| Title |
Pages / Words |
Save |
| The Grifters |
2 / 565 |
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| Masculinity in Hemingway |
4 / 1195 |
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| Of Mice and Men |
2 / 353 |
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| Glory |
1 / 283 |
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| 2001 A space odyssey |
2 / 566 |
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| Almos' a Man |
1 / 234 |
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| Book Review |
2 / 473 |
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| Final |
2 / 497 |
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| History x |
2 / 351 |
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| Malcolm X |
2 / 549 |
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| Miss |
1 / 251 |
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| Jean-Michel Basquiat |
2 / 409 |
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| Me |
1 / 262 |
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| Nino Rota |
1 / 129 |
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| Abc |
2 / 347 |
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| sex |
2 / 343 |
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| summer reading |
2 / 519 |
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| THE STING |
2 / 553 |
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| The Altar of the Family |
3 / 623 |
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| ecommerce |
1 / 258 |
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| Globalization |
2 / 329 |
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| Hello |
2 / 391 |
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| A Feminine Change of Times |
3 / 772 |
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| A Streetcar themes |
1 / 236 |
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| ARTS |
3 / 716 |
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| Chekhov And Oates "The Lady With The Pet Dog" Comparison |
3 / 669 |
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| Chicken Run |
2 / 363 |
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| Crash Overview |
2 / 380 |
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| Cultural Analysis of Boyz N the Hood |
6 / 1603 |
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| Fight club |
4 / 1041 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Harry Potter and the Camber of Secrets |
2 / 557 |
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| Hegemonic Masculinity In The Jay-Z / Nas Beef |
5 / 1417 |
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| Identity in King Lear |
4 / 1192 |
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| James Bond |
1 / 295 |
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| Jaws |
1 / 145 |
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| about a boy |
3 / 712 |
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| Macbeth |
2 / 387 |
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| Male Body Image |
1 / 255 |
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| Masculinity in Laura and Vertigo |
9 / 2698 |
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| Masculinity |
6 / 1614 |
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| Of Mice And Men |
2 / 353 |
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| Prior'S Fear Of Emasculation In Regeneration |
2 / 453 |
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| Requiem for a Dream |
2 / 328 |
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| Romeo and Juliet: 1968 vs. 1996 films |
1 / 162 |
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| Saving Private Ryan Help Sheet |
2 / 320 |
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| Struggling With Subjectivity: A Comparative Critique of Susan Faludi's |
5 / 1464 |
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| Sylvia Makes a Choice |
2 / 558 |
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| Term Paper |
1 / 141 |
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| The Relationship between Cruelty and Masculinity |
2 / 315 |
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| The Truman Show |
2 / 525 |
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| The Yellow Wallpaper |
3 / 855 |
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| Things Fall Apart Is |
1 / 220 |
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| Things Fall Apart |
3 / 727 |
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| Twelve Angry Men film review |
2 / 476 |
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| We put the Male back into Masculinity and Male Psyche |
4 / 1137 |
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| White Man's Muscles |
4 / 908 |
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| Yellow Wallpaper |
2 / 436 |
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| masculinity on the line |
3 / 769 |
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| romeo and juliet |
3 / 652 |
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| sunday too far away |
1 / 284 |
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| things fall apart |
2 / 309 |
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| Ca Twiste a Popenguine |
1 / 123 |
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| Magazines |
2 / 463 |
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| rabbit poof fence |
2 / 547 |
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| Sexuality in Shanghai |
1 / 245 |
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| The U.S. vs. John Lennon |
2 / 305 |
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| A film I have seen |
2 / 523 |
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| Anaylsis Of The Film: Fight Club |
4 / 1092 |
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| animal farm reveiw |
1 / 260 |
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| Black Hawk Down |
1 / 195 |
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| Black Is Black Aint |
3 / 663 |
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| critical analysis |
3 / 731 |
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| Discuss the view that a variety of feminine and masculine |
4 / 1002 |
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| Dramatic Tragedy |
2 / 393 |
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| Existentialism |
1 / 295 |
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| Gender And Communication |
3 / 771 |
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| Gender Relations and Roles |
3 / 689 |
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| Heterosexual Masculinity and Homophobia |
3 / 618 |
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| Homophobia In Society |
5 / 1294 |
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| Is One Rodman Enough |
3 / 895 |
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| kodak |
2 / 478 |
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| Masculinity |
3 / 770 |
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| Masculinity |
3 / 840 |
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| Misunderstanding Men And Women |
4 / 1110 |
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| Misunderstanding Men And Women |
8 / 2223 |
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| Process Of Processing |
2 / 430 |
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| Roger And Me |
2 / 410 |
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| The Birds |
2 / 505 |
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| The Contemporary Male ? The New masculinity in Film |
2 / 504 |
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| The Sting |
2 / 553 |
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| To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? |
8 / 2206 |
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| Visions And Voices |
1 / 196 |
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| Zefferelli Vs. Luhrmann |
1 / 210 |
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| 12 Angry Men |
1 / 171 |
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| 12 Monkeys |
2 / 513 |
