| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
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| Our Town |
2 / 384 |
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| The Turn of A Screw |
2 / 543 |
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| American Revolution |
2 / 337 |
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| Glory |
2 / 352 |
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| Hit or Miss |
5 / 1227 |
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| Agatha Christie Biography |
2 / 342 |
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| Me |
1 / 262 |
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| Tashell |
2 / 383 |
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| Age Of Innocence |
3 / 826 |
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| Arthur Andersen: Questionable Accounting Practices |
3 / 620 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Burr, Hamilton, & Jefferson: A study in character |
2 / 545 |
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| client vs snow in august |
2 / 532 |
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| conformity |
2 / 449 |
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| Farewell to Manzanar Book Review |
2 / 538 |
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| Fate And Feminism |
2 / 476 |
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| flaner o'conner |
1 / 227 |
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| great gatsby - nick |
1 / 256 |
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| Hawthorne |
2 / 464 |
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| Hiroshima - John Hersey |
2 / 496 |
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| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
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| I'm Not Scared |
2 / 474 |
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| Intensity |
1 / 279 |
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| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
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| November Blues |
2 / 442 |
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| Plea Bargainning |
4 / 1146 |
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| Prejudice in To Kill a Mockingbird |
3 / 780 |
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| pride and prejudice |
3 / 876 |
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| Red Badge Of Courage |
2 / 389 |
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| Revelation |
3 / 771 |
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| THE STING |
2 / 553 |
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| The Age of Innocence |
3 / 817 |
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| The Celestine Prophecy |
2 / 429 |
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| The Great Gatsby: Realism |
3 / 635 |
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| The Odyssey |
2 / 564 |
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| The most dangerous game |
3 / 602 |
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| To Kill A Mocking Bird from Tom Robinson's View Point |
4 / 1040 |
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| to kill a Mockingbird |
3 / 639 |
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| to kill a mockingbird |
2 / 384 |
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| Waiting for Godot |
6 / 1669 |
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| Business Law - Ethics - Grand theft Auto |
6 / 1744 |
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| Clear Channel Outdoor Inc. Loses Appeal of Tucson's Signage Law |
3 / 699 |
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| Discriminatory |
5 / 1279 |
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| Legal Concepts |
3 / 663 |
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| Pest Analysis |
3 / 657 |
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| Student |
2 / 429 |
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| 12 Angry Men |
2 / 405 |
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| 12angrymen |
2 / 427 |
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| 12th night |
1 / 254 |
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| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
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| Advanced level |
3 / 723 |
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| Analysis On Hamlet |
2 / 514 |
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| Antigone and Aristotle |
2 / 469 |
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| Antigone: A Woman Who Believes In The Power Of Women |
7 / 2030 |
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| Character Transformations In DH Lawrence's "The Blind Man" And "The Ho |
2 / 549 |
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| Characterization in Salinger's Nine Stories |
3 / 639 |
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| Characterization through deviation of plot: The evolution of the main characters in "Girl" and "Lust" |
3 / 672 |
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| Characterization |
4 / 1116 |
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| Comment On Three Fictional Writers |
2 / 544 |
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| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
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| Comparing Life Of Pi &Amp; White Teeth |
3 / 698 |
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| Comparison Between King Lear and A Thousand Acres |
2 / 497 |
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| DIE FLEDERMAUS |
3 / 751 |
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| Death of a Salesman |
2 / 493 |
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| Deception Illustrated by Characters in Othello |
4 / 1001 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Discussion Of Local Color In Mark Twain |
3 / 891 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Frankenstein |
2 / 500 |
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| Greasy Lake |
2 / 509 |
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| Hamlet Vs. Macbeth |
2 / 512 |
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| Hills Like White Elephants |
3 / 791 |
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| House of Sand and Fog |
2 / 536 |
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| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
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| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| Iago's Vengefulness |
2 / 522 |
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| Invisible Man Revision |
1 / 261 |
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| Is Frankenstein Modern? |
3 / 644 |
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| Isolation Effects on Melville and Hawthorne characters |
1 / 218 |
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| Jackie Robinson |
1 / 214 |
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| King Lear |
3 / 622 |
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| "No Sugar" Essay |
3 / 655 |
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| "Tender is the Night" Zeigiest |
2 / 411 |
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| a rose for emily |
2 / 323 |
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| about a boy |
3 / 712 |
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| importance of being ernest |
3 / 692 |
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| “The Destructors” And “The Rocking Horse Winner” |
3 / 771 |
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| Love/Hate in Much Ado About Nothing |
3 / 629 |
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| MacBeth |
3 / 647 |
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| Macbeth Essay |
2 / 416 |
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| Of Mice and Men |
3 / 613 |
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| Of Violence |
3 / 622 |
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| Ollie Vs. The Dragon |
2 / 574 |
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| Pit and Pendulum movie vs book |
2 / 301 |
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| Romeo and Juliet Speech |
2 / 349 |
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| Stereotypes In Print Texts Legally Blonde |
3 / 607 |
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| The Crucible |
2 / 449 |
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| The Death Penalty |
4 / 1189 |
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| The Tragic End Of Romeo And Juliet Was The Result Human Action Not Fate As The Prologue Suggests. |
2 / 476 |
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| Theme of Opposites Within King Lear |
