| Title |
Pages / Words |
Save |
| On Vaikom Muhammad Basheer’s Premalekhanam |
2 / 391 |
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| Julius Ceasar |
1 / 282 |
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| bab |
3 / 851 |
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| Enron |
1 / 204 |
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| Fall of a kingdom |
2 / 368 |
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| Edgar Allen Poe |
2 / 507 |
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| Isaac Basheevis |
3 / 747 |
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| someones hajin |
2 / 403 |
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| A Question Mark And An Exclamation Point |
2 / 345 |
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| A Rose For Emily |
2 / 333 |
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| Big Two-Hearted River: Part II |
4 / 1169 |
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| Bullett in the Brain |
1 / 245 |
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| Clemens Uses Three-layered Lesson |
4 / 977 |
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| Co-dependency and rivalry in \ |
4 / 1093 |
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| cheese |
2 / 438 |
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| comparitve essay : Rocking-Horse Winner by D.H. Lawrence And Harrison Bergeron by Kurt Vonnegut |
3 / 735 |
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| Differences Between Laurence's West Side Story And Shakespeare's Romeo |
2 / 419 |
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| Dublin 4 |
5 / 1349 |
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| Gothicism In Rose For Emily” |
2 / 559 |
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| James Joyce's "araby" |
2 / 423 |
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| Maniac Magee |
2 / 304 |
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| On The Road- A Success? |
3 / 752 |
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| Symbolism Use In: "young Goodman Brown" And "the Lottery" |
3 / 676 |
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| Taste and other tales by Roald Dahl |
4 / 1083 |
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| The Cask of Amontillado - Montresor’s untrustworthiness and mental instability |
3 / 674 |
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| The Cat In The Hat |
2 / 324 |
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| The Fall Of The House Of Usher |
2 / 580 |
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| The Giver |
2 / 303 |
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| The Giver |
2 / 353 |
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| The Great Gatsby - Myrtle Analysis |
1 / 260 |
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| The Little Prince |
2 / 531 |
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| The Pearl |
2 / 456 |
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| The Raven |
3 / 644 |
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| The Reaper's Image |
4 / 1134 |
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| The Story Of An Hour: Irony |
2 / 469 |
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| The Story of "Outcasts of Poker Flat" |
2 / 329 |
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| The Things they Carried |
4 / 1177 |
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| Torn Thread by Anne Isaacs |
1 / 114 |
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| the arctic incident |
2 / 328 |
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| the importance of metafiction as a literary device in The Things They Carried |
3 / 734 |
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| the things they carried: ghost stories |
2 / 305 |
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| there's a cow in the road |
4 / 913 |
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| thokkale |
2 / 400 |
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| War of the Worlds Intro |
1 / 270 |
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| Lawrence Sports |
2 / 484 |
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| "Black Cat" Short Story Analysis |
4 / 995 |
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| A &P |
2 / 497 |
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| A Dire Society, a Dire Story |
4 / 947 |
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| A Gift- Commentary (Rahila Gupta) |
3 / 623 |
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| A Good Is Hard To Find |
2 / 521 |
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| A Good Man Is Hard To Find |
2 / 553 |
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| A Man |
2 / 309 |
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| A Mother Critical Analysis |
3 / 724 |
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| A Peaceful Isolated Life |
1 / 179 |
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| A Rose For Emily |
1 / 243 |
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| A pair of tickets |
3 / 785 |
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| Ambiguity in O'Connor |
4 / 1179 |
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| An occurrence at owl creek bridge |
1 / 181 |
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| Analysis Of the Protagonist In "The Storm" |
2 / 575 |
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| Analysis of Greasy Lake |
2 / 392 |
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| Analytical Essay On |
3 / 625 |
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| Atwood Paper |
4 / 1020 |
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| Best Possible Light |
2 / 525 |
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| Blah |
5 / 1271 |
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| Candide chapter 11-12 summary |
1 / 91 |
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| Changes |
3 / 682 |
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| Character and Plot in "Why I live in the P.O." |
3 / 690 |
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| Comparing two short stories -My brother's keeper and Do angels wear |
2 / 506 |
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| EVELINE |
2 / 529 |
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| Edgar allan Poe |
3 / 858 |
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| Emily's psychology problem |
1 / 272 |
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| English 1B Essay #1 |
2 / 322 |
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| English Short stories |
2 / 578 |
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| Ethel Wilsons Mood in Hurry Hurry |
3 / 687 |
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| Eveline |
3 / 877 |
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| Fatalism (monkeys paw shory story) |
2 / 386 |
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| For Your World |
6 / 1524 |
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| Hasan |
2 / 511 |
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| Hills Like White Elephants |
1 / 142 |
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| Hills Like White Elephants |
2 / 483 |
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| Hills Like white Elephants, Ernest Hemmingway |
3 / 649 |
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| Jane Austen and Charles Dickonson analytical analysis |
3 / 748 |
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| John Cheever & Suburban Life |
4 / 960 |
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| "the lottery" & its use of Irony |
2 / 500 |
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| a good man is hard to find |
3 / 762 |
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| a rose for emily analysis |
3 / 867 |
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| awakening |
3 / 681 |
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| college essay |
2 / 315 |
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| dr. |
2 / 442 |
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| hills like elephant |
1 / 227 |
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| “A Rose for Emily” by William Faulkner (ESSAY) |
5 / 1500 |
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| “An Ambiguous Narrative about a Controversial Debate” |
2 / 527 |
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| 'the story of an hour' by Kate Chopin |
3 / 770 |
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| Lose Heart |
3 / 731 |
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| Lottery |
3 / 726 |
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| Margaret Atwood Happy Endings |
3 / 692 |
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| McBeth |
2 / 597 |
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| Northrop Frye |
3 / 733 |
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| Oedipus Rex |
