| Title | 
           Pages / Words | 
           Save | 
          
                  
           | Rikki-Tikki-Tavi The War Story | 
           5 / 1220 | 
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           | The Red Badge of Courage | 
           5 / 1492 | 
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           | Hamlet | 
           4 / 1043 | 
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           | Andrew Jackson | 
           2 / 395 | 
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           | abraham lincoln's life | 
           38 / 11116 | 
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           | Douglas MacArthur | 
           2 / 345 | 
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           | malcolm x | 
           2 / 369 | 
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           | A Comparison Of Arthur Becomes King And David And Goliath | 
           2 / 480 | 
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           | Julius Caesar - A Tragic Hero | 
           3 / 865 | 
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           | Much Ado About Nothing | 
           2 / 558 | 
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           | Richard Marcinko | 
           2 / 418 | 
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           | Woodrow Wilson | 
           5 / 1277 | 
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           | An Enemy Of The People | 
           4 / 928 | 
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           | Another MacBeth | 
           2 / 452 | 
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           | a lesson before dying- heroism | 
           3 / 808 | 
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           | alive | 
           1 / 296 | 
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           | Beowulf And Hrothgar: Anglo-saxon Ideal Code Of Conduct | 
           2 / 571 | 
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           | Beowulf to froto baggins | 
           4 / 959 | 
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           | Beowulf: The Ultimate Hero | 
           6 / 1739 | 
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           | billy Budd By Herman Melville: Captain Vere | 
           2 / 462 | 
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           | Dramatic Irony in Oedipus Rex | 
           2 / 498 | 
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           | Essay By On The Aeneid | 
           5 / 1251 | 
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           | Faust | 
           3 / 873 | 
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           | Hamlet: Antiheroism | 
           3 / 829 | 
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           | James and the Giant Peach | 
           3 / 744 | 
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           | John Milton | 
           4 / 989 | 
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           | King Lear: Lear The Tragic Hero | 
           6 / 1633 | 
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           | Les Miserables: Jean Valjean | 
           2 / 428 | 
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           | Lord Of The Rings | 
           3 / 776 | 
             | 
          
                  
           | Macbeth: Macbeth The Tragic Hero | 
           4 / 908 | 
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           | Macbeth: Macbeth's Ambition, Courage, And Moral Cowardness Leads To Hi | 
           2 / 460 | 
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           | Much Ado About Nothing: An Overview | 
           4 / 1126 | 
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           | mcbeth | 
           2 / 536 | 
             | 
          
                  
           | Questionable Heroes In The Play Julius Caesar | 
           3 / 703 | 
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           | Soul Flayer | 
           2 / 391 | 
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           | Things Fall Apart- Achebe | 
           4 / 954 | 
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           | To Kill A Mocking Bird | 
           3 / 664 | 
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           | Balanced Scorecard | 
           4 / 940 | 
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           | Bloomberg | 
           4 / 982 | 
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           | Coca Cola SWOT | 
           3 / 894 | 
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           | Coca-Cola | 
           3 / 613 | 
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           | Customer Requirements Translated Into Products/Services | 
           4 / 949 | 
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           | Functions Of Managment | 
           3 / 817 | 
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           | HOW STRATEGIC PLANNING HELPS IN ENSURING THE SURVIVAL AND GROWTH OF AN ORGANISATION | 
           6 / 1546 | 
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           | Handling Contemporary Management Issues | 
           4 / 1173 | 
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           | Irn Bru Marketing | 
           2 / 522 | 
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           | Michael Porter's Generic Strategies | 
           2 / 447 | 
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           | Oracle | 
           4 / 1137 | 
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           | Pest And Swot Of Kfc Group | 
           1 / 147 | 
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           | project work | 
           1 / 208 | 
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           | SWOT Analysis | 
           3 / 659 | 
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           | SWOT Analysis | 
           3 / 718 | 
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           | SWOT analysis of Hewlett-Packard. | 
           1 / 274 | 
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           | SWOT analysis swatch | 
           1 / 194 | 
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           | SWOT-Analysis | 
           3 / 691 | 
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           | Steinway SWOT | 
           4 / 1123 | 
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           | Strategic Issue | 
           4 / 1054 | 
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           | Swot Analysis Of Agricultural Business | 
           2 / 417 | 
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           | Swot Analysis Perdue Farm | 
           1 / 183 | 
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           | Swot Analysis Walmart | 
           1 / 224 | 
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           | Swot Analysis | 
           1 / 178 | 
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           | Swot Analysis | 
           4 / 1039 | 
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           | Swot Analysis | 
           3 / 782 | 
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           | Swot Of Sbi | 
           2 / 437 | 
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           | school case study | 
           2 / 511 | 
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           | THE FUNCTIONS OF MANAGEMENT | 
           3 / 821 | 
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           | Teacher | 
           2 / 591 | 
             | 
          
