| Title |
Pages / Words |
Save |
| To Kill A Mocking Bird - Boo Radley |
1 / 280 |
 |
| Comparison of 2 articles |
4 / 912 |
|
| calebs choice |
2 / 532 |
|
| Everyday Use |
3 / 629 |
|
| ernest hemmingway |
4 / 1093 |
|
| love |
2 / 317 |
|
| Richard Strauss |
2 / 421 |
|
| An Analysis Of Hawthorne's Short Stories |
3 / 797 |
|
| Animal Farm's Clover: Not Just Some Horse |
2 / 416 |
|
| a knights tale analysis |
1 / 202 |
|
| Bean Trees |
1 / 242 |
|
| Beowulf: Unferth, The Same Martyr |
2 / 478 |
|
| brighton rock book review |
2 / 327 |
|
| Catch 22 |
3 / 835 |
|
| Character Analysis Of Arthur Dimmesdale In "the Scarlet Letter" |
2 / 475 |
|
| Conflict and The Secret River |
2 / 570 |
|
| Dancing With Wolves |
3 / 627 |
|
| Dr. Smith |
2 / 574 |
|
| Earth 2 puzzle |
3 / 728 |
|
| Fallen angels |
2 / 359 |
|
| Great Expectations |
1 / 224 |
|
| great gatsby |
2 / 379 |
|
| Harry Potter |
2 / 317 |
|
| I Stand Here Ironing |
2 / 589 |
|
| I'm Not Scared |
2 / 474 |
|
| IVAN DENISOVICH |
2 / 392 |
|
| Of Mice and Men - Theme of Loneliness |
2 / 551 |
|
| On the Road |
1 / 41 |
|
| Othello: Shakespeare's Most Tragic Play |
2 / 519 |
|
| Red Plaid Shirt |
3 / 660 |
|
| Scarlet Letter |
3 / 611 |
|
| The Great Gatsby |
3 / 626 |
|
| The Outsiders |
2 / 567 |
|
| The Sound and the Fury |
9 / 2593 |
|
| The Tao of Pooh |
2 / 552 |
|
| The Things They Carried: Possessions Of Character |
2 / 381 |
|
| The gReat Gatsby-superficial characters |
2 / 380 |
|
| The story of an Hour |
3 / 631 |
|
| To Kill A Mockingbird Response |
1 / 266 |
|
| Treasure Island |
2 / 473 |
|
| War of the Worlds Intro |
1 / 270 |
|
| White Shark |
1 / 258 |
|
| Business |
1 / 297 |
|
| Documentary |
3 / 742 |
|
| 12th Knight |
2 / 478 |
|
| A Dead Lion |
3 / 880 |
|
| A Dolls House" and "The Glass Menagerie |
4 / 988 |
|
| A Good Man Is Hard To Find |
2 / 438 |
|
| A Literary Reading of Edgar Allan Poe's "The Cask of Amontillado" Using Traditional Approach |
2 / 440 |
|
| A man for all seasons |
3 / 786 |
|
| AP lit Q. 3 Conflicts between society and the individual's desires |
2 / 398 |
|
| Abigail Williams |
2 / 568 |
|
| Analysis Was It A Dream |
2 / 331 |
|
| Aristotle |
1 / 284 |
|
| Billy Budd, Sailor, by Herman Melville |
2 / 582 |
|
| Brecht's influence on the glass menagerie |
2 / 589 |
|
| Brutus-Tragic Hero |
2 / 501 |
|
| Character Analysis of Roger ChillingWorth |
3 / 621 |
|
| Character Essay |
3 / 804 |
|
| Character and Plot in "Why I live in the P.O." |
3 / 690 |
|
| Charcter description |
2 / 574 |
|
| Comparative Analysis |
3 / 785 |
|
| Comparing Productions Of Hamlet |
5 / 1350 |
|
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
|
| Conflict, Racism, and corruption an in-depth analysis into the movie "Crash" |
