| Title |
Pages / Words |
Save |
| Art and technology - Schwartz & Moffat |
10 / 2940 |
 |
| Lord of the Flies |
2 / 515 |
|
| McCarthyism and the Media |
8 / 2343 |
|
| 1950's Movie Essay: "Rebel Without a Cause" |
4 / 1018 |
|
| Amistad |
2 / 449 |
|
| Cold war |
5 / 1397 |
|
| hollywood globalized |
4 / 902 |
|
| Nancy Reagan |
2 / 367 |
|
| 4 show |
4 / 983 |
|
| Alfred Hitchcock and The Director |
9 / 2423 |
|
| Annotated Bibliography of Buster Keaton |
6 / 1637 |
|
| bruce lee |
4 / 964 |
|
| Chaplin |
8 / 2153 |
|
| Harryhausen |
5 / 1259 |
|
| Jean Paul Gaultier Biography |
2 / 368 |
|
| Katharine Hepburn |
6 / 1569 |
|
| Maryilyn Monroe |
3 / 881 |
|
| Maya Deren |
8 / 2392 |
|
| Spielberg Bio |
4 / 1075 |
|
| Stanley Kubrick |
6 / 1545 |
|
| Stanley Kubrick |
6 / 1713 |
|
| The Life Of Walt Disney & The Grimm Brothers |
6 / 1588 |
|
| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
|
| Asterix |
2 / 483 |
|
| a walk in the moon |
6 / 1564 |
|
| Discourse On Colonialism |
9 / 2493 |
|
| fahrenheit 451 |
2 / 383 |
|
| fight club |
2 / 481 |
|
| Hatchet |
2 / 539 |
|
| Mid Summer |
4 / 1132 |
|
| Movie |
5 / 1377 |
|
| Novel WIthout a Name |
6 / 1634 |
|
| Persevering Literature |
3 / 841 |
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| Poe |
2 / 584 |
|
| Requiem for a dream |
2 / 433 |
|
| UFO |
2 / 393 |
|
| Amazon Background |
2 / 364 |
|
| business in asia |
5 / 1325 |
|
| Chinese Cuise |
4 / 1040 |
|
| Define Marketing |
3 / 892 |
|
| Four Functions Of Management |
3 / 804 |
|
| George Lucas |
6 / 1657 |
|
| health |
2 / 374 |
|
| hmv case study |
5 / 1298 |
|
| In Film Advertisingaims And Objective |
6 / 1602 |
|
| jet blue |
2 / 503 |
|
| Marketing Mix |
2 / 529 |
|
| masters |
2 / 348 |
|
| O Business |
6 / 1733 |
|
| Short bio on Peter Drucker |
2 / 386 |
|
| Argument Essay |
2 / 457 |
|
| Behind The Gare Saint-Lazare |
4 / 901 |
|
| Considering Fantasy's Special Effects |
5 / 1362 |
|
| Crickets |
2 / 473 |
|
| Cultural Analysis of Boyz N the Hood |
6 / 1603 |
|
| Differences between The Birds the Movie and The Birds short story |
2 / 594 |
|
| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
|
| Fear and Trembling Film Anaysis |
6 / 1529 |
|
| History of MGM studio |
5 / 1444 |
|
| Is Duddy Karvitz and Anti-Hero? |
2 / 474 |
|
| a rose for emily |
2 / 417 |
|
| analyse shane with specific reference to the films visual style and western themes |
6 / 1556 |
|
| evolution |
7 / 1842 |
|
| heroes analytical exposition |
5 / 1207 |
|
| Paper Outline |
2 / 465 |
|
| Romeo and Juliet speech with relevant txts |
6 / 1531 |
|
| Saving Private Ryan |
4 / 995 |
|
| Star Wars And The Matrix - A Comparison |
3 / 779 |
|
| Text shape society - respond with reference to film |
7 / 1964 |
|
| The World According to Michael Moore |
2 / 449 |
|
| Twelve Angry Men film review |
2 / 476 |
|
| pygmalion |
2 / 414 |
|
| Africa-an Uncharted Place of Rich Tradition |
5 / 1393 |
|
| Malene Dietrich, Style Icon |
4 / 1079 |
|
| whitlam |
3 / 821 |
|
| A.I. |
2 / 485 |
|
| Adam Sandler |
2 / 375 |
|
| Art and technology - Schwartz & Moffat |
10 / 2906 |
|
| BMW |
3 / 728 |
|
| Briar rose symbols |
2 / 358 |
|
| Client Server |
7 / 1942 |
|
| Film Report - A Time To Kill, Sleepers, An Eye For An Eye |
9 / 2599 |
|
| Gadgets Of JAmes Bond |
6 / 1715 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
|
| Italian Immigration |
4 / 1076 |
|
| Marathon |
8 / 2306 |
|
| Obituary |
2 / 424 |
|
| Orson Welles |
4 / 1157 |
|
| Our Daily Bread Sliced Thin |
6 / 1678 |
|
| one must know |
2 / 521 |
|
| Pocahontas: Fact Or Fiction |
2 / 462 |
|
| Pop Art |
5 / 1201 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
|
| religion in film |
8 / 2275 |
|
| Snuff Films |
9 / 2495 |
|
| Stranger Than Fiction: From Comics to Film |
11 / 3221 |
|
| The Dead Butcher And The Fiend |
3 / 779 |
|
| The Decade Of Realizations: American Youth During The 80s |
9 / 2683 |
|
| The Effects Of Pornography |
4 / 1065 |
|
| The Grudge |
2 / 490 |
|
| The Luxor |
2 / 365 |
|
| The Mirror Of Time And Memory |
6 / 1561 |
|
| The Negative Effects Of Television For Children |