                  
           | Tescoa Case Study In Supermarket Excellence | 
           6 / 1538 | 
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           | The Four Functions of Management | 
           3 / 817 | 
             | 
          
                  
           | Using SWOT Analysis to Formulate Strategy | 
           8 / 2155 | 
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           | Achilles: a hero no more | 
           4 / 1003 | 
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           | Antigone | 
           5 / 1392 | 
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           | Atticus Finch as a Heroic Character in to Kill a Mockingbird | 
           3 / 795 | 
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           | Beowulf As An Epic | 
           2 / 568 | 
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           | Beowulf Essay | 
           4 / 973 | 
             | 
          
                  
           | Beowulf; A True Hero | 
           5 / 1326 | 
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           | Beowulf | 
           2 / 431 | 
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           | Beowulf | 
           3 / 634 | 
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           | Casablanca | 
           2 / 470 | 
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           | Christianity & Paganism in Beowulf | 
           2 / 469 | 
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           | Critical Lens | 
           3 / 632 | 
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           | Dr. Faustus Morality Play And How Its Different. | 
           4 / 1165 | 
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           | Explain How Social Darwinism And Determinism Are Evident In Jack London'S "To Build A Fire" | 
           2 / 434 | 
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           | Gilgamesh And Oddysey | 
           4 / 1137 | 
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           | Gilgamesh and Odysseus | 
           4 / 909 | 
             | 
          
                  
           | Hamlet | 
           2 / 495 | 
             | 
          
                  
           | Hedda Gabler - A Tragic Hero? | 
           4 / 1071 | 
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           | Hercules Comparison | 
           3 / 730 | 
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           | Hero Project | 
           4 / 980 | 
             | 
          
                  
           | How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? | 
           6 / 1639 | 
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           | all the pretty horses versus the searchers | 
           4 / 925 | 
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           | bin laden | 
           2 / 541 | 
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           | haindi | 
           2 / 495 | 
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           | hero | 
           2 / 525 | 
             | 
          
                  
           | Macbeth essay | 
           5 / 1293 | 
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           | Macbeth--a Tragic Hero | 
           3 / 678 | 
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           | Macbeth | 
           2 / 449 | 
             | 
          
                  
           | Macbeth | 
           2 / 461 | 
             | 
          
                  
           | Macbeth:Concious Villain To Unrepentant Tyrant | 
           4 / 1011 | 
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           | Me | 
           1 / 145 | 
             | 
          
                  
           | Mr. | 
           4 / 1006 | 
             | 
          
                  
           | Much Ado About Nothing: Pride and Prejudice | 
           5 / 1266 | 
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           | Muchadoaboutsomting | 
           2 / 536 | 
             | 
          
                  
           | Mutability in Tennyson's Ulysses | 
           4 / 932 | 
             | 
          
                  
           | Odysseus' Journey as an Epic Hero | 
           5 / 1266 | 
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           | Oedipus Rex | 
           4 / 1148 | 
             | 
          
