| Title |
Pages / Words |
Save |
| Misery of Mind |
2 / 487 |
 |
| The Smell |
3 / 804 |
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| Quote the Parrot, “Nevermore” |
2 / 558 |
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| A Worn Path |
3 / 892 |
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| Anne Frank. |
2 / 557 |
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| My life |
2 / 565 |
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| The beginning of Autum |
2 / 579 |
 |
| 1984: Critical Review |
2 / 309 |
 |
| 20,00 Leagues Under the Sea |
4 / 1199 |
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| 20,000,000 leages under the sea |
2 / 426 |
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| 20000 leagues under the sea |
5 / 1459 |
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| 20000 leagues under the sea |
5 / 1480 |
 |
| “Sometimes Only The Spirit Of A Tradition Survives; Sometimes Only Its Form. Its Outer Garments, As It Were Remain” (56) |
2 / 537 |
 |
| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
3 / 619 |
 |
| A Farewell To Arms: Style |
2 / 595 |
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| A Farewell to Arms |
2 / 591 |
 |
| A Rose for Emily |
3 / 895 |
 |
| Creative Story: Bathtub |
3 / 727 |
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| Creative Story: One Sick Christmas |
3 / 789 |
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| Giovanni's Room |
5 / 1334 |
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| Grandma's House |
4 / 1038 |
 |
| Light Association, Shaping Our Understanding |
5 / 1211 |
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| Light and Dark Imagery In Rome and Juliet |
3 / 734 |
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| MIGRANES |
2 / 331 |
 |
| out, out |
5 / 1251 |
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| Plainsong |
2 / 400 |
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| STAR WARS: Jedi Apprentice, the Dark Rival |
1 / 53 |
 |
| Short Story Essay |
2 / 574 |
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| Tao |
3 / 854 |
 |
| The Fellowship Of The Ring Analysis |
1 / 297 |
 |
| The Signal-Man by Charles Dickens. Easy A for Year 10, High School |
2 / 332 |
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| The Use Of Symbols In “The Masque Of The Red Death” |
4 / 1027 |
 |
| th shinning |
3 / 819 |
 |
| the stand |
3 / 687 |
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| the yellow wallpaper |
3 / 807 |
 |
| Whispering Wooods |
2 / 409 |
 |
| Word And Its Meaning |
3 / 734 |
 |
| Wuthering Heights |
4 / 1157 |
 |
| Busi |
1 / 240 |
 |
| Economics |
1 / 220 |
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| Example Of Negotiation |
3 / 642 |
 |
| essay on theater |
1 / 179 |
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| Hovey and Beard |
1 / 275 |
 |
| haley |
2 / 549 |
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| Ritz Carlton |
3 / 664 |
 |
| 20,000 Leagues Under The Sea |
5 / 1297 |
 |
| A Brief Look at Symbolism |
2 / 456 |
 |
| A Gatsby Party |
1 / 260 |
 |
| A Review on The Ambivalence of Abortion |
1 / 298 |
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| A True Life Hero |
4 / 979 |
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| A lasting Impression |
