| Title |
Pages / Words |
Save |
| Walt Disney and Disneyland |
6 / 1584 |
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| Reservoir Dogs |
3 / 624 |
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| 1920's |
1 / 157 |
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| Andy Warhol |
3 / 809 |
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| library of congress |
2 / 552 |
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| charlie chaplin |
2 / 481 |
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| D.W.Griffith |
4 / 1076 |
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| Drew Barrymore |
3 / 670 |
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| Harvey Keitel: The Art Of Darkness |
2 / 587 |
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| James Dean Life |
2 / 498 |
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| John steinbeck |
2 / 475 |
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| Kirk Cameron |
2 / 449 |
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| Shakespeare |
3 / 643 |
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| Walt Disney |
2 / 345 |
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| Woody Allen |
3 / 658 |
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| "Anthem" Anaylsis |
2 / 544 |
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| A Clockwork Orange by Antony Burgees |
3 / 696 |
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| Advertisement |
1 / 199 |
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| afaet |
2 / 547 |
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| Book Film Comparison About When One Flies Over The Cuckoos Nest |
4 / 923 |
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| Harry Potter |
1 / 140 |
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| James And The Giant Peach |
2 / 536 |
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| jkhkjgh |
9 / 2453 |
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| Romeo and Juliet Movie comparison |
3 / 654 |
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| summer reading |
2 / 519 |
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| THE STING |
2 / 553 |
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| The Matrix |
4 / 1011 |
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| The Shawshank Redemption |
2 / 528 |
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| Violence Addiction |
3 / 662 |
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| Airborne Express |
2 / 356 |
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| Arundel case study |
3 / 685 |
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| Arundel |
7 / 1827 |
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| Arundel |
5 / 1424 |
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| Bmw Films: Case Study |
7 / 1972 |
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| Disney Pixar |
4 / 1087 |
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| Fishing For Dreams |
5 / 1277 |
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| Good |
2 / 373 |
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| IMAX theatre - Overview |
5 / 1412 |
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| Maketing Stategy |
3 / 652 |
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| mainline vs. basinger |
3 / 623 |
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| warner bros history |
1 / 159 |
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| A Bronx Tale |
1 / 159 |
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| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
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| Beloved |
4 / 963 |
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| Christine de Pizan |
2 / 572 |
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| Compare And Contrast : Sir Percy Vs. Chauvelin From The Scarlet Pimper |
3 / 701 |
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| Comparing And Contrasting Hitchcock And Spielberg |
4 / 1183 |
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| English |
5 / 1226 |
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| Fight Club |
4 / 956 |
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| Film as Lit |
5 / 1265 |
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| Pulp Fiction |
3 / 609 |
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| Revolt against laziness |
1 / 241 |
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| Romeo & Juliet Movie Review |
1 / 153 |
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| Should Bars Be Prohibited |
2 / 558 |
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| Soical Class |
3 / 858 |
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| What Is Beauty? |
2 / 419 |
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| White Man's Muscles |
4 / 908 |
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| rhetorical |
4 / 932 |
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| why we crave horror movies |
4 / 959 |
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| Andy Warhol Pop Artist and Icon |
3 / 893 |
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| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
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| Last Of The Mohicans |
2 / 400 |
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| Magazines |
2 / 463 |
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| Oceanic veiws of temecula |
2 / 534 |
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| Post Noir Examples |
4 / 983 |
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| The Patriot |
3 / 747 |
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| 1920's Culture |
3 / 636 |
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| A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
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| Another Reservoir Dogs |
3 / 668 |
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| Arundel Partners Case Analysis |
5 / 1411 |
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| anime |
2 / 347 |
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| arundel |
5 / 1411 |
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| Blacks In Film |
4 / 1150 |
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| Bruce Lee |
2 / 486 |
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| blah |
2 / 567 |
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| Censorship |
4 / 945 |
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| Citizen Kane By Orson Wells |
3 / 788 |
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| Citizen Kane By Orson Wells |
3 / 788 |
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| Compare And Contrast : Sir Percy Vs. Chauvelin From The Scarlet Pimper |
3 / 701 |
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| Digital Art in Film |
5 / 1340 |
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| Directing: More than Fame and Fortune |
4 / 1040 |
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| Drew Barrymore |
3 / 670 |
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| Drew Barrymore |
3 / 670 |
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| Elvis Presley |
2 / 348 |
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| Film And Tv Production Processes |
4 / 947 |
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| Film Sound |
4 / 951 |
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| GENTLEMEN, IT'S TIME FOR YOUR ANNUAL "AM I GAY?" SELF-EXAMINATION |
2 / 516 |
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| George Lucas: One of the greatest filmmakers |
5 / 1454 |
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| History |
2 / 447 |
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| Hollywood Vs. The World |
4 / 1134 |
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| Horrifying Reality |
1 / 263 |
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| Inherit The Wind |
3 / 897 |
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| Jan Svankmajer |
5 / 1271 |
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| John Wayne |
3 / 762 |
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| John Wayne |
3 / 762 |
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| Kubrick Lives |
4 / 1140 |
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| Matrix paper |
2 / 550 |
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| Media Censorship |
2 / 565 |
