| Title |
Pages / Words |
Save |
| As you like it - Act 1 |
5 / 1277 |
 |
| King Lear - Childishness, Old Age, Sight, Blindness |
2 / 330 |
|
| Macbeth, King Lear and Much Ado About No |
4 / 926 |
|
| Romeo & Juliet Vs. West Side Story |
2 / 554 |
|
| The Tempest - Barbarism versus Civilization |
3 / 793 |
|
| Was It Me, Or Not Me, That Is The Question |
4 / 1195 |
|
| Harlem |
2 / 419 |
|
| martin |
4 / 987 |
|
| Mr. |
8 / 2210 |
|
| Shake |
8 / 2138 |
|
| Shakespeare |
4 / 1060 |
|
| The Life and Times of William Shakespeare |
5 / 1252 |
|
| Away |
1 / 294 |
|
| Book Review: "Shakespeare'S Wife" |
3 / 841 |
|
| Cat'S Cradle And Dr. Strangelove Comparison |
2 / 444 |
|
| Dante's Inferno |
3 / 692 |
|
| Hamlet Literature Review |
2 / 565 |
|
| Hamlet |
2 / 583 |
|
| Hamlet: Hamlet's Hate For His Uncle Brought On By Ghost |
2 / 461 |
|
| How is dramatic tension created in the trial scene of 'The Merchant of Venice'? |
7 / 2004 |
|
| Is Macbeth The Tragic Hero Of The Play? |
3 / 799 |
|
| Julius Caesar: Brutus' Mistakes Or Harmartias |
2 / 448 |
|
| Key themes of macbeth |
3 / 696 |
|
| Macbeth - Power |
3 / 644 |
|
| Macduff as foil for MAcbeth |
2 / 503 |
|
| Masking Ends in Deception, Much Ado About Nothing |
2 / 550 |
|
| My Fair Lady |
1 / 123 |
|
| macbeth |
1 / 283 |
|
| macbeth |
2 / 385 |
|
| macbeth |
3 / 692 |
|
| paper 1 |
1 / 79 |
|
| Romeo And Juliet As A Tragedy |
3 / 831 |
|
| Romeo And Juliet: Night - Rejoice Or Rebel? |
3 / 843 |
|
| Romeo and Juliet |
3 / 676 |
|
| Shakespeare's Tempest |
2 / 316 |
|
| Shaw - Arms And The Man |
2 / 446 |
|
| The Devine Comedy |
3 / 671 |
|
| The Divine Comedy: Dante |
2 / 597 |
|
| The Mad Hamlet |
3 / 613 |
|
| the block |
2 / 588 |
|
| theatre of the absurd in r+G |
4 / 1142 |
|
| A Letter To Shakespeare |
3 / 609 |
|
| A Midsummer Night's Dream: Resolution |
2 / 464 |
|
| A person in love will sacrifice all for the object of that love. |
2 / 359 |
|
| Age and Youth by William Shakespeare |
3 / 869 |
|
| Allegory |
2 / 315 |
|
| An Analysis of Hamlet's Solilquy at The End of Act 2 |
4 / 1043 |
|
| Anthony and Cleopatra |
7 / 1810 |
|
| Anti-Semitism in Merchant of Venice |
4 / 926 |
|
| As You Like it function of Act 1 |
5 / 1297 |
|
| Cesar |
4 / 1030 |
|
| Conflict Romeo Juliet |
4 / 917 |
|
| Conflict and Violence are central to the play "Romeo and Juliet". Discuss this with reference to Act 1 Scene 1 and Act 3 Scene 1. |
6 / 1750 |
|
| Dante Algiheri |
4 / 1178 |
|
| Dantes Inferno |
3 / 687 |
|
| Dark &Amp; Light Imagery In Shakespeare’S Macbeth |
3 / 825 |
|
| Dont Judge A Book By It's Cover:A Twelfth Night Comparrison Of Feste A |
3 / 627 |
|
| Ending, Not So Well |
5 / 1257 |
|
| Essay On Love |
4 / 942 |
|
| Essay for Shakespeare's Sonnet 73 |
3 / 703 |
|
| Examine the ways in which Shakespeare develops the character of Romeo through his use of language. |
4 / 903 |
|
| Explore the different ways Shakespeare uses Hamlet's soliloquies to convey to the audience Hamlet's thoughts and feelings at the time of speaking. |
5 / 1312 |
|