1 / 267 |
 |
| A nice experience |
4 / 1103 |
 |
| A visit of charity |
3 / 719 |
 |
| Alain Robbe-Grillet and The Secret Room |
4 / 907 |
 |
| American Gothic |
2 / 373 |
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| Analysis Of Thomas Hardy's The Darkling Thrush |
2 / 320 |
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| Byronic Hero Essay |
2 / 321 |
 |
| Character Traits In A Separate Peace |
2 / 454 |
 |
| Characters Of Dark City By Frank Lauria |
3 / 777 |
 |
| Charles Dickens |
2 / 573 |
 |
| Children of the Light by Rev. G. Bradford Hall |
5 / 1463 |
 |
| Creative Writing Journeys |
2 / 550 |
 |
| Creative Writing |
2 / 574 |
 |
| Crickets |
2 / 473 |
 |
| Dangerous Encounter |
4 / 1026 |
 |
| Dracula |
4 / 967 |
 |
| Dustin (Narration) |
4 / 1131 |
 |
| English Paper |
2 / 547 |
 |
| First Poem For You Essay |
2 / 373 |
 |
| Got Milk |
4 / 1125 |
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| Huanted House |
3 / 782 |
 |
| Human truths in Silas Marner |
3 / 743 |
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| Intensive Farming |
1 / 281 |
 |
| Lemons Vs. Limes |
1 / 279 |
 |
| Light And Darkness In Macbeth |
2 / 458 |
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| Little Price "Story" |
4 / 932 |
 |
| beowulf anaylisis |
2 / 355 |
 |
| faulkner's emily rose |
6 / 1730 |
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| heart of darkness |
2 / 577 |
 |
| “An Ambiguous Narrative about a Controversial Debate” |
2 / 527 |
 |
| MY FIRST TATOO |
2 / 599 |
 |
| Macbeth Review |
1 / 260 |
 |
| Magic Window In The Novelle |
3 / 807 |
 |
| Men of respect V.S Macbeth |
3 / 702 |
 |
| My Dream Home |
2 / 311 |
 |
| My life changing day |
2 / 576 |
 |
| O'Connor's use of setting to predict the outcome in "A Good Man is Hard to Find" |
4 / 942 |
 |
| Oliver Twist |
2 / 380 |
 |
| Rhetorical Structure: Contrasting Positive And Negative Paragraphs |
4 / 1076 |
 |
| Role play |
2 / 517 |
 |
| Short (Ghost) story |
4 / 1130 |
 |
| Sleeping Late |
3 / 697 |
 |
| Sometimes what is right to one person is wrong to another. . . |
2 / 507 |
 |
| Story of An Hour |
2 / 386 |
 |
| Taco Fest |
2 / 401 |
 |
| The Colonel |
5 / 1255 |
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| The Dead |
2 / 536 |
 |
| The Girl |
6 / 1531 |
 |
| The Inferno |
3 / 613 |
 |
| The Masque o the Red Death |
2 / 431 |
 |
| The Motives of Lady Macbeth |
2 / 361 |
 |
| The Tell-Tale Heart Analysis |
1 / 217 |
 |
| Theme Of The Poem “Stopping By The Woods On A Snowy Evening” |
2 / 333 |
 |
| V For Vendetta Vs. 1984 |
2 / 571 |
 |
| What language devices does Atwood use to convey Offred’s perspective and make it vivid in 'A Handmaid's Tale'? |
4 / 989 |
 |
| When Words Come Alive |
2 / 597 |
 |
| Wolf Saw |
2 / 452 |
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| Yellow Wallpaper |
3 / 816 |
 |
| macbeth sleepwalking scene |
4 / 1063 |
 |
| Dark Ages" vs. "Middle Ages |
3 / 712 |
 |
| dier el medina |
2 / 379 |
 |
| John Logie Baird and the Television |
2 / 457 |
 |
| Joseph Accused By Potiphar's Wife |
6 / 1682 |
 |
| The Dark Ages |
2 / 492 |
 |
| The Leonis Adobe |
2 / 520 |
 |
| the magic of crucifixion |
3 / 850 |
 |
| 20,000 Leagues Under the Sea |
5 / 1443 |
 |
| A Demon Haunted World |
4 / 962 |
 |
