| Title |
Pages / Words |
Save |
| Hope |
4 / 935 |
 |
| Glory |
1 / 283 |
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| book review on uncle tom's cabin |
3 / 794 |
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| Glory |
2 / 352 |
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| Kyle's Paper |
1 / 150 |
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| Poe Test |
3 / 802 |
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| 3mistakes Of My Life |
2 / 396 |
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| A Comparison Of "the Handmaid's Tale" And "anthem" |
3 / 777 |
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| A Farewell To Arms: Overview |
1 / 293 |
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| A Review: The Day Of The Jackal |
2 / 494 |
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| A Single Shard |
2 / 317 |
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| A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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| Analysis of Bjorn Sortland's \ |
2 / 516 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Catcher in the rye |
1 / 297 |
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| Clashing Rocks |
1 / 284 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| client vs snow in august |
2 / 532 |
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| D H Lawrence'S Rocking Horse Winner Theme |
2 / 322 |
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| David Mamet's Duck Variations Report |
3 / 700 |
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| Death of a Salesman, Wuthering Heights, and A Clockwork Orange |
2 / 428 |
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| Discuss the characters we hear but do not see why are they significant in terms of the themes of the play and in comparison with Willy? |
2 / 438 |
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| Distrust And The American Dream |
3 / 654 |
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| everything that rises must converge |
4 / 1061 |
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| Inkspell |
2 / 515 |
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| Kingsolver |
3 / 624 |
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| MAGGIE: A Girl Of the Streets |
2 / 497 |
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| not too dure |
2 / 367 |
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| Of Mice and Men |
3 / 755 |
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| of mice and men |
2 / 527 |
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| Red Badge Of Courage |
2 / 389 |
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| semiotics |
3 / 657 |
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| THE STING |
2 / 553 |
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| Taming of the Shrew Critical Lens |
2 / 367 |
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| The Age of Innocence |
3 / 817 |
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| The Catcher in the Rye |
2 / 589 |
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| The Full Cupboard of Life |
2 / 509 |
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| The Notebook |
2 / 406 |
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| The Runaway Bunny |
2 / 368 |
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| The purpose of Rosencrantz and Guildenstearn in Hamlet |
1 / 261 |
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| To Kill A Mockingbird Character Analysis |
3 / 725 |
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| True North book review |
6 / 1607 |
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| their eyes were watching god |
3 / 844 |
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| What looks like crazy on an ordinary day |
3 / 794 |
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| Winston |
1 / 261 |
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| women in hamlet |
2 / 471 |
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| InterClean: Optimal Solution and Implementation |
13 / 3851 |
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| Who Moved My Cheese |
5 / 1262 |
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| Who Moved My Cheese? |
2 / 565 |
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| 12 angrey men |
3 / 825 |
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| A Doll's House : Minor Characters |
4 / 1174 |
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| A Good Cop |
1 / 262 |
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| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
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| Antigone and Aristotle |
2 / 469 |
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| As I Lay Dying |
3 / 802 |
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| Both stories bestow us characters for whom the reader feels sympathy for. The statement is accurate in that both Rosaura from “The Stolen Party” and Njoroge from “The Martyr” |
2 / 524 |
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| CONTEXTUAL ESSAY: THE IMPORTANCE OF BEING EARNEST |
3 / 684 |
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| Cherry Orchard |
2 / 586 |
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| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
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| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Dont Judge A Book By It's Cover:A Twelfth Night Comparrison Of Feste A |
3 / 627 |
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| Eto Sabi |
2 / 339 |
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| Farewell To Arms |
1 / 281 |
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| Fenstad's Mother |
4 / 954 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Focus Statement Essay: Romeo & Juliet |
2 / 568 |
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| Foils In Hamlet |
3 / 771 |
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| Function of setting in man of la mancha |
4 / 1003 |
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| Greasy Lake |
2 / 568 |
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| HUMAN ACTIONS IN ROMEO AND JULIET |
2 / 529 |
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| Hamlet Analysis: Queen Gertrude |
2 / 513 |
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| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| Iago's Vengefulness |
2 / 522 |
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| Invisible Man Revision |
1 / 261 |
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| Is Othello a Racist Play |
2 / 415 |
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| King Lear |
3 / 622 |
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| "No Sugar" Essay |
3 / 655 |
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| age of innocence |
2 / 305 |
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| are you ready boots |
1 / 261 |
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| everyman |
3 / 628 |
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| importance of being ernest |
3 / 692 |
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| literature |
1 / 261 |
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| “A&P” vs. “Secret Life Of Walter Mitty” |
2 / 471 |
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| Loneliness In |
4 / 1035 |
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| Lord of the rings. worth seeing ? |
2 / 542 |
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| Macbeth |
3 / 820 |
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| Marriage in Pride and pRejudice |
3 / 888 |
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| Mary's Convert Analytical Paper |
4 / 1090 |
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| Measure For Measure |
3 / 772 |
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| Night |
2 / 311 |
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| Of Mice of Men |
2 / 586 |
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| Ofmmice And Men |
3 / 706 |
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| Orwell 1984 And Burmese Days |
3 / 730 |
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| Osborne’s use of Language is ‘Look Back in Anger’ / Language as a protagonist in ‘Look Back in Anger’ |
4 / 1043 |
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| Othello Movie Review |
2 / 418 |
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| Othello |
2 / 594 |
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| Othello |
1 / 296 |
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| Point of View Analysis of "A Rose for Emily" by William Faulkner |
2 / 523 |
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| Point of View |