2 / 591 |
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| Theory Of Character And Characterization |
4 / 972 |
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| There are no Characters in The Scarlet Letter |
3 / 814 |
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| To kill a Mockingbird |
4 / 1085 |
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| Transition to wholeness |
2 / 549 |
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| Woah Dude |
3 / 700 |
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| rasin in the sun |
2 / 429 |
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| storm, chrysanthemums, the yellow wallpaper |
3 / 703 |
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| the Role of the Intrusive narrator/ author |
2 / 444 |
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| wuthering heights |
2 / 469 |
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| Brave New World And 1984 |
2 / 345 |
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| History |
2 / 517 |
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| Lizzie Borden--Spinster or Murderer |
4 / 951 |
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| Sheppard v Maxwell Landmark Case |
4 / 961 |
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| sacco and venzetti |
5 / 1209 |
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| The greatest paper ever written |
3 / 872 |
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| Branches Of Government |
7 / 1857 |
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| A Review Of Lessing's "flight" |
2 / 587 |
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| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
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| Age Of Innocence |
3 / 826 |
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| Antigone: A Woman Who Believes In The Power Of Women |
7 / 2030 |
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| animal farm reveiw |
1 / 260 |
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| Barn Burning 2 |
2 / 401 |
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| Barn Burning |
2 / 401 |
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| Carvers Realism From Fires |
4 / 1153 |
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| Character Transformations In Dh Lawrence's "the Blind Man" And "the Ho |
2 / 549 |
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| Charater and Plot Master Harold and the boys. |
2 / 510 |
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| Compare And Contrast On Characters Rayona And Pearl |
2 / 447 |
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| Compare Of Naturalism In "The Jungle" And "Maggie" |
2 / 368 |
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| Court Report |
9 / 2462 |
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| Cyrano The Bergerac - Love |
3 / 667 |
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| David Hicks Speech |
3 / 842 |
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| Death Of A Salesman - Minor Characters |
2 / 471 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| drama unit |
1 / 237 |
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| E. M. Forster |
4 / 966 |
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| Eleanor Rigby |
2 / 384 |
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| Greek Actors |
2 / 339 |
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| Harry Potter And The Sorcerers Stone |
1 / 230 |
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| Hash Tables |
2 / 558 |
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| Legal System Identification, Comparison, And Analysis Internal Memorandum |
9 / 2453 |
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| Lives on the boundary a book report |
1 / 262 |
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| Lost |
2 / 325 |
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| Morality In America |
1 / 300 |
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| me3 coursework |
2 / 361 |
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| Never The Sinner - Production Critique |
3 / 826 |
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| Never say Never |
4 / 1051 |
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| Othello - Change Of Character |
3 / 878 |
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| Othello 6 |
3 / 724 |
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| Passion Play Evaluation |
2 / 507 |
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| Power of Advertising |
2 / 510 |
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| prose analysis |
2 / 429 |
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| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
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| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
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| Romeo And Juliet - Minor Characters Influences On Major Char |
2 / 476 |
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| Romeo And Juliet - Vs Much Ado About Nothing |
2 / 554 |
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| Romeo And Juliet Vs Much Ado A |
2 / 554 |
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| Stephen Truscott case |
3 / 729 |
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| Talley's Folly |
3 / 679 |
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| The Age Of Innocence |
3 / 817 |
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| The Artificial Family |
3 / 653 |
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| The Injustice Of Slavery |
2 / 373 |
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| The Longest Memory |
3 / 701 |
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| The Odyssey - Comparing The Ro |
3 / 832 |
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| The Sting |
2 / 553 |
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| Truth Is An Objective |
2 / 318 |
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| the ant and the grasshopper |
1 / 38 |
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| Violence In Athletes |
2 / 331 |
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| Writing Style And The Reader - |
1 / 266 |
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| 12 Angry Men |
6 / 1665 |
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| crash characters |
1 / 258 |
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| Eat Drink Man Woman |
2 / 551 |
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| Film genres |
2 / 479 |
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| jack black |
2 / 514 |
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| Requiem For A Dream |
2 / 436 |
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| Stranger On A Train |
2 / 423 |
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| taxi driver |
1 / 275 |
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| defence of socrates |
1 / 265 |
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| No Exit |
1 / 274 |
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| Socrates' trials |
2 / 304 |
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| The Apology |
9 / 2529 |
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| the unexamined life is not worth living |
3 / 759 |
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| Behold the Dreamer Cometh |
2 / 463 |
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| Aviation Law Process |
4 / 1171 |
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| Brain |
3 / 658 |
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| The day after tomorrow |
2 / 471 |
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| Abuse of Process |
2 / 305 |
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| Case Briefing: People V Goetz |
3 / 700 |
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| Children, Television, and Violence |
2 / 584 |
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| Coping with Poverty |
4 / 908 |
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| Crash |
1 / 275 |
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| Euthanasia |
3 / 871 |
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| Hate crimes |
5 / 1379 |
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| Joe |
2 / 311 |
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| Judicial System Reform |
5 / 1477 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
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| Mumia Abu-Jamal |
4 / 1032 |
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| Murder |
3 / 806 |
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| Sacco and vanzetti |
8 / 2110 |
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| Turner V. Ashcroft |
1 / 277 |
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