| Title |
Pages / Words |
Save |
| Othello: All the Makings of a Tragedy |
5 / 1386 |
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| Describe the motives that prompted various European groups to migrate to America. |
1 / 192 |
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| Ernest Hemingway |
2 / 464 |
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| Autobiographical Element |
1 / 142 |
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| Science |
3 / 757 |
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| There Is One |
2 / 449 |
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| "The Crucible" Theme Essay |
4 / 1080 |
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| A Tale Of Two Cities: Characters Are "recalled To Life" |
2 / 461 |
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| A Tale of Two Cities: Minor Characters |
3 / 646 |
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| A clean well-lighted place |
5 / 1444 |
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| Alice In Wonderland |
2 / 585 |
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| Animal Farm |
3 / 857 |
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| Antigone and Pilate Dead |
5 / 1313 |
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| Beowulf |
4 / 1185 |
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| Beowulf |
4 / 1163 |
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| Cask Of Amontillado Anaylysis |
2 / 494 |
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| crucible |
2 / 553 |
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| Dr. Smith |
2 / 574 |
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| Ender's Game |
17 / 4844 |
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| freshman at large |
2 / 476 |
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| Hamlet- The Characters |
3 / 782 |
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| Hiroshima |
1 / 194 |
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| Human Evil in Othello |
2 / 568 |
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| Hysteria in The Crucible |
2 / 457 |
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| Love and Hate "Shakespear" |
3 / 671 |
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| Of Mice and Men |
3 / 842 |
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| Of Mice and Men |
4 / 908 |
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| Othello |
3 / 754 |
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| Pilgrims Progress |
3 / 676 |
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| Romulus, My Father |
3 / 759 |
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| Scarlet Letter Report |
6 / 1708 |
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| The Awakening: Chopin Glorifying Edna's Fatal Situation |
2 / 340 |
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| The Crucible |
2 / 518 |
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| The Great Gatsby: A Full Spectrum Of Character |
2 / 557 |
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| The Interrelationship of |
2 / 432 |
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| The Scarlet Letter: A Symbolic Narrative |
4 / 1125 |
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| The Tempest Play Verse Movie |
2 / 556 |
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| The Trip To Halawa Valley |
2 / 455 |
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| The Woman In Black |
3 / 764 |
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| The beast |
2 / 487 |
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| Tuec |
2 / 540 |
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| the tragedies of romeo and juliet |
2 / 507 |
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| A RATIONALIZATION OF THE PRECAUTIONARY DEMAND FOR CASH |
4 / 1030 |
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| Critical Thinking |
2 / 428 |
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| control mechanism |
2 / 557 |
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| Girl |
1 / 210 |
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| hills like white elephants |
1 / 196 |
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| management principles |
3 / 854 |
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| Of Mice and Men |
2 / 586 |
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| Selecting A Global Target Market Strategy |
2 / 344 |
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| 12th Knight |
2 / 478 |
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| A Tale Of Two Cites |
3 / 603 |
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| Abigail Williams |
2 / 568 |
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| Animal Farm essay |
2 / 457 |
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| Antigone: To Bury or Not to Bury, That's the Dying Question |
5 / 1282 |
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| Aristotle |
1 / 284 |
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| Blind Ambition in Macbeth |
4 / 1121 |
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| Catcher in the Rye |
2 / 326 |
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| Character Analysis of Giles Corey in The Crucible |
4 / 1015 |
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| Childhood Home (description essay) |
2 / 472 |
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| Crucible Thoughts |
2 / 556 |
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| Death Of a Salesman |
2 / 308 |
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| Devial And Daniel Webster |
1 / 279 |
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| Dialogue in William Shakespeare's Macbeth |
2 / 447 |
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| Differences between The Birds the Movie and The Birds short story |
2 / 594 |
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| Dune-lots Of Errors |
2 / 384 |
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| Economics test |
3 / 633 |
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| Edna,Hester, and Huck |
2 / 398 |
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| Enemy-People v. Civil Action |
3 / 646 |
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| Examining Perspective in Literature |
3 / 830 |
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| Fairy Tales |
4 / 925 |
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| Frankenstein, snow balling revenge |
3 / 603 |
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| Grapes of Wrath |
3 / 815 |
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| Great Expectaions |
4 / 982 |
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| Hamlet Response Essay |
2 / 571 |
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| Hamlet'S Motive |
5 / 1489 |
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| Hidden Truth |
2 / 521 |
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| I Sell My Dreams |
2 / 428 |
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| In Cold Blood: Truman Capote's Nonfiction Murder Mystery |
2 / 352 |
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| John Steinbeck: Interview Transcript |
3 / 698 |
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| "The Lamp at Noon" setting |
2 / 439 |
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| fairytales |
1 / 232 |
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| gatsby lit |
2 / 452 |
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| hamlet revenge |
1 / 215 |
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| inspector calls |
4 / 1013 |
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| last don |
2 / 536 |
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| Mastering The Short Story |
2 / 411 |
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| Modern Drama |
4 / 1090 |
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| Motif In One Hundred Years Of Solitude |
3 / 712 |
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| Of Mice And Men |
2 / 400 |
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| Of Mice and Men |
3 / 880 |
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| Poetry: The Sky Is Filled With Laughter |
1 / 118 |
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| Race and Racism in Othello |
6 / 1741 |
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| Romeo and Juliet: Compare and Contrast |
2 / 373 |