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| 2004 Stepford Wives |
1 / 300 |
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| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| After The Sunset |
2 / 323 |
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| Aliens and Feminism |
1 / 125 |
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| Anaylsis Of The Film: Fight Club |
4 / 1092 |
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| Baz R+J |
1 / 126 |
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| Becoming A Man |
6 / 1741 |
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| Billy Elliot |
2 / 342 |
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| Blaire Witch review |
2 / 475 |
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| Cabaret |
2 / 441 |
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| Casablanca - a feminist perspective |
2 / 587 |
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| Casablanca |
3 / 663 |
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| Chinatown |
2 / 377 |
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| Classical Hollywood narrative |
2 / 342 |
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| Comparative Essay between Save The Last Dance and Centerstage |
2 / 347 |
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| count of monte cristo |
1 / 242 |
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| Day For night |
1 / 242 |
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| Enter Achilles |
5 / 1421 |
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| FIGHT CLUB: IDENTITY, MISRECOGNITION AND MACULINITY |
4 / 923 |
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| Fight Club Analysis |
5 / 1228 |
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| Fight Club |
1 / 253 |
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| Film Methodologies - Point Break (1991) |
4 / 1084 |
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| Film genres |
2 / 479 |
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| Finding Forrester |
1 / 245 |
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| Franco Zeffili's Film Version Of Romeo And Juliet |
1 / 211 |
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| fight club |
4 / 1092 |
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| fight club |
1 / 284 |
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| fight club |
4 / 945 |
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| full monty |
2 / 414 |
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| Gallipoli |
2 / 574 |
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| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
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| Hitchcock'S Shadow Of A Doubt |
3 / 611 |
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| Interpretations Of Kite Runner |
2 / 314 |
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| John Woo: from Hong Kong to Hollywood, The Killer and Face/Off |
3 / 859 |
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| King |
2 / 301 |
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| LA confidential |
2 / 305 |
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| Lisa Lewis Paper |
2 / 573 |
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| Memento |
2 / 380 |
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| Midsummer Nights Dream |
2 / 345 |
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| Moulin Rouge |
3 / 649 |
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| Moulin Rouge |
1 / 266 |
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| media content reflects changing dominant discourses about femininity and masculinity. |
8 / 2112 |
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| movie philadelphia |
1 / 271 |
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| Nestorian Order Essay on Little Shop of Horrors |
2 / 320 |
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| of mice and men movie review |
1 / 267 |
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| Psycho |
1 / 223 |
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| Raisin in the Sun |
2 / 353 |
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| Reading Summary: Amplification of Sound |
2 / 316 |
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| Red Sorghum |
6 / 1631 |
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| Reflection Essay On Tough Guise |
2 / 563 |
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| Romeo + Juliet: An E Ticket Ride |
3 / 728 |
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| Saving Private Ryan |
2 / 354 |
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| Spike Lee Analysis |
2 / 338 |
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| Starship Troopers |
3 / 708 |
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| sterphen spielberg |
3 / 605 |
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| student |
1 / 191 |
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| Terrific looking film, especially during this era |
2 / 559 |
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| The Chinese Connection: Reconstructing Masculinity through Adversity |
2 / 542 |
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| The Meaning Behind...Fight Club |
5 / 1225 |
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| The Program |
5 / 1248 |
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| The Wild Bunch |
2 / 375 |
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| Thoughts on Tania Modleski's "Cinema and the Dark Continent: Race and Gender in Popular Film" |
1 / 263 |
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| Wizard Of Oz |
1 / 185 |
 |
| Women in contemporary horror films |
6 / 1715 |
 |
| what makes an excellent film |
2 / 491 |
 |
| Ass |
2 / 482 |
 |
| &^firye |
2 / 333 |
 |
| 12 Angry Men |
1 / 277 |
 |
| Culture and Gender Roles |
2 / 307 |
 |
| Fred Astaire |
1 / 261 |
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| Male Expectations |
5 / 1252 |
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| Representations Of Masculinity And Femininity In Miguel Street |
2 / 484 |
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| rock |
1 / 202 |
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| How contemporary should the church be? |
2 / 487 |
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| Condoms, STD's, & Pregnancy |
3 / 753 |
 |
| Process Of Processing |
2 / 430 |
 |
| american history x |
2 / 365 |
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| asian |
2 / 568 |
 |
| Berdache |
1 / 224 |
 |
| Buffy, The Vampire Slayer: A Gender Discussion |
5 / 1486 |
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| Crime, Violence and Masculinity |
6 / 1518 |
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| Determination of Man's Role in Latin America |
5 / 1426 |
 |
| Fight Club: Analysis of novel and film |
6 / 1520 |
 |
| feminism and masculinity |
3 / 770 |
 |
| Gender Roles in Society |
3 / 629 |
 |
| History Of Sexuality |
2 / 501 |
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| How Women Are Viewd |
3 / 747 |
 |
| Males, Media, and Violence(incomplete) |
6 / 1613 |
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| Males, Media, and Violence |
6 / 1692 |
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| Masculinity..falling? |
2 / 340 |
 |
| Misunderstanding Men And Women |
4 / 1110 |
 |
| Rabbit Proof Fence |
2 / 479 |
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| Sorority Girl |
3 / 617 |
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| society |
3 / 625 |
 |
| The Influence Of The Interdependent Relationship Between Gender And ‘The Gaze’ On Contemporary Beauty Ideals |
4 / 1006 |
 |
| The Swahili Coast |
1 / 294 |
 |
| The percieved Cost's of Masculinity |
2 / 463 |
 |
| true test of greatness of a work of art is its ability to be understood by the masses |
1 / 256 |
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| Women and Careers |
3 / 820 |
 |
| culture |
2 / 323 |
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| grouping |
2 / 308 |
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| PHOTOSHOP LAB REPORT |
2 / 391 |
 |
| The Best Paper |
1 / 77 |
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