3 / 826 |
|
| Crucible |
2 / 337 |
|
| Death Of A Salesman And The Playboy Of The Western World “While The Momentum Of The Play Is Carried By Major Characters, There Is Often A Significant Minor Character Who Is A Catalyst For Change Or Enlightenment.” Compar |
3 / 785 |
|
| Description Of Abigail's Character |
2 / 326 |
|
| Dumper |
1 / 282 |
|
| Dupin’S Character: The Murders In The Rue Morgue |
2 / 560 |
|
| Effectiveness of Point of View |
3 / 836 |
|
| Elements Of Evil In Beowulf |
3 / 655 |
|
| Essay On Chapter One In 'Siddhartha' By Herman Hesse |
3 / 804 |
|
| Everyday Use |
2 / 559 |
|
| Fences as metaphor in Lanford Wilson's "Fences" |
1 / 231 |
|
| Fences*the Play* |
2 / 466 |
|
| Good Role Model |
3 / 870 |
|
| Hamlet and his problems |
7 / 2053 |
|
| Hamlet |
1 / 245 |
|
| Happy Darky |
2 / 342 |
|
| How To Change The World |
2 / 477 |
|
| Identity in King Lear |
4 / 1192 |
|
| Jane Eyre |
3 / 606 |
|
| Judge Pynchion |
2 / 422 |
|
| Learning Shakespeare |
2 / 303 |
|
| aristotle's definition of tragedy |
2 / 563 |
|
| harry potter |
2 / 302 |
|
| king lear |
6 / 1507 |
|
| Lord of The Flies: Character Analysis of Ralph |
2 / 493 |
|
| Macbeth Gaps in Silences |
3 / 656 |
|
| Macbeth |
19 / 5628 |
|
| Metamorphasis |
2 / 308 |
|
| Mica and men review |
2 / 366 |
|
| Mood Essay |
1 / 298 |
|
| Oedipus Rex |
3 / 717 |
|
| Othello- Tragic hero |
2 / 465 |
|
| Othello: The Tragic Hero |
3 / 791 |
|
| Point of View in Young Goodman Brown |
3 / 648 |
|
| Raw |
2 / 561 |
|
| Saboteur |
1 / 290 |
|
| So Much To Tell You |
2 / 561 |
|
| Techniques to Tragedies |
3 / 652 |
|
| The Dramatic Uses of Intoxication in Shakespeare's play "The Tempest" |
8 / 2128 |
|
| The Great Gatsby |
2 / 444 |
|
| The Ivory Trail |
1 / 298 |
|
| The Jungle |
2 / 434 |
|
| The Love and the Nightgale |
2 / 566 |
|
| The Win |
2 / 387 |
|
| The pearl |
1 / 273 |
|
| The secret history |
4 / 1141 |
|
| Three Short Works |
2 / 342 |
|
| Tragedy |
3 / 700 |
|
| Transcendentalism |
2 / 509 |
|
| Violence in "Greasy Lake" and "The things They carried" |
3 / 873 |
|
| Zaroff |
2 / 365 |
|
| not waving but drowning |
3 / 834 |
|
| roses |
3 / 678 |
|
| success |
3 / 828 |
|
| sunday too far away |
1 / 284 |
|
| the 7 habits |
1 / 256 |
|
| the necklace: luxury a want or need |
2 / 317 |
|
| the yellow wallpaper |
3 / 664 |
|
| Shakespeare: One of the Greatest Writers in the \ |
4 / 1097 |
|
| The Pardoner And The 'brothers' |
2 / 505 |
|
| 1984 summary, and discussion q's |
1 / 253 |
|
| A Comparison Of The Characters |
2 / 484 |
|
| A Good Role Model |
3 / 742 |
|
| A Good Role Model |
3 / 867 |
|
| A good Role Model |
3 / 745 |
|
| Assumptions And Values (othell |
3 / 820 |
|
| Atigone |