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| Romeo and juliet |
1 / 273 |
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| Satire in Candide |
2 / 379 |
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| Scarlet Letter Protagonist Essay |
3 / 868 |
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| Signifigance Of Disease And Plauge In Hamlet |
2 / 513 |
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| The Crucible- Tragic Hero Persuasive Essay |
2 / 538 |
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| The Crucible |
2 / 539 |
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| The Crucible |
2 / 461 |
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| The Crucible |
2 / 472 |
|
| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
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| The Morality of The Scarlet Letter |
2 / 523 |
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| The Old System |
4 / 1044 |
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| The Ways Of Revealing |
1 / 216 |
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| The Wind That Shakes The Barley |
5 / 1205 |
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| The secret history |
4 / 1141 |
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| The things They Carried |
2 / 436 |
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| Theater Of The Absurd |
4 / 955 |
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| Two Types of Satan |
4 / 911 |
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| What typical aspects of Iago's character and of Shakespeares methods of presenting a character are found in Othello? |
2 / 496 |
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| Why Emily Killed Homer Barron |
3 / 766 |
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| pleasantville |
3 / 835 |
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| romeo and juliet |
2 / 513 |
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| scapegoat |
2 / 521 |
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| “The Paradox of Nature” |
4 / 917 |
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| Dads And Daughters |
2 / 534 |
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| frederick douglass |
2 / 583 |
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| Imperialisom Notes |
2 / 378 |
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| Iran-Iraq War (1980-1988) |
3 / 648 |
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| Julius Ceaser |
1 / 212 |
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| Nat |
3 / 615 |
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| polygamy |
2 / 448 |
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| Why did Director Scott Fictionalize? |
2 / 547 |
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| Cruelty In Literature |
6 / 1766 |
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| Cruelty In Literature |
6 / 1766 |
|
| Nora Helmer |
4 / 960 |
|
| A Tale Of Two Cities - Suspens |
2 / 473 |
|
| Agatha Christie |
2 / 549 |
|
| All Quiet On The Western Front |
3 / 646 |
|
| An Individual's Achievement Of Self-knowledge |
2 / 398 |
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| Big Game |
2 / 466 |
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| Black Hawk Down |
1 / 195 |
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| Brothers Karamazov |
2 / 327 |
|
| College Essay |
3 / 779 |
|
| Commentary on the Reader Response Method of Literary Analysis |
2 / 385 |
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| Essay On By The Pricking Of My |
2 / 521 |
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| Examining the Development of the Theory of Interpersonal Communication Motives |
9 / 2467 |
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| French Revolution - Motives Of Committee Of Public Safety |
3 / 688 |
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| Getting Rid Of George |
3 / 821 |
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| Great Expectaions |
4 / 982 |
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| Great Expectations |
4 / 930 |
|
| History Guidelines |
5 / 1325 |
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| How Does Miller Create Dramatic Tension In Each Of The Four Acts Of Th |
10 / 2916 |
|
| Huckleberry Finn - Conflict Between Society And The Individual |
3 / 669 |
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| I Sell My Dreams |
2 / 428 |
|
| John Huston "the Dead" |
2 / 387 |
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| Lord Of Fliez |
2 / 504 |
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| Lord Of The Flies Passage Anal |
2 / 481 |
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| Macbeth Blood Will Have Blood |
3 / 718 |
|
| Macbeth : The Tragedy |
3 / 840 |
|
| Minor Characters Influences On Major Characters |
2 / 476 |
|
| Parataxis Of Homer |
2 / 585 |
|
| Personal Response To Getting R |
3 / 821 |
|
| photograph |
1 / 217 |
|
| Regeneration analysis: The Relationship of Rivers to one of his patients |
4 / 994 |
|
| Silas Marner |
4 / 953 |
|
| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
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| Something Wicked This Way Come |
2 / 531 |
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| Something Wicked This Way Comes |
2 / 531 |
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| Sound Vs. Silence |
3 / 889 |
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| The Blue Hotel |
3 / 663 |
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| The Characters Of A Jury Of He |
3 / 674 |
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| The Crucible, John Proctor Vs. |
2 / 589 |
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| The Crucible: Belonging & Exclusion (the "other") |
7 / 2057 |
|
| The Crucilbe: Theater Project. Includes Directorial, Set, Sound, And C |
6 / 1709 |
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| The Hobbit |
1 / 197 |
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| The Sun Also Rises |
1 / 275 |
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| The "Sunny Side of Truth": The Hidden Truth |
5 / 1263 |
|
| transformers |
2 / 558 |
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| whO |
2 / 541 |
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| "Orange Juice" (The Godfather) |
3 / 891 |
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| Billy Elliot |
2 / 461 |
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| Fen review |
3 / 688 |
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| Intermezzo in A major by Brahms |
1 / 191 |
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| John Huston "the Dead" |
2 / 387 |
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| l.a confidential film noir |
4 / 952 |
|
| Neil Simon, The Most Successful Playwright In The History Of Theatre |
5 / 1315 |
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| Neon Genesis Evangelion |
1 / 159 |
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| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
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| Remember the titans Informal Roles of Characters |
2 / 379 |
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| Romeo and Juliet: Compare and Contrast William Shakespeare's and Baz Luhrman |
2 / 470 |
|
| to kill a mocking bird |
1 / 235 |
|
| DEontology |
1 / 195 |
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| Ethics |
5 / 1253 |
|
| Euthanasia |
3 / 633 |
|
| How to Do Philosophypad |
1 / 241 |
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| Last hurrah-Character |
2 / 315 |
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| Lol |
2 / 496 |
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| Critical thinking |
2 / 520 |
|
| Dreams |
3 / 836 |
|
| Three theories of Psychology |
3 / 665 |
|
| Holy Dissatisfaction |
1 / 211 |
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| Religious Meaning Of The Birthright Story |
5 / 1369 |
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| Cladistics |
2 / 499 |
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| Gregor Mandel |
1 / 172 |
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| Bonnie and Clyde - bad image given to audience |
2 / 334 |
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| Feminism and plastic surgery |
3 / 632 |
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| Input And Output Devices |
2 / 549 |
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