| Title |
Pages / Words |
Save |
| The Virgin And The Gypsy |
7 / 1938 |
 |
| Snow Falling on Cedars |
3 / 633 |
|
| Dramatic irony in Oedipus Rex |
3 / 741 |
|
| Homecoming By Bruce Dawe |
2 / 456 |
|
| Wild Straberries Theme |
2 / 561 |
|
| Paul's Case The Movie Vs. Paul's Case The Short Story |
3 / 841 |
|
| Insensitive Setting |
3 / 790 |
|
| The Spire: How does Golding show the contrast between the world of faith and the real world in chapter 2? |
3 / 698 |
|
| Bladerunner - Humanity And Nature |
6 / 1787 |
|
| Othello's Decline |
2 / 573 |
|
| On the Road Essay |
2 / 526 |
|
| color purple a classic |
2 / 512 |
|
| "Final Love Note" Explication |
3 / 622 |
|
| White Angel Analysis |
4 / 945 |
|
| The Importance of Being Piggy |
5 / 1334 |
|
| kubla khan |
1 / 255 |
|
| Superficiality vs. Reality: an Analysis of Guy de Maupassant~{!/~}s ~{!0~}The Necklace~{!1~} |
4 / 1091 |
|
| sMargaret Atwood's Thirty Years of Experience Help Her Value the Importance of Language, Not Only as a Writer, But also as a Human. |
4 / 962 |
|
| Dulce et Decorum Est |
3 / 603 |
|
| Every Grain of sand |
5 / 1264 |
|
| Khe Sahn |
3 / 687 |
|
| Symbolism in A Christmas Carol |
4 / 1148 |
|
| Antigone and A Rasin in the Sun |
7 / 1815 |
|
| Quote the Parrot, “Nevermore” |
2 / 558 |
|
| the red azalea on the cliff |
2 / 533 |
|
| Barbie Doll |
4 / 987 |
|
| Abe |
5 / 1206 |
|
| Macbeth's Guilty Conscience |
1 / 194 |
|
| story of an hour |
5 / 1292 |
|
| The Convergence of Twain v. Ozymandias |
2 / 556 |
|
| The Rocking-Horse Winner |
3 / 620 |
|
| Commentary Margaret Atwood |
1 / 207 |
|
| amiracan soup |
1 / 194 |
|
| Symbolism in Sir Gawain and the Green Knight |
4 / 1150 |
|
| Tanning Beds vs Sunless Tanner |
4 / 1120 |
|
| Symbolism In The Scarlet Lette |
3 / 794 |
|
| protest poetry |
5 / 1437 |
|
| J.d. Salinger |
6 / 1508 |
|
| Fahrenheit 451-Symbolism |
2 / 530 |
|
| SHoe Horn Sonata Speech |
4 / 983 |
|
| Bliss |
2 / 494 |
|
| scarlet letter |
2 / 557 |
|
| Universal Human Experience in Arthurian Legend |
3 / 856 |
|
| Rime Of The Ancient Mariner |
6 / 1522 |
|
| CRITICAL ANALYSIS ON "GODFATHER DEATH" |
4 / 988 |
|
| Symbolism |
5 / 1456 |
|
| Symbolism |
5 / 1456 |
|
| Billy Budd |
1 / 228 |
|
| My Oedipus Complex |
3 / 696 |
|
| Poe's Sea Tales |
2 / 514 |
|
| Adam's Curse |
4 / 944 |
|
| History and Demographics |
2 / 564 |
|
| Elements In "The Road Not Taken" |
3 / 620 |
|
| The Lord of The Flies |
3 / 627 |
|
| Dulce et Decorum Est |
2 / 593 |
|
| To Kill A Mockingbird |
4 / 1035 |
|
| the road not taken |
3 / 726 |
|
| The Study Of Imagery In Adrian |
5 / 1218 |
|
| Mark Twain's Advice to youth |
3 / 795 |
|
| American Psycho: Analysis Of Novel And Movie Production |
6 / 1574 |
|
| Rhetorical Analysis on "Shooting an Elephant" |
3 / 789 |
|
| A Farewell To Arms Is A Classi |
4 / 1148 |
|
| A Stranger In The Wood |
3 / 748 |
|
| Ernest Hemingway's Hills Like White Elephants. |
4 / 1056 |
|
