| Title |
Pages / Words |
Save |
| Hard Times-Charles Dickens |
5 / 1384 |
 |
| Abe Lincoln and Slavery |
2 / 532 |
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| bab |
3 / 851 |
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| Comprimise of 1850 |
1 / 140 |
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| capitol punishment |
1 / 91 |
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| con'g knos |
3 / 816 |
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| George Seurat |
3 / 671 |
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| Immigration Sheet |
5 / 1445 |
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| mafia |
1 / 233 |
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| Alan Greenspan |
1 / 62 |
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| Bloom |
3 / 779 |
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| Freydoon Rassouli, Rembrandt Harmenszoon van Rijn and and Vincent Van Gogh comparason |
3 / 843 |
|
| King Of Horror |
5 / 1264 |
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| Long Live The King |
5 / 1259 |
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| Once |
3 / 604 |
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| Poe'S Life |
3 / 706 |
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| Presentation |
3 / 704 |
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| Pulp |
5 / 1384 |
|
| Stephen King |
2 / 419 |
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| Stephen King |
7 / 2063 |
|
| Stephen King: The King Of Terror |
7 / 2047 |
|
| Steven King |
7 / 1890 |
|
| 'Misery' by Stephen King |
3 / 898 |
|
| Angela ashes |
3 / 895 |
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| Birdsong |
5 / 1249 |
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| Carrie By Stephen King |
2 / 328 |
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| Critical Response Paper to King's "The Body" |
1 / 83 |
|
| Cry the Beloved Country |
7 / 1823 |
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| Cry, The Beloved Country |
7 / 1823 |
|
| Culture of Time and Culture |
3 / 693 |
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| Dystopian comparisons |
5 / 1349 |
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| Freakonomics |
2 / 590 |
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| for war |
3 / 880 |
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| Gattaca |
2 / 553 |
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| maggie by stephen crane |
3 / 779 |
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| Red Badge Of Courage |
3 / 623 |
|
| Stephen Crane's "the Open Book": Determinism, Objectivity, And Pessimi |
3 / 642 |
|
| Stephen King Using Gothic Literature |
3 / 784 |
|
| Stephen King's The Stand: Summary |
2 / 528 |
|
| Steven King Paper |
7 / 2055 |
|
| The Mill On The Floss: Summary |
7 / 1947 |
|
| The Mill on The Floss Summary |
7 / 1947 |
|
| The Mill on the Floss |
7 / 1938 |
|
| The Perks of Being a Wallflower |
3 / 703 |
|
| The Royal Frankish Annals: 749 |
2 / 312 |
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| The body |
4 / 1050 |
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| About Advertising And Stephen King |
2 / 365 |
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| Business Ethics |
4 / 950 |
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| Functions of Management |
3 / 841 |
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| four ps of marketing |
2 / 458 |
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| GE's ~ew' Washer Cleans l!p ..\ppliance Park |
1 / 73 |
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| Insider Trading |
1 / 299 |
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| International Currencies in Relation to the U.S. Dollar |
3 / 875 |
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| James Kouzes |
4 / 1034 |
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| Legal Problems |
5 / 1262 |
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| Parable of Sadhu |
2 / 440 |
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| Parabola del Sadhu |
6 / 1634 |
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| THE PURSUIT OF AN MBA |
2 / 490 |
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| Vincent's Cappuccino Express Case Study |
9 / 2405 |
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| Work Procedures |
1 / 143 |
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| A Teacher, A Leader |
1 / 169 |
|
| Comparison Of Two Irish Writers (no bibliography) |
5 / 1222 |
|
| Critical Response Paper to King's "The Body" |
3 / 771 |
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| Cry The Beloved Country-fathers share a journey |
2 / 557 |
|
| Defining Romanticism |
1 / 171 |
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| Edgar Allan Poe's Narrative Style |
4 / 1149 |
|
| Edgar Allen Poe |
6 / 1504 |
|
| Essay On Love |
4 / 942 |
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| Fly like an Eagle |
6 / 1609 |
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| Gothic Elements In Stephen King’S: The Shining. |
3 / 782 |
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| Hard Times |
5 / 1400 |
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| Hard Times |
4 / 1127 |
|
| How Does The Director Stephen Spielberg Use Filmic Techniques To Build Suspense And Tension In The Opening Sequence Of The Film ‘Jaws’? |
2 / 341 |
|
| How does Dickens use the theme of deception in Hard Times? |
5 / 1401 |
|
| If You Have An Imagination, Let It Run Free. |