2 / 562 |
|
| Atigone |
2 / 562 |
|
| Beowulf: Grendel |
2 / 406 |
|
| Bontsha And Gimpel |
3 / 617 |
|
| Brave New Worlds Social Outcas |
3 / 616 |
|
| Character Essay |
3 / 804 |
|
| Character Sketch Of Nora |
2 / 334 |
|
| Dr. Jekyle And Mr. Hyde - Book Report |
3 / 616 |
|
| Earth 2 Puzzle |
3 / 735 |
|
| Earth 2 Puzzle |
3 / 728 |
|
| Elements Of Evil In Beowulf |
3 / 655 |
|
| Elements Of Fiction |
2 / 516 |
|
| Ethan From And Their Eyes Wer |
3 / 637 |
|
| Ethical Filter Worksheet |
1 / 260 |
|
| Farewell To Arms 6 |
2 / 381 |
|
| Fate In Macbeth |
4 / 1061 |
|
| Fences*the Play* |
2 / 466 |
|
| Fenses |
2 / 466 |
|
| Full Stop, Why Apes Look Like People And The Escape |
5 / 1225 |
|
| Hamlet Vs Laertes |
2 / 436 |
|
| Herman Melville 2 |
2 / 425 |
|
| Herman Melville |
2 / 425 |
|
| Insight On Necrophilia,whats T |
3 / 638 |
|
| i go along |
2 / 317 |
|
| judging tv |
2 / 335 |
|
| King Lear - Fool's Character |
4 / 1099 |
|
| Light And Darkness In The Scarlet Letter |
2 / 568 |
|
| Metamorphasis of Michael Jennings |
3 / 763 |
|
| Movoda Rules |
2 / 400 |
|
| My Last Duchess 2 |
2 / 489 |
|
| Once More To The Lake |
1 / 257 |
|
| Othello - The Tragic Hero |
3 / 791 |
|
| Othello 7 |
3 / 843 |
|
| Othello |
3 / 843 |
|
| Paradise Lost vs Genesis - the differing Adams |
3 / 778 |
|
| Review of Arsenic and Old Lace |
1 / 176 |
|
| Roll Of Thunder Hear My Cry |
2 / 600 |
|
| Roll Of Thunder, Hear My Cry |
2 / 600 |
|
| Sound Vs. Silence |
3 / 889 |
|
| summer flower |
2 / 350 |
|
| The Da Vinci Code, Silas's Strengths and Weaknesses |
2 / 577 |
|
| The Great Gatsby - Nick Carroway's Role |
3 / 805 |
|
| The Jungle |
2 / 434 |
|
| The Stone Angel - Character An |
2 / 576 |
|
| The World of Wrestling |
2 / 477 |
|
| To Kill A Mockingbird |
1 / 287 |
|
| Trouble With Bill Clinton's Character |
3 / 647 |
|
| Unmistakble Things |
2 / 350 |
|
| Wuthering Heights |
3 / 607 |
|
| Wuthering Heights |
3 / 607 |
|
| Yellow Wallpaper 5 |
5 / 1315 |
|
| 12 angry men |
2 / 406 |
|
| Archetypes in Horror Films |
3 / 638 |
|
| Critique of One Flew Over the Cuckoo's Nest |
2 / 487 |
|
| Fight Club |
2 / 470 |
|
| LA STORY AND SHAKESPEARE |
5 / 1450 |
|
| North Country |
1 / 251 |
|
| Swordfish |
2 / 441 |
|
| Are humans good or evil by nature? |
5 / 1413 |
|
| Aristotle's Mean Applied to Acting Technique |
4 / 1135 |
|
| aristotle's views on education |
2 / 403 |
|
| Nicomachean Ethics on Moral Virtue |
5 / 1372 |
|
| Nicomachean Ethics |
2 / 524 |
|
| Personal Identity |
2 / 558 |
|
| Personal Identity |
2 / 558 |
|
| American Culture |
3 / 619 |
|
| Dreams: Nightmares The Myths & Facts About It! |
5 / 1310 |
|
| Feminism |
3 / 740 |
|
| History Of Sexuality |
2 / 501 |
|
| Philadelphia |
1 / 236 |
|