| An Occurrence on Owl Creek Bridge |
3 / 606 |
|
| Barn Burning |
4 / 1017 |
|
| Oates' "where Are You Going, Where Have You Been?": Arnold Fiend |
2 / 531 |
|
| hills like white elephants |
3 / 775 |
|
| Hemmingway 2 |
1 / 229 |
|
| How Shakespeare Uses Dramatic Devices In Act 3 Scene 1 Of Romeo |
3 / 610 |
|
| symbolism in the secret lion |
3 / 712 |
|
| transformations |
5 / 1207 |
|
| Themes in "Lord of the Flies" |
2 / 574 |
|
| Poetry analysis Robert Frost |
3 / 724 |
|
| He |
5 / 1263 |
|
| Dumpster |
1 / 233 |
|
| Poem "lucifer In The Starlight": New Meanings And Ideas |
3 / 782 |
|
| Hills Like White Elephants - Symbolism |
4 / 959 |
|
| Self Definition |
9 / 2594 |
|
| analysis |
4 / 1081 |
|
| Literary Terms and Concepts |
3 / 754 |
|
| the great gasby |
5 / 1335 |
|
| The Storm |
3 / 638 |
|
| The Storm |
3 / 638 |
|
| Symbolism In Heart Of Darkness |
4 / 1078 |
|
| Fashion & Semiotics |
1 / 171 |
|
| determinism |
1 / 247 |
|
| Edgar Alan Poe |
5 / 1449 |
|
| irony |
9 / 2550 |
|
| Around The World In Eighty Day |
3 / 679 |
|
| last supper |
3 / 893 |
|
| Stomp |
2 / 327 |
|
| The Necklace |
4 / 963 |
|
| Timeless Work: An Analysis Of Marvin Gaye |
4 / 1017 |
|
| the story of an hour |
3 / 764 |
|
| Men and Motherhood in Sylvia Plath's "Sow" |
3 / 677 |
|
| Huck Finn passage analysis |
6 / 1506 |
|
| Saki's "the Interlopers" Vs. Callaghan's "all The |
3 / 671 |
|
| Saki's "The Interlopers" Vs. Callaghan's "All The |
3 / 671 |
|
| ironic story |
2 / 308 |
|
| realism in pride and prejudice |
5 / 1379 |
|
| Good Country People |
3 / 812 |
|
| the darkling thrush poem |
4 / 968 |
|
| importance of language |
4 / 1007 |
|
| Salinger |
7 / 1959 |
|
| “The Mere Fact That Someone Cruelly Destroys A Potentially Happy Marriage Is Sad, Not Necessarily Tragic.” What, Then, Makes Othello A Tragedy? |
5 / 1320 |
|
| Writings of J.D. Salinger |
7 / 1960 |
|
| american slavery |
1 / 211 |
|
| Hills Like White Elephants - Symbolism |
1 / 239 |
|
| Symbolisms of oppression in Gilman's "The Yellow Wallpaper" |
3 / 746 |
|
| psycho and final destination two |
7 / 1905 |
|
| Tomorrow,Tomorrow,Tomorrow |
1 / 289 |
|
| Hills Like White Elephants |
7 / 1817 |
|
| The Birthmark--wicked good essay |
3 / 860 |
|
| The Use Of Symbols In Steinbec |
3 / 705 |
|
| hills like elephant |
1 / 227 |
|
| Hulga in “Good Country People” |
4 / 1117 |
|
| Emily's psychology problem |
1 / 272 |
|
| What Makes a Hero? A comparison between The Great Gatsby and American Beauty, with reference to author's context and the corruption of The American Dream. |
3 / 779 |
|
| The Yellow Paper |
4 / 1111 |
|
| What Is The Importance Of Symbols In The Novel, Such As The Conch, The Pig’S Head And The Mask? |
6 / 1758 |
|
| Physiological Methods |
2 / 546 |
|
| The Glass Menagerie |
4 / 959 |
|
| Six Thinking Hats |
3 / 738 |
|
| Edgar Allan Poe |
5 / 1487 |
|
| scarlet letter |
2 / 551 |
|
| dead mans path |
3 / 760 |
|