3 / 717 |
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| Oppression in Kate Chopin |
2 / 318 |
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| Perfect Storm vs. the wreck of the hesperus |
3 / 688 |
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| Personal Study |
2 / 304 |
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| Playboy of the Western World |
2 / 472 |
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| Plot in Alice Walker’s “Everyday Use” |
4 / 987 |
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| Power of Words |
2 / 594 |
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| Ray bradbury |
2 / 351 |
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| Response paper on the heart of darkness |
2 / 340 |
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| Rip Van Winkle |
2 / 408 |
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| Rose for Emily Analysis |
2 / 472 |
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| Sarny |
2 / 423 |
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| Shiloh |
4 / 990 |
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| Short Story |
2 / 384 |
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| Sick Coller -Analysis |
3 / 711 |
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| Social Indifferences |
4 / 929 |
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| Soldier'S Home |
3 / 645 |
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| Story Elements |
4 / 1191 |
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| Summaries |
2 / 496 |
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| Symbolism In The Writings |
3 / 872 |
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| Symbolism in "Young Goodman Brown" |
2 / 424 |
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| The Cask Of Amontillado |
3 / 862 |
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| The Demon Lover |
3 / 766 |
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| The Elements of war |
5 / 1273 |
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| The First Seven Years |
2 / 430 |
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| The Lottery |
2 / 511 |
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| The Richer The Poorer |
4 / 983 |
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| The Story of An Hour-Kate Chopin |
2 / 469 |
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| The Story of an Hour |
2 / 461 |
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| The Story of an Hour |
1 / 265 |
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| The Symbol Of A Lion |
2 / 455 |
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| The Tell Tale Heart |
1 / 157 |
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| The Transformation of Amy Foster |
3 / 816 |
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| The Use of Force |
2 / 532 |
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| Why did I Juxtapose the two very different pieces Boccacio, "Decameron" and Choeckov, "Peasants"? |
2 / 514 |
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| response |
3 / 633 |
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| science-fiction specifications |
1 / 285 |
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| short story |
1 / 250 |
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| the chrysanthemums |
2 / 600 |
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| the lesson |
3 / 728 |
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| the scarlet ibis |
4 / 913 |
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| theme |
2 / 599 |
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| what we talk about when we talk about love |
2 / 487 |
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| yellow wallpaper and postpartum depression |
3 / 705 |
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| conference of the birds |
3 / 719 |
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| Oral History |
2 / 357 |
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| Thomas King |
2 / 307 |
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| A Birthday |
2 / 426 |
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| Alice Munro Open Secrets The A |
5 / 1465 |
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| Alice Walkers Everyday Use |
3 / 778 |
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| Analysis of James Joyc's Araby |
2 / 306 |
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| Analyze Fiction |
2 / 578 |
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| Anderson And Hemingway's Use Of The First Person |
4 / 1162 |
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| Big Two-hearted River: Part Ii |
4 / 1169 |
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| Comparing stories |
2 / 588 |
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| cheater |
2 / 445 |
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| Death By Landscape |
3 / 689 |
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| Donald Barthelme |
4 / 1035 |
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| Eveline |
2 / 529 |
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| Intertextualilty - The Mocking |
6 / 1606 |
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| Lottery |
3 / 726 |
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| Married To Be Alone? |
3 / 832 |
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| Narritive story- Kristian Palmer |
1 / 292 |
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| P.g. Wodehouse, His Life, And His Works |
3 / 857 |
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| Quiting A&P |
4 / 1040 |
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| Ray Bradbury: Biography |
3 / 869 |
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| Reading The Light |
2 / 490 |
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| Reading The Light |
2 / 490 |
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| Response to "The Lottery" and "Eveline" |
2 / 454 |
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| SAR |
2 / 486 |
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| Setting And Story |
2 / 443 |
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| Some Writings of Edgar Allen Poe |
3 / 883 |
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| Structure Of The Lost Honour O |
4 / 1051 |
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| self-discovery Through Adversity |
4 / 931 |
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| The Albanian Virgin |
5 / 1465 |
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| The Artificial Family |
3 / 653 |
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| The Fall Of The House Of Usher |
1 / 251 |
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| The Fall Of The House Of Usher |
1 / 251 |
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| The Fall Of The House Of Usher |
2 / 580 |
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| The Jungle |
2 / 328 |
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| The Lottery and The Lesson |
3 / 815 |
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| The Seeled Train |
2 / 349 |
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| The Sniper |
2 / 398 |
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| The Story Of An Hour The Story |
2 / 568 |
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| Toy Story |
1 / 55 |
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| Truth Is It Good Or Evil |
3 / 812 |
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| Truth |
2 / 406 |
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| things |
2 / 469 |
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| Why Murder |
3 / 831 |
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| Young Goodman Brown, The Maypole Of Merrymount, And The Birth-mark |
2 / 557 |
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| Young Goodman Brown |
2 / 557 |
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| departed |
2 / 352 |
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| Harrison Bergeron |
2 / 336 |
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| SGS fiction |
3 / 631 |
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| Culture |
1 / 245 |
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| Defining My Culture |
2 / 347 |
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| Laoshe’S Short Stories And The Sprit Of Chinese Civilians |
3 / 867 |
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| Matts Story |
2 / 528 |
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| The Works of Susan Glaspell |
2 / 384 |
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| A very old man with enormous wings |
1 / 299 |
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| Reaction: The Pirates of Silicon Valley |
1 / 234 |
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| Solen |
2 / 468 |
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