3 / 708 |
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| Power exists mostly in shades of black and white |
3 / 737 |
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| Pride and Prejudice |
3 / 779 |
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| Quest for Something More |
1 / 292 |
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| Rasomon |
2 / 429 |
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| Rip Van Winkle |
2 / 408 |
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| Roland Barthes Narrative |
1 / 263 |
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| Ser |
2 / 303 |
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| Sonny's Blues |
2 / 437 |
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| Success vs. Failure in Two Heroic Icons |
1 / 249 |
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| Tess of the D'Urbervilles |
3 / 644 |
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| The Great Gatsby |
1 / 288 |
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| The Love and the Nightgale |
2 / 566 |
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| The Outsiders: Movie vs Book |
2 / 590 |
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| The Pearl |
1 / 278 |
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| The Struggle For Inner Truth And Reality |
3 / 694 |
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| The nature of the beast |
1 / 264 |
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| Varying Perspectives of Killing: Jack from Lord of the Flies vs. The Barber from "Just Lather, That's All" |
2 / 517 |
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| White Oleander |
2 / 341 |
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| shadow of a doubt |
3 / 713 |
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| the Role of the Intrusive narrator/ author |
2 / 444 |
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| the club - character differences |
2 / 566 |
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| the great gatspy |
3 / 680 |
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| theatre Studies Portfolio. |
2 / 441 |
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| tomorrow when the war began |
2 / 367 |
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| what we talk about when we talk about love |
2 / 487 |
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| Children's Literature |
2 / 398 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
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| A Natural Curiosity By Margare |
2 / 400 |
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| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
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| Appealing to our children, teens and tweens |
1 / 259 |
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| Barn Burning 2 |
2 / 401 |
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| Barn Burning |
2 / 401 |
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| Charater and Plot Master Harold and the boys. |
2 / 510 |
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| Classic Tales Of Tom Sawyer |
2 / 586 |
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| Compare And Contrast Of The Me |
2 / 474 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
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| Death Of A Salesman - Minor Characters |
2 / 471 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Differences A like |
3 / 796 |
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| dc vs marvel |
3 / 682 |
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| E. M. Forster |
4 / 966 |
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| Farewell To Arms |
1 / 281 |
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| Fifth Business |
4 / 945 |
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| Great Gatsby 5 |
2 / 528 |
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| How The Choices Of The Characters Affected Each Other |
1 / 271 |
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| Human Actions In Romeo And Juliet |
2 / 498 |
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| Immoral Materialism |
3 / 608 |
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| Lord Of The Flies 9 |
3 / 717 |
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| Lord Of The Flies |
3 / 717 |
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| Macbeth 5 |
3 / 618 |
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| Media |
3 / 700 |
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| Minor Characters |
3 / 638 |
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| Much Ado about Nothing |
3 / 783 |
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| Never The Sinner - Production Critique |
3 / 826 |
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| O Brother where art thou? |
2 / 552 |
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| Othello Vs Much Ado About North |
3 / 618 |
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| Power of Advertising |
2 / 510 |
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| Pre-AP Summer Assignment |
2 / 388 |
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| Pride And Prejudice - Characters |
3 / 833 |
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| Rattle Bone |
4 / 1131 |
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| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
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| Role Of The Common Man In A Ma |
3 / 717 |
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| Romeo And Juliet - Chain Of Hu |
2 / 498 |
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| Romeo And Juliet - Minor Characters Influences On Major Char |
2 / 476 |
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| Romeo And Juliet, Human Action |
2 / 498 |
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| reality tv |
4 / 940 |
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| Setting And Story |
2 / 443 |
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| Showboat - Production Critique |
2 / 543 |
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| Sitcoms analyzed |
4 / 936 |
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| Summer Of 17th Doll Review |
2 / 333 |
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| street car named desire |
1 / 245 |
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| The Age Of Innocence |
3 / 817 |
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| The Cherry Orchard |
2 / 504 |
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| The Crucible: Dramatic Tension |
14 / 4134 |
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| The Sting |
2 / 553 |
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| Two Men In Buckram Critque |
3 / 805 |
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| When Loss Is A Gain Bean Tree |
2 / 445 |
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| Writing Style And The Reader - |
1 / 266 |
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| 12 Monkeys |
2 / 513 |
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| As good as it gets |
3 / 644 |
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| Dizzy Gillespie |
4 / 1127 |
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| High Noon |
4 / 947 |
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| Leone: The Movies of Fantasy |
2 / 582 |
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| Review of Hustle and Flow |
2 / 420 |
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| Seinfeld |
2 / 313 |
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| Show Boat |
1 / 276 |
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| Spartacus |
3 / 700 |
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| The Prestige movie critique |
1 / 248 |
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| the pianist |
2 / 550 |
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| Woody Allen's "Annie Hall" |
2 / 496 |
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| k |
2 / 447 |
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| The Tao of Pooh |
2 / 519 |
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| Shakespear |
1 / 289 |
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| Behold the Dreamer Cometh |
2 / 463 |
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| Brain |
3 / 658 |
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| Discuss Current Activity By Uk Local Authorities In Arts And Entertainments Provision |
9 / 2458 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
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| Animation |
2 / 476 |
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| Mr |
2 / 311 |
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