| Title |
Pages / Words |
Save |
| Journalism, Real Creativity and Reactionary Creativity |
3 / 801 |
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| General Patton Part III |
1 / 168 |
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| 12 angy men |
2 / 323 |
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| Across the Universe - Pop Culture/American History |
1 / 128 |
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| Affair |
2 / 586 |
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| Amistad |
2 / 449 |
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| a midwife's tale |
2 / 376 |
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| Braveheart fact or fiction |
3 / 839 |
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| Dr, Strangelove |
1 / 239 |
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| David Fincher |
2 / 468 |
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| Isabel allende |
2 / 414 |
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| James Alan McPherson |
3 / 875 |
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| Jimmy Buffet |
1 / 174 |
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| Michael Black Dances with the Wolves |
2 / 460 |
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| Piers Anthony |
1 / 265 |
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| Pulp |
5 / 1384 |
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| Truman Capote |
2 / 533 |
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| "Village In The Jungle" By Leonard Woolf |
3 / 710 |
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| A Stranger Is Watching |
2 / 511 |
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| An Analysis Of A Fable, Parable, And A Tale |
2 / 476 |
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| Farewell to the One-Reelers |
1 / 267 |
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| fight club |
2 / 481 |
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| Looking Backward by Edward Bellamy |
3 / 696 |
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| Ordinary People |
2 / 422 |
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| The Man Myth And Legend |
2 / 453 |
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| The Shawshank Redemption |
2 / 528 |
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| The notebook |
2 / 595 |
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| Arundel case study |
3 / 685 |
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| Student |
2 / 429 |
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| A Bronx Tale |
1 / 159 |
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| A Stranger Is Watching |
2 / 553 |
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| A raisin in the sun: family unity |
2 / 428 |
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| Albert Camus |
5 / 1391 |
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| An Inconvenient Truth |
1 / 270 |
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| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
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| Blackberry Winter |
4 / 925 |
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| Book Review on Raymond Carver's Will You Please Be Quiet, Please? |
2 / 539 |
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| Crash |
2 / 428 |
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| Dances With Wolves |
2 / 516 |
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| Detective Fiction |
4 / 1158 |
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| Harlem Renaissance |
2 / 543 |
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| Hotel Rwanda |
2 / 323 |
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| How Does The Director Stephen Spielberg Use Filmic Techniques To Build Suspense And Tension In The Opening Sequence Of The Film ‘Jaws’? |
2 / 341 |
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| Johnny Depp &Amp;Amp;Amp; Gene Wilder In Charlie &Amp;Amp;Amp; The Chocolate Factory |
1 / 162 |
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| Life of Pi |
2 / 520 |
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| Literature in my life |
3 / 645 |
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| age of innocence |
2 / 305 |
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| candide |
3 / 635 |
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| fight club |
1 / 298 |
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| good will hunting |
2 / 322 |
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| Monty Python and the Holy Grail |
2 / 395 |
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| Pieces Of April |
3 / 604 |
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| Sahara Review |
2 / 458 |
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| The Chrysanthemums Essay |
4 / 923 |
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| The Story Teller |
2 / 483 |
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| The Things They Carry |
3 / 731 |
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| Twelve angry men |
1 / 254 |
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| north |
3 / 669 |
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| shrek review |
3 / 662 |
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| the quiet american |
1 / 266 |
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| the usual suspects |
3 / 800 |
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| the world created by camus |
4 / 1046 |
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| Film Review |
3 / 627 |
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| Georges Melies and the Birth of Fantasy Films |
6 / 1505 |
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| H. G. Wells |
2 / 427 |
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| Norma Rae |
3 / 752 |
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| Old Movies And America |
2 / 462 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
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| A Stranger Is Watching |
2 / 553 |
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| A.I. |
2 / 485 |
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| ARTS |
3 / 635 |
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| Action films. Good or Bad ?? |
2 / 501 |
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| Apache And Cherokee Indians |
2 / 384 |
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| art and photography |
1 / 246 |
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| Chocky - Tv Vs The Book |
3 / 764 |
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| Days of Wine and Roses |
1 / 296 |
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| Disney |
1 / 211 |
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| Dont have any |
6 / 1576 |
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| German Movies |
2 / 533 |
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| Godfather |
2 / 564 |
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| goo goo dolls |
3 / 782 |
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| horror movie directors |
6 / 1706 |
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| John Huston "the Dead" |
2 / 387 |
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| Leading men |
1 / 287 |
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| Life The Courage To Change |
2 / 548 |
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| Like Water For Chocolate |
3 / 646 |
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| Marx |
5 / 1396 |
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| Mary Shelleys Frankenstein Com |
3 / 696 |
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| Multicultural Diversity in Education |
3 / 608 |
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| mr. |
2 / 570 |
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| narrative structures |
3 / 616 |
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| Pop Art-Andy Warhol |
3 / 619 |
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| Pulp Fiction |
5 / 1396 |
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| Pulp Fiction |
5 / 1396 |
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| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
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| River Phoenix - My Favorite Famous Person |
2 / 317 |
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| Robert Frost 2 |
2 / 558 |
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| Spellbound By Alfred Hitchcock |
2 / 302 |
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| Study of Kingcomics.com |
8 / 2102 |
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| school |