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| Media Censorship |
2 / 565 |
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| Media |
3 / 700 |
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| Nightmare On Elm Street |
8 / 2123 |
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| OZONE LAYER |
2 / 374 |
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| oh what |
4 / 1126 |
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| Penny Marshall |
5 / 1283 |
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| platoon |
1 / 185 |
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| Reservoir Dogs |
3 / 623 |
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| Review of "The Tell-Tale Heart" (by Edgar Allen Poe) |
1 / 288 |
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| Romeo And Juliet 4 -2 |
3 / 722 |
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| rambo |
4 / 1111 |
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| Salvidor Dali |
2 / 442 |
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| Special Topics In Communications |
2 / 470 |
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| The Birth Of A Nation And Greed |
4 / 1185 |
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| The Sixth Sense |
1 / 195 |
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| The Sting |
2 / 553 |
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| Violence in Video Games |
2 / 572 |
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| What is Anime |
2 / 462 |
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| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
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| 32 Short Films About Glenn Gould |
2 / 573 |
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| A Cinderella Man |
3 / 649 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| Alfred Hitchcock (Rough) |
5 / 1214 |
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| Another Reservoir Dogs |
3 / 668 |
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| Art and Business of Film Making |
6 / 1577 |
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| Bowling for Columbine |
1 / 81 |
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| Bringing Up Baby |
3 / 693 |
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| Casablanca |
4 / 916 |
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| Charlie's Angels Review |
2 / 600 |
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| Cinema of Japan |
6 / 1713 |
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| Cliches of teen movies |
2 / 440 |
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| Comparison of High Noon and Open Range |
5 / 1242 |
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| Comparison of Rebecca and Foreign Correspondent |
3 / 853 |
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| Cult Films and the 1950's |
6 / 1557 |
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| Dodge City And Unforgiven |
4 / 1017 |
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| digetic and nondigetic sound |
4 / 919 |
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| Edwin S. Porter |
7 / 1905 |
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| Erin Brockovich |
2 / 533 |
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| Fahrenheit 9/11 |
5 / 1347 |
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| Film Noir |
3 / 634 |
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| Film journal on Norma Rae |
3 / 809 |
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| film crime |
5 / 1431 |
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| Gillian Armstrong |
6 / 1556 |
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| Grand Theft Auto: Vice City |
5 / 1237 |
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| Hindi cinema |
4 / 932 |
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| Horror Movies Are a Waste of Time |
4 / 942 |
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| How Are Minority Groups Represented In Film And Television? |
5 / 1254 |
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| hollywood and product placement |
6 / 1519 |
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| honorable mexicans |
2 / 438 |
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| Importance of Family Life |
4 / 908 |
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| indian cinema |
3 / 713 |
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| L.A. Confidential review |
3 / 738 |
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| l.a confidential film noir |
4 / 952 |
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| Master Filmaker Akira Kurosawa |
4 / 1198 |
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| Movie Review |
3 / 713 |
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| Narrative vs. Montage |
3 / 877 |
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| Neon Genesis Evangelion |
1 / 159 |
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| Pretty Woman Vs. Pillow Talk |
4 / 1061 |
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| Read culture by movies |
2 / 568 |
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| response to boyz n the hood |
3 / 770 |
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| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
| semiotics |
4 / 908 |
|
| snatch |
4 / 920 |
|
| sterphen spielberg |
3 / 605 |
|
| Tarantino |
5 / 1293 |
|
| Texas Chainsaw Massacre |
2 / 556 |
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| The Blair Witch Project |
3 / 602 |
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| The Green Berets and Casualties of War |
6 / 1603 |
|
| The Indo- Afghan Connection |
4 / 963 |
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| The James Bond Phenomenon |
3 / 657 |
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| The Thirteenth Warrior |
2 / 354 |
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| The Two-Tiered System of Allusions |
5 / 1497 |
|
| The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
|
| Using the comparison of these two texts as your starting point, explore the media issues and debates these texts raise. |
3 / 853 |
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| Vertov and Eisenstein |
3 / 750 |
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| War In Cinema |
3 / 885 |
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| We Were Soldiers Critque |
6 / 1631 |
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| Women in contemporary horror films |
6 / 1715 |
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| Wong Kar Wai and french new wave |
3 / 652 |
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| what is an auteur? |
5 / 1425 |
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| what makes an excellent film |
2 / 491 |
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| Kill Bill |
2 / 367 |
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| Koyaanisqatsi |
3 / 702 |
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| marix |
3 / 854 |
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| Racism and Multiculturalism |
5 / 1272 |
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| media influences on anti social behaviour |
2 / 500 |
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| Niksa |
3 / 759 |
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| Bezetendheid |
3 / 871 |
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| Inherit The Wind |
3 / 898 |
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| The king |
2 / 584 |
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| Vice Virtue |
3 / 831 |
|
| Morpheus's view on reality |
2 / 504 |
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| African American Stereotypes |
2 / 380 |
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| BMW |
7 / 1924 |
|
| Censorship in America |
4 / 1060 |
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| censorship sucks @*$ |
2 / 467 |
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| Dalton Trumbo |
1 / 197 |
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| fall of the house of usher |
5 / 1220 |
|
| Hispanics In The Film Industry |
2 / 578 |
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| Positive and Negative Influences of Cinema on Popular American Culture |
4 / 1163 |
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| Women and Careers |
3 / 820 |
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| Animation |
2 / 476 |
|
