / 713 |
|
| vers le sud |
2 / 525 |
|
| ). How has television replaced the monumental statues of ancient Roman leaders? Which medium do you think is more powerful? Television/film or ancient art? |
3 / 605 |
|
| A Look at Special Effects throughout History |
5 / 1350 |
|
| culloden |
4 / 1148 |
|
| Faith Blandler |
1 / 265 |
|
| Film Review of Luther |
2 / 532 |
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| Historical Accuracy : Gangs Of New York |
2 / 330 |
|
| Leisure Time |
3 / 767 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
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| Orphan Trains |
3 / 685 |
|
| Robert Pattinson |
1 / 264 |
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| Roma Culture |
3 / 646 |
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| The immigrant |
1 / 258 |
|
| Door Holding Helping Behavior Observations |
2 / 360 |
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| 12 Angry Men |
4 / 910 |
|
| Analysis Of "It's A Wonderful Life" |
2 / 442 |
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| Analysis Of "it's A Wonderful Life" |
2 / 442 |
|
| Bats |
3 / 899 |
|
| Blacks In Film |
4 / 1150 |
|
| Boys In The Hood The Beginning |
3 / 653 |
|
| Briar rose symbols |
2 / 358 |
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| Cindy Sherman |
2 / 473 |
|
| Compare and contrast black representations in 'Gone with the wind' (1939) and 'Guess who's coming to dinner' (1967). |
3 / 748 |
|
| Directing: More than Fame and Fortune |
4 / 1040 |
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| Eye of the beholder |
1 / 284 |
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| Forest Gump |
3 / 613 |
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| Friday |
3 / 663 |
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| Genre Cpmarison For The Movie "O" And Shakespeare'S Play Othello |
4 / 912 |
|
| Hollywood Vs. The World |
4 / 1134 |
|
| Jaws Media Coursework Essay |
2 / 516 |
|
| Kodak |
3 / 703 |
|
| Leadership and Management Challenges |
1 / 277 |
|
| Love, Sex & Eating the Bones |
4 / 1124 |
|
| Noam Chomsky |
3 / 723 |
|
| Orphan Trains |
3 / 685 |
|
| Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
|
| Scarface |
2 / 368 |
|
| Schindlers list reaction paper |
2 / 307 |
|
| The Deep End Of The Ocean |
3 / 836 |
|
| The Last Of The Mohicans |
3 / 649 |
|
| To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? |
8 / 2206 |
|
| Traditional Ideologies |
2 / 548 |
|
| Zefferelli Vs. Luhrmann |
1 / 210 |
|
| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
|
| 10 Things I Hate About You |
6 / 1657 |
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| 12 angry men |
3 / 691 |
|
| 25th Hour |
4 / 1090 |
|
| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
|
| A Beautiful Mind |
1 / 274 |
|
| A Hard Day's Night |
3 / 643 |
|
| A history of Violence |
3 / 631 |
|
| Accenting Temperament |
5 / 1471 |
|
| Amadeus |
3 / 875 |
|
| American Beauty - Dealing with Age |
4 / 939 |
|
| American Beauty |
3 / 731 |
|
| Analysis of "Vantage Point" trailer |
4 / 1076 |
|
| Analyzing Moulin Rouge |
4 / 1113 |
|
| Ballad Of A Soldier |
4 / 1124 |
|
| Black Hawk Down |
4 / 1045 |
|
| Blair witch Genius |
4 / 925 |
|
| brave |
1 / 262 |
|
| Casablanca |
4 / 937 |
|
| Cinema Paradiso |
4 / 1044 |
|
| Cinematography: Everything You Need To Know |
3 / 859 |
|
| Citizen Kane |
3 / 882 |
|
| Citizen Kane |
1 / 291 |
|
| Crash |
3 / 771 |
|
| Crazy Love |
5 / 1406 |
|
| cast away |
2 / 576 |
|
| christmas with the kranks |
2 / 396 |
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| Dead Poet's Society |
2 / 546 |
|
| Dead Poets Society |
2 / 570 |
|
| Do The Right Thing |
2 / 467 |
|
| Entering The Post-modern Era |
1 / 247 |
|
| Exploring Popular music |
5 / 1248 |
|
| FIght Club |
3 / 753 |
|
| Fight Club |
1 / 229 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Gattaca Opening Scenes |
2 / 482 |
|
| Hitchcock's North By Northwest: The Birth of the Modern Action Film |
6 / 1667 |
|
| Hollywood recovery |
9 / 2535 |
|
| Hoosierssssssss |
1 / 251 |
|
| I am Sam's Review |
3 / 649 |
|
| Ideas for Movies - The How and What... |
5 / 1254 |
|
| In the Heat of the Night: A Classic Murder Melodrama |
5 / 1315 |
|
| John Lennon |
2 / 319 |
|
| Kenneth Baranagh's "Henry V" |
2 / 457 |
|
| L'Avventura |
3 / 851 |
|
| Legends of the fall |
3 / 887 |
|
| Lisa Lewis Paper |
2 / 573 |
|
| M |
2 / 565 |
|
| Movie Analysis - Monster In Law |
4 / 1117 |
|
| Music - an important factor |
1 / 279 |
|
| Narrative vs. Montage |
3 / 877 |
|
| North by Northwest |
3 / 671 |
|
| One Flew Over the Cuckoos Nest |
4 / 1093 |
|
| One Life Aquatic |
4 / 954 |
|
| Post-Renaissance Films |
1 / 253 |
|
| Reaction to film "Brainwashing 101" |
3 / 730 |
|
| Reservoir Dogs |
4 / 911 |
|
| report on the movie the patriot |
3 / 650 |
|
| Sicko-Film Review |
2 / 422 |
|
| Sound of music |
1 / 275 |
|
| snatch |
4 / 920 |
|
| The Genre of Horror |
2 / 597 |
|
| The Notebook |
2 / 449 |
|
| The Verdict- Film Analysis |
1 / 73 |
|
| The movie O |
3 / 609 |
|
| Using the comparison of these two texts as your starting point, explore the media issues and debates these texts raise. |
3 / 853 |
|
| Wala Ln |
1 / 220 |
|
| Western And The Man Who Shot Liberty Valance |
3 / 613 |
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| Women Portrayal |
2 / 524 |
|
| Young Frankenstein Film |
2 / 344 |
|
| "The Matrix" and Religion |
5 / 1448 |
|
| The Epigenetic Theory |
4 / 1054 |
|
| Howard Director and Film |
6 / 1619 |
|
| Lab Report |
4 / 1159 |
|
| Life and death response |
2 / 526 |
|
| Modern Diachronic Corpora |
2 / 460 |
|
| penny for thoughts |
2 / 570 |
|
| about loose change |
3 / 825 |
|
| Chicano |
2 / 553 |
|
| Defining Identity |
1 / 222 |
|
| FILM ANALYSIS: Not Without My Daughter |
2 / 424 |
|
| Gay USA |
2 / 510 |
|
| Oman Music |
4 / 1199 |
|
| Persuasion |
3 / 648 |
|
| Choosing my topic |
2 / 323 |
|
| Computer Technology |
2 / 311 |
|
| Digital Cinematography |
4 / 985 |
|
| Emotional Response to Computer Generated Special Effects:Realism Revisited |
7 / 1964 |
|
| Kodak |
2 / 590 |
|