                  
           | Othello' Profile | 
           3 / 666 | 
             | 
          
                  
           | Othello | 
           4 / 1198 | 
             | 
          
                  
           | Othello: The Tragic Hero | 
           3 / 791 | 
             | 
          
                  
           | Peter Weir movie analysis | 
           2 / 542 | 
             | 
          
                  
           | Quests | 
           3 / 840 | 
             | 
          
                  
           | Reflective essays | 
           5 / 1279 | 
             | 
          
                  
           | Shakespeares depiction of a tragic hero | 
           5 / 1470 | 
             | 
          
                  
           | Sir Gawain and the Green Knight | 
           3 / 648 | 
             | 
          
                  
           | Sisyphus Sinthesys | 
           2 / 526 | 
             | 
          
                  
           | Swot | 
           2 / 442 | 
             | 
          
                  
           | The Epic Hero | 
           3 / 730 | 
             | 
          
                  
           | The Iliad | 
           5 / 1428 | 
             | 
          
                  
           | The Red Badge of Courage | 
           5 / 1455 | 
             | 
          
                  
           | The Refinement of a Hero in "Beowulf" | 
           6 / 1696 | 
             | 
          
                  
           | The Tragic Fate of Oedipus the King | 
           4 / 935 | 
             | 
          
                  
           | The nature of theatre in Europe in the 19th Century | 
           2 / 522 | 
             | 
          
                  
           | Themes of modernism | 
           3 / 839 | 
             | 
          
                  
           | Things Fall Apart | 
           5 / 1282 | 
             | 
          
                  
           | Two Flawlessly Flawed Heroes (The Illiad) | 
           6 / 1542 | 
             | 
          
                  
           | Who Am I? Essay | 
           3 / 833 | 
             | 
          
                  
           | macbeth: a tragic hero | 
           2 / 456 | 
             | 
          
                  
           | reading log on the crucible | 
           2 / 453 | 
             | 
          
                  
           | Analysis and Comparison of Two Epic Characters Gilgamesh and Enkidu | 
           2 / 484 | 
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           | BeoWolf | 
           2 / 377 | 
             | 
          
                  
           | Beowulf as the Ultimate Hero | 
           6 / 1632 | 
             | 
          
                  
           | Children's Literature | 
           2 / 398 | 
             | 
          
                  
           | LOTR TROY Immortality of heroes | 
           8 / 2194 | 
             | 
          
                  
           | Russia's unjust occupation of Chechnya | 
           2 / 412 | 
             | 
          
                  
           | Death Of A Salesman | 
           4 / 1195 | 
             | 
          
                  
           | A & P Analyzation | 
           1 / 130 | 
             | 
          
                  
           | A Marine, A Hero, My Brother | 
           2 / 496 | 
             | 
          
                  
           | A Person Who has had influence on my Life | 
           2 / 444 | 
             | 
          
                  
           | Aeneid | 
           2 / 386 | 
             | 
          
                  
           | Antigone (creon As The Tragic | 
           2 / 439 | 
             | 
          
                  
           | analysis on a case study | 
           7 / 1985 | 
             | 
          
                  
           | Being A Hero | 
           5 / 1495 | 
             | 
          
                  
           | Beowulf As An Epic | 
           2 / 568 | 
             | 
          
                  
           | Beowulf Vs. Gilgamesh | 
           4 / 1181 | 
             | 
          
                  
           | Beowulf | 
           2 / 484 | 
             | 
          
                  
           | Beowulf: Heroism | 
           4 / 928 | 
             | 
          
                  
           | Beowulf: Heroism | 
           4 / 928 | 
             | 
          
                  
           | beowulf/grendel | 
           4 / 1068 | 
             | 
          
                  
           | CLassical vs. Hellenistic | 
           2 / 351 | 
             | 
          
                  
           | Cool Hand Luke | 
           3 / 837 | 
             | 
          
                  
           | Cyrano De Bergerac | 
           2 / 501 | 
             | 
          
                  
           | Death Be Not Proud | 
           1 / 155 | 
             | 
          
                  
           | Different Cultures, Different | 
           3 / 827 | 
             | 
          
                  
           | Does King Lear Play The Tragic | 
           3 / 866 | 
             | 
          
                  
           | dc vs marvel | 
           3 / 682 | 
             | 
          
                  
           | debate | 
           4 / 970 | 
             | 
          
                  
           | Editha | 
           5 / 1285 | 
             | 
          
                  
           | Editha | 
           5 / 1285 | 
             | 
          
                  
           | Gilgamesh, Achilles, Aeneas, And Roland | 
           6 / 1606 | 
             | 
          