| A Farewell To Arms |
2 / 591 |
 |
| A Tale Of Two Cities: Best Or Worst Of Times? |
4 / 965 |
 |
| All for Shopping |
3 / 640 |
 |
| Alligators |
1 / 266 |
 |
| a memorable moment |
2 / 412 |
 |
| Birds of the Same Feathers |
2 / 555 |
 |
| Character Analysis: Konstantin Treplyov (The Seagull) |
4 / 1080 |
 |
| Character Traits In A Separate Peace |
2 / 454 |
 |
| Cultural Immersion Experience |
2 / 345 |
 |
| compairison |
2 / 529 |
 |
| Dangerous Encounter |
4 / 1022 |
 |
| Dangerous Encounter |
4 / 1026 |
 |
| Dark Matter |
4 / 918 |
 |
| dead poet society |
4 / 938 |
 |
| digital future room |
2 / 550 |
 |
| Emo as Propaganda in Advertising |
4 / 913 |
 |
| Hamlet - Act 3 Summary |
1 / 231 |
 |
| Immoral Justice |
3 / 812 |
 |
| i want to do everything with you |
2 / 515 |
 |
| Joseph Accused By Potiphar's Wife |
6 / 1682 |
 |
| justice |
3 / 744 |
 |
| My Favorite Room |
1 / 269 |
 |
| mr. |
2 / 570 |
 |
| Naturalism |
3 / 742 |
 |
| Nightmarish Themes In Edgar Al |
3 / 717 |
 |
| observation |
2 / 310 |
 |
| Physics Prac - Mesuring Wavelengths Of Light |
2 / 422 |
 |
| Presentations |
4 / 933 |
 |
| Recalling A Place |
2 / 325 |
 |
| Scared to Death, Literally |
3 / 791 |
 |
| Sisterly Love Can Overcome All |
3 / 658 |
 |
| The China Syndrome |
2 / 494 |
 |
| The Contrariety Of Two Friends |
2 / 482 |
 |
| The Giver |
1 / 275 |
 |
| The Internet Guard Dog |
4 / 992 |
 |
| The Leonis Adobe |
2 / 520 |
 |
| The Masque Of Red Death |
2 / 368 |
 |
| The PICTURE of Dorian Gray |
1 / 276 |
 |
| The Symbol Of Black In "the Crucible" |
2 / 418 |
 |
| The Theme Of Darkness In The H |
5 / 1218 |
 |
| The Yellow Wallpaper |
3 / 633 |
 |
| Troubled World |
2 / 487 |
 |
| what's up with him |
2 / 499 |
 |
| william glackens |
2 / 334 |
 |
| Bryon's "childe Harold's Pilgrimage": The Byronic Hero |
4 / 970 |
 |
| Desdomona |
2 / 417 |
 |
| Impressions of remoteness and peace through two different techniques |
3 / 782 |
 |
| The Goblin Slayer |
7 / 1805 |
 |
| The Shining |
2 / 374 |
 |
| Touch Of Evil |
5 / 1284 |
 |
| Twelve Angry Men Juror 3 |
3 / 720 |
 |
| Death Of Socrates |
3 / 803 |
 |
| Place |
3 / 810 |
 |
| The Dungeon |
5 / 1237 |
 |
| Misery Of Mind |
2 / 487 |
 |
| spanking children |
2 / 469 |
 |
| The Pain Center |
4 / 1132 |
 |
| Beo |
2 / 462 |
 |
| Black Virgin |
1 / 263 |
 |
| Brian's Essay |
4 / 1053 |
 |
| Christian Thoughts |
2 / 487 |
 |
| Examination of Onion Epidermal Cells |
2 / 335 |
 |
| Night Blindness |
1 / 298 |
 |
| Seeing The Vessels Of The Retina |
2 / 425 |
 |
| Surgery |
2 / 416 |
 |
| THe perspective |
2 / 411 |
 |
| The sun |
1 / 60 |
 |
| "Fear mongering" in the Terminator |
3 / 759 |
 |
| Comparison of Racism |
2 / 316 |
 |
| Conformity |
2 / 302 |
 |
| Eminem and Urban Nightmare |
1 / 290 |
 |
| IT'S A LIGHT SKIN WORLD: FAVORITISM ASSOCIATED WITH SKIN TONE, HAIR LENGTH AND TEXTURE |
1 / 256 |
 |
| Problems |
3 / 791 |
 |
| Reaction Paper: Court Proceeding In The Philippines |
2 / 474 |
 |
| Serving In Florida |
4 / 937 |
 |
| Sonny's Blues |
3 / 888 |
 |
| Violence Involving Youth |
3 / 696 |
 |
| Why Is Japan A Medc |
1 / 267 |
 |
| Condensation |
1 / 248 |
 |
| No thanks |
5 / 1335 |
 |
| Schedule Of Finishes |
3 / 661 |
 |
| The Importance Of Interior Design |
2 / 578 |
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