| The Heated Debate Surrounding Navajo Sand Painting |
3 / 894 |
|
| Edgar Allen Poe |
5 / 1487 |
|
| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
|
| The Fly By Katherine Mansfield |
4 / 1147 |
|
| The Da Vinci Code |
2 / 556 |
|
| Demian - Herman Hesse |
3 / 833 |
|
| Everyday Use 3 |
3 / 724 |
|
| Everyday Use |
3 / 724 |
|
| Movie Review: Yentl |
4 / 1008 |
|
| Shiloh |
4 / 990 |
|
| The Old Man And The Sea -x |
5 / 1207 |
|
| Edgar Allan Poe |
5 / 1497 |
|
| comparison on yeats poems |
3 / 757 |
|
| Anne Bradstreet |
3 / 815 |
|
| Lord Of The Flies |
4 / 918 |
|
| One More River |
3 / 641 |
|
| One More River |
3 / 641 |
|
| English Literature |
2 / 305 |
|
| The Man Who Liked Slow Tomatoe |
3 / 692 |
|
| a modest proposal by jonathan swift |
3 / 770 |
|
| oedius |
3 / 795 |
|
| Charles Dickens |
5 / 1497 |
|
| The Sixth Sense |
3 / 745 |
|
| The Necklace |
2 / 568 |
|
| Symbolism in Cloudstreet |
6 / 1768 |
|
| Ozymandias |
1 / 249 |
|
| Comparative Essay between FirstLove and Sex Without Love |
4 / 941 |
|
| Movie Evaluatioin of 300 |
4 / 1090 |
|
| SS |
4 / 1179 |
|
| Lamb To Slaughter |
1 / 221 |
|
| Scarlet Letter |
3 / 737 |
|
| Oroonoko |
3 / 603 |
|
| the absence of women in the early years of sociology |
1 / 226 |
|
| lord of the flies |
4 / 987 |
|
| Rabbit Proof Fence |
3 / 602 |
|
| Alice in Wonderland |
5 / 1242 |
|
| The Awakening |
6 / 1640 |
|
| Interview With The Vampire |
1 / 295 |
|
| Literary Devices |
6 / 1558 |
|
| Oedipus the King |
7 / 2047 |
|
| The Necklace" in the Champs-Elysees |
3 / 606 |
|
| Symbolism in "Dr. Heidegger's Experiment" |
3 / 626 |
|
| Angels And Demons Criticle Lens |
3 / 627 |
|
| The Down Fall Of Odysseus |
3 / 792 |
|
| Irony |
3 / 889 |
|
| The Great Gatsby -symbolism- |
1 / 264 |
|
| Symbolic short stories |
4 / 1149 |
|
| trifles and symbols |
3 / 649 |
|
| The Fall of the House of Usher |
5 / 1417 |
|
| Stupid White Men |
3 / 813 |
|
| The Battle Of Maldon |
1 / 253 |
|
| Winter Moon |
2 / 579 |
|
| Birth Of A Nation: Art Or Propaganda |
3 / 784 |
|
| Ellison - King of the Bingo Game |
4 / 1073 |
|
| paulscase |
3 / 625 |
|
| loss of cvilization through symbolism |
3 / 899 |
|
| The Swimmer By John Cheever |
3 / 607 |
|
| Symbolism in Steinbeck's "The Chrysanthemums" |
1 / 262 |
|
| Mars is Heaven Analyzed |
4 / 911 |
|
| Of Mice And Men - Critical Evaluation |
3 / 708 |
|
| Words and the way we see art |
3 / 815 |
|
| EDGAR ALLAN POE REVIEW |
5 / 1318 |
|
| Gretel in darkness |
3 / 839 |
|
| Phantoms |
2 / 320 |
|
| The Last Supper |
3 / 776 |
|
| Last Supper |
3 / 776 |
|
| Escape from civilization: an Analysis of the Adventures of Huckleberry Finn |
5 / 1435 |
|
| Shine - David Helfgott |
2 / 512 |
|
| Where Are You Going Where Have You Been |
4 / 954 |
|
| Romeoo and Juliet |
3 / 676 |
|
| Nathaniel Hawthorne |
2 / 490 |
|
| Kate Chopin, "The Story of an Hour" on Mrs. Mallard |
6 / 1716 |
|
| literary questions |
3 / 738 |
|