                  
           | Hamlet | 
           2 / 495 | 
             | 
          
                  
           | Hero | 
           2 / 529 | 
             | 
          
                  
           | Heroes And Villains | 
           2 / 558 | 
             | 
          
                  
           | Huck As Hero | 
           4 / 1150 | 
             | 
          
                  
           | Iliad 2 - | 
           2 / 580 | 
             | 
          
                  
           | kill bill | 
           2 / 518 | 
             | 
          
                  
           | Macbeth - Hero Or Villain? | 
           5 / 1389 | 
             | 
          
                  
           | Macbeth - Tragic Hero | 
           2 / 397 | 
             | 
          
                  
           | Macbeth - Tragic Hero | 
           2 / 397 | 
             | 
          
                  
           | Marcus Brutus-the Tragic Hero | 
           2 / 486 | 
             | 
          
                  
           | Much Ado About Nothing - The Importance Of Noting | 
           4 / 1146 | 
             | 
          
                  
           | Napolean | 
           1 / 122 | 
             | 
          
                  
           | Oedipus The King Sophocles | 
           4 / 1094 | 
             | 
          
                  
           | Orestes An Innocent Hero | 
           4 / 1151 | 
             | 
          
                  
           | Oskar Schindler: A Hero Study | 
           4 / 1059 | 
             | 
          
                  
           | Othello - The Tragic Hero | 
           3 / 791 | 
             | 
          
                  
           | odysseus: an epic hero | 
           4 / 1117 | 
             | 
          
                  
           | Paradise Found And Lost - Critique | 
           2 / 535 | 
             | 
          
                  
           | Paradise Found And Lost - Critique | 
           2 / 535 | 
             | 
          
                  
           | Paris: The Iliad | 
           2 / 580 | 
             | 
          
                  
           | Paris: The Iliad | 
           2 / 580 | 
             | 
          
                  
           | studenty | 
           3 / 622 | 
             | 
          
                  
           | The Bat, The Man, and His Audiences | 
           5 / 1411 | 
             | 
          
                  
           | The Iliad | 
           5 / 1428 | 
             | 
          
                  
           | The Underdog Can Win! | 
           5 / 1478 | 
             | 
          
                  
           | Theseus Athens Great Hero | 
           2 / 556 | 
             | 
          
                  
           | Tragedy And The Common Man | 
           3 / 800 | 
             | 
          
                  
           | Un Viaje A Itaca | 
           2 / 325 | 
             | 
          
                  
           | What a loser. | 
           1 / 240 | 
             | 
          
                  
           | Why Hamlet Is A Hero | 
           5 / 1367 | 
             | 
          
                  
           | Casablanca | 
           3 / 663 | 
             | 
          
                  
           | Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? | 
           4 / 1141 | 
             | 
          
                  
           | Flawless Heroes? | 
           2 / 455 | 
             | 
          
                  
           | Shane | 
           4 / 937 | 
             | 
          
                  
           | Summary Of Beyond Formula: American Film Genres | 
           6 / 1520 | 
             | 
          
                  
           | A Hero in a Loincloth… and His Methods | 
           3 / 815 | 
             | 
          
                  
           | The Odyssey | 
           2 / 465 | 
             | 
          
                  
           | paul | 
           5 / 1230 | 
             | 
          
                  
           | Is There a High Degree of Violence in Video Games | 
           3 / 751 | 
             | 
          
                  
           | The Romantic Present | 
           2 / 582 | 
             | 
          
                  
           | Dota: Manta Style strategy on Tinker | 
           5 / 1437 | 
             |