4 / 963 |
|
| The Roswell Incident |
5 / 1219 |
|
| The final girl |
9 / 2552 |
|
| This Is Crap |
2 / 351 |
|
| True Romance |
2 / 541 |
|
| Walt Disney |
7 / 1885 |
|
| A LAiterary Review Of The Dead Poet's Society |
2 / 495 |
|
| APPLICATION OF VARIOUS MEDIA PHILOSOPHICAL THEORIES IN CONECTION WITH CULTURE. |
4 / 1088 |
|
| American Splendor |
5 / 1296 |
|
| Artificail Intelligence |
4 / 1044 |
|
| american beauty and virgin suicides comparison |
9 / 2545 |
|
| big sleep |
4 / 923 |
|
| Casablanca |
5 / 1386 |
|
| Censorship Of The Arts In Singapore |
5 / 1447 |
|
| Charlie Kaufman |
5 / 1371 |
|
| Chinatown: Movie Analysis |
2 / 432 |
|
| Cinematography |
4 / 1048 |
|
| Cinematography: Everything You Need To Know |
3 / 859 |
|
| City of God |
4 / 1066 |
|
| Coppola's short biography |
3 / 738 |
|
| Critique of "The Art of National Identity" by John Orr |
7 / 1877 |
|
| californication |
2 / 427 |
|
| chinatown |
4 / 1192 |
|
| city of god |
8 / 2315 |
|
| David Selznick And Since You Went Away |
8 / 2370 |
|
| Dead Poet's Society |
2 / 546 |
|
| Distopian Film |
8 / 2113 |
|
| Documentaries |
2 / 310 |
|
| donnie drako |
3 / 894 |
|
| Eat Drink Man Woman |
2 / 551 |
|
| Evolution Of Media Violence |
2 / 367 |
|
| Freedom is the Only Way Now! |
5 / 1440 |
|
| Harrison Ford and The Conversation |
4 / 923 |
|
| Harry Potter Differences |
4 / 1154 |
|
| He'll Huff and He'll Puff and He'll Blow Your House Down: Domestic Violence and The Shining |
2 / 471 |
|
| Hindi Film Industry |
7 / 2050 |
|
| Hollywood recovery |
9 / 2535 |
|
| Horror in Hollywood |
10 / 2798 |
|
| How Music Effects Mood and Perception in Motion Pictures |
6 / 1605 |
|
| i Robot |
2 / 514 |
|
| John Ford And Frank Capra: A Study Of Their Movies |
9 / 2682 |
|
| live flesh |
2 / 432 |
|
| Maltese Falcon |
5 / 1477 |
|
| Management Lessons From Lagaan |
4 / 999 |
|
| Mise-en-Scene |
4 / 1039 |
|
| Movie Rating |
3 / 616 |
|
| metropolis |
6 / 1738 |
|
| National Geographic: Mysteries Underground |
2 / 555 |
|
| Neorealism |
9 / 2591 |
|
| One Life Aquatic |
4 / 954 |
|
| Originality and Repetition in Contemporary Cinema |
7 / 1945 |
|
| Psycho by Alfred Hitchcock |
2 / 479 |
|
| Pulp Fiction Narrative |
4 / 955 |
|
| preach it mother |
2 / 537 |
|
| psycho |
4 / 1015 |
|
| Red Rock West |
2 / 577 |
|
| Robert Altman's The Long Goodbye As A Genre Revisionist Film |
6 / 1570 |
|
| Robert Preston |
4 / 1095 |
|
| ritchie rich |
2 / 433 |
|
| School of Rock: Selling it to the Man? |
4 / 1121 |
|
| Sin City |
3 / 826 |
|
| Talented Mr Ripley |
2 / 372 |
|
| The Beatles |
2 / 395 |
|
| The Black Dahlia |
3 / 704 |
|
| The Mirror Of Time And Memory |
6 / 1561 |
|
| The Study Of National Cinema |
5 / 1220 |
|
| the main changes that the paramount decree effected on the structure of the american film industry and the measures the ex-studios took to remain in control of the film market |
8 / 2256 |
|
| War of the Worlds Analysis |
4 / 1132 |
|
| What is Beef? |
2 / 448 |
|
| Cavell |
10 / 2994 |
|
| Up Series: 35 Up |
3 / 828 |
|
| Admiral Kurtz In Apocalypase Now |
4 / 1132 |
|
| Mass Murders v Serial Killers |
4 / 1156 |
|
| PACER |
2 / 524 |
|
| Sci-fI Films |
8 / 2199 |
|
| Zinc oxide |
2 / 361 |
|
| Argumentative |
2 / 411 |
|
| Censorship |
2 / 513 |
|
| Che Guevara |
3 / 781 |
|
| Declaring the "Undeclared" War |
5 / 1202 |
|
| Disney and the Media Industry |
4 / 1180 |
|
| Far From Heaven film review |
4 / 1143 |
|
| Fencing |
4 / 953 |
|
| Film |
10 / 2891 |
|
| Indian Brothers |
2 / 404 |
|
| Murray Davis' Smut, Erotic Reality/obscene Ideology |
6 / 1713 |
|
| Narmada Dam |
2 / 491 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| Pornography: Sex Or Subordination? |
8 / 2358 |
|
| So What is Culture Really? |
2 / 477 |
|
| Sugarball Essay |
4 / 982 |
|
| View on Intellectual Property Rights |
2 / 369 |
|
| Women In Hollywood |
13 / 3641 |
|
| Are Video Games Bad For You? |
6 / 1664 |
|
| Client Server |
7 / 1942 |
|
| Computer Applications Unit 1 |
4 / 913 |
|
| Electrical Resistance Strain Gage |
4 / 1152 |
|
| The DVD Revolution |
4 / 1106 |
|