2 / 309 |
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| The 1931 film version of Doctor Jekyll and Mr Hyde |
2 / 475 |
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| The Beach |
3 / 655 |
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| The Genre Of Science Fiction |
4 / 1200 |
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| The Grudge |
2 / 490 |
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| The Invisible Man |
3 / 830 |
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| The Use Of Symbols In Steinbec |
3 / 705 |
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| To Kill A Mocking Bird Film An |
3 / 685 |
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| Tv Viewing |
1 / 295 |
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| the corporation |
2 / 347 |
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| Why Xeon Doesn't React |
1 / 59 |
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| Yellow SUbmarine |
3 / 767 |
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| 12 angry men |
2 / 406 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| Alfred Hitchcock |
4 / 945 |
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| Apocalypse Now vs. Heart of Darkness |
2 / 303 |
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| Batman begins and sleepy hollow |
2 / 502 |
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| Baz Luhrmann's production of Romeo & Juliet |
2 / 364 |
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| Bowling for Columbine |
1 / 81 |
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| Bowling for Columbine |
2 / 459 |
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| C-grade answer for the impact of Hollywood's focus on the blockbuster film and how it's affected the up-turn in box office figures in the last 10 years. |
1 / 271 |
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| Casablanca |
2 / 505 |
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| Chinatown: Movie Analysis |
2 / 432 |
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| Conflict |
2 / 353 |
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| Contact |
2 / 562 |
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| casablanca: A New Perspective |
2 / 508 |
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| chinatown |
1 / 289 |
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| Dead Man Walking |
5 / 1460 |
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| Death of a Salesman Film/Drama Comparison |
2 / 352 |
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| Film analysis Guess Who and Guess who's coming to dinner |
4 / 1067 |
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| Film: From Silent to Sound |
2 / 551 |
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| French Impressionism: Joan Of Arc |
1 / 269 |
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| Gallipoli Movie Review |
3 / 795 |
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| Gallipoli |
2 / 574 |
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| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
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| Godfather |
2 / 564 |
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| gattaca |
3 / 742 |
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| Hitchcock's Psycho - Q & A |
2 / 308 |
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| Human-Likeness In Braveheart Movie |
3 / 891 |
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| high tension |
3 / 826 |
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| I Am Legend Analysis |
2 / 573 |
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| In the Name of the Father |
1 / 254 |
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| John Huston "the Dead" |
2 / 387 |
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| La Amistad |
2 / 475 |
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| Like Water For Chocolate |
3 / 646 |
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| l.a confidential film noir |
4 / 952 |
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| MichaelAngelo (TMNT) |
3 / 885 |
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| Mise-En-Scene in Calagari |
2 / 352 |
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| Mise-en-Scene |
4 / 1039 |
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| Mississippi Burning |
2 / 342 |
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| Movie Rating |
3 / 616 |
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| movie analyze of "Heat" |
1 / 282 |
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| On The Waterfront: The American Dream |
2 / 565 |
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| Potemkin |
2 / 401 |
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| Power Of One |
1 / 272 |
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| pleasantville |
2 / 383 |
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| Romeo and Juliet Film Review |
2 / 477 |
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| Semiotic Analysis |
3 / 733 |
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| Shane Reaction Notes |
2 / 456 |
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| Shaun of the Dead |
1 / 275 |
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| Sin City |
3 / 826 |
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| Slingblade |
3 / 641 |
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| Spellbound By Alfred Hitchcock |
2 / 302 |
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| Spike Lee Analysis |
2 / 338 |
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| Star Wars Pop Culture Icon |
4 / 930 |
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| Strangers Film Review |
1 / 5 |
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| Swordfish |
2 / 441 |
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| Symbolism in Run Lola Run |
2 / 559 |
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| semiotics |
4 / 908 |
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| star wars |
2 / 553 |
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| Teenage Film Essay |
3 / 820 |
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| The Accused |
2 / 552 |
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| The Beach |
3 / 655 |
|
| The Island |
2 / 574 |
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| The Last Wave |
3 / 730 |
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| The hope of life |
2 / 329 |
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| This Baby Is A Keeper! |
3 / 696 |
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| triumph of the will and why we fight |
2 / 548 |
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| vera drake |
3 / 682 |
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| What's Eating Gilbert Grape Film Analysis Questions |
4 / 989 |
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| Woody Allen's "Annie Hall" |
2 / 496 |
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| A Joke that is not so funny |
4 / 1182 |
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| Absurdity: An Essay On The Stranger |
3 / 660 |
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| Going to the Movies |
1 / 272 |
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| Jaws the movie |
2 / 332 |
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| Koyaanisqatsi |
3 / 702 |
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| The Stranger |
3 / 682 |
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| Black Gold |
2 / 328 |
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| Cloning: Right or Wrong? |
1 / 51 |
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| Biology Abstract- Alka Seltzer |
1 / 261 |
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| Cloning Inc. Film |
1 / 296 |
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| GATACA |
1 / 281 |
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| battle of karkov |
4 / 1011 |
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| fall of the house of usher |
5 / 1220 |
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| globalization |
4 / 1116 |
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| kit kat preoject |
7 / 1899 |
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| The Da Vinci Code Controversy/Book Banning |
4 / 983 |
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| The Swahili Coast |
1 / 294 |
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| thelma and louise film review |
2 / 433 |
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| Reviews |
2 / 561 |
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| Short Film Techniques |
2 / 486 |
|