7 / 2048 |
|
| analysis of stephen king |
3 / 708 |
|
| bob |
7 / 2078 |
|
| cry beloved country |
6 / 1705 |
|
| gtattaca essay |
2 / 364 |
|
| image is everything |
2 / 546 |
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| Millay Vs Cummings |
1 / 220 |
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| Mystery of Heroism |
2 / 556 |
|
| Obasan |
2 / 427 |
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| Portrait |
5 / 1363 |
|
| Roles of Women |
4 / 949 |
|
| Satire in Canterbury Tales |
3 / 730 |
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| Secret Window |
3 / 633 |
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| Stephen Crane |
5 / 1250 |
|
| Stephen King's Influence On American Literature |
6 / 1565 |
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| Stephen King |
7 / 1826 |
|
| Stephen King |
9 / 2599 |
|
| Steven King |
3 / 879 |
|
| Student |
9 / 2469 |
|
| The Green Mile |
3 / 875 |
|
| The Importance of Elements in a Poem |
4 / 1047 |
|
| The Life and Work of Edgar Allan Poe |
3 / 652 |
|
| The Open Boat |
3 / 771 |
|
| The Use Of Epiphany In The Works Of James Joyce |
4 / 1155 |
|
| Then and now a ten year look |
2 / 596 |
|
| Tim Burton the man behind the movies |
5 / 1447 |
|
| Ulysses |
5 / 1270 |
|
| Views of Modern man |
8 / 2107 |
|
| Washington Irving and Herman Melville |
6 / 1519 |
|
| What Impression Of An Artist Do You Find In The Novel A Portrait Of The Artist A Young Man |
8 / 2165 |
|
| Youth, Crime, and the Media |
1 / 130 |
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| without reason |
1 / 240 |
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| 19th century |
3 / 618 |
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| battle of antietam |
1 / 155 |
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| beginning of civil war |
2 / 396 |
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| Economy In Jamaica |
3 / 895 |
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| Exhibition Review |
3 / 670 |
|
| Hee |
7 / 2056 |
|
| Las Meninas |
1 / 262 |
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| SACCO AND VANZETTI |
1 / 249 |
|
| The Children's Crusade |
3 / 769 |
|
| A Villain With a Smiling Cheek |
7 / 1959 |
|
| adoption |
2 / 568 |
|
| Bay Of Pigs |
1 / 112 |
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| bums r us |
2 / 375 |
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| Canterbury Tales 2 |
3 / 628 |
|
| Charles Manson |
1 / 154 |
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| Chaucer's Canterbury Tales |
4 / 971 |
|
| Comparison Anthem Vs. By The W |
3 / 693 |
|
| Creativity from Individuals |
3 / 752 |
|
| Cry, The Beloved Country |
6 / 1685 |
|
| crisis communications |
4 / 1181 |
|
| Dickens And His Structure Of Ha |
3 / 879 |
|
| Giorgio Frassati |
2 / 356 |
|
| Hee |
7 / 2056 |
|
| Hee |
7 / 2056 |
|
| Henry Ii |
2 / 361 |
|
| If You Have An Imagination, Let It Run Free. |
7 / 2048 |
|
| Job Communication Analysis; The Neurologist |
4 / 978 |
|
| Marx |
5 / 1396 |
|
| Mr |
6 / 1514 |
|
| Obituary |
2 / 424 |
|
| Parental involvement in education - a seminar presentation |
4 / 1171 |
|
| Personal Goals |
4 / 1012 |
|
| Pulp Fiction |
5 / 1396 |
|
| Pulp Fiction |
5 / 1396 |
|
| Reverend Kumalo |
2 / 571 |
|
| Stephen Coonts' "flight Of The Intruder": Summary |
2 / 580 |
|
| Stephen King, Bio |
7 / 1897 |
|
| Stephen King |
7 / 2048 |
|
| Stephen King |
7 / 2056 |
|
| Stephen King |
7 / 2048 |
|
| Stephen King |
7 / 1826 |
|
| Stephen King |
8 / 2106 |
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| Stephen Sondheim |
3 / 644 |
|
| Steven King Paper |
7 / 2055 |
|
| The Blue Hotel |
3 / 663 |
|
| The Bride Comes To Yellow Sky |
4 / 1048 |
|
| The Ethics Of The Media |
3 / 619 |
|
| The Mill On The Floss |
7 / 1895 |
|
| The Mill On The Floss |
7 / 1938 |
|
| Twelve Angry Men Film |
3 / 863 |
|
| the outsiders |
3 / 619 |
|
| Vampire Lord |
2 / 579 |
|
| Van Gogh |
2 / 324 |
|
| Van Gogh: The Expressionist |
6 / 1600 |
|
| Views On Slavery |
3 / 664 |
|
| Why Van Gogh's Starry Night is Expressionist |
3 / 882 |
|
| A Review of House of Wax: Slasher Films |
10 / 2781 |
|
| Firestarter |
3 / 769 |
|
| faherenheit 9/11 |
4 / 1171 |
|
| God and restrictions |
3 / 602 |
|
| Pulp Fiction |
6 / 1649 |
|
| pulp fiction |
4 / 1110 |
|
| pulp fiction |
9 / 2653 |
|
| pulp fiction |
3 / 852 |
|
| Representations of Gothic Power in Karl Freund's Mad Love |
4 / 1191 |
|
| roundabout theatre company |
1 / 274 |
|
| Aristotle |
4 / 972 |
|
| Debating Ethical Issues: Is Abortion Ethical? (Affirmative) |
2 / 481 |
|
| Sadhu |
4 / 947 |
|
| Vincent Van Gogh Later Years |
4 / 1034 |
|
| Lifespan Development and Personality Paper |
3 / 631 |
|
| Not All Habits Are Bad |
2 / 462 |
|
| psych |
2 / 404 |
|
| Schizophrenia |
1 / 61 |
|
| Ecclesiastes - analysis |
3 / 774 |
|
| the big one |
2 / 519 |
|
| 19th Century Architecture |
3 / 618 |
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| environmental issues |
2 / 522 |
|
| Norbert Rillieux |
3 / 627 |
|
| The Panda's Thumb -- Stephen Jay Gould |
3 / 707 |
|
| Cry, The Beloved Country |
3 / 782 |
|
| criminal justice |
2 / 527 |
|
| Ends And Means |
1 / 265 |
|
| Gattaca |
3 / 755 |
|
| Global Changes |
2 / 349 |
|
| Helen Zia |
4 / 1041 |
|
| Lost |
3 / 816 |
|
| Stephen Glass Debate |
4 / 965 |
|
| Understanding And Describing Evidence |
3 / 768 |
|
| Why journalists should remain unbiased |
2 / 485 |
|
| AI |
1 / 86 |
|
| Checking Your Work |
2 / 565 |
|
| Introduction to WiFi |
2 / 588 |
|
| the new age of communication |
4 / 1076 |
|