| Exploring Sexuality with William Shakespeare |
4 / 1153 |
|
| Hamlet Vs. Macbeth |
2 / 512 |
|
| Hamlet, A Story for the Ages |
4 / 1011 |
|
| Hamlet |
3 / 651 |
|
| How Shakespeare Uses Dramatic Devices In Act 3 Scene 1 Of Romeo |
3 / 610 |
|
| How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene? |
6 / 1584 |
|
| How does Television utilize the components of Drama, Prose, and Poetry? |
2 / 589 |
|
| In What Ways Does Shakespeare Create Sympathy For Romeo And Juliet And Their Relationship? |
4 / 932 |
|
| King Lear |
3 / 622 |
|
| "In what ways is ?The Taming of the Shrew' an appropriate title for the play?". An exploration of Shakespeare's dramatic presentation of Katherina. |
5 / 1435 |
|
| "ROMEO AND JULIET" Character Description Essay |
2 / 366 |
|
| a midsummer nights dream |
3 / 820 |
|
| concepts of love in shakespeare's "the taming of the shrew" |
8 / 2112 |
|
| hamlet metaphor |
4 / 962 |
|
| hamlet |
5 / 1219 |
|
| king lear |
2 / 478 |
|
| Love In Disguise-Analysis of a Shakespearean Comedy |
4 / 932 |
|
| Love and Life Shakspeare |
2 / 454 |
|
| Love in twelfth night |
3 / 721 |
|
| Love/Hate in Much Ado About Nothing |
3 / 629 |
|
| Macbeth critical lens |
2 / 376 |
|
| Macbeth |
3 / 820 |
|
| Motivation: The Tragedy of Julius Caesar |
3 / 814 |
|
| Mr. |
4 / 1006 |
|
| Mr. |
1 / 272 |
|
| Mr |
2 / 326 |
|
| Much Ado ABout Nothing |
4 / 959 |
|
| Muchadoaboutsomting |
2 / 536 |
|
| My Paper |
3 / 640 |
|
| On Fate In Hamlet |
2 / 450 |
|
| Ophelia's Contribution in Hamlet |
5 / 1250 |
|
| Othello Essay |
3 / 710 |
|
| Othello |
2 / 457 |
|
| Othello |
5 / 1204 |
|
| Parker'S Adaption Of Othello |
4 / 917 |
|
| Passage from The Merchant of Venice "Hath not...if you prick us" |
4 / 1200 |
|
| Personal conflict- Othello, I was only 19, Absolutely Fabulous |
4 / 917 |
|
| Poetic Coherence |
3 / 693 |
|
| Poetry |
2 / 463 |
|
| Puddn'Head Wilson |
5 / 1356 |
|
| Romeo & Juliet in comparrison to Michael Gow's Away |
2 / 582 |
|
| Romeo & Juliet: Fate |
3 / 819 |
|
| Romeo And Juliet Film Review |
3 / 660 |
|
| Romeo and Juliet |
3 / 868 |
|
| STD: 'Selfishness the Disease' in William Shakespeare's Measure for Measure |
2 / 531 |
|
| Satire and Parody in Huck Finn |
1 / 178 |
|
| Shakespeare's Richard III |
3 / 647 |
|
| Shakespeare's Sonnet 19 |
2 / 380 |
|
| Shakespeare's Use Of Trickery And Disguise In His Plays |
8 / 2203 |
|
| Sonnet 116 |
3 / 643 |
|
| Sonnet 29 |
2 / 358 |
|
| South Park Vs. Family Guy |
3 / 890 |
|
| The Bear |
3 / 799 |
|
| The Dramatic Uses of Intoxication in Shakespeare's play "The Tempest" |
8 / 2128 |
|
| The English Sonnet |
3 / 746 |
|
| The Eyre Affair Setting |
1 / 280 |
|
| The Garden |
3 / 607 |
|
| The Importance of Being Earnest Play/Film Comparitive Essay |
5 / 1376 |
|
| The Many Faces of Pericles |
4 / 1009 |
|
| The Tempest |
3 / 900 |
|
| The True Author Of Shakespeare's Works |
4 / 1183 |
|
| The ever unchanging Woman |
3 / 775 |
|
| Theme |
2 / 317 |
|
| Theseus vs. Oberon |
2 / 339 |
|
| To Act or Not to Act |
2 / 550 |
|
| Tragedy |
3 / 847 |
|
| Transformations |
4 / 926 |
|
| When My Love Swears She Is Made of Truth |
2 / 560 |
|
| William Shakespeare And His Women |
4 / 989 |
|
| love and marriage in renaissance literature |
4 / 1041 |
|
| midsummer nights dream |
7 / 1838 |
|
| othello |
3 / 858 |
|
| romeo and juliet and king and I |
6 / 1776 |
|
| shakespear |
7 / 2029 |
|
| shakespear |
3 / 694 |
|
| the Analysis of 66. Sonnet |
9 / 2700 |
|
| ya right |
2 / 573 |
|
| Elizabethan Theatre |
1 / 290 |
|
| Greek Theater in 5th Century BCE |
4 / 969 |
|
| Greek Theatre in 5th Century BCE |
4 / 969 |
|
| Greeks Influence on Western Civilization |
2 / 351 |
|
| Romeo & Juilet |
1 / 285 |
|
| shakespeare |
6 / 1592 |
|
| Time traveling through Renaissance |
4 / 1139 |
|
| A Midsummer Night's Dream: Shakespeare's Timeless Exploration Of Love |
2 / 544 |
|
| A Show About Nothing |
3 / 621 |
|
| College Essay |
3 / 779 |
|
| Comedies and Tragedies a contrast in protagonists |
3 / 710 |
|
| east side story |
1 / 268 |
|
| Film |
8 / 2375 |
|
| Hamlet - Revenge A Chain Reaction |
3 / 857 |
|
| Hamlet 4 |
2 / 493 |
|
| Hamlet Analyzed In Terms Of Ar |
3 / 889 |
|
| Hamlet Analyzed In Terms Of Ar |
3 / 871 |
|
| Hamlet Response |
2 / 477 |
|
| Hamlet Vs. Laertes |
3 / 869 |
|
| Hamlet |
2 / 493 |
|
| Hamlets Procrastination And Co |
3 / 692 |
|
| How Does Shakespeare Use Hamle |
4 / 1086 |
|
| John Keats |
2 / 399 |
|
| Julius Caesar - Tragic Hero |
3 / 649 |
|
| Julius Caesar As A Tragic Hero |
3 / 649 |
|
| Julius Caesar: Power's Corruption |
3 / 848 |
|
| Macbeth - Evil And Darkness |
2 / 552 |
|
| Macbeth - Evil And Darkness |
2 / 552 |
|
| Macbeth |
3 / 849 |
|
| Macbeth |
3 / 849 |
|
| Mathematics in Art |
3 / 624 |
|
| Othello Passage |
3 / 665 |
|
| Othello Passage |
3 / 665 |
|
| Richard Iii |
5 / 1282 |
|
| Romeo & Juliet: Love From The Lover's Perspective |
2 / 569 |
|
| Romeo And Juliet - Comparisson To West Side Story |
2 / 554 |
|
| Romeo And Juliet Vs. West Side Story |
2 / 554 |
|
| Shakespeare's Sonnets: The Theme Of Love |
4 / 1194 |
|
| The Cherry Orchard |
3 / 840 |
|
| The Cherry Orchard |
3 / 840 |
|
| The Merchant Of Venice - Anti- |
2 / 504 |
|
| The Merchant Of Venice Essay |
2 / 504 |
|
| The Tempest - Barbarism Versus |
3 / 793 |
|
| The Tempest 4 |
3 / 793 |
|
| Comedy Critique of Pope and the Witch |
4 / 1145 |
|
| Comparing "buddy" pairs of the old cinema |
3 / 861 |
|
| Franco Zeffirelli And Baz Luhrmann's Romeo And Juliet |
4 / 979 |
|
| Hong Kong Cinema |
3 / 709 |
|
| Romeo + Juliet: An E Ticket Ride |
3 / 728 |
|
| richard pryor v. sinbad |
3 / 740 |
|
| Shakespeare and the Movies |
8 / 2326 |
|
| snowboards, beer, and casablanca |
3 / 750 |
|
| Wedding Crashers |
3 / 739 |
|
| tv violence |
2 / 402 |
|
| Gelotology |
2 / 546 |
|
| Hamlet Analyzed In Terms Of Aristotle's Poetics |
4 / 907 |
|
| Movie |
1 / 283 |
|
| Text commentary ? outside the walls of Harfleur |
2 / 573 |
|
| TV gender preferences |
1 / 189 |
|
| To be independent? Or not to be Independent? Feminism |
4 / 1045 |
|
| t |
2 / 452 